Tracklist

1CD
#TitleArtistRatingLength
1Orange Crush
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
Bearsville Studios in Bearsville, New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 273)
recording of:
Orange Crush
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Chappell Music Ltd. and Night Garden Music
R.E.M.4.053:53
2This Is Not a Love Song
producer and mixer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd.44:14
3Do You Remember Rock ’n’ Roll Radio?
assistant engineer:
Bruce Gold (Engineer)
engineer:
Larry Levine and Boris Menart
producer:
Phil Spector
creative direction:
Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Marky Ramone (Marc Bell)
guitar:
Johnny Ramone
organ and piano:
Barry Goldberg (blues rock keyboardist and producer)
saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist)
lead vocals:
Joey Ramone
spoken vocals:
Sean Donahue
recording of:
Do You Remember Rock ’n’ Roll Radio?
writer:
Dee Dee Ramone, Joey Ramone and Johnny Ramone
publisher:
Bleu Disque Music Co. (publisher), Mutated Music, Taco Tunes Inc., WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ramones4.53:53
4Burning House of LoveX3:57
5Stigmata
producer:
Hermes Pan (industrial bassist/producer/engineer) and Hypo Luxa
bass:
Paul Barker (industrial bassist/producer/engineer)
drums (drum set):
Bill Rieflin
guitar and keyboard:
Al Jourgensen
keyboard:
Roland Barker
vocals:
Al Jourgensen
recording of:
Stigmata
writer:
Al Jourgensen
Ministry4.25:46
6Everyday Is Like Sunday
producer:
Stephen Street (famous producer, songwriter)
recording of:
Everyday Is Like Sunday
lyricist:
Morrissey (English singer‐songwriter)
composer:
Stephen Street (famous producer, songwriter)
publisher:
Linder Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Morrissey4.53:36
7Head On
additional engineer:
Lee Curle and Jamie Harley (sound engineer for electronic music)
engineer and mixer:
Alan Moulder (producer and engineer)
producer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
additional mixer:
Dick Meaney
vocals:
Jim Reid (Jesus and Mary Chain)
performer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1989)
recorded at:
Sam Therapy in London (Greater London), England, United Kingdom
mixed at:
The Church Studios in London (Greater London), England, United Kingdom
recording of:
Head On
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
publisher:
WB Music Corp. (1929–2019)
The Jesus and Mary Chain54:14
8The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:50
9Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
10The Perfect Kiss
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
recorded at:
Britannia Row Studios (first location, 1975-1995 Islington) in Islington, London (Greater London), England, United Kingdom (in 1984) and Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom (in 1984)
mixed at:
Britannia Row Studios (first location, 1975-1995 Islington) in Islington, London (Greater London), England, United Kingdom and Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
music videos:
The Perfect Kiss by New Order (UK synth pop band)
recording of:
The Perfect Kiss (in 1984)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
is based on:
Perfect Pit
New Order4.354:52
11Personal Jesus
producer:
Depeche Mode and Flood (British producer Mark Ellis)
mixer:
François Kevorkian
lead vocals:
Dave Gahan
part of:
Indie 88: Top 500 Indie Rock Songs (number: 13), Pitchfork: The Story of Goth in 33 Songs and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 369)
recording of:
Personal Jesus
lyricist and composer:
Martin L. Gore
publisher:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.254:57
12Birthday
producer:
Danny Birkett, Derek Birkett and Ray Shulman (Gentle Giant)
bass guitar:
Bragi
drums (drum set):
Siggi
drums (drum set) and percussion:
Siggi Baldursson
guitar:
Thor
keyboard:
Björk and Einar Melax
trumpet:
Einar Örn (musician)
vocals:
Björk and Einar Örn (musician)
music video for:
Birthday (English) by Sugarcubes (Icelandic alternative/post-punk rock band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 48)
recording of:
Birthday
writer:
The Sugarcubes (Icelandic alternative/post-punk rock band)
translated version of:
Ammæli (Icelandic Birthday)
The Sugarcubes4.154:00
13Could You Be the One?
producer:
Grant Hart and Bob Mould
recording of:
Could You Be the One? (from 1986-08 until 1986-11)
lyricist and composer:
Bob Mould
publisher:
Granary Music
Hüsker Dü52:35
14We Care a Lot
recording engineer:
Matt Wallace (US producer & engineer) (in 1986)
assistant engineer:
Jim “Watts” Verecke
producer:
Steve Berlin, Faith No More and Matt Wallace (US producer & engineer)
congas and drums (drum set):
Mike Bordin (American drummer) (in 1986)
electric bass guitar [bass]:
Billy Gould (in 1986)
electric guitar [guitars]:
Jim Martin (ex-Faith No More guitarist) (in 1986)
keyboard [keyboards]:
Roddy Bottum (in 1986)
background vocals [backing vocals]:
Mike Bordin (American drummer) (in 1986), Roddy Bottum (in 1986), Billy Gould (in 1986) and Jim Martin (ex-Faith No More guitarist) (in 1986)
lead vocals [vocals]:
Chuck Mosely (American vocalist and guitarist) (in 1986)
phonographic copyright (℗) by:
Slash Records (US label, founded in 1978 in LA originally focused on local punk bands, now distributed by Warner Bros. Records) (in 1987)
recorded at:
Control Center in Los Angeles, California, United States (in 1986) and Studio D in Sausalito, California, United States (in 1986)
mixed at:
Studio D in Sausalito, California, United States
music videos:
We Care a Lot by Faith No More
recording of:
We Care a Lot (in 1986)
lyricist:
Roddy Bottum and Chuck Mosely (American vocalist and guitarist)
composer:
Roddy Bottum and Billy Gould
publisher:
Big Thrilling Music (music publishing company) and Faith No More Music (Faith No More publishing company)
Faith No More3.954:06
15Gone Daddy Gone
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass and xylophone:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
recording of:
Gone Daddy Gone (in 1982-07)
lyricist:
Willie Dixon and Gordon Gano
composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980), Hoochie Coochie Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
is based on:
I Just Wanna Make Love to You
Violent Femmes43:07
16Eardrum Buzz
engineer:
Paul Kendall (British producer and engineer aka PK)
producer and mixer:
John Fryer (British producer and engineer) and Paul Kendall (British producer and engineer aka PK)
recording of:
Eardrum Buzz
writer:
Bruce Gilbert (UK musician; guitarist in Wire), Robert Gotobed (drummer in Wire), Graham Lewis (bassist in Wire) and Colin Newman (UK vocalist / songwriter)
Wire44:13

Credits

Release

mastering:Bob Fisher (producer, recording artist & mastering engineer)
compiler:Kurt Steffeck
Discogs:https://www.discogs.com/release/577173 [info]
ASIN:US: B0000032GU [info]

Release group

part of:120 Minutes (MTV series releases) (order: 3)
Discogs:https://www.discogs.com/master/471968 [info]