The Centenary Collection

~ Veröffentlichung von Bing Crosby (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Swingin' on a Star
Hintergrundgesang:
Williams Brothers Quartet (vocal quartet comprised of Bob, Don, Dick and Andy Williams) (am 1944-02-07)
Sologesang:
Bing Crosby (am 1944-02-07)
Orchester:
John Scott Trotter and His Orchestra (am 1944-02-07)
aufgenommen bei:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-07)
recording of:
Swinging on a Star (am 1944-02-07)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
42:31
2Moonlight Becomes You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-06-12)
Sologesang:
Bing Crosby (am 1942-06-12)
Orchester:
John Scott Trotter and His Orchestra (am 1942-06-12)
recording of:
Moonlight Becomes You (am 1942-06-12)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
Komponist(in):
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
33:11
3I'll Be Seeing You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-17)
Produzent(in):
Dave Kapp
Sologesang:
Bing Crosby (am 1944-02-17)
vocals:
Bing Crosby
Orchester:
John Scott Trotter's Orchestra (am 1944-02-17)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
cover recording of:
I’ll Be Seeing You (am 1944-02-17)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:51
4Sunday, Monday or Always
recording of:
Sunday, Monday or Always (am 1943-07-02)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1943)
Komponist(in):
Jimmy Van Heusen (in 1943)
publisher:
Burke-Van Heusen, Inc.
2:37
5Red Sails in the Sunset
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1935-11-12)
Sologesang:
Bing Crosby (am 1935-11-12)
Orchester:
Victor Young and His Orchestra (am 1935-11-12)
cover recording of:
Red Sails in the Sunset (am 1935-11-12)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:14
6Just One More Chance
recording of:
Just One More Chance (am 1931-09-02)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
3:17
7Where the Blue of the Night (Meets the Gold of the Day)
vocals:
Bing Crosby (am 1931-11-23)
Orchester:
Benny Krueger Brunswick Studio Orchestra (am 1931-11-23)
recording of:
Where the Blue of the Night Meets the Gold of the Day (am 1931-11-23)
Texter und Komponist(in):
Fred Ahlert, Bing Crosby und Roy Turk
publisher:
DeSylva, Brown and Henderson, Inc. (am 1931-10-29)
32:54
8Brother Can You Spare a Dime
recording of:
Brother Can You Spare a Dime (am 1932-10-25)
Texter:
Yip Harburg
Komponist(in):
Jay Gorney
33:13
9Pennies From Heaven
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-24)
vocals:
Bing Crosby (am 1936-07-24)
Orchester:
Georgie Stoll and His Orchestra (am 1936-07-24)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1936)
recording of:
Pennies From Heaven (am 1936-07-24)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
33:13
10Out of Nowhere
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-30)
Sologesang:
Bing Crosby (am 1931-03-30)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Out of Nowhere (am 1931-03-30)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:13
11Silent Night, Holy Night
recording of:
Silent Night, Holy Night (arranged by Malcolm Sargent) (am 1935-11-13)
Komponist(in):
Franz Xaver Gruber
arranger:
Sir Malcolm Sargent (conductor)
publisher:
Oxford University Press
Arrangement von:
Silent Night (Christmas carol, English translation)
3:02
12Please
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-27)
Sologesang:
Bing Crosby (am 1940-07-27)
vocals:
Bing Crosby
Orchester:
John Scott Trotter and His Orchestra (am 1940-07-27)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1940)
recording of:
Please (am 1940-07-27)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Victoria Music Publishing Co. Ltd.
3:04
13Mule Train
recording of:
Mule Train (am 1949-10-26)
Komponist(in):
Fred Glickman, Hy Heath und Johnny Lange
publisher:
Chappell (Warner/Chappell Music, Inc.) und W. Disney Mus. (music publisher, do not use as release label)
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 2)
2:57
14It's Easy to Remember
recording of:
It’s Easy to Remember (and So Hard to Forget) (am 1935-02-21)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:18
15June in January
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1934-11-09)
Sologesang:
Bing Crosby (am 1934-11-09)
vocals:
Bing Crosby
Orchester:
The Georgie Stoll Orchestra (am 1934-11-09)
conductor:
Georgie Stoll
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
June in January (am 1934-11-09)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Sony/ATV Harmony UK
3:16
16White Christmas
Chorgesang:
Ken Darby Singers (am 1942-05-29)
Sologesang:
Bing Crosby (am 1942-05-29)
Orchester:
John Scott Trotter and His Orchestra (am 1942-05-29)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1942-05-29)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 57)
recording of:
White Christmas (am 1942-05-29)
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Williamson Music Company und Irving Berlin Music Company (vom 1940 bis heute)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1942 winner)
53:05
17Don't Fence Me In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25)
Sologesang:
The Andrews Sisters (am 1944-07-25) und Bing Crosby (am 1944-07-25)
Orchester:
Vic Schoen and His Orchestra (am 1944-07-25)
conductor:
Vic Schoen (am 1944-07-25)
recording of:
Don’t Fence Me In (am 1944-07-25)
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
3.53:06
18Along the Navajo Trail
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-06-29)
vocals:
The Andrews Sisters (am 1945-06-29) und Bing Crosby (am 1945-06-29)
Orchester:
Vic Schoen and His Orchestra (am 1945-06-29)
cover recording of:
Along the Navajo Trail (am 1945-06-29)
Texter:
Eddie DeLange
Komponist(in):
Dick Charles (US songwriter) und Larry Markes
2:47
19(There'll Be a) Hot Time in the Town of Berlin (When the Yanks Go March)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-06-30)
vocals:
The Andrews Sisters (am 1944-06-30) und Bing Crosby (am 1944-06-30)
Orchester:
Vic Schoen and His Orchestra (am 1944-06-30)
recording of:
There'll Be a Hot Time in the Town of Berlin (am 1944-06-30)
Verfasser(in):
Joe Bushkin und John DeVries
2:55
20Route 66
recording of:
(Get Your Kicks on) Route 66 (am 1946-05-11)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
3:16
21South Rampart Street Parade
recording of:
South Rampart Street Parade (1952 song version) (am 1952-09-05)
Texter:
Steve Allen (US actor, musician & comedian) (in 1952)
Komponist(in):
Ray Bauduc (in 1937) und Bob Haggart (in 1937)
publisher:
EMI United Partnership Ltd.
Version von:
South Rampart Street Parade (original 1937 instrumental version)
3:21
22Quicksilver
recording of:
Quicksilver (am 1949-11-25)
Verfasser(in):
Edward Pola, Irving Taylor und George Wyle
2:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1Yes Indeed
vocals:
Connee Boswell (jazz-pop vocalist) (am 1940-12-13) und Bing Crosby (am 1940-12-13)
Orchester:
Bob Cosby's Bob Cats (am 1940-12-13)
conductor:
Bob Crosby (am 1940-12-13)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Yes Indeed (am 1940-12-13)
Texter und Komponist(in):
Sy Oliver
Bing Crosby3:10
2After You've Gone
Klavier:
Joe Sullivan (piano, USA) (am 1946-01-16)
Kontrabass:
Bob Haggart (am 1946-01-16)
Kornett:
Wild Bill Davison (am 1946-01-16)
Tenorsaxophon:
Bud Freeman (am 1946-01-16)
Ventilposaune:
Brad Gowans (am 1946-01-16)
vocals:
Bing Crosby (am 1946-01-16)
recording of:
After You’ve Gone (am 1946-01-16)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Bing Crosby3:13
3The Birth of the Blues
recording of:
Birth of the Blues (am 1941-05-26)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Bing Crosby3:16
4You Must Have Been a Beautiful Baby
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1938-10-04)
alto saxophone:
Joe Kearns (American jazz saxophonist) (am 1938-10-04)
Gitarre:
Nappy Lamare (am 1938-10-04)
Klarinette:
Irving Fazola (am 1938-10-04)
Klavier:
Bob Zurke (am 1938-10-04)
Kontrabass:
Bob Haggart (am 1938-10-04)
Posaune:
Ward Silloway (US jazz trombonist) (am 1938-10-04) und Warren Smith (jazz trombonist) (am 1938-10-04)
Rohrblattinstrumente:
Matty Matlock (am 1938-10-04) und Eddie Miller (US jazz saxophonist) (am 1938-10-04)
Schlagzeug:
Ray Bauduc (am 1938-10-04)
Tenorsaxophon:
Gil Rodin (am 1938-10-04)
Trompete:
Sterling Bose (am 1938-10-04), Billy Butterfield (am 1938-10-04) und Rubin "Zeke" Zarchy (am 1938-10-04)
vocals:
Bing Crosby (am 1938-10-04)
conductor:
Bob Crosby (am 1938-10-04)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
You Must Have Been a Beautiful Baby (am 1938-10-04)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
Bing Crosby3.52:56
5Sweet Georgia Brown
recording of:
Sweet Georgia Brown (am 1932-04-23)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Bing Crosby3:08
6Someday Sweetheart
recording of:
Someday Sweetheart (am 1934-08-08)
Texter und Komponist(in):
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) und John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (am 1919-12-26)
Bing Crosby3:17
7On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street (am 1946-01-21)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Bing Crosby2:47
8St. Louis Blues
recording of:
St. Louis Blues (am 1932-02-11)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Bing Crosby with Duke Ellington's Famous Orchestra4:31
9Your Socks Don't Match
recording of:
Your Socks Don't Match (am 1944-07-26)
Texter:
Leo Corday
Komponist(in):
Leon Carr
Bing Crosby3:00
10Mississippi Mud
alto saxophone:
Chester Hazlett (am 1928-01-20)
alto saxophone und Klarinette:
Jimmy Dorsey (am 1928-01-20)
bass saxophone:
Min Leibrook (am 1928-01-20)
Geige / Violine:
Matty Malneck (am 1928-01-20)
Gitarre:
Carl Kress (am 1928-01-20) und Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1928-01-20)
Klarinette:
Izzy Friedman (am 1928-01-20)
Klavier:
Lennie Hayton (am 1928-01-20)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1928-01-20)
Posaune:
Bill Rank (am 1928-01-20)
Rohrblattinstrumente:
Charles Strickfaden (am 1928-01-20)
Saxophon [c melody saxophone] und Sprecher:
Frankie Trumbauer (am 1928-01-20)
Schlagzeug:
George Marsh (drums) (am 1928-01-20) und Hal McDonald (drummer) (am 1928-01-20)
Baritongesang:
Bing Crosby (am 1928-01-20)
Orchester:
Frankie Trumbauer and His Orchestra (am 1928-01-20)
concertmaster:
Frankie Trumbauer (am 1928-01-20)
recording of:
Mississippi Mud (am 1928-01-20)
Verfasser(in):
Harry Barris (in 1927) und James Cavanaugh (in 1927)
Bing Crosby with Frankie Trumbauer and His Orchestra3:12
11I Ain't Got Nobody
recording of:
I Ain’t Got Nobody (am 1941-07-30)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Bing Crosby3:04
12Tea for Two
recording of:
Tea for Two (No, No, Nanette) (am 1940-12-13)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Bing Crosby2:35
13When My Dreamboat Comes Home
recording of:
When My Dreamboat Comes Home (am 1942-05-27)
Verfasser(in):
Dave Franklin (Tin Pan Alley songwriter) und Cliff Friend (US composer, lyricist & pianist)
Bing Crosby2:27
14I Still Suits Me
recording of:
Ah Still Suits Me (Show Boat, 1936 film) (am 1947-03-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Bing Crosby3:04
15Gone Fishin'
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-04-27)
Gitarre:
Perry Botkin (am 1951-04-27)
Klavier:
Buddy Cole (am 1951-04-27) und Mel Henke (am 1951-04-27)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1951-04-27)
Posaune:
Bill Atkinson (am 1951-04-27), Wendell Mayhew (am 1951-04-27) und Dick Taylor (jazz trombonist) (am 1951-04-27)
Saxophon:
Warren Baker (am 1951-04-27), Matty Matlock (am 1951-04-27), Irving “Babe” Russin (am 1951-04-27) und Philip Shuken (am 1951-04-27)
Schlagzeug:
Nick Fatool (am 1951-04-27)
Trompete:
Ziggy Elman (am 1951-04-27), Bobby Guy (am 1951-04-27) und Red Nichols (am 1951-04-27)
Sologesang:
Louis Armstrong (am 1951-04-27) und Bing Crosby (am 1951-04-27)
Orchester und Interpret(in):
John Scott Trotter and His Orchestra (am 1951-04-27)
conductor:
John Scott Trotter (am 1951-04-27)
arranger:
John Scott Trotter (am 1951-04-27)
phonographisches Urheberrecht (℗) von:
MCA Music Ltd. (in 1951)
recording of:
Gone Fishin’ (am 1951-04-27)
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
Bing Crosby2:26
16People Will Say We're in Love
recording of:
People Will Say We’re in Love (am 1943-08-23)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Bing Crosby2:59
17The Eagle and Me
recording of:
The Eagle and Me (am 1944-10-13)
Texter:
EY. Harburg
Komponist(in):
Harold Arlen
publisher:
Chappell & Co.
Bing Crosby3:15
18I Love You
recording of:
I Love You (am 1944-12-15)
Texter:
Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
George Forrest (American composer and lyricist) und Edvard Grieg (composer)
Bing Crosby3:03
19Close as Pages in a Book
recording of:
Up in Central Park: Act I. Close as Pages in a Book (am 1945-04-18)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Sigmund Romberg
Teil von:
Up in Central Park: Act I
Bing Crosby3:11
20If I Loved You
recording of:
If I Loved You (Carousel) (am 1947-12-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Bing Crosby3:22
21I've Never Been in Love Before
recording of:
I’ve Never Been in Love Before (am 1950-09-07)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Bing Crosby2:57
22Some Enchanted Evening
recording of:
Some Enchanted Evening (South Pacific) (am 1949-03-10)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Bing Crosby3:00
3▼CD
Nr.TitelBewertungLänge
1You Brought a New Kind of Love to Me
recording of:
You Brought a New Kind of Love to Me (am 1930-03-23)
Texter:
Irving Kahal (in 1930)
Komponist(in):
Pierre Norman Connor (in 1930) und Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Sony/ATV Harmony (in 1930)
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:15
2Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1944-02-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:15
3A Nightingale Sang in Berkeley Square
Orchester:
John Scott Trotter and His Orchestra
recording of:
A Nightingale Sang in Berkeley Square (am 1940-12-20)
Texter:
Eric Maschwitz
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3:25
4Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1938-07-08)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
recording of:
Suppertime
Texter und Komponist(in):
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
3:07
5How Deep Is the Ocean
recording of:
How Deep Is the Ocean? (am 1932-10-14)
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
6Wrap Your Troubles in Dreams (And Dream Your Troubles Away)
recording of:
Wrap Your Troubles in Dreams (am 1931-03-02)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
3:23
7The Folks Who Live on the Hill
recording of:
The Folks Who Live on the Hill (am 1937-09-20)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
High, Wide and Handsome (1937 film)
3:04
8Let's Do It (Let's Fall in Love)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1929-01-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
3:22
9(I Don't Stand) The Ghost of a Chance (With You)
recording of:
(I Don’t Stand) A Ghost of a Chance (am 1932-10-14)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
3:12
10Stardust
vocals:
Bing Crosby (in 1939)
Orchester:
The Matty Malneck Orchestra
conductor:
Matty Malneck
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Stardust (the jazz standard) (am 1931-08-19)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:02
11Long Ago and Far Away
recording of:
Long Ago (and Far Away) (am 1944-05-03)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
2:55
12A Gal in Calico
recording of:
A Gal in Calico (am 1946-05-07)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Arthur Schwartz
Teil von:
The 20th Academy Award for Best Original Song (Nummer: 2)
2:36
13Embraceable You
recording of:
Embraceable You (am 1947-11-12)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:55
14Old Folks
recording of:
Old Folks (am 1938-10-14)
Texter:
Dedette Lee Hill (in 1938)
Komponist(in):
Willard Robison (in 1938)
publisher:
Warner Bros., Inc. (not for release label use!)
2:54
15Autumn Leaves
recording of:
Autumn Leaves (jazz standard, english lyrics) (am 1950-09-07)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
3:27
16Just One of Those Things
recording of:
Just One of Those Things (am 1945-01-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:11
17But Beautiful
recording of:
But Beautiful (am 1947-11-13)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) und Onyx Music Corporation (in 1947)
2:44
18I've Got a Pocketful of Dreams
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-07-11)
vocals:
Bing Crosby (am 1938-07-11)
Orchester:
John Scott Trotter and His Orchestra (am 1938-07-11)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1938)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-07-11)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
2:36
19Only Forever
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-03)
Sologesang:
Bing Crosby (am 1940-07-03)
Orchester:
John Scott Trotter and His Orchestra (am 1940-07-03)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1940)
Teil von:
V Disc (by matrix number) (Nummer: VP 1201 (2))
recording of:
Only Forever (am 1940-07-03)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Anne-Rachel Music Corp.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 2)
23:12
20(She Walks Like You - She Talks Like You) She Reminds Me of You
recording of:
(She Walks Like You - She Talks Like You) She Reminds Me of You (am 1934-03-13)
Texter:
Mack Gordon
Komponist(in):
Harry Revel (British-born American composer)
3:04
21Be Careful, It's My Heart
Sologesang:
Bing Crosby
Orchester:
John Scott Trotter and His Orchestra
recording of:
Be Careful, It’s My Heart (am 1942-06-28)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
2:44
22Zing a Little Zong
vocals:
Bing Crosby
recording of:
Zing a Little Zong (am 1952-05-08)
Texter:
Leo Robin (US composer, lyricist & songwriter) (in 1952)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1952)
Teil von:
The 25th Academy Award for Best Original Song (Nummer: 2)
3:34
4▼CD
Nr.TitelBewertungLänge
1Dinah
Orchester:
Benny Krueger Brunswick Studio Orchestra
Interpret(in):
The Mills Brothers
recording of:
Dinah (am 1931-12-16)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
2:56
2A Couple of Song and Dance Men
recording of:
A Couple of Song and Dance Men (am 1946-07-24)
Texter und Komponist(in):
Irving Berlin
2:20
3Mine
recording of:
Mine (am 1944-07-31)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1933)
Teil von:
Let 'em Eat Cake: Act II
2:43
4Sam's Song
recording of:
Sam’s Song (am 1950-06-23)
Texter:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
Komponist(in):
Lew Quadling
2:53
5Do You Ever Think of Me
recording of:
Do You Ever Think of Me? (am 1940-07-23)
Texter:
John Cooper (1920s jazz songwriter) und Harry D. Kerr
Komponist(in):
Earl Burtnett
2:42
6Mister Meadowlark
recording of:
Mister Meadowlark (am 1940-04-15)
Texter:
Johnny Mercer
Komponist(in):
Walter Donaldson
2:38
7It's Been a Long, Long Time
recording of:
It’s Been a Long, Long Time (am 1945-07-12)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd.
2:57
8The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”) (am 1936-08-19)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
42:34
9The Spaniard That Blighted My Life
recording of:
The Spaniard That Blighted My Life (am 1947-03-25)
Komponist(in):
Billy Merson
3:16
10Prove It by the Things You Do
recording of:
Prove It by the Things You Do (am 1945-09-13)
Texter:
Doris Fisher
Komponist(in):
Allan Roberts (songwriter)
2:17
11Basin Street Blues
recording of:
Basin Street Blues (am 1937-09-25)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:00
12Once and for Always
recording of:
Once and for Always (am 1947-12-18)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
3:12
13Busy Doin' Nothin'
recording of:
Busy Doing Nothing (A Connecticut Yankee in King Arthur’s Court) (am 1947-12-27)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
3:00
14If I Were a Bell
recording of:
If I Were a Bell (Guys and Dolls) (am 1950-09-07)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
3:11
15Put It There Pal
recording of:
Put It There Pal (am 1944-12-08)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
2:23
16I Can't Begin to Tell You
engineered in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-08-07)
Klavier:
Carmen Cavallaro (American pianist) (am 1945-08-07)
Sologesang:
Bing Crosby (am 1945-08-07)
vocals:
Bing Crosby (in 1945)
Orchester:
Carmen Cavallaro's Orchestra
conductor:
Carmen Cavallaro (American pianist) (in 1945)
Interpret(in):
Carmen Cavallaro and His Orchestra
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
I Can’t Begin to Tell You (am 1945-08-07)
Texter:
Mack Gordon
Komponist(in):
James V. Monaco
publisher:
WC Music Corp.
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
32:54
17I'm Falling in Love With Someone
recording of:
Naughty Marietta: Act II. I'm Falling in Love With Someone (Captain Dick) (am 1938-12-09)
Texter:
Rida Johnson Young
Komponist(in):
Victor Herbert (American composer)
Teil von:
Naughty Marietta: Act II
3:05
18In the Cool, Cool, Cool of the Evening
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (am 1951-06-20)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1951 winner)
3:25
19When Irish Eyes Are Smiling
recording of:
When Irish Eyes Are Smiling (am 1946-05-07)
Texter:
George Graff, Jr. (lyrics "When Irish Eyes Are Smiling") und Chauncey Olcott
Komponist(in):
Ernest R. Ball
publisher:
M. Witmark & Sons (in 1912)
Teil von:
Roud Folk Song Index (Nummer: 25290)
2:57
20The Rose of Tralee
recording of:
The Rose of Tralee (am 1945-07-17)
Texter:
Edward Mordaunt Spencer
Komponist(in):
Charles William Glover
Teil von:
Roud Folk Song Index (Nummer: 1978)
3:19
21How Can You Buy Killarney
recording of:
How Can You Buy Killarney? (1948 song) (am 1949-11-06)
Verfasser(in):
Freddie Grant, Hamilton Kennedy (songwriter), Gerald Morrison und Ted Steele
publisher:
Peter Maurice Music Co. Ltd.
3:05
22Galway Bay
recording of:
Galway Bay (am 1947-11-27)
Texter und Komponist(in):
Arthur Colahan
Teil von:
Roud Folk Song Index (Nummer: 9306)
2:59