The Greatest Movies Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:31
2White Wedding
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Phil Feit (in 1982)
drums (drum set):
Steve Missal (in 1982)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1982) and Steve Stevens (US guitarist and songwriter) (in 1982)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
edit of:
White Wedding, Part 1 by Billy Idol (English rock singer‐songwriter)
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 53)
recording of:
White Wedding (in 1982)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol33:33
3Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.653:44
4Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
writer:
Paul Court (of "The Primitives"), Steve Dullaghan and Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:31
5Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:28
6Roadhouse Blues
engineer and mixer:
Thom Panunzio
co-producer:
Thom Panunzio
producer:
Jimmy Iovine
bass guitar:
Joe Rockman
drums (drum set):
Tom Stephen (drummer and manager of The Jeff Healey Band)
guitar and lead vocals:
Jeff Healey
keyboard:
Benmont Tench
phonographic copyright (℗) by:
United Artists Pictures, Inc. (in 1989)
cover recording of:
Roadhouse Blues
lyricist:
Jim Morrison (lead vocalist of the Doors)
composer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music, Rondor Music (London) Ltd., Sharandall Music and Wixen Music Publishing, Inc.
The Jeff Healey Band34:51
7Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship44:27
8Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks44:03
9Drop Dead Gorgeous
drums (drum set):
Dave Barbarossa
guest instruments:
Johnny Male
guest keyboard:
Pete Davis (solo project of math rock band Invalids)
keyboard:
Tim Dorney and Andy Todd (UK electronic producer/keyboardist, member of Republica)
lead vocals:
Saffron (singer of Republica)
recording of:
Drop Dead Gorgeous
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. and Momentum Music (publisher)
Republica33:32
10Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:30
11Choose Life
guest vocals:
Ewan McGregor
performer:
Ewan McGregor
recording of:
Choose Life
writer:
Moussa Clarke and Jamie White
PF Project feat. Ewan McGregor33:50
12Tubular Bells
recording of:
Tubular Bells
composer:
Mike Oldfield
quotes music from:
Dies Irae (plainchant)
part of:
Tubular Bells, Part One
Mike Oldfield4.254:16
13Mission Impossible
performer:
Billy May & His Orchestra
cover recording of:
Mission: Impossible
composer:
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Mission: Impossible III (2006 film soundtrack)
Billy May32:26
14Wipe Out
orchestra:
The Ventures
cover recording of:
Wipe Out
composer:
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) and Ron Wilson (drummer of The Surfaris)
publisher:
Miraleste Music and Robin Hood Music Co.
The Ventures2:59
15The Trembler
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
bass, keyboard and synthesizer:
Jeff Lynne (from 1987-01-30 until 1987-02-05)
drums (drum set):
Jim Keltner (from 1987-01-30 until 1987-02-05)
guitar:
Duane Eddy (from 1987-01-30 until 1987-02-05)
slide guitar:
George Harrison (The Beatles) (from 1987-01-30 until 1987-02-05)
tenor saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1987-01-30 until 1987-02-05)
recording of:
The Trembler (from 1987-01-30 until 1987-02-05)
composer:
Duane Eddy and Ravi Shankar
Duane Eddy3:33
16Theme From the Man From U.N.C.L.E.
conductor:
Hugo Montenegro
performer:
Hugo Montenegro and Hugo Montenegro and His Orchestra
arranger:
Hugo Montenegro
recording of:
Theme From “The Man From U.N.C.L.E.”
composer:
Jerry Goldsmith (American score composer)
part of:
The Man from U.N.C.L.E. (American TV Series 1964–1968)
Jerry Goldsmith2:00
17The Pink Panther Theme
recording engineer:
Jim Malloy
producer:
Joe Reisman
tenor saxophone:
Plas Johnson (in 1962)
orchestra:
The Henry Mancini Orchestra (in 1963)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1963)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (in 1963)
recording of:
The Pink Panther Theme (in 1962)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
recording of:
The Pink Panther Theme (on 1963-09-16)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
instrumental recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
Henry Mancini4.12:37
18James Bond Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
John Barry1:59
19Themes
Ennio Morricone4:39
20Theme From the Good, the Bad and the Ugly
performer:
Hugo Montenegro
recording of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly (Main Title))
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
part of:
Il buono, il brutto, il cattivo (1966 film score)
Hugo Montenegro2:45
2▼CD
#TitleArtistRatingLength
1You’re Nobody ’til Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:14
2Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:21
3Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:50
4Last Tango in Paris
vocals:
Marlena Shaw (in 1973)
orchestrator:
Horace Ott (in 1973)
recording of:
Last Tango in Paris (in 1973)
composer:
Gato Barbieri
Marlena Shaw3:19
5Midnight Cowboy
additional trumpet:
Burt Collins (in 1969)
double bass:
Ron Carter (US jazz double-bassist) (in 1969)
drums (drum set):
Mickey Roker (Drummer) (in 1969)
flugelhorn:
Joe Shepley (in 1969)
guitar:
Al Gafa (in 1969), Jean 'Toots' Thielemans (in 1969) and Wally Richardson (US jazz/R&B guitarist) (in 1969)
harmonica:
Jean 'Toots' Thielemans (in 1969)
percussion:
Airto Moreira (percussionist) (in 1969)
piano:
Duke Pearson (in 1969)
trumpet:
Lee Morgan (jazz trumpeter / composer) (in 1969)
recording of:
Midnight Cowboy (in 1969)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Lee Morgan2:45
6Calling You
recording of:
Calling You
lyricist and composer:
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 61st Academy Award for Best Original Song (number: 2)
Holly Cole5:26
7Don’t Worry Be Happy
engineer:
Chris Tergesen
producer:
Linda Goldstein
body percussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin4.44:50
8Love & Happiness
engineer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
producer:
Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
tenor saxophone:
Ed Logan and Andrew Love
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
strings arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and James Mitchell (US saxophonist/arranger)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 98) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 274)
recording of:
Love and Happiness
writer:
Al Green (US soul singer, songwriter, pastor and record producer) and Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated) (in 1972) and Irving Music, Inc. (in 1972)
Al Green3.74:59
9It Hurts Like Hell
recording engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Jon Gass
lead vocals:
Aretha Franklin
recording of:
It Hurts Like Hell
lyricist and composer:
Babyface (R&B musician Kenny Edmonds)
part of:
Waiting to Exhale (1995 film)
Aretha Franklin4:20
10Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
11Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:44
12Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music and Plangent Visions Music
Fun Boy Three3.22:53
13Save a Little Love
vocals:
Marie Frank (in 1999)
recording of:
Save a Little Love (in 1999)
writer:
Jacob Eriksen (Danish guitarist and lead singer) (in 1999) and Marie Frank (in 1999)
Marie Frank3:15
14Love Is Strange
vocals:
Mickey Baker and Sylvia Robinson
phonographic copyright (℗) by:
Vestron Music Inc. (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 7)
recording of:
Love Is Strange (on 1956-10-17)
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia4.52:56
15Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.254:28
16In the Name of Love
recording of:
In the Name of Love
writer:
Tom Bailey (Thompson Twins), Chris Bell (drummer (Thompson Twins)), Alannah Currie, Joe Leeway, Peter Dodd, John Roog and Matthew Seligman
publisher:
Point Music Ltd.
Thompson Twins3:47
17Mary’s Prayer
producer:
Dave Bascombe
performer:
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom and Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:55
18The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:54
19Miracle
recording of:
Miracle
lyricist:
Tim Kellett
composer:
Tim Kellett and Robin Taylor-Firth
Olive3:59
20From the Heart
recording of:
From the Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Another Level4:53
3▼CD
#TitleArtistRatingLength
1You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:04
2More Than a Woman
vocals:
Tavares (US R&B, funk and soul music)
cover recording of:
More Than a Woman (in 1997)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
Tavares33:26
3Boogie Shoes
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 324)
recording of:
Boogie Shoes
writer:
Harry Wayne Casey and Richard Finch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.352:11
4I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:51
5Loco in Acapulco
recording engineer:
Rick Ruggieri
drums (drum set) and background vocals:
Phil Collins (of Genesis)
electric bass guitar:
Freddie Washington (US session bassist)
guitar:
Michael Landau, Paul Jackson (bassist) and David Williams (folk guitarist)
keyboard:
Aaron Zigman (American score composer)
choir vocals:
Four Tops (Motown)
guitar arranger and horn arranger:
Paul Riser
percussion arranger:
Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:34
6Didn’t I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:22
7Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
8Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.53:15
9The King of Wishful Thinking
recording engineer:
Paul Erickson (recording engineer)
membranophone programming:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
programming:
Peter Wolf (US rock vocalist, member of J. Geils Band)
executive producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
producer:
Peter Wolf (US rock vocalist, member of J. Geils Band) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Tom Lord‐Alge
guest guitar:
David Williams (session guitarist and songwriter)
guest horn:
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
keyboard:
Peter Wolf (US rock vocalist, member of J. Geils Band)
guest background vocals:
Lynn Davis (vocalist), Dorian Holley, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) and Alfie Silas
arranger:
Jerry Hey and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1990)
recording of:
King of Wishful Thinking
writer:
Peter Cox (Artist and songwriter), Richard Drummie and Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West34:01
10You Don’t Own Me
engineer:
Ben Kape
producer:
Peter Wilson (UK Producer)
bass guitar:
Mick Anker
drums (drum set) [drums]:
Tony Kiley (Blow Monkeys Drummer)
saxophone:
Neville Henry
lead vocals:
Dr. Robert
phonographic copyright (℗) by:
Vestron Music Inc. (in 1987)
recorded at:
Town House III Studio in Battersea, Wandsworth, London (Greater London), England, United Kingdom
cover recording of:
You Don’t Own Me
writer:
John Madara (in 1963) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. and Unichappell Music, Inc. (in 1963)
The Blow Monkeys43:01
11Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:46
12A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer)
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.63:35
13Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
14Slave to Love
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
music videos:
Slave to Love by Bryan Ferry
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry34:11
15Fisherman’s Blues
recording of:
Fisherman’s Blues
writer:
Mike Scott (The Waterboys) and Steve Wickham
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
translated version of:
Blues del pescador
The Waterboys4:19
16Scatterings of Africa
producer:
Hilton Rosenthall
arranger:
Hilton Rosenthal
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Scatterlings of Africa
composer:
Johnny Clegg
Johnny Clegg and Savuka3.54:02
17Sloop John B
recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
The Beach Boys2:56
18Alfie’s Theme
recording engineer:
Rudy van Gelder (on 1968-10-25)
piano:
John Patton (on 1968-10-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1968-10-25)
instrumental recording of:
Alfie (1966 film) (on 1968-10-25)
John Patton4:40
19Up, Up and Away
engineer:
“Bones” Howe
producer:
Johnny Rivers and Marc Gordon (soul songwriter, producer, and manager)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
brass [horns] arranger and strings arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States
recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:38
20Willie & the Hand Jive
recording of:
Willie and the Hand Jive
lyricist and composer:
Johnny Otis
publisher:
Eldorado Music Company
The Johnny Otis Show2:36
4▼CD
#TitleArtistRatingLength
1Zadok the Priest
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Georg Friedrich Händel5:42
2Ride of the Valkyries
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-12-13 until 1972-12-14)
conductor:
Sir Adrian Boult (conductor) (from 1972-12-13 until 1972-12-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-12-13 until 1972-12-14)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1972-12-13 until 1972-12-14)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:22
3Wedding March
orchestra:
Rotterdam Philharmonic Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:33
4La Mamma Morta
soprano vocals:
Maria Callas (soprano)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:30
5La Forza del Destino (Overture)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:54
6The Thieving Magpie (Overture)
partial recording of:
La gazza ladra: Ouverture (The Thieving Magpie: Overture)
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini3:09
7Un bel di vedremo
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:22
8O Mio Babbino Carino
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:03
9Viens, Mallika (Flower Duet)
choir vocals:
Chœurs du Théâtre National de l’Opéra‐Comique
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (in 1970)
soprano vocals:
Mady Mesplé (soprano) (in 1970)
orchestra:
National Opera Orchestra and Orchestre du Théâtre National de l’Opéra‐Comique (in 1970)
conductor:
Alain Lombard (conductor) (in 1970)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1970)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:18
10Habanera
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:00
11Theme From Schindler’s List
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams5:01
12Aria
piano:
Jerry Zimmerman
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:36
13Lacrimosa from Requiem, K. 626
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:36
14Ebben? Ne Andro Lontana
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:47
15Adagio for Strings, Op 11
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber6:21
16Air on a G String From Suit No 3 in D
violin:
Yehudi Menuhin (violinist)
orchestra:
The Bath Festival Chamber Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach44:18