Mozart: The Essentials

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Serenade in G, K. 525 "Eine kleine Nachtmusik": 1. Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1982-06)
conductor:
James Levine (US conductor and pianist) (in 1982-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1982-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
8:23
2Divertimento in D, K. 136: 3. Presto
recording engineer:
Klaus Behrens (engineer) (in 1990-03)
producer:
Wolfgang Mitlehner
cello:
Clemens Hagen (cellist) (in 1990-03)
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 1990-03)
viola:
Veronika Hagen (violist) (in 1990-03)
violin [violin I]:
Lukas Hagen (violinist) (in 1990-03)
violin [violin II]:
Rainer Schmidt (Austrian violinist) (in 1990-03)
balance engineer:
Wolfgang Mitlehner (in 1990-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1990-03)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto (in 1990-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
2:30
3Die Zauberflöte, K. 620: Act 1: "Der Vogelfänger bin ich ja"
engineer:
Jürgen Bulgrin (sound engineer)
producer:
Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2006-05)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-05)
conductor:
Sebastian Weigle (hornist and conductor) (in 2006-05)
balance engineer:
Rainer Maillard
recorded at:
Palais im Großen Garten (Dresden) in Dresden, Sachsen (Saxony), Germany (in 2006-05)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 2006-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:46
4Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Alla Turca (Allegretto)
piano:
Friedrich Gulda (pianist) (in 1982-11)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1982-11)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:25
5Piano Sonata no. 15 in C, K. 545 "Facile": 1. Allegro
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
performer:
Maria João Pires (pianist)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
4:15
6Symphony no. 25 in G minor, K. 183: 1. Allegro con brio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
edit of:
Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio by Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
4:23
7Symphony no. 40 in G minor, K. 550: 1. Molto allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
edit of:
Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto by Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
4:40
8Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
54:15
9Così fan tutte, K. 588: Overture
executive producer:
Ute Fesquet
producer:
Sid McLauchlan (engineer/producer)
cello [violoncello (continuo)]:
Richard Lester (cellist) (in 2012-07)
fortepiano [fortepiano (continuo)]:
Benjamin Bayl (conductor) (in 2012-07)
orchestra:
Chamber Orchestra of Europe (in 2012-07)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2012-07)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2012-07)
recording of:
Così fan tutte: Ouvertura (in 2012-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
4:14
10Piano Concerto no. 21 in C, K. 467: 2. Andante
piano:
Anda Géza (Geza Anda, pianist)
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
edit of:
Concerto pour piano et orchestre No. 21, KV 467: Andante by Géza Anda (Geza Anda, pianist), Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
2:55
11Horn Concerto no. 4 in E-flat, K. 495: 3. Rondo (Allegro vivace)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
horn:
David Jolley (French horn) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
3:41
12Exsultate, jubilate, K. 165: 4. Alleluia
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing (engineer, producer)
organ:
Roger Hamilton (Irish harpsichordist) (in 1993-09)
soprano vocals:
Barbara Bonney (soprano) (in 1993-09)
balance engineer:
Hans‐Peter Schweigmann (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1993-09)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (Salzburg revision) (in 1993-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
2:38
13Die Zauberflöte, K. 620: Act 2: "Ein Mädchen oder Weibchen"
glockenspiel [keyed glockenspiel]:
Duncan Williams (in 2006-04)
bass-baritone vocals [Papageno]:
Bryn Terfel (bass‐baritone opera singer) (in 2006-04)
orchestra:
Scottish Chamber Orchestra (in 2006-04)
conductor:
Sir Charles Mackerras (Australian conductor) (in 2006-04)
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (in 2006-04)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 2006-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:09
14Le nozze di Figaro, K. 492: Overture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:21
15Don Giovanni, K. 527: Act 1: "Là ci darem la mano"
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
soprano vocals:
Miah Persson (soprano)
orchestra:
Scottish Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:58
16Divertimento no. 11 in D, K. 251 "Nannerl-Septett": 3. Andantino
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
double bass:
Donald Palma (double bass player) (in 1985-03)
horn [horn I]:
William Purvis (horn player and conductor) (in 1985-03)
horn [horn II]:
Stewart Rose (hornist) (in 1985-03)
oboe:
Randall Wolfgang (oboist) (in 1985-03)
viola:
Maureen Gallagher (violist) (in 1985-03)
violin [violin I]:
Todd Phillips (violinist) (in 1985-03)
violin [violin II]:
Naoko Tanaka (violinist) (in 1985-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1985-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1985-03)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1985-03)
recording of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino (in 1985-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet"
4:34
17Concerto for Flute, Harp and Orchestra in C, K. 299: 2. Andantino
flute:
James Galway (flautist)
harp:
Catrin Finch
orchestra:
Sinfonia Varsovia
edit of:
Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c): 2. Andantino by Catrin Finch, James Galway (flautist), Sinfonia Varsovia
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
4:44
18Piano Sonata no. 8 in A minor, K. 310: 3. Presto
recording engineer:
Daniel Kemper (in 2010-09)
executive producer:
Ute Fesquet
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2010-09)
recorded at:
Rundfunk-Zentrum Berlin KG in Berlin, Germany (in 2010-09)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto (in 2010-09)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
2:59
19Symphony no. 33 in B-flat major, K. 319: 4. Finale (Allegro assai)
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Symphony no. 33 for Orchestra in B-flat major, K. 319: IV. Allegro assai
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-07-09)
part of:
Symphony no. 33 for Orchestra in B-flat major, K. 319
4:11
20Le nozze di Figaro, K. 492: Act 3: "Che soave zeffiretto"
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
3:37
21Vesperae solennes de confessore in C, K. 339: 5. Laudate Dominum omnes gentes (Ps. 116/117)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing (engineer, producer)
organ:
Paul Nicholson (harpsichordist & organist) (in 1993-09)
choir vocals:
The English Concert Choir (in 1993-09)
soprano vocals:
Barbara Bonney (soprano) (in 1993-09)
orchestra:
The English Concert (in 1993-09)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1993-09)
balance engineer:
Hans‐Peter Schweigmann (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1993-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1993-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
4:57
22Die Zauberflöte, K. 620: Zweiter Aufzug: "Der Hölle Rache kocht in meinem Herzen"
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:00
23Piano Sonata no. 8 in A minor, K. 310: 1. Allegro maestoso
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
performer:
Maria João Pires (pianist)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso (in 1989-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
8:04
24Violin Concerto no. 3 in G, K. 216: 2. Adagio (Cadenza: Robert Levin)
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
violin:
Gidon Kremer (violinist) (in 1984-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1984-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984-12)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1984-12)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (in 1984-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:03
25Piano Concerto no. 20 in D minor, K. 466: 3. Rondo (Allegro assai)
recording engineer:
Stephan Flock and Ueli Würth (producer and sound engineer)
executive producer:
Ute Fesquet and Angelika Meissner
producer:
Sid McLauchlan (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 2013-03)
orchestra:
Orchestra Mozart (in 2013-03)
conductor:
Claudio Abbado (conductor) (in 2013-03)
recorded at:
Lucerne Festival 2013 (2013-03)
recorded at:
Kultur- und Kongresszentrum Luzern (Lucerne Culture and Congress Centre) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 2013-03)
live recording of:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (in 2013-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
7:50

Credits

Release group

part of:The Essentials (Deutsche Grammophon) (order: 14)