The Greatest Hits

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Allegro from Serenade in G. K 525 "Eine kleine Nachtmusik"
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:47
2Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
bass vocals and bass vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
soprano vocals [Dorabella]:
Anne Sofie von Otter (mezzo-soprano)
soprano vocals [Fiordiligi]:
Karita Mattila (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
3:24
3Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
piano:
Geza Anda (pianist)
orchestra:
Camerata Academica Mozarteums, Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
7:15
4Symphony No. 25 in G minor, K. 173dB/183: I. Allegro con brio
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1979) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1979)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1978-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
7:40
5Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio
instruments:
Netherlands Wind Ensemble (in 1968-11)
conductor:
Edo de Waart (conductor) (in 1968-11)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (in 1968-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:42
6Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-03)
orchestra:
Academy of St Martin in the Fields (in 1993-03)
conductor:
Sir Neville Marriner (conductor) (in 1993-03)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1993-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 618)
3:31
7Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1970-06) and Sir Neville Marriner (conductor) (in 1970-06)
conductor:
Sir Neville Marriner (conductor) (in 1970-06)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1971)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-06)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1970-06)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:45
8Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-12)
conductor:
Sir Neville Marriner (conductor) (in 1978-12)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1979)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-12)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1978-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
4:33
9Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-02)
soprano vocals:
Sylvia McNair (soprano) (in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1990-02)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
4:59
10Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (in 1990-02)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
2:16
11Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1990-02)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
1:57
12Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1990-02)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1990-02)
soprano vocals:
Sylvia McNair (soprano) (in 1990-02)
tenor vocals:
Francisco Araiza (tenor) (in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1990-02)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
3:47
13Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
3:33
14Le nozze di Figaro, K. 492: Sinfonia
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:10
15Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
recorded in:
London (Greater London), England, United Kingdom (in 1985-08)
creative direction:
Ubaldo Gardini (vocal/language coach, violinist) (in 1985-08)
bass vocals [Figaro]:
José van Dam (Belgian operatic bass-baritone)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1985-08)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1985-08)
vocals:
José van Dam (Belgian operatic bass-baritone) (in 1985-08)
orchestra:
Academy of St Martin in the Fields (in 1985-08)
conductor:
Sir Neville Marriner (conductor) (in 1985-08)
concertmaster:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1985-08)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1985-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:53
16Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino)
creative direction:
Ubaldo Gardini (vocal/language coach, violinist) (in 1985-08)
mezzo-soprano vocals [Cherubino]:
Agnes Baltsa (mezzo-soprano) (in 1985-05)
orchestra:
Academy of St Martin in the Fields (in 1985-05)
conductor:
Sir Neville Marriner (conductor) (in 1985-05)
concertmaster:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1985-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1985-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:58
17Che soave zeffiretto from The Marriage of Fiagro
soprano vocals:
Barbara Hendricks (soprano) and Lucia Popp (soprano)
soprano vocals [La Contessa]:
Lucia Popp (soprano)
soprano vocals [Susanna]:
Barbara Hendricks (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:56
2▼CD
#TitleRatingLength
1Overture from The Abduction from the Seraglio
recording engineer:
James Lock (James Locke, engineer) (from 1984-11 until 1985-12) and John Pellowe (audio engineer) (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (conductor) (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:17
2Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Konstanze]:
Arleen Augér (soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
9:15
3Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:27
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:46
5Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano"
baritone vocals [Don Giovanni]:
Thomas Allen (baritone)
soprano vocals [Zerlina]:
Marie McLaughlin (soprano)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano"
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious)
3:15
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
harpsichord:
John McCarthy (British choral conductor, scholar, composer and arranger)
tenor vocals:
Francisco Araiza (tenor) (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:07
7Die Zauberflöte, K. 620: Ouverture
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1990)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
6:57
8Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:49
9Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Königin der Nacht]:
Cheryl Studer (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:06
10Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
bass vocals [Sarastro]:
Samuel Ramey (bass-baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:08
11Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:45
12Pa-Pa-Pa-Pa-Pa-Pa Papagena! from The Magic Flute
baritone vocals:
Olaf Bär (baritone)
soprano vocals:
Eva Lind (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:33
13Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja"
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Stuttgart Radio Symphony Orchestra
conductor:
Sir Neville Marriner (conductor)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
2:29
14Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
recording engineer:
Jürgen Bulgrin (sound engineer), Wolf‐Dieter Karwatky and Gernot Westhäuser (Engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Wolf‐Dieter Karwatky
piano:
Emil Gilels (pianist) (in 1973-09) and Elena Gilels (pianist) (in 1973-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-09)
recording of:
Cadenza to Concerto for 2 Pianos, K. 365: III. Rondo (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
is based on:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
part of:
Cadenzas to Concerto for 2 Pianos, K. 365 (Mozart)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
7:13
15Concerto No. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto
producer:
Helmut Krauel
violin:
Arthur Grumiaux (Belgian violinist) (from 1961-11-28 until 1961-11-29)
orchestra:
London Symphony Orchestra (from 1961-11-28 until 1961-11-29)
conductor:
Sir Colin Davis (English conductor) (from 1961-11-28 until 1961-11-29)
balance engineer:
Helmut Krauel (from 1961-11-28 until 1961-11-29)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-29)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: I. Allegro aperto (from 1961-11-28 until 1961-11-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:41