Blue Moon

~ Release by Bob Kindred with John Di Martino, George Mraz, Ben Riley (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Do Nothin' Till You Hear From Me
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
Do Nothin’ Till You Hear From Me (in 2004-02)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
5:55
2In a Sentimental Mood
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
In a Sentimental Mood (in 2004-02)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
5:14
3Crazy He Calls Me
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
Crazy He Calls Me (in 2004-02)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
6:01
4Moon and Sand
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
Moon and Sand (in 2004-02)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (American composer)
publisher:
Cadmean Dawn
7:07
5Body and Soul
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
Body and Soul (in 2004-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:16
6The Things We Did Last Summer
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
The Things We Did Last Summer (in 2004-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
6:18
7If You Could See Me Now
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
If You Could See Me Now (jazz standard) (in 2004-02)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
8:18
8Time on My Hands
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
Time on My Hands (in 2004-02)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
6:13
9Blue Moon
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
Blue Moon (in 2004-02)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
7:25
10Warm Valley
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
recording of:
Warm Valley (in 2004-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:29
11With the Wind and Rain in Your Hair
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician) (from 2004-02-26 until 2004-02-27)
producer:
Todd Barkan (producer) and Tetsuo Hara (jazz producer / Venus Records founder)
mixer:
Shuji Kitamura and Tetsuo Hara (jazz producer / Venus Records founder)
double bass [bass]:
George Mraz (jazz bassist) (from 2004-02-26 until 2004-02-27)
drums (drum set):
Ben Riley (American jazz drummer) (from 2004-02-26 until 2004-02-27)
piano:
Johnny Di Martino (jazz pianist, composer & arranger) (from 2004-02-26 until 2004-02-27)
tenor saxophone:
Bob Kindred (from 2004-02-26 until 2004-02-27)
phonographic copyright (℗) by:
Venus Records, Inc.
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2004-02-26 until 2004-02-27)
instrumental recording of:
With the Wind and the Rain in Your Hair (in 2004-02)
writer:
Clara Edwards (American singer and songwriter) and Jack Lawrence (US songwriter)
5:49