Anna Magdalena Notebooks, 1722 and 1725

~ Release by Bach; Mahan Esfahani, Carolyn Sampson (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Minuet in F major, BWV Anh. 113
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet F-Dur, BWV Anh. 113 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 3) and Bach-Werke-Verzeichnis (number: BWV Anh. 113)
Johann Sebastian Bach1:46
2Minuets in G major & G minor, BWV Anh. 114 & 115
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Menuet in G minor, BWV Anh. 115 (from 2021-06-01 until 2021-06-03)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard) (from 2021-06-01 until 2021-06-03)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Christian Pezold3:34
3Rondeau in B-flat major, BWV Anh. 183
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Rondeau, BWV Anh. 183 (from 2021-06-01 until 2021-06-03)
composer:
François Couperin (French composer of the Baroque era)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 183)
François Couperin4:17
4Minuet in G major, BWV Anh. 116
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Minuet in G major, BWV Anh. 116 (from 2021-06-01 until 2021-06-03)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 116)
Johann Sebastian Bach1:44
5Polonaise in F major, BWV Anh. 117
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Polonaise F-Dur, BWV Anh. 117b (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 8), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 117b) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 117)
Johann Sebastian Bach1:18
6Minuet in B-flat major, BWV Anh. 118
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Minuet in B-flat major, BWV Anh. 118 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 9) and Bach-Werke-Verzeichnis (number: BWV Anh. 118)
Johann Sebastian Bach1:24
7Polonaise in G minor, BWV Anh. 119
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Polonaise in G minor, BWV Anh. 119 (from 2021-06-01 until 2021-06-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 10) and Bach-Werke-Verzeichnis (number: BWV Anh. 119)
Johann Sebastian Bach1:13
8Wer nur den lieben Gott lässt walten, BWV 691
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (1725) (number: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach1:36
9Gib dich zufrieden, BWV 510
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” (attribution doubtful) (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 12), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 510) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 510)
Johann Sebastian Bach1:20
10Gib dich zufrieden, BWV 511
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille” (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1666)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13a), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 511), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 511) and Bach Compendium (number: BC F 214a)
Johann Sebastian Bach1:14
11Minuet in A minor, BWV Anh. 120
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 14) and Bach-Werke-Verzeichnis (number: BWV Anh. 120)
Johann Sebastian Bach1:28
12Minuet in C minor, BWV Anh. 121
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Menuett c-Moll, BWV Anh. 121 (from 2021-06-01 until 2021-06-03)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 15), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 121) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 121)
Johann Sebastian Bach1:03
13March in D major, BWV Anh. 122
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (from 2021-06-01 until 2021-06-03)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/1), Notebook for Anna Magdalena Bach (1725) (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
Carl Philipp Emanuel Bach1:04
14Polonaise in G minor, BWV Anh. 123
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Polonaise in G minor, BWV Anh. 123, H. 1/2 (from 2021-06-01 until 2021-06-03)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/2), Notebook for Anna Magdalena Bach (1725) (number: 17) and Bach-Werke-Verzeichnis (number: BWV Anh. 123)
Carl Philipp Emanuel Bach1:19
15March in G major, BWV Anh. 124
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Marche in G major, BWV Anh. 124, H. 1/3 (from 2021-06-01 until 2021-06-03)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/3), Notebook for Anna Magdalena Bach (1725) (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
Carl Philipp Emanuel Bach1:26
16Polonaise in G minor, BWV Anh. 125
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Polonaise in G minor, BWV Anh. 125, H. 1/4 (from 2021-06-01 until 2021-06-03)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/4), Notebook for Anna Magdalena Bach (1725) (number: 19) and Bach-Werke-Verzeichnis (number: BWV Anh. 125)
Carl Philipp Emanuel Bach1:59
17Erbauliche Gedanken eines Tobackrauchers, BWV 515a
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Klavierbüchlein für Anna Magdalene Bach: Nr. 20 B "Erbauliche Gedanken eines Tobackrauchers", BWV 515a (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach5:28
18Menuet fait par Mons Böhm in G major
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Minuet in G major “per Monsieur Böhm”, BWV deest (Clavier-büchlein für Anna Magdalena Bach 1725) (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 21) and Bach-Werke-Verzeichnis (number: BWV deest)
Georg Böhm1:09
19Musette in D major, BWV Anh. 126
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Musette in D major, BWV Anh. 126 (from 2021-06-01 until 2021-06-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
Johann Sebastian Bach0:43
20March in E-flat major, BWV Anh. 127
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Marche Es-dur, BWV Anh. 127 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 23) and Bach-Werke-Verzeichnis (number: BWV Anh. 127)
Carl Philipp Emanuel Bach1:13
21Polonaise in D minor, BWV Anh. 128
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Polonaise d-Moll, BWV Anh. 128 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 24), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 128) and Bach-Werke-Verzeichnis (number: BWV Anh. 128)
Johann Sebastian Bach1:17
22Bist du bei mir, BWV 508
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 2021-06-01 until 2021-06-03)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
Gottfried Heinrich Stölzel2:47
23Goldberg Variations, BWV 988: Aria
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:21
24Solo per il cembalo, BWV Anh. 129
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16 (from 2021-06-01 until 2021-06-03)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1736)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
revised by:
Carl Philipp Emanuel Bach (German classical composer) (in 1744)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 16) and Notebook for Anna Magdalena Bach (1725) (number: 27)
part of:
Vollständige sammlung aller ungedruckten Clavier-Sonaten, Wq. 65
Carl Philipp Emanuel Bach2:13
25Polonaise in G major, BWV Anh. 130
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Polonaise, BWV Anh. 130 (from 2021-06-01 until 2021-06-03)
composer:
Johann Adolf Hasse (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 28), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 130 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 130)
Johann Adolf Hasse2:00
26The Well-Tempered Clavier Book 1: Prelude in C major, BWV 846 no. 1
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:11
27Rigaudon in F major, BWV Anh. 131
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
March in F, BWV Anh. 131 (from 2021-06-01 until 2021-06-03)
composer:
Johann Christian Bach (German composer, son of JSB)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johann Christian Bach, Thematic catalog (number: W. A22), Notebook for Anna Magdalena Bach (1725) (number: 32), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 131 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 131)
Johann Christian Bach0:44
28Warum betrübst du dich?, BWV 516
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Aria “Warum betrübst du dich”, BWV 516 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
Johann Sebastian Bach1:37
29Ich habe genug, BWV 82: Recitative “Ich habe genug”
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:07
30Ich habe genug, BWV 82: Aria “Schlummert ein, ihr matten Augen”
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:09
31Schaffs mit mir, Gott, BWV 514
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
Johann Sebastian Bach0:57
32Minuet in D minor, BWV Anh. 132
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Menuett in d-Moll, BWV Anh. 132 (from 2021-06-01 until 2021-06-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
Johann Sebastian Bach0:54
33Willst du dein Herz mir schenken, BWV 518
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
Johann Sebastian Bach2:58
34Dir, dir, Jehova, will ich singen, BWV 299b
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach0:55
35Wie wohl ist mir, o Freund der Seelen, BWV 517
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
Johann Sebastian Bach1:32
36Gedenke doch, mein Geist, zurücke, BWV 509
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
Johann Sebastian Bach0:58
37O Ewigkeit, du Donnerwort, BWV 513
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
Johann Sebastian Bach1:22
38Jesus, meine Zuversicht, BWV 728
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Jesus, meine Zuversicht, BWV 728 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 728)
Johann Sebastian Bach1:49
39Minuet in G major, BWV 841
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harpsichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Menuet 1 in G, BWV 841 (from 2021-06-01 until 2021-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1722) and Bach-Werke-Verzeichnis (number: BWV 841)
arrangement of:
Menuett (Petri free arrangement of BWV 841-3)
Johann Sebastian Bach1:18
40Bist du bei mir, BWV 508
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
clavichord:
Mahan Esfahani (harpsichordist) (from 2021-06-01 until 2021-06-03)
soprano vocals:
Carolyn Sampson (soprano) (from 2021-06-01 until 2021-06-03)
recorded at:
St. John’s Church (Loughton) in Loughton, Essex, England, United Kingdom (from 2021-06-01 until 2021-06-03)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 2021-06-01 until 2021-06-03)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
Gottfried Heinrich Stölzel2:40