The Complete Capitol Recordings, Volume 2

~ Release by Art Tatum (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1My Heart Stood Still
recorded in:
Los Angeles, California, United States (on 1949-07-13, on 1949-07-25, on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-07-13, on 1949-07-25, on 1949-09-29)
instrumental recording of:
My Heart Stood Still (on 1949-07-13)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
instrumental recording of:
My Heart Stood Still (on 1949-07-25)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:10
2You Took Advantage of Me
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
You Took Advantage of Me (on 1949-09-29)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:15
3I Gotta Right to Sing the Blues
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
2:55
4How High the Moon
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:04
5Makin’ Whoopee
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
Makin’ Whoopee! (on 1949-09-29)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:44
6Goin’ Home
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
Goin’ Home
lyricist:
William Arms Fisher (American composer, music historian and writer) (in 1922)
composer:
William Arms Fisher (American composer, music historian and writer) and Antonín Dvořák (composer) (in 1893)
instruments arranger:
William Arms Fisher (American composer, music historian and writer)
publisher:
Dash Music Co. Ltd.
is based on:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
3:10
7Blue Skies
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
solo piano:
Art Tatum (US jazz pianist)
instrumental recording of:
Blue Skies (on 1949-09-29)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:53
8It’s the Talk of the Town
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
It’s the Talk of the Town (on 1949-09-29)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
3:21
9Dancing in the Dark
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
Dancing in the Dark (on 1949-09-29)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
2:58
10Tenderly
recorded in:
Los Angeles, California, United States (on 1949-09-29)
piano:
Art Tatum (US jazz pianist) (on 1949-09-29)
instrumental recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:09
11Just One of Those Things
recorded in:
New York, New York, United States (on 1952-12-20)
double bass:
Slam Stewart (on 1952-12-20)
guitar:
Everett Barksdale (on 1952-12-20)
piano:
Art Tatum (US jazz pianist) (on 1952-12-20)
instrumental recording of:
Just One of Those Things (on 1952-12-20)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:20
12Indiana
recorded in:
New York, New York, United States (on 1952-12-20)
double bass:
Slam Stewart (on 1952-12-20)
guitar:
Everett Barksdale (on 1952-12-20)
piano:
Art Tatum (US jazz pianist) (on 1952-12-20)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1952-12-20)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:27
13Lover
recorded in:
New York, New York, United States (on 1952-12-20)
double bass:
Slam Stewart (on 1952-12-20)
guitar:
Everett Barksdale (on 1952-12-20)
piano:
Art Tatum (US jazz pianist) (on 1952-12-20)
instrumental recording of:
Lover (on 1952-12-20)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:12
14Would You Like to Take a Walk
recorded in:
New York, New York, United States (on 1952-12-20)
double bass:
Slam Stewart (on 1952-12-20)
guitar:
Everett Barksdale (on 1952-12-20)
piano:
Art Tatum (US jazz pianist) (on 1952-12-20)
instrumental recording of:
Would You Like to Take a Walk? (on 1952-12-20)
lyricist:
Mort Dixon and Billy Rose (lyricist and Broadway producer)
composer:
Harry Warren (US composer and lyricist)
3:32