The Greatest Classical Hits: The Butterfly Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

10 CD, each in a paper sleeve

Annotation last modified on 2024-05-12 09:20 UTC.

Tracklist

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1▼CD: Ravel
#TitleArtistRatingLength
1Boléro: Tempo di Boléro, moderato assai
piano:
Mee Chou Lee (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Samo Hubad (conductor), Anton Nanut (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Ravel13:55
2La Valse Poème choréographique: Mouvement de Valse viennoise. Un peu plus modéré ler mouvement (Assez animé)
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
La Valse (for orchestra) (ended)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)
Ravel12:52
3Le tombeau de Couperin: I. Prélude (vif)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Ravel3:18
4Le tombeau de Couperin: II. Forlane (allegretto)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: III. Forlane (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Ravel5:45
5Le tombeau de Couperin: III. Menuet (allegro moderato)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Ravel4:47
6Le tombeau de Couperin: IV. Rigaudon (assez vif)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (ended)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Ravel3:14
7Piano Concerto in G major: I. Allegramente
piano:
Mee Chou Lee (pianist)
orchestra:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
performer:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: I. Allegramente
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Ravel8:46
8Piano Concerto in G major: II. Adagio assai
piano:
Mee Chou Lee (pianist)
orchestra:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
performer:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: II. Adagio assai
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Ravel8:46
9Piano Concerto in G major: III. Presto
piano:
Mee Chou Lee (pianist)
orchestra:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
performer:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: III. Presto
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Ravel4:04
2▼CD: Grieg
#TitleArtistRatingLength
1Peer Gynt Suite no. 1, op. 46: Morning Mood
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:52
2Peer Gynt Suite no. 1, op. 46: Aase's Death
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic), Slowakische Staatsphilharmonie and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:32
3Peer Gynt Suite no. 1, op. 46: Anitra's Dance
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:30
4Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
GMS (in 1986)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:21
5Peer Gynt Suite no. 2, op. 55: The Abduction (Ingrid's Lament)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovich (Yuri Ahronovitch, conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:34
6Peer Gynt Suite no. 2, op. 55: Arabian Dance
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym) and Yuri Ahronovitch (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:28
7Peer Gynt Suite no. 2, op. 55: Peer Gynt's Home-coming (Stormy evening on the coast)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast))
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg3:41
8Peer Gynt Suite no. 2, op. 55: Solvejg's Song
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:33
9Piano Concerto in A minor op. 16: Allegro moderato molto e marcato
piano:
Dubravka Tomšič (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra) and Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:12
10Piano Concerto in A minor op. 16: Adagio
piano:
Dumbarvska Tomsic (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:06
11Piano Concerto in A minor op. 16: Andanta maestoso
piano:
Dumbarvska Tomsic (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:21
3▼CD: Bach
#TitleArtistRatingLength
1Ave Maria (arr.: Gounod)
vocals:
Ricardo Casinelli (tenor, Alfred Scholz related)
orchestra:
Orchestra of the Württemberg National Opera (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach & Charles‐François Gounod2:57
2Toccata & Fugue in D minor BWV 565
solo organ [Otto Winter]:
Miklós Spányi (organist, harpsichordist and pianist)
recording of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565
part of:
Fantasia (Disney soundtrack)
Johann Sebastian Bach9:26
3Air in the G string BWV 1068 2nd Movement from Orchestral Suite No. 3 in D major
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:21
4Brandenburg Concerto No. 3 in G major BWV 1048, Allegro
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:37
5Brandenburg Concerto No. 3 in G major BWV 1048, Adagio
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Johann Sebastian Bach0:14
6Brandenburg Concerto No. 3 in G major BWV 1048, Allegro
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:23
7Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo, Vivace
violin:
Joseph Brezina (violinist) and Feliz Elias (violinist)
orchestra:
Camera Labacencis
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach4:03
8Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo, Largo, ma non tanto
violin:
Joseph Brezina (violinist) and Feliz Elias (violinist)
orchestra:
Camera Labacencis
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:16
9Concerto No. 3 in D minor for 2 Violins, Strings and Basso Continuo, Allegro
violin:
Joseph Brezina (violinist) and Feliz Elias (violinist)
orchestra:
Camera Labacencis
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for two Violins, Strings and Basso Continuo in D Minor, BWV 1043 (Arr. for two Guitars and Orchestra in A Minor): III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Edward Grigoryan
arrangement of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Johann Sebastian Bach5:14
10From 'St. Matthew Passion' BWV 244 'Wir setzen uns mit Tränen nieder'
vocals:
Westminister Choir
orchestra:
Westminister Orchestra
conductor:
Kenneth Dowley (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
11Italian Concerto BWV 971, Moderato
producer:
Udo Unger
piano and solo piano:
Dubravka Tomšič (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:26
12Italian Concerto BWV 971, Andante
producer:
Udo Unger
piano and solo piano:
Dubravka Tomšič (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach5:29
13Italian Concerto BWV 971, Allegro vivace
producer:
Udo Unger
piano and solo piano:
Dubravka Tomšič (pianist)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:24
4▼CD: Beethoven
#TitleArtistRatingLength
1Symphony No. 5 in C minor Op. 68, Allegro con brio
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
conductor:
Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:25
2Violin concerto in D major Op. 61, Rondo
violin [Jan Czerkow]:
Ivan Cerkov (violinist, an Alfred Scholz pseudonym)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:40
3Symphony No. 6 in F major, Op. 68 'Pastoral', Shepherd's song: Happy and thankful feelings after the storm: Allegretto
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:36
4Piano Concerto No. 5 in E flat major Op. 73 'Emperor', Rondo: Allegro
piano:
Dubravka Tomšič (pianist)
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect)
conductor:
Anton Nanut (Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:49
5Romance for Violin No. 1 in G major Op. 40
violin [Jan Czerkow]:
Ivan Cerkov (violinist, an Alfred Scholz pseudonym)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven6:40
6'Moonlight' Sonats Op. 27/2 in C sharp minor, Adagio sostenuto
audio engineer:
Südwest Tonstudio (engineering)
grand piano and solo piano:
Dubravka Tomšič (pianist)
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:04
7Symphony No. 9 in D minor Op. 125 'Choral', Finale - Chorus to Schiller's 'Ode to Joy': Allegro assai
choir vocals:
Soloists and Choir of the “Pro Musica” Consort
lead vocals:
Choir of the “Pro Musica” Consort
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9: IV. Presto – Allegro assai “Ode to Joy” (for piano, Liszt)
composer:
Ludwig van Beethoven (German composer) (from 1823 until 1824)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
arrangement of:
Symphony No. 9 in D Minor, Op. 125: IV. Song Of Joy (arrangement for piano by Steven Hodgson)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9 (for piano, Liszt)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven12:38
5▼CD: Strauss
#TitleArtistRatingLength
1The Blue Danube - Waltz
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss10:56
2Emperor Waltz
recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss11:20
3Pizzicato Polka
recording of:
Pizzicato-Polka
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss2:47
4Vienna Blood - Waltz
recording of:
Wiener Blut, op. 354 (Vienna Blood, waltz)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 354)
Johann Strauss9:17
5Wine, Woman and Song
recording of:
Wein, Weib und Gesang, op. 333 (Wine, Woman and Song)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 333)
Johann Strauss5:45
6Tritch Tratch Polka
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss2:42
7Roses from the South
recording of:
Rosen aus dem Süden, op. 388 (Roses from the South)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 388)
Johann Strauss9:25
8Thunder and Lightning Polka
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss3:19
9Voices of Spring - Waltz
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss7:32
6▼CD: Mozart
#TitleArtistRatingLength
1Overture to 'The Magic Flute' KV 620
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:06
2Symphony No. 40 in G minor KV 550, Molto allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:57
3'Eine kleine Nachtmusik' Serenade No. 1 in G major KV 525
orchestra:
Salzburg Consort
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 525), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 525) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 525)
Wolfgang Amadeus Mozart5:43
4Piano Concerto No. 23 in A major KV 488, Allegro
piano:
Leonard Hokanson (pianist)
orchestra:
Camera Labacencis
conductor:
Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart11:19
5German Dance No. 1 in D major KV 605
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
3 German Dances for Orchestra, K. 605: No. 1 in D major. German Dance & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart1:55
6Minuet from Divertimento in D major KV 205
orchestra:
Salzburg Consort
recording of:
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: II. Minuetto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167a/205
Wolfgang Amadeus Mozart4:16
7Violin Concerto No. 4 in D major KV 218
violin:
Oliver Strobel (violinist)
conductor:
Camera Labacencis and Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218
Wolfgang Amadeus Mozart8:55
8Rondo alla turca from Sonata No. 11 in A major KV 331
piano:
Leonard Hokanson (pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:42
9Symphony No. 41 'Jupiter' in C major KV 551, Allegro vivace
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:21
7▼CD: Vivaldi
#TitleArtistRatingLength
1'The Four Seasons' Concerto 1: Spring, Allegro
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:27
2'The Four Seasons' Concerto 1: Spring, Largo
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:14
3'The Four Seasons' Concerto 1: Spring, Allegro: Danza pastorale
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:02
4'The Four Seasons' Concerto 2: Summer, Allegro non molto - Allegro
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:16
5'The Four Seasons' Concerto 2: Summer, Adagio - Presto - Adagio
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:09
6'The Four Seasons' Concerto 2: Summer, Presto: Tempo impetuoso
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:59
7'The Four Seasons' Concerto 3: Autumn, Allegro: Ballo, e canto de vilanelli
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:08
8'The Four Seasons' Concerto 3: Autumn, Adagio motto: Ubriachi dormienti
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:05
9'The Four Seasons' Concerto 3: Autumn, Allegro: La caccia
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:20
10'The Four Seasons' Concerto 4: Winter, Allegro non molto
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:35
11'The Four Seasons' Concerto 4: Winter, Largo
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:45
12'The Four Seasons' Concerto 4: Winter, Allegro
instruments:
Alexander Pervomansky (violinist, possibly a Scholz fake name)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:31
13Concerto for Mandolin, Strings & Cembalo in C major, Allegro
orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:11
14Concerto for Mandolin, Strings & Cembalo in C major, Largo
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
performer:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:46
15Concerto for Mandolin, Strings & Cembalo in C major, Allegro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:46
16Concerto for 2 Flutes, Strings & Cembalo in C major, Allegro molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Two Flutes in C major, RV 533: I. Allegro molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Flutes in C major, RV 533
Antonio Vivaldi2:32
17Concerto for 2 Flutes, Strings & Cembalo in C major, Largo
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Two Flutes in C major, RV 533: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Flutes in C major, RV 533
Antonio Vivaldi2:00
18Concerto for 2 Flutes, Strings & Cembalo in C major, (Allegro)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Two Flutes in C major, RV 533: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Flutes in C major, RV 533
Antonio Vivaldi2:11
19Sinfonia in C major, Allegro
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
L’incoronazione di Dario, RV 719: Sinfonia: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
L’incoronazione di Dario, RV 719: Sinfonia
Antonio Vivaldi2:45
20Sinfonia in C major, Largo
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
L’incoronazione di Dario, RV 719: Sinfonia: II. Andante
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
L’incoronazione di Dario, RV 719: Sinfonia
Antonio Vivaldi3:09
21Sinfonia in C major, Presto
orchestra:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
L’incoronazione di Dario, RV 719: Sinfonia: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
L’incoronazione di Dario, RV 719: Sinfonia
Antonio Vivaldi1:06
8▼CD: Tchaikovsky
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1Piano Concerto No. 1 in B flat minor, Allegro non troppo e molto maestoso
piano:
Ida Černecká (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский4:17
2Waltz from Serenade for Strings Op. 48
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский4:01
3Violin Concerto in D major Op. 35, Canzonetta: Andante
violin:
Dalibor Brázda and Eugene Schäffer
orchestra:
Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Alfred Scholz
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский6:58
4Flower waltz from 'The Nutcracker'
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:18
5Symphony No. 6 in B minor Op. 74 'Pathétique', Finale: Adagio lamentoso - Andante
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Prague Festival Orchestra and The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (Alfred Scholz pseudonym) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский10:05
6Romeo & Juliet - Ouverture Fantasia
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor) and Marko Munih (conductor, an Alfred Scholz pseudonym)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский9:29
7Capriccio Italien Op. 45
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor), Marko Munih (conductor, an Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Пётр Ильич Чайковский15:07
8Autumn Song: October from 'The Seasons'
piano and solo piano:
Marián Pivka (pianist)
recording of:
The Seasons, op. 37a: X. October “Autumn Song”
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
Пётр Ильич Чайковский3:50
9▶CD: Chopin
10▶CD: Händel