The Very Best of Ben E King & The Drifters

~ Release by Ben E. King & The Drifters (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Saturday Night at the MoviesThe Drifters52:31
2Up on the Roof
recorded in:
New York, New York, United States (on 1962-06-28)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
George Duvivier (on 1962-06-28)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1962-06-28)
guitar:
Don Arnone (on 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1962-06-28), Bob Bushnell (on 1962-06-28) and Al Casamenti (on 1962-06-28)
keyboard:
Ernie Hayes (American pianist, organist and arranger) and Carole King (on 1962-06-28)
percussion:
George Devens (on 1962-06-28) and Bobby Rosengarden (on 1962-06-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-28) and Frank Saracco (on 1962-06-28)
trumpet:
Jimmy Nottingham (on 1962-06-28) and Jimmy Sedlar (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (The Drifters) (on 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Bert Keyes (piano, soul/funk producer/writer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 113) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Drifters52:38
3Come on Over to My Place
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Come on Over to My Place
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:29
4Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:44
5On Broadway
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
The Drifters3:04
6Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
7When My Little Girl Is SmilingThe Drifters2:35
8At the Club
recording of:
At the Club
writer:
Gerry Goffin and Carole King
The Drifters2:55
9Spanish Harlem
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
cello:
Charles McCracken (cellist) (on 1960-10-27)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1960-10-27)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1960-10-27)
guitar:
Al Caiola (on 1960-10-27)
percussion:
Phil Kraus (on 1960-10-27)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1960-10-27)
reeds:
Romeo Penque (on 1960-10-27)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem (on 1960-10-27)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King4.43:01
10Don’t Play That Song (You Lied)
recorded in:
New York, New York, United States (on 1962-03-03)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Jack Lesberg (on 1962-03-03)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1962-03-03)
guitar:
Al Caiola (on 1962-03-03), Charles Macey (on 1962-03-03) and Art Ryerson (on 1962-03-03)
piano:
Robert Mosely (US rhythm & blues singer/songwriter) (on 1962-03-03)
strings [eight strings] and background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-03-03)
trombone:
Eddie Bert (on 1962-03-03)
vocals:
Ben E. King (on 1962-03-03)
conductor:
Jimmy Haskell (on 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (on 1962-03-03)
writer:
Ahmet Ertegun (US American Songwriter, producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
Ben E. King52:50
11There Goes My Baby
producer:
Leiber and Stoller (songwriting team)
guitar:
Reggie Kimber (on 1959-03-06)
baritone vocals:
Dock Green (on 1959-03-06)
bass vocals:
Elsbeary Hobbs (on 1959-03-06)
lead vocals:
Ben E. King (on 1959-03-06)
tenor vocals:
Charlie Thomas (The Drifters) (on 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Coastal Recording in New York, New York, United States (on 1959-03-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 2) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 193)
recording of:
There Goes My Baby (on 1959-03-06)
lyricist and composer:
Benjamin Nelson, Lover Patterson and George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. and Sony/ATV Songs LLC
The Drifters4.52:13
12Some Kind of WonderfulThe Drifters2:19
13Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
producer:
Leiber and Stoller (songwriting team)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:29
14You’re More Than a Number in My Little Red Book
recording of:
You’re More Than a Number in My Little Red Book
composer:
Roger Greenaway and Tony Macaulay
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing Ltd.
The Drifters3:17
15Kissin’ in the Back Row of the Movies
baritone vocals:
Grant Kitchings
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
tenor vocals:
Butch Leake
vocals:
Bill Fredericks and Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
composer:
Roger Greenaway and Tony Macaulay
The Drifters3.653:32
16There Goes My First Love
recording of:
There Goes My First Love
writer:
Roger Greenaway and Barry Mason (English songwriter)
The Drifters3:04
17Down on the Beach TonightThe Drifters3:01
18Can I Take You Home Little Girl
recording of:
Can I Take You Home Little Girl
composer:
Roger Greenaway and Barry Mason (English songwriter)
The Drifters3:26
19The Songs We Used to SingThe Drifters3:05
20Every Nite’s a Saturday Night With YouThe Drifters3:22
21Sweet Caroline (Good Times Never Seemed So Good)
cover recording of:
Sweet Caroline
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1969)
publisher:
Ahab Music Co., Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing and MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1969)
The Drifters3:12
22Hello Happiness
recording of:
Hello Happiness
composer:
Roger Greenaway and Les Reed
The Drifters2:45
23Love Games
recording of:
Love Games
composer:
Roger Greenaway and Tony Macaulay
The Drifters3:08
24Like Sister and Brother
baritone vocals:
Grant Kitchings
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
tenor vocals:
Butch Leake
vocals:
Bill Fredericks and Butch Mann
arranger:
Bert De Coteau
recording of:
Like Sister and Brother
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Geoff Stephens
The Drifters3:22