Replay: The Best in Mainstream Music, Vol. 1, No. 5

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Blueberry Hill (live)
sound engineer:
Ron McMaster (US mastering & cutting engineer)
audio engineer:
Dieter Dirks (German audio engineer) (on 1977-03-20), Martin Rushent (on 1977-03-20) and Peter Wolsey (German audio engineer) (on 1977-03-20)
producer:
Tim Read (producer) (in 1977-03) and Martin Rushent (in 1977-03)
baritone saxophone:
Roger Lewis (Sax Player - Dirty Dozen Brass Band) (on 1977-03-20)
bass guitar:
Carlton McWilliams (guitar player) (on 1977-03-20)
drums (drum set):
Smokey Johnson (on 1977-03-20)
guitar:
David Douglas (guitar) (on 1977-03-20) and Roy Montrell (on 1977-03-20)
piano and lead vocals:
Fats Domino (on 1977-03-20)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1977-03-20), Fred Kemp (on 1977-03-20) and Walter Kimble (sax player) (on 1977-03-20)
trumpet:
Dave Bartholomew (on 1977-03-20) and Thomas Johnson (trumpet player) (on 1977-03-20)
conductor:
Dave Bartholomew (on 1977-03-20)
phonographic copyright (℗) by:
United Artists Records Ltd. (from 1977 to present)
recorded at:
Deutsches Museum in München (Munich), Bayern (Bavaria), Germany (on 1977-03-20)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (in 1977)
engineered at:
EMI Studio in Hollywood, Los Angeles, California, United States (in 1977)
edit of:
Blueberry Hill (live, 1977-03-20: Deutsches Museum, Munich, West Germany; with speech) by Fats Domino
live cover recording of:
Blueberry Hill (on 1977-03-20)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.53:08
2The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:37
3Great Balls of Fire
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:53
4Good Golly Miss MollyLittle Richard2:07
5But I Do
recording of:
But I Do
writer:
Paul Gayton and Robert Guidry
publisher:
Arc Music (U.S. rock & blues publisher) and Chappell Music (UK)
Clarence Frogman Henry2:20
6Will You Still Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:42
724 Hours From Tulsa
recording of:
Twenty Four Hours From Tulsa
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney3:01
8Chapel of Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 18) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 279)
recording of:
Chapel of Love
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Dixie Cups42:47
9Leader of the PackShangri‐Las4.52:52
10Pretty Thing
recording of:
Pretty Thing
lyricist and composer:
Willie Dixon and Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Hoochie Coochie Music
Bo Diddley2:46
11Shame Shame Shame
recording of:
Shame, Shame, Shame
lyricist and composer:
Jimmy Reed (blues musician)
publisher:
Tristan Music Ltd.
Jimmy Reed2:52
12What’d I Say
cover recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Beatles/Tony Sheridan2:37
13I Put a Spell on You
recording of:
I Put a Spell on You
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Screaming Jay Hawkins3:33
14For Your Love
producer:
Giorgio Gomelsky
bass:
Paul Samwell-Smith (on 1965-02-01)
bass [bowed bass]:
Ron Prentice (on 1965-02-01)
bongos:
Denny Piercey (on 1965-02-01)
drums (drum set):
Jim McCarty (UK drummer, Yardbirds member) (on 1965-02-01)
guitar:
Eric Clapton (on 1965-02-01) and Chris Dreja (on 1965-02-01)
harpsichord:
Brian Auger (on 1965-02-01)
vocals:
Keith Relf (on 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-02-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 22)
recording of:
For Your Love (on 1965-02-01)
lyricist and composer:
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Screen Gems–EMI Music Ltd.
The Yardbirds4.552:31
15No Particular Place to Go
recording of:
No Particular Place to Go
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:43
16Working in a Coalmine
recording of:
Working in the Coal Mine
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lee Dorsey2:51
17When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:58
18I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown3:32
19Li’l Darlin’
double bass:
George Duvivier (on 1973-04-29)
drums (drum set):
Al Harewood (on 1973-04-29)
electric guitar:
George Benson (jazz guitarist/singer) (on 1973-04-29)
piano:
Mickey Tucker (on 1973-04-29)
live instrumental recording of:
Lil’ Darlin’ (on 1973-04-29)
composer and arranger:
Neal Hefti
George Benson11:10

Credits

Release group

part of:Replay Magazine (number: 5)