Deadpool & Wolverine: Original Motion Picture Soundtrack (deluxe edition)

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Only You (re‐recorded)
recording of:
Only You
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:44
2Bye Bye Bye
assistant recording engineer:
Bray Merritt
recording engineer:
Mike Tucker (engineer)
producer:
Jake (Swedish producer) and Kristian Lundin
guitar:
Esbjörn Öhrwall
vocals:
Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick and Justin Timberlake
performer:
*NSYNC (US boy band)
produced for:
Cheiron Productions
recorded at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, United States, Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden and Cove City Sound Studios in Glen Cove, New York, United States
music videos:
Bye Bye Bye by *NSYNC (US boy band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 57)
recording of:
Bye Bye Bye
writer:
Andreas Carlsson (pop songwriter), Jake (Swedish producer) and Kristian Lundin
publisher:
Grantsville Publishing Ltd., GV-Maratone and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
*NSYNC43:20
3Angel of the Morning
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1968)
cover recording of:
Angel of the Morning (in 1968-01)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Merrilee Rush & the Turnabouts53:10
4SLASH
Stray Kids3:12
5Glamorous
recording of:
Glamorous
writer:
Christopher Bridges (Ludacris, US rapper & actor), Jamal Jones, Stacy Ferguson (American singer) and Elvis “Blac Elvis” Williams
Fergie2:58
6Iris
assistant engineer:
Greg Burns (engineer) (task: second engineer) and Rafa Sardina (task: second engineer)
engineer:
Allen Sides
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph‐Puig
bass:
Robby Takac
drums (drum set) and percussion:
Mike Malinin
guitar:
John Rzeznik
mandolin:
Tim Pierce (US session guitarist)
piano:
Jamie Muhoberac
vocals:
John Rzeznik
strings [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
music videos:
Iris by Goo Goo Dolls
recording of:
Iris
lyricist and composer:
John Rzeznik
publisher:
EMI Virgin Songs, Inc. and Scrap Metal Music
The Goo Goo Dolls4.154:50
7The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:54
8I’m a Ramblin’ Man
recording engineer:
Al Pachucki (on 1974-02-08)
producer:
Waylon Jennings (US country musician) and Ray Pennington
bass:
Joe Allen (US country songwriter & bassist) (on 1974-02-08) and Leon Rhodes (on 1974-02-08)
drums (drum set):
D.J. Fontana (on 1974-02-08) and Larry Londin (on 1974-02-08)
guitar:
Waylon Jennings (US country musician) (on 1974-02-08), Dave Kirby (US country singer/songwriter) (on 1974-02-08) and Bobby Thompson (guitar & banjo player) (on 1974-02-08)
piano:
Bunky Keels (on 1974-02-08)
background vocals:
Lea Jane Berinati (on 1974-02-08), Ronald B. Drake (on 1974-02-08), Sharon Vaughn (on 1974-02-08) and Ernest West (on 1974-02-08)
lead vocals:
Waylon Jennings (US country musician) (on 1974-02-08)
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1974-02-08)
cover recording of:
I’m a Rambling Man (on 1974-02-08)
lyricist and composer:
Ray Pennington
publisher:
Tree Publishing Co., Inc.
Waylon Jennings42:47
9You Belong to MePatsy Cline & The Jordanaires33:03
10The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:19
11I’m With You
recording engineer and producer:
The Matrix (songwriters/producers collective)
executive producer:
Antonio M. Reid
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
cello:
Suzie Katayama
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2022)
recorded at:
Decoy Studios in Studio City, Los Angeles, California, United States
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
I'm With You (music video) by Avril Lavigne
recording of:
I’m With You
writer:
Avril Lavigne and The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Rainbow Fish, Tix Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Avril Lavigne4.253:44
12The Greatest Show
engineer:
Derik Lee (engineer)
producer:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Jake Sinclair and Greg Wells
mixer:
Greg Wells
arranger:
Rob Mathes
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
The Greatest Show
writer:
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Benj Pasek and Justin Paul
part of:
The Greatest Showman (2017 musical film)
Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble25:03
13You’re the One That I Want
engineer and mixer:
David J. Holman
producer:
John Farrar
electric bass guitar:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
karaoke version of:
You’re the One That I Want (sing‐a‐long version) by John Farrar
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
lyricist and composer:
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:50
14I’ll Be Seeing You
producer:
Jimmy Hilliard
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
recording of:
I’ll Be Seeing You
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Jimmy Durante3:12
15Make Me Lose Control
producer:
Jimmy Ienner (producer) and Bob Irwin
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 1988)
recording of:
Make Me Lose Control
writer:
Eric Carmen and Dean Pitchford
publisher:
Eric Carmen Music and Pitchford Music
Eric Carmen54:46
16You’re All I Need to Get By
recording engineer and engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin with the Royal Philharmonic Orchestra3.53:35
17Good Riddance (Time of Your Life)
recording engineer and engineer:
Ken Allardyce
co-engineer:
Tony Flores (engineer)
producer:
Rob Cavallo and Green Day
mixer:
Chris Lord‐Alge
bass:
Mike Dirnt
drums (drum set):
Tré Cool
guitar:
Billie Joe
vocals:
Billie Joe and Mike Dirnt
phonographic copyright (℗) by:
Reprise Records (in 1997)
music videos:
Good Riddance (Time of Your Life) by Green Day
part of:
Indie 88: Top 500 Indie Rock Songs (number: 152)
recording of:
Good Riddance (Time of Your Life)
lyricist:
Billie Joe Armstrong
composer:
Green Day
Green Day3.92:35
18LFG
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
LFG
composer:
Rob Simonsen (American score composer)
Rob Simonsen1:50
19Deadpool Has a Theme
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Deadpool Has a Theme
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:29
20It’s Been a While
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
It’s Been a While
composer:
Rob Simonsen (American score composer)
Rob Simonsen0:39
21Reaching Too High
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Reaching Too High
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:15
22Make a Wish
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Make a Wish
composer:
Rob Simonsen (American score composer)
Rob Simonsen1:26
23Walk With Me
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Walk With Me
composer:
Alan Silvestri (US score composer) and Rob Simonsen (American score composer)
Rob Simonsen2:26
24Two Choices
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Two Choices
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:32
25Eating My Feelings
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Eating My Feelings
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen2:30
26They’re Coming
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
They’re Coming
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:26
27Family Feud
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Family Feud
composer:
Rob Simonsen (American score composer)
Rob Simonsen0:51
28I Love This Part
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
I Love This Part
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:13
29Finger‐Lickin’ Dead‐Inside Pixie Slab of Third Rate Dime‐Store Nut‐Milk
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Finger‐Lickin’ Dead‐Inside Pixie Slab of Third Rate Dime‐Store Nut‐Milk
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen3:05
30Your Fingers Are Inside Me, but Not in a Good Way
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Your Fingers Are Inside Me, but Not in a Good Way
composer:
Rob Simonsen (American score composer)
Rob Simonsen3:41
31You Were Chest F’d by a Tree
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
You Were Chest F’d by a Tree
composer:
Rob Simonsen (American score composer)
Rob Simonsen0:34
32Hideout
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Hideout
composer:
Rob Simonsen (American score composer)
Rob Simonsen1:52
33That’s Her
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
That’s Her
composer:
Rob Simonsen (American score composer)
Rob Simonsen0:52
34The Heroes We Were
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
The Heroes We Were
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen1:04
35You Were Always the Wrong Guy
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
You Were Always the Wrong Guy
composer:
Rob Simonsen (American score composer)
Rob Simonsen3:24
36Name for Myself
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Name for Myself
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen2:02
37Death or Enslavement
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Death or Enslavement
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen1:49
38I Walked Away
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
I Walked Away
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:11
39My Brother Loved You
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
My Brother Loved You
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen3:29
40We Have Company
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
We Have Company
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen2:56
41I Called Some Friends
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
I Called Some Friends
composer:
Rob Simonsen (American score composer)
Rob Simonsen1:01
42Steadily Great Since Endgame
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Steadily Great Since Endgame
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen1:29
43Enjoy My Peter
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Enjoy My Peter
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen1:11
44Let’s Up the Stakes
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Let’s Up the Stakes
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen2:11
45He’s Not Gonna Make It
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
He’s Not Gonna Make It
composer:
Rob Simonsen (American score composer)
Rob Simonsen3:18
46Ripper Carnage
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Ripper Carnage
composer:
Rob Simonsen (American score composer) and Taylor Lipari-Hassett
Rob Simonsen1:01
47There’s Nothing to Fix
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
There’s Nothing to Fix
composer:
Rob Simonsen (American score composer)
Rob Simonsen1:24
48Special Sock
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Special Sock
composer:
Rob Simonsen (American score composer)
Rob Simonsen2:11
49Name for Myself (alternate version)
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Name for Myself (alternate version)
composer:
Rob Simonsen (American score composer)
Rob Simonsen1:33
50Fallen Heroes
producer:
Rob Simonsen (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
phonographic copyright (℗) by:
Marvel Music, Inc. (not for release label use, for copyrights use only)
recording of:
Fallen Heroes
composer:
Rob Simonsen (American score composer)
Rob Simonsen3:15