Best Guitar 100

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1▼CD: Baroque and Before
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1Lute Partita in E major, BWV 1006a: III. Gavotte en rondeau
classical guitar and guitar:
Sharon Isbin (classical guitarist)
recorded at:
Minnesota Public Radio Recording Studios (formerly, Studio M) in Saint Paul, Minnesota, United States
recording of:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach3:12
2Allemande
guitar:
Christopher Parkening (guitarist)
recording of:
Allemande (unspecified)
composer:
John Dowland (composer and lutenist)
John Dowland1:38
3Prelude, Fugue & Allegro in E-flat major, BWV 998: I. Prelude
classical guitar:
Manuel Barrueco (guitarist)
recorded at:
Kloster Machern (Bernkastel) in Bernkastel-Kues, Rheinland-Pfalz (Rhineland-Palatinate), Germany
recording of:
Praeludium, Fuge und Allegro Es‐Dur, BWV 998: I. Praeludium (catch‐all for arrangements) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Praeludium, Fuge und Allegro Es-Dur, BWV 998: I. Praeludium
part of:
Praeludium, Fuge und Allegro Es-Dur, BWV 998 (catch-all for arrangements)
Johann Sebastian Bach2:33
4Violin Partita no. 2 in D minor, BWV 1004 (Transcr. für Guitarre): IV. Gigue
classical guitar:
Manuel Barrueco (guitarist)
recorded at:
Kloster Machern (Bernkastel) in Bernkastel-Kues, Rheinland-Pfalz (Rhineland-Palatinate), Germany
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Giga (catch-all for arrangements) (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach4:54
5Gigue
engineer:
Edward Fowler (engineer)
producer:
David Bicknell (producer and engineer) and Fred Gaisberg
classical guitar:
Andrés Segovia (guitarist) (on 1939-01-17)
classical guitar [Spanish guitar]:
Andrés Segovia (guitarist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1939-01-17)
recording of:
Suite II in D minor, FbWV 602: IV. (II.) Gigue
composer:
Johann Jakob Froberger (composer)
part of:
Suite II in D minor, FbWV 602
Johann Jakob Froberger1:41
6Jesu, Joy of Man's Desiring from Cantata
engineer:
Robert Norberg (recording engineer)
producer:
Patti Laursen
classical guitar:
Christopher Parkening (guitarist)
orchestra:
Los Angeles Chamber Orchestra
conductor:
Ronald Ravenscroft
Johann Sebastian Bach3:13
7Lute Concerto in D major, RV 93: II. Largo
guitar:
Christopher Parkening (guitarist) (in 1993-05)
orchestra:
Academy of St Martin in the Fields (in 1993-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1993-05)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1993-05)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (in 1993-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
Antonio Vivaldi4:32
8Suite Nr. 11 h-moll
guitar:
Manuel Barrueco (guitarist)
compilation of:
Suite No. 11 in B minor: I. Prélude by Manuel Barrueco (guitarist), Suite No. 11 in B minor: II. Allemande by Manuel Barrueco (guitarist) and Suite No. 11 in B minor: IV. Gigue by Manuel Barrueco (guitarist)
Robert de Visée4:28
9"O mia cieca e dura sorte"
engineer:
Hartwig Paulsen
lute:
Anthony Bailes (lutenist)
recording of:
O mia cieca e dura sorte
lyricist and composer:
Marchetto Cara (Italian renaissance composer, c. 1465 – probably 1525)
Vincenzo Capirola2:21
10Keyboard Sonata in E major, Kk. 380 "Cortège"
guitar:
Julian Byzantine
recording of:
Sonata in E major, K. 380, L. 23: Andante comodo
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 23) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 380)
Domenico Scarlatti6:08
11Countess of Pembroke's Paradise (Pavan no. 15)
engineer:
Hartwig Paulsen
lute:
Anthony Bailes (lutenist)
recording of:
The Countess of Pembroke's Paradise
composer:
Anthony Holborne (composer) (in 1585)
Anthony Holborne3:53
12Heigh Ho Holiday (Galliard no. 13)
recording of:
Heigh Ho Holiday (galliard/coranto)
composer:
Anthony Holborne (composer) (in 1599)
part of:
Pavans, Galliards, Almains, and Other Short Aeirs (entire collection)
Anthony Holborne1:26
13Variations sur "Guárdame las vacas"
guitar:
Oscar Ghiglia (guitarist)
recording of:
Los seys libros del Delphín de música, Libro sesto: Guárdame las vacas (7 diferencias)
composer:
Luis de Narváez (16th century composer)
is based on:
Guardame las vacas
Luis de Narváez3:05
14Pièces de Luth, Denis Gaultier (1597-1672): Pièces en Sol majeur
instruments:
Anthony Bailes (lutenist)
partial recording of:
Pièces en sol majeur
composer:
Denis Gaultier
Anthony Bailes6:08
15Suite in D major (from Terpischore): I. Courante - II. Ballet - VII. Volte
guitar:
Christopher Parkening (guitarist)
compilation of:
Suite in D (from Terpsichore): I. Courante by Christopher Parkening (guitarist), Academy of St Martin in the Fields, Iona Brown (violinist and director of the Academy of St Martin in the Fields), Suite in D (from Terpsichore): II. Ballet by Christopher Parkening (guitarist), Academy of St Martin in the Fields, Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Suite in D (from Terpsichore): VII. Volte by Christopher Parkening (guitarist), Academy of St Martin in the Fields, Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Suite in D (From Terpsichore): I. Courante
composer:
Michael Praetorius (composer and organist)
part of:
Suite in D (From Terpsichore)
recording of:
Suite in D (From Terpsichore): II. Ballet
composer:
Michael Praetorius (composer and organist)
part of:
Suite in D (From Terpsichore)
recording of:
Suite in D (From Terpsichore): VII. Volte
composer:
Michael Praetorius (composer and organist)
part of:
Suite in D (From Terpsichore)
Michael Praetorius5:43
16Harpsichord Concerto on E, BWV 1053: I. Allegro
recording of:
Keyboard Concerto no. 2 in E major, BWV 1053: I. Allegro (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Keyboard Concerto no. 2 in E major, BWV 1053: I. Allegro
Johann Sebastian Bach3:16
17Pièces en Fa dièse mineur: La Belle Iris (Allemande)
instruments:
Anthony Bailes (lutenist)
recording of:
La belle Iris. Allemande
composer:
Charles Mouton
part of:
Pièces de luth sur différents modes
Anthony Bailes4:25
18Carillon de Village
engineer:
Hartwig Paulsen
lute:
Anthony Bailes (lutenist)
recording of:
Carillon de village
composer:
Nicolas Vallet (French-Netherlandish composer & lutenist, c. 1583-1642)
Nicolas Vallet1:55
19Keyboard Sonata in A major, Kk. 322
guitar:
Julian Byzantine
recording of:
Sonata in A major, K 322, L 483: Allegro
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 322) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 483)
Domenico Scarlatti3:42
20Fantasie
guitar:
Julian Byzantine
recording of:
Fantasie (arrangement for guitar)
composer:
Sylvius Leopold Weiss (composer) (in 1719)
arrangement of:
Fantasia in C minor
Sylvius Leopold Weiss2:32
21Mandolin Concerto in C major, RV 425: III. Allegro
guitar:
Christopher Parkening (guitarist) (in 1993-05)
orchestra:
Academy of St Martin in the Fields (in 1993-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1993-05)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1993-05)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (in 1993-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi4:22
2▼CD: Spanish Guitar, Vol. 1
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1Suite española: La miñona de Cataluña
recording of:
La miñona de Cataluña
composer:
Gaspar Sanz
Gaspar Sanz1:24
2Variations on a Theme of Mozart
recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor7:37
3Grand solo in D major, op. 14
guitar:
Manuel Barrueco (guitarist)
recording of:
Grand Solo, op. 14
composer:
Fernando Sor (Ferdinand Sor, Spanish composer) (in 1822)
part of:
Works of Fernando Sor by opus number (number: op. 14)
Fernando Sor8:50
4Suite española no. 1, op. 47: Granada
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz4:21
5Suite española no. 1, op. 47: Sevilla
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:18
6Capricho árabe (Serenata)
guitar:
Wulfin Lieske (guitarist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1992)
recording of:
Capricho árabe
composer:
Francisco Tárrega (Spanish composer and guitarist) (in 1892)
Francisco Tárrega5:17
7Lágrima (Preludio)
guitar:
Wulfin Lieske (guitarist)
recording of:
Prelude for guitar no. 8 in A- "Lágrima"
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega1:41
8Maria (Gavota)
guitar:
Wulfin Lieske (guitarist)
recording of:
María (gavota)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega1:37
9Mazurken
guitar:
Wulfin Lieske (guitarist)
recording of:
Mazurka en Sol
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega1:49
10Recuerdos de la Alhambra
guitar:
Wulfin Lieske (guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega5:26
11Recuerdos de viaje, op. 71: I. En el mar
guitar:
Julian Byzantine
recording of:
Recuerdos de viaje, op. 71: I. En el mar (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Recuerdos de viaje, op. 71: I. En el mar
Isaac Albéniz5:46
12Recuerdos de viaje, op. 71: II. Asturias
guitar:
Julian Byzantine
recording of:
Recuerdos de viaje, op. 71: II. Leyenda (barcarola) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (from 1886 until 1887)
arrangement of:
Recuerdos de viaje, op. 71: II. Leyenda (barcarola)
Isaac Albéniz7:15
13Recuerdos de viaje, op. 71: V. Puerta de tierra (Bolero)
guitar:
Julian Byzantine
recording of:
Recuerdos de viaje, op. 71: V. Puerta de tierra (bolero) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Recuerdos de viaje, op. 71: V. Puerta de tierra (bolero)
Isaac Albéniz3:37
14Recuerdos de viaje, op. 71: VI. Rumores de la caleta (Malagueña)
guitar:
Julian Byzantine
recording of:
Recuerdos de viaje, op. 71: VI. Rumores de la caleta (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (from 1886 until 1887)
arrangement of:
Recuerdos de viaje, op. 71: VI. Rumores de la caleta
Isaac Albéniz4:18
15Serenata española
guitar:
Julian Byzantine
recording of:
Impresiones de España: II. Serenata española (catch-all for arrangements, including unspecified guitar versions)
composer:
Joaquim Malats
arrangement of:
Impresiones de España: II. Serenata española
Joaquim Malats3:48
16Canciones populares catalanas
guitar:
Wulfin Lieske (guitarist)
recording of:
Cançó del lladre (Miguel Llobet guitar arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
Cançó del lladre
Miguel Llobet Solés1:39
3▼CD: Spanish Guitar, Vol. 2
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1Romance anónimo (from Jeux Interdits)
guitar:
Pierre Laniau
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
Narciso Yepes2:36
2Four Movements from the ballet "El sombrero de tres picos": Die Nacht - Tanz des Müllers
guitar:
Manuel Barrueco (guitarist)
recording of:
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) (catch-all for arrangements)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) (The Three Cornered Hat, Suite No. 2: II. The Miller's Dance (Farruca))
Manuel de Falla6:37
3Four Movements from the ballet "El sombrero de tres picos": Tanz des Corregidors - Tanz der Müllerin
guitar:
Manuel Barrueco (guitarist)
recording of:
El sombrero de tres picos, suite no. 1: II. Danza de la molinera (catch-all for arrangements)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos, suite no. 1: II. Danza de la molinera (The Three Cornered Hat, Suite No. 1: II. Dance of the Miller's Wife)
recording of:
El sombrero de tres picos: Parte II. Danza del corregidor (catch-all for arrangements)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos: Parte II. Danza del corregidor
Manuel de Falla6:23
4Sonata a la española: I. Allegro assai - II. Adagio - III. Allegro moderato
recording of:
Sonata a la española
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1969)
Joaquín Rodrigo7:41
512 tonadillas en estilo antiguo, H. 136: VIII. La maja de Goya
guitar:
Eliot Fisk (guitarist)
recording of:
La maja de Goya (catch-all for arrangements)
composer:
Enrique Granados (composer)
publisher:
Unión Musical Española
arrangement of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados4:28
6Danzas españolas: Nr. 5: Andaluza
classical guitar and guitar:
Eliot Fisk (guitarist)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
composer:
Enrique Granados (composer)
part of:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados4:45
7Homenaje a Tárrega, op. 69: I. Garrotín - II. Soleares
guitar:
Ernesto Bitetti (classical guitarist)
recording of:
Homenaje a Tárrega, op. 69
composer:
Joaquín Turina (Spanish composer) (in 1932)
Joaquín Turina4:40
88 Valses poeticos: No. 1 Vivace molto and Melodico - no. 6.Quasi ad libitum (sentimental) - no. 8 Presto
guitar:
Dario Rossetti-Bonell
recording of:
Valses poéticos, H.147: No. 1. Melódico (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
Valses poéticos, H.147: No. 1. Melódico
part of:
Valses poéticos (catch-all for arrangements)
recording of:
Valses poéticos, H.147: No. 6. Quasi ad libitum: Sentimental (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
Valses poéticos, H.147: No. 6. Quasi ad libitum: Sentimental
part of:
Valses poéticos (catch-all for arrangements)
recording of:
Valses poéticos, H.147: No. 8. Coda (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
Valses poéticos, H.147: No. 8. Coda
part of:
Valses poéticos (catch-all for arrangements)
Enrique Granados8:32
9Homenaje pour "Le Tombeau de Debussy", G. 56
guitar:
Manuel Barrueco (guitarist)
recording of:
Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar)
composer:
Manuel de Falla (Spanish composer) (in 1920-08)
dedicated to:
Claude Debussy (French composer)
is based on:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
Manuel de Falla2:41
10Invocación y danza "Homenaje a Manuel de Falla"
guitar:
Manuel Barrueco (guitarist)
recording of:
Invocación y danza (Invocation and Dance)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (until 1961)
dedicated to:
Manuel de Falla (Spanish composer)
premiered by:
Alirio Díaz (classical guitarist and composer) (on 1962-05-12)
publisher:
Ediciones Joaquín Rodrigo
premiered at:
Château de La Brède in La Brède, Gironde, Nouvelle-Aquitaine (New Aquitaine), France (on 1962-05-12)
is based on:
El amor brujo (for symphony orchestra)
is based on:
Siete canciones populares españolas, G. 40, nº 7: Polo
Joaquín Rodrigo7:34
11Tres piezas españolas: I. Fandango (Allegretto)
guitar:
Manuel Barrueco (guitarist)
recording of:
Tres piezas españolas, nº 1: Fandango
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo3:49
12Tres piezas españolas: II. Passacaglia (Andante)
recording of:
Tres piezas españolas, nº 2: Passacaglia
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo4:37
13Tres piezas españolas: III. Zapateado (Allegro)
recording of:
Tres piezas españolas, nº 3: Zapateado
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo3:00
4▼CD: Rodrigo
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1Concierto de Aranjuez: I. Allegro con spirito
producer:
Suvi Raj Grubb
guitar:
Ángel Romero (guitarist/conductor) (from 1977-03-28 until 1977-03-30)
orchestra:
London Symphony Orchestra (from 1977-03-28 until 1977-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-03-28 until 1977-03-30)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-28 until 1977-03-30)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (from 1977-03-28 until 1977-03-30)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:09
2Concierto de Aranjuez: II. Adagio
producer:
Suvi Raj Grubb
classical guitar:
Ángel Romero (guitarist/conductor)
guitar:
Ángel Romero (guitarist/conductor) (from 1977-03-28 until 1977-03-30)
orchestra:
London Symphony Orchestra (from 1977-03-28 until 1977-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-03-28 until 1977-03-30)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-28 until 1977-03-30)
recording of:
Concierto de Aranjuez: II. Adagio (from 1977-03-28 until 1977-03-30)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:49
3Concierto de Aranjuez: III. Allegro gentile
producer:
Suvi Raj Grubb
guitar:
Ángel Romero (guitarist/conductor) (from 1977-03-28 until 1977-03-30)
orchestra:
London Symphony Orchestra (from 1977-03-28 until 1977-03-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-03-28 until 1977-03-30)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-28 until 1977-03-30)
recording of:
Concierto de Aranjuez: III. Allegro gentile (from 1977-03-28 until 1977-03-30)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:01
4Concierto madrigal: I. Fanfarria (Allegro marziale)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: I. Fanfarre (Allegro marziale) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo2:02
5Concierto madrigal: VI. Pastoral (Allegretto)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: VI. Pastoral (Allegro) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo3:41
6Concierto madrigal: VII. Fandango (Molto rítmico)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: VII. Fandango (Molto ritmico) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo2:22
7Concierto madrigal: VIII. Arieta (Andante nostalgico)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: VIII. Arieta (Andante nostalgico) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo6:02
8Concierto madrigal: IX. Zapateado (Allegro vivace)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: IX. Zapateado (Allegro vivace) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
Joaquín Rodrigo6:37
9Concierto andaluz: I. Tiempo de bolero (Allegro vivace)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Minerva Garibay (in 1980-02), Cecilia López (in 1980-02), Alfonso Moreno (in 1980-02) and Jesús Ruiz (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Concierto andaluz: I. Tempo de bolero (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1967)
part of:
Concierto andaluz
Joaquín Rodrigo8:44
10Fantasía para un gentilhombre: I. Adagietto - Andante (Villano y ricercare)
guitar:
Ernesto Bitetti (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Antoni Ros‐Marbà (conductor)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:34
11Fantasía para un gentilhombre: II. Adagio (Españoleta y fanfare de la Caballeria de Nápoles)
guitar:
Ernesto Bitetti (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Antoni Ros‐Marbà (conductor)
recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo9:00
12Fantasía para un gentilhombre: III. Allegro con brio (Danza de las hachas)
guitar:
Ernesto Bitetti (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Antoni Ros‐Marbà (conductor)
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:07
13Fantasía para un gentilhombre: IV. Allegro ma non troppo (Canario)
guitar:
Ernesto Bitetti (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Antoni Ros‐Marbà (conductor)
recording of:
Fantasía para un gentilhombre: IV. Canario
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:10
5▼CD: Latin America Guitar
#TitleArtistRatingLength
1Aconquija (Air guarani)
classical guitar:
Eliot Fisk (guitarist)
recording of:
Aconquija
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
part of:
Suite andina
Agustín Barrios Mangoré3:25
2La Abejas (Etüde)
classical guitar and guitar:
Eliot Fisk (guitarist)
recording of:
Las abejas
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré1:54
3Choros no. 1 for Guitar, W 161 "Choro tipico"
acoustic guitar, classical guitar and guitar:
Manuel Barrueco (guitarist)
recording of:
Choros nº 1, W161
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1920)
part of:
Appleby Catalogue (W) (number: W161)
Heitor Villa‐Lobos4:55
4Etude no. 1 en mi mineur
guitar:
Oscar Ghiglia (guitarist)
recording of:
12 estudos, W235, nº 1: Allegro non troppo - arpejos
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1929)
publisher:
Max Eschig
part of:
12 estudos, W235
Heitor Villa‐Lobos2:05
5Cueca (Danza chilena)
engineer:
Mike Cox (engineer)
producer:
Simon Woods (producer)
guitar:
Manuel Barrueco (guitarist)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-05)
recording of:
Cueca
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
part of:
Suite andina
recording of:
Cueca chilena
composer:
Antonio Lauro (Venezuelan composer)
Agustín Barrios Mangoré3:28
6La catedral: Preludio - Andante religioso - Allegro solemne
guitar:
Manuel Barrueco (guitarist)
compilation of:
La Catedral: 1. Preludio by Manuel Barrueco (guitarist), La Catedral: 2. Andante religioso by Manuel Barrueco (guitarist) and La Catedral: 3. Allegro solemne by Manuel Barrueco (guitarist)
recording of:
La catedral
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios) (in 1921)
Agustín Barrios Mangoré6:40
7Triste Nr. 4
classical guitar:
Eliot Fisk (guitarist)
recording of:
Aires nacionales argentinos: Triste no. 4
composer:
Julián Aguirre (Argentinean composer)
part of:
Aires nacionales argentinos
Julián Aguirre2:24
8Vals, op. 8 no. 4
guitar:
Dario Rossetti-Bonell
recording of:
Vals, op. 8 no. 4
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
part of:
Valses, op. 8
Agustín Barrios Mangoré5:03
9Mazurka Apasionata
guitar:
Dario Rossetti-Bonell
recording of:
Mazurka appassionata
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré6:25
10Five Preludes: No. 1 in E minor
guitar:
Julian Byzantine
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos4:46
11Five Preludes: No. 3 in A minor
guitar:
Julian Byzantine
recording of:
Cinco prelúdios, W419, nº 3: Andante
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos7:30
12Five Preludes: No. 5 in D
guitar:
Julian Byzantine
recording of:
Cinco prelúdios, W419, nº 5: Poco animato
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:54
133 Mexican Songs (Allegro-Andante-Allegro)
guitar:
Eliot Fisk (guitarist)
recording of:
Tres canciones populares mexicanas
composer:
Manuel María Ponce (Mexican composer) (in 1925)
publisher:
B. Schott's Söhne (publisher; do not use as label)
Manuel María Ponce5:43
14Estrellita
classical guitar:
Eliot Fisk (guitarist)
recording of:
Estrellita (catch-all for arrangements)
composer:
Manuel María Ponce (Mexican composer) (in 1912)
arrangement of:
Estrellita
Manuel María Ponce3:01
15La muerte del ángel
engineer:
Mike Cox (engineer)
producer:
Simon Woods (producer)
guitar:
Manuel Barrueco (guitarist)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-03) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-05)
recording of:
La muerte del ángel (for guitar, Brouwer)
composer:
Astor Piazzolla (composer and bandoneón player)
arranger:
Leo Brouwer
arrangement of:
La muerte del ángel
Astor Piazzolla5:07
16Suite venezolana: Danza negra
guitar:
Julian Byzantine
recording of:
Suite venezolana: II. Danza negra
composer:
Antonio Lauro (Venezuelan composer)
part of:
Suite venezolana
Antonio Lauro3:45
17Suite venezolana: Valse
guitar:
Julian Byzantine
recording of:
Suite venezolana: IV. Vals
composer:
Antonio Lauro (Venezuelan composer)
part of:
Suite venezolana
Antonio Lauro2:43
18Vals venezolano no. 3 ('Vals criollo')
guitar:
Julian Byzantine
recording of:
Vals venezolano no. 3: "Natalia"
composer:
Antonio Lauro (Venezuelan composer)
part of:
4 valses venezolanos
Antonio Lauro2:45
6▼CD: The Modern Guitar
#TitleArtistRatingLength
1Concierto de Aranjuez: I. Allegro con spirito
solo guitar:
Julian Bream
conductor:
Simon Rattle (conductor)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:25
2Homenaje a la guitarra
guitar:
Julian Byzantine
recording of:
Homenaje a la guitarra
composer:
Eduardo Sainz de la Maza
Eduardo Sainz de la Maza7:15
3Penny Lane
mixer:
Giles Holland (classical engineer, editor), Simon Rhodes (senior recording engineer at Abbey Road Studios) and Bob Whitney (engineer)
editor:
Simon Kiln
guitar:
Manuel Barrueco (guitarist) and David Tanenbaum (guitarist)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1994-05)
instrumental cover recording of:
Penny Lane
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Catherine Holmes A'Court, EMI (EMI Records, or EMI Music only if there is no other imprint), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
recording of:
Penny Lane (for guitar, Brouwer)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
arranger:
Leo Brouwer
arrangement of:
Penny Lane
John Lennon, Paul McCartney / Leo Brouwer2:06
4Concerto for Guitar & Orchestra for Two Christophers: III. Celebration
guitar and solo guitar:
Christopher Parkening (guitarist)
orchestra:
London Symphony Orchestra
conductor:
Elmer Bernstein (American score composer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1999-12)
recording of:
Concerto for Guitar & Orchestra "For Two Christophers": III. Celebration
composer:
Elmer Bernstein (American score composer)
part of:
Concerto for Guitar & Orchestra "For Two Christophers"
Elmer Bernstein4:05
5Yesterday
mixer:
Giles Holland (classical engineer, editor), Simon Rhodes (senior recording engineer at Abbey Road Studios) and Bob Whitney (engineer)
editor:
Simon Kiln
guitar:
Manuel Barrueco (guitarist)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1994-05)
recording of:
12 Songs: Yesterday
composer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
arranger:
武満徹 (Tōru Takemitsu, composer)
arrangement of:
Yesterday (original by The Beatles)
part of:
12 Songs for guitar
John Lennon, Paul McCartney / Toru Takemitsu3:17
6Bookends
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Simon Woods (producer)
guitar:
Manuel Barrueco (guitarist)
instruments arranger:
Manuel Barrueco (guitarist)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-09-13 until 1993-09-15)
recording of:
Bookends (for guitar, Bellow)
composer:
Paul Simon (of Simon & Garfunkel)
arranger:
Alexander Bellow (American guitarist and composer)
arrangement of:
Bookends Theme
Alexander Bellow2:35
7Eleanor Rigby
mixer:
Giles Holland (classical engineer, editor), Simon Rhodes (senior recording engineer at Abbey Road Studios) and Bob Whitney (engineer)
editor:
Simon Kiln
guitar:
Manuel Barrueco (guitarist)
orchestra:
London Symphony Orchestra
conductor:
Jeremy Lubbock
balance engineer:
John Kurlander (engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Eleanor Rigby (for guitar, Brouwer)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
arranger:
Leo Brouwer
arrangement of:
Eleanor Rigby
John Lennon, Paul McCartney / Leo Brouwer4:51
8Koln Concert: Pt IIc
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Simon Woods (producer)
guitar:
Manuel Barrueco (guitarist)
instruments arranger:
Manuel Barrueco (guitarist)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-09-13 until 1993-09-15)
cover recording of:
Köln, January 24, 1975, Part IIc
composer:
Keith Jarrett (pianist) (on 1975-01-24)
part of:
Köln, January 24, 1975
recording of:
Köln, January 24, 1975, Part IIc
composer:
Keith Jarrett (pianist) (on 1975-01-24)
part of:
Köln, January 24, 1975
Keith Jarrett6:10
9Ojos brujos (Les Yeux sorciers)
classical guitar and guitar:
Manuel Barrueco (guitarist)
recording of:
Ojos brujos
composer:
Leo Brouwer
Leo Brouwer1:48
10Guajira criolla
classical guitar and guitar:
Manuel Barrueco (guitarist)
recording of:
Dos aires populares cubanos: No. 1. Guajira criolla
composer:
Leo Brouwer
part of:
Dos aires populares cubanos
Leo Brouwer2:18
11Estudio sin luz
guitar:
Ernesto Bitetti (classical guitarist)
recording of:
Estudio sin luz
composer:
Andrés Segovia (guitarist)
Andrés Segovia3:01
12Madroños
guitar:
Ángel Romero (guitarist/conductor)
recording of:
Madroños
composer:
Federico Moreno Torroba (composer)
Federico Moreno Torroba2:49
13Sonata (Dedicated to Ernesto Bitetti): III. Bárbaro
guitar:
Ernesto Bitetti (classical guitarist)
recording of:
Sonata: III. Bárbaro
composer:
José Buenagu (conductor)
part of:
Sonata
José Buenagu3:17
14Sonatina in A: I. Allegretto
guitar:
Ernesto Bitetti (classical guitarist)
recording of:
Sonatina: I. Allegretto
composer:
Federico Moreno Torroba (composer) (in 1923)
part of:
Sonatina
Federico Moreno Torroba4:00
153 Gymnopédies: No. 1. Lent et douloureux
guitar:
Pierre Laniau
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements)
composer:
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) and Londek Edition
arrangement of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Erik Satie3:16
16Nocturnal after John Dowland, op. 70: V. March-like (Quasi una marcia)
guitar:
Carlos Bonell (classical guitarist)
recording of:
Nocturnal after John Dowland, op. 70: V. March-like
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Nocturnal after John Dowland, op. 70
Benjamin Britten1:29
17Five Bagatelles for guitar: IV. [Lento]
guitar:
Carlos Bonell (classical guitarist)
recording of:
5 Bagatelles: IV. (Sempre espressivo)
composer:
William Walton (British composer and conductor) (in 1971)
part of:
5 Bagatelles
Sir William Walton2:11
18Suite Compostelana: Canción (extract))
guitar:
Oscar Ghiglia (guitarist)
recording of:
Suite compostelana: V. Canción
composer:
Federico Mompou (composer and pianist) (in 1962)
part of:
Suite compostelana
Federico Mompou3:02
19Tarentella
guitar:
Oscar Ghiglia (guitarist)
recording of:
Tarantella, op. 87
composer:
Mario Castelnuovo‐Tedesco (Italian composer)
Mario Castelnuovo‐Tedesco3:54