More One Hit Classics of the 70’s & 80’s: Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD: More One Hit Classics of the 70's & 80's: Volume 2 (disc 1)
#TitleArtistRatingLength
1Boom Boom (Let’s Go Back to My Room)Paul Lekakis3:52
2Instant Replay
assistant engineer:
Darrell Rogers
engineer and producer:
Dan Hartman
mixer:
Arthur Stoppe
congas:
Larry Washington (percussionist)
membranophone and percussion:
Hilly Michaels
other instruments [all instruments] and lead vocals:
Dan Hartman
solo saxophone:
Edgar Winter
background vocals:
Dan Hartman and Edgar Winter
conductor:
Gene Page
arranger:
Gene Page
recorded at:
The Schoolhouse (Westport, Connecticut) in Westport, Connecticut, United States
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Instant Replay
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman55:20
3Centrefold
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band3:10
4Cool for Cats
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:11
5Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:08
6Queen of Hearts
cover recording of:
Queen of Hearts
lyricist and composer:
Hank DeVito
publisher:
Bug Music (music publishing) and Drunk Monkey Music (in 1979)
Juice Newton3:25
7Harden My Heart
producer:
John Boylan
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1981)
recording of:
Harden My Heart
lyricist and composer:
Marv Ross (guitarist, songwriter)
publisher:
Bonnie Bee Good Music (publisher) (in 1981), Geffen/Kaye Music (in 1981) and Narrow Dude Music (publisher) (in 1981)
Quarterflash43:38
8Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonanno and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.83:48
9Dance Hall Days
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Geffen Records
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:59
10Turn Me Loose
recording of:
Turn Me Loose
writer:
Paul Dean (Canadian guitarist) and Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music and EMI Songs
Loverboy5:38
11Dancing in the City
recording of:
Dancing in the City
writer:
Kit Hain and Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) and Rondor Music (London) Ltd.
Marshall Hain3:38
12The Way You Do It
phonographic copyright (℗) by:
Mick Flinn (in 1976)
recording of:
The Way That You Do It
writer:
Mick Flinn
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Pussyfoot3:06
13Everytime I Think of You
recording engineer and producer:
Ron Nevison
assistant engineer:
Mike Clink
bass:
Jack Conrad
drums (drum set) and percussion:
Tony Brock
guitar:
Wally Stocker
piano:
Kevin Kelly (piano, organ, accordion player)
background vocals:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews and Marti McCall (session vocalist)
lead vocals:
John Waite
conductor:
Jimmy Haskell
brass [horns] arranger and strings arranger:
Jimmy Haskell
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
writer:
Jack Conrad (in 1978) and Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music and X‐Ray Music
The Babys4.354:00
14Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:35
15January
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
lyricist and composer:
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:30
2CD: More One Hit Classics of the 70's & 80's: Volume 2 (disc 2)
#TitleArtistRatingLength
1You Little Thief
recording of:
You Little Thief
lyricist and composer:
Benmont Tench
Feargal Sharkey5:06
2Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack5:04
3In Zaire
recording of:
In Zaire
writer:
Johnny Wakelin
Johnny Wakelin23:19
4Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:31
5A Beat for You
co-producer:
Ross Fraser
producer and mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1984)
recording of:
A Beat for You (Pseudo Echo)
publisher:
Brian Canham (Australian singer ex. Pseudo Echo)
lyricist and composer:
Brian Canham (Australian singer ex. Pseudo Echo)
Pseudo Echo53:42
6Baby Come Back
phonographic copyright (℗) by:
PolyGram International Music B.V. (not for release label use!) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
recording of:
Baby Come Back (Player song)
writer:
Peter Beckett (lead singer of Player) and J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player4.354:12
7Kiss You All Over
Exile3:36
8Stars on 45
phonographic copyright (℗) by:
Red Bullet Productions B.V. (in 1981)
recording of:
Stars on 45 (the song itself)
writer:
Martin Duiser and Jaap Eggermont
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Nada International C.V.
medley of:
Video Killed the Radio Star
medley of:
Funkytown
Stars on 4544:50
9Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:15
10I Eat Cannibals
recording of:
I Eat Cannibals
writer:
Barry Blue (singer, producer, and songwriter), Paul Greedus and Roy Lachlan Nicolson
Toto Coelo2.653:30
119 to 5 (Morning Train)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) and Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:22
12Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:09
13Barbados
recording of:
Barbados
writer:
Jeffrey Calvert and Max West
publisher:
Castle (publisher)
Typically Tropical3:31
14Pillow Talk
recording of:
Pillow Talk
writer:
Michael Burton (American songwriter and producer) and Sylvia Robinson
Sylvia34:19
15Agadoo
producer:
Black Lace (1980s British pop band) and Neil Ferguson (Chumbawamba)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom
recording of:
Agadoo
composer:
Michel Delancray, Gilles Péram and Mya Simille (Micheline Helyett)
translated version of:
Agadou-dou-dou (original French version)
Black Lace3:07