Gold

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1I Loves You Porgy (live)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:30
2Images (live)
live recording of:
Images
lyricist:
Waring Cuney
composer:
Nina Simone
2:50
3See Line Woman (live)
live cover recording of:
See‐Line Woman
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
2:35
4Mississippi Goddam
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (on 1964-04-04)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 172)
live recording of:
Mississippi Goddam (on 1964-04-04)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
live recording of:
Mississippi Goddam (in 1964)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
4.54:54
5Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:44
6A Monster
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone
vocals:
Nina Simone
orchestra:
Horace Ott's Orchestra
conductor:
Horace Ott
arranger:
Horace Ott
52:44
7Don’t Take All Night
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
32:50
8I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.32:34
9Ne me quitte pas
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:34
10Tomorrow Is My Turn
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
lyricist:
Yves Stéphane
composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
L’amour c’est comme un jour
4.52:48
11Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:53
12Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
writer:
Andy Stroud (former husband of Nina Simone.)
4.52:57
13Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
42:03
14I Love Your Loving Ways
52:35
15Be My Husband
producer:
Hal Mooney
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (from 1965-05-19 until 1965-05-20)
recording of:
Be My Husband (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
2.653:20
16Ain’t No Use
producer:
Hal Mooney
recording of:
Ain’t No Use (from 1965-05-19 until 1965-05-20)
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
4.53:00
17Sinnerman
producer:
Hal Mooney
live cover recording of:
Sinnerman (from 1965-05-19 until 1965-05-20)
lyricist and composer:
[traditional] (special purpose artist)
is based on:
Oh Sinner Man (Bob Gibson's version)
4.8510:19
2▼CD
#TitleRatingLength
1Four Women
recording of:
Four Women (in 1965)
lyricist and composer:
Nina Simone
publisher:
EMI Tunes Ltd
3.54:26
2For Myself
recording of:
For Myself
lyricist and composer:
Van McCoy
2.52:05
3The Other Woman (live)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond
drums (drum set):
Albert “Tootie” Heath
piano:
Nina Simone
cover recording of:
The Other Woman
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
43:05
4Either Way I Lose
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Horace Ott
cover recording of:
Either Way I Lose
writer:
Van Allen Mc Coy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music Inc.
42:43
5Break Down and Let It All Out
cover recording of:
Break Down and Let It All Out
lyricist and composer:
Van McCoy
42:37
6Don’t You Pay Them No Mind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
cover recording of:
Don’t You Pay Them No Mind
writer:
Fred Ahlert, Richard Ahlert, Arthur Scott (Motown composer signed to Jobete Music Co) and Bobby Scott (vocals, piano, US musician & producer)
33:05
7I’m Gonna Leave You
piano:
Nina Simone (on 1966-04-01)
vocals:
Nina Simone (on 1966-04-01)
conductor:
Hal Mooney (on 1966-04-01)
arranger:
Hal Mooney
recording of:
I’m Gonna Leave You (on 1966-04-01)
lyricist and composer:
Rudy Stevenson
32:20
8Brown Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
22:05
9Keeper of the Flame
recording of:
Keeper of the Flame
writer:
Charles Anthony Derringer
43:22
10I Hold No Grudge
recording of:
I Hold No Grudge
writer:
Angelo Badalamenti (American score composer) and John W. Clifford
3:22
11Do What You Gotta Do
cover recording of:
Do What You Gotta Do
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
2:59
12Peace of Mind
2:35
13Ain’t Got No – I Got Live
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
piano and lead vocals:
Nina Simone (on 1968-05-13)
phonographic copyright (℗) by:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) and BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
live cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
42:08
14To Love Somebody
cover recording of:
To Love Somebody
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
recording of:
To Love Somebody
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
2:39
15Revolution (Part 1)
2:50
16To Be Young, Gifted and Black
recording of:
To Be Young, Gifted and Black
lyricist:
Weldon Irvine
composer:
Nina Simone
2:52
17If You Knew / Let It Be Me (live)
5:22
18My Baby Just Cares for Me (live)
live cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3:01