Stan Getz & Bill Evans

~ Release by Stan Getz & Bill Evans (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleRatingLength
1Night and Day
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1964-05-06)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:45
2But Beautiful
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental recording of:
But Beautiful (on 1964-05-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
4:41
3Funkallero
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
recording of:
Funkallero (on 1964-05-06)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
6:40
4My Heart Stood Still
producer:
Creed Taylor
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
My Heart Stood Still (on 1964-05-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
8:37
5Melinda
producer:
Creed Taylor
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
Melinda (On a Clear Day You Can See Forever) (on 1964-05-05)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:04
6Grandfather’s Waltz
producer:
Creed Taylor
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
Grandfather’s Waltz (on 1964-05-05)
lyricist:
Gene Lees
composer:
Lars Färnlöf
publisher:
Meager Music
6:28
7Carpetbagger’s Theme
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
Carpetbagger’s Theme (on 1964-05-06)
writer:
Elmer Bernstein (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
1:47
8WNEW (Theme Song)
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
cover recording of:
WNEW (Theme Song) (on 1964-05-06)
writer:
Larry Green (big-band era musician)
2:50
9My Heart Stood Still (alternate take)
producer:
Creed Taylor
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
My Heart Stood Still (on 1964-05-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
6:45
10Grandfather’s Waltz (alternate take)
producer:
Creed Taylor
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-05-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-05)
piano:
Bill Evans (pianist) (on 1964-05-05)
tenor saxophone:
Stan Getz (on 1964-05-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-05)
instrumental recording of:
Grandfather’s Waltz (on 1964-05-05)
lyricist:
Gene Lees
composer:
Lars Färnlöf
publisher:
Meager Music
55:32
11Night and Day (alternate take)
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1964-05-06)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-05-06)
piano:
Bill Evans (pianist) (on 1964-05-06)
tenor saxophone:
Stan Getz (on 1964-05-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-05-06)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1964-05-06)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:34

Credits

Release

manufactured in:Israel
printed in:W.-Germany
liner notes:James Issacs (in 1987-11)
remastering:Dennis Drake (US PolyGram engineer)
design:Ellie Hughes (designer)
Tom Hughes (design, illustration)
artwork:David Heffernan (art, design, illustration, photography, direction)
copyrighted (©) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973)
remastered at:PolyGram Studios (Tape master storage facility and mastering studio in Edison, NJ) in Edison, New Jersey, United States
Discogs:https://www.discogs.com/release/15936190 [info]
ASIN:US: B00000476E [info]