| # | Title | Artist | Rating | Length |
|---|
| 1 | Woman | John Lennon | 4 | 3:32 |
| 2 | Rocket Man (I Think It's Going to Be a Long, Long Time) | Elton John | 4.05 | 4:39 |
| 3 | Always on My Mind- producer:
- Chips Moman
- bass:
- Mike Leech (on 1981-10-11)
- drums (drum set):
- Gene Chrisman (on 1981-10-11)
- guitar:
- Johnny Christopher (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (on 1981-10-11)
- harmonica:
- Mickey Raphael (on 1981-10-11)
- keyboard:
- Bobby Woods (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
- vocals:
- Willie Nelson (on 1981-10-11)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1981, in 1982, in 2003) and CBS Records Inc. (in 1982)
- recorded at:
- Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
- recording of:
- Always on My Mind (on 1981-10-11)
- writer:
- Johnny Christopher , Mark James and Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Copyright Control , Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. and Sebanine Music
- sub-publisher:
- Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. and Screen Gems–EMI Music Ltd.
| Willie Nelson | 4.65 | 3:32 |
| 4 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:35 |
| 5 | Ain't No Sunshine | Bill Withers | 4.5 | 2:03 |
| 6 | How Can You Mend a Broken Heart?- producer:
- Willie Mitchell
- drums (drum set):
- Howard Grimes and Al Jackson, Jr.
- electric bass guitar:
- Leroy Hodges
- guitar family:
- Mabon Hodges
- organ and piano:
- Charles Hodges
- saxophone:
- James Mitchell
- tenor saxophone:
- Ed Logan
- trombone:
- Jack Hale
- trumpet:
- Wayne Jackson
- background vocals:
- Charles Chalmers , Donna Rhodes and Sandra Rhodes
- recorded at:
- Royal Studios in Memphis, Tennessee, United States
- cover recording of:
- How Can You Mend a Broken Heart
- written in:
- Kensington, Kensington and Chelsea, London , England, United Kingdom
- writer:
- Barry Gibb and Robin Gibb
- publisher:
- Abigail Music (London) Ltd. , BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. , Universal Music Careers and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Green | 3.7 | 6:21 |
| 7 | My Eyes Adored You | Frankie Valli | | 3:33 |
| 8 | After the Love Has Gone- producer:
- Maurice White
- phonographic copyright (℗) by:
- CBS, Inc. (in 1979)
- samples from:
- I Am by Earth, Wind & Fire (in 1979)
- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 3.2 | 4:25 |
| 9 | Until You Come Back to Me (That's What I Am Going to Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax , Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music , Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 4.35 | 3:26 |
| 10 | Don't Know Why | Norah Jones | 3.45 | 3:06 |
| 11 | Crazy | Patsy Cline | 4.15 | 2:42 |
| 12 | Love Letters | Ketty Lester | | 2:40 |
| 13 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc. , Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 4.65 | 2:48 |
| 14 | Stardust- producer:
- Lee Gillette
- piano:
- Charles LaVere (on 1956-12-19)
- lead vocals:
- Nat King Cole (on 1956-12-19)
- conductor:
- Gordon Jenkins (on 1956-12-19)
- arranger:
- Gordon Jenkins
- recorded at:
- Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-12-19)
- recording of:
- Stardust (on 1956-12-19)
- lyricist:
- Mitchell Parish (in 1929)
- composer:
- Hoagy Carmichael (in 1927)
- publisher:
- Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. , EMI Music Publishing Ltd. , Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- American Splendor
| Nat King Cole | 2.65 | 3:14 |
| 15 | I Can't Make You Love Me | George Michael | 3.35 | 5:21 |
| 16 | Miss You Nights | Cliff Richard | | 3:56 |
| 17 | God Only Knows | The Beach Boys | | 2:49 |
| 18 | (There's) Always Something There to Remind Me- cover recording of:
- (There’s) Always Something There to Remind Me
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Copyright Control , Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
| Sandie Shaw | | 2:44 |
| 19 | Witchita Lineman | Glen Campbell | 3.65 | 3:04 |
| 20 | Will You Still Love Me Tomorrow- drums (drum set) [drums]:
- Gary Chester (in 1960)
- kettle drum:
- Carole King (in 1960)
- piano:
- Paul Griffin (in 1960)
- lead vocals:
- Shirley Owens (in 1960)
- vocals:
- Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (in 1960)
- phonographic copyright (℗) by:
- HHO Licensing Ltd.
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (number: 33), Rolling Stone: 500 Greatest Songs of All Time (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
- recording of:
- Will You Love Me Tomorrow (in 1960)
- lyricist:
- Gerry Goffin
- composer:
- Carole King
- publisher:
- Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. , Warner/Chappell Music Ltd. , イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Shirelles | 3.8 | 2:42 |
| 21 | Missing You | Chris de Burgh | 3 | 4:08 |
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