Early Trane

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

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1▼CD: Stablemates
#TitleRatingLength
1Beer Drinking Baby
double bass:
Ray Brown (jazz bassist) (on 1949-11-07)
drums (drum set):
Specs Powell (on 1949-11-07)
guitar:
John Collins (US jazz guitarist) (on 1949-11-07) and Johnny Collins (on 1949-11-07)
piano and lead vocals:
Billy Valentine (US 1940/50s blues, R&B & jazz pianist & singer) (on 1949-11-07)
tenor saxophone:
John Coltrane (on 1949-11-07)
recording of:
Beer Drinking Baby (on 1949-11-07)
lyricist and composer:
Billy Valentine (US 1940/50s blues, R&B & jazz pianist & singer)
2:36
2We Love To Boogie
recorded in:
Detroit, Michigan, United States (on 1951-03-01)
executive producer:
Steve Backer
alto saxophone and tenor saxophone and tenor saxophone:
John Coltrane (on 1951-03-01)
double bass:
Percy Heath (on 1951-03-01)
drums (drum set):
Kansas Fields (on 1951-03-01)
guitar:
Kenny Burrell (on 1951-03-01)
piano and vibraphone and vibraphone:
Milt Jackson (on 1951-03-01)
trumpet:
Dizzy Gillespie (on 1951-03-01)
vocals:
Freddy Strong (on 1951-03-01)
recording of:
We Love to Boogie (on 1951-03-01)
writer:
Dizzy Gillespie
2:50
3Stablemates
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (US jazz bassist) (on 1955-11-16)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-11-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-11-16)
cover recording of:
Stablemates (on 1955-11-16)
composer:
Benny Golson (American jazz saxophonist and composer)
5:18
4Avalon
recording engineer:
Rudy van Gelder (on 1956-05-07)
producer:
Bob Weinstock
bass:
Paul Chambers (US jazz bassist) (on 1956-05-07)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-07)
piano:
Elmo Hope (on 1956-05-07)
tenor saxophone:
John Coltrane (on 1956-05-07) and Hank Mobley (US jazz tenor saxophonist) (on 1956-05-07)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1956-05-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-07)
instrumental cover recording of:
Avalon (on 1956-05-07)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
9:37
5Tenor Madness
recording engineer:
Rudy van Gelder (on 1956-05-24)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-24)
guest tenor saxophone:
John Coltrane (on 1956-05-24)
piano:
Red Garland (on 1956-05-24)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-05-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-24)
recording of:
Tenor Madness (on 1956-05-24)
composer:
Sonny Rollins (American saxophonist)
is based on:
Royal Roost / Rue Chaptal
12:15
6Tenor Conclave
recording engineer:
Rudy van Gelder (on 1956-09-07)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-07)
drums (drum set):
Art Taylor (on 1956-09-07)
piano:
Red Garland (on 1956-09-07)
tenor saxophone:
Al Cohn (on 1956-09-07), John Coltrane (on 1956-09-07), Hank Mobley (US jazz tenor saxophonist) (on 1956-09-07) and Zoot Sims (US jazz saxophonist) (on 1956-09-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-07)
recording of:
Bob's Boys (on 1956-09-07)
composer:
Hank Mobley (US jazz tenor saxophonist)
8:17
7How Deep Is The Ocean?
recording engineer:
Rudy van Gelder (on 1956-09-07)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-07)
drums (drum set):
Art Taylor (on 1956-09-07)
piano:
Red Garland (on 1956-09-07)
tenor saxophone:
Al Cohn (on 1956-09-07), John Coltrane (on 1956-09-07), Hank Mobley (US jazz tenor saxophonist) (on 1956-09-07) and Zoot Sims (US jazz saxophonist) (on 1956-09-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-07)
instrumental cover recording of:
How Deep Is the Ocean? (on 1956-09-07)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
15:02
8Oleo
recorded in:
New York, New York, United States (on 1956-10-26)
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
edit of:
Oleo (studio, 1956-10-26: including false start) by Miles Davis Quintet (US jazz group, active 1955–58 and 1964–68)
recording of:
Oleo (on 1956-10-26)
composer:
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) and Sony/ATV Songs (SOCAN)
5:51
9Airegin
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-26)
cover recording of:
Airegin (instrumental) (on 1956-10-26)
composer:
Sonny Rollins (American saxophonist) (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music (US drum & bass)
4:23
10Mating Call
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Mating Call (on 1956-11-30)
composer:
Tadd Dameron
5:34
11Soultrane
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Soultrane (on 1956-11-30)
composer:
Tadd Dameron
5:22
2▼CD: Soul Eyes
#TitleRatingLength
1On A Mighty Night
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
On a Misty Night (on 1956-11-30)
composer:
Tadd Dameron
publisher:
Carbaby Music Company
6:20
2Superjet
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Super Jet (on 1956-11-30)
composer:
Tadd Dameron
5:52
3Soul Eyes
recording engineer:
Rudy van Gelder (on 1957-03-22)
double bass:
Paul Chambers (US jazz bassist) (on 1957-03-22)
drums (drum set):
Art Taylor (on 1957-03-22)
guitar:
Kenny Burrell (on 1957-03-22)
piano:
Mal Waldron (American jazz pianist) (on 1957-03-22)
tenor saxophone:
John Coltrane (on 1957-03-22) and Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1957-03-22)
trumpet:
Idrees Sulieman (on 1957-03-22) and Webster Young (on 1957-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-22)
instrumental recording of:
Soul Eyes (on 1957-03-22)
composer:
Mal Waldron (American jazz pianist)
publisher:
Prestige Music (US drum & bass)
517:23
4C.T.A
recording engineer:
Rudy van Gelder (on 1957-03-22)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-22) and George Joyner (on 1957-03-22)
drums (drum set):
Arthur Taylor (on 1957-03-22)
piano:
Red Garland (on 1957-03-22)
tenor saxophone:
John Coltrane (on 1957-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-22)
recording of:
C.T.A. (on 1957-03-22)
composer:
Jimmy Heath
4:38
5Monk's Mood
recording engineer:
Jack Higgins (recording engineer) (on 1957-04-16)
producer:
Orrin Keepnews
double bass [bass]:
Wilbur Ware (on 1957-04-16)
piano:
Thelonious Monk (on 1957-04-16)
tenor saxophone:
John Coltrane (on 1957-04-16)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-16)
recording of:
Monk’s Mood (on 1957-04-16)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
7:49
6Eclypso
recording engineer:
Rudy van Gelder (on 1957-04-18)
producer:
Bob Weinstock
double bass:
Doug Watkins (on 1957-04-18)
drums (drum set):
Louis Hayes (on 1957-04-18)
guitar:
Kenny Burrell (on 1957-04-18)
piano:
Tommy Flanagan (on 1957-04-18)
tenor saxophone:
John Coltrane (on 1957-04-18)
trumpet:
Idrees Sulieman (on 1957-04-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-18)
recording of:
Eclypso (on 1957-04-18)
composer:
Tommy Flanagan
7:52
7Potpourri
recording engineer:
Rudy van Gelder (on 1957-04-19)
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1957-04-19)
double bass [bass]:
Julian Euell (on 1957-04-19)
drums (drum set):
Art Taylor (on 1957-04-19)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-19)
tenor saxophone:
John Coltrane (on 1957-04-19)
trumpet:
Bill Hardman (US jazz trumpeter) (on 1957-04-19)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-19)
recording of:
Potpourri (on 1957-05-17)
composer:
Mal Waldron (American jazz pianist)
6:32
8Cattin'
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
recording of:
The Cattin' Toddler (on 1957-05-17)
composer:
Mal Waldron (American jazz pianist)
47:18
9Anatomy
recording engineer:
Rudy van Gelder (on 1957-03-22)
double bass:
Paul Chambers (US jazz bassist) (on 1957-03-22)
drums (drum set):
Art Taylor (on 1957-03-22)
guitar:
Kenny Burrell (on 1957-03-22)
piano:
Mal Waldron (American jazz pianist) (on 1957-03-22)
tenor saxophone:
John Coltrane (on 1957-03-22) and Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1957-03-22)
trumpet:
Idrees Sulieman (on 1957-03-22) and Webster Young (on 1957-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-22)
recording of:
Anatomy (on 1957-03-22)
composer:
Mal Waldron (American jazz pianist)
8:46
10Sunday
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
instrumental cover recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1957-05-17)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
6:55
3▼CD: While My Lady Sleeps
#TitleRatingLength
1Straight Street
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
recording of:
Straight Street (on 1957-05-31)
composer:
John Coltrane
publisher:
Jowcol Music
6:17
2While My Lady Sleeps
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
While My Lady Sleeps (on 1957-05-31)
lyricist:
Gus Kahn
composer:
Bronisław Kaper
4:40
3Chronic Blues
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
recording of:
Chronic Blues (on 1957-05-31)
composer:
John Coltrane
publisher:
Jowcol Music
8:10
4Bakai
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
cover recording of:
Bakai (on 1957-05-31)
composer:
Cal Massey
8:40
5Violets For Your Furs
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
Violets for Your Furs (on 1957-05-31)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
6:14
6Time Was
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
Time Was (on 1957-05-31)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
7:26
7I Hear A Rhapsody
recording engineer:
Rudy van Gelder (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
I Hear a Rhapsody (on 1957-05-31)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
5:56
8Nutty
recording engineer:
Jack Higgins (recording engineer) (in 1957-07)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
recording of:
Nutty (in 1957-07)
composer:
Thelonious Monk (in 1954)
publisher:
Thelonious Music Corp.
6:40
9Ruby, My Dear
recording engineer:
Jack Higgins (recording engineer) (in 1957-07)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
cover recording of:
Ruby, My Dear (in 1957-07)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
6:22
10Trinkle, Tinkle
recording engineer:
Jack Higgins (recording engineer) (in 1957-07)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
recording of:
Trinkle Tinkle (in 1957-07)
composer:
Thelonious Monk (in 1952)
publisher:
Thelonious Music
6:41
11Trane's Slow Blues
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
recording of:
Trane's Slo Blues (on 1957-08-16)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
Trane's Blues
6:00
12Like Someone In Love
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
instrumental cover recording of:
Like Someone in Love (on 1957-08-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:55
4▼CD: Moment's Notice
#TitleRatingLength
1You Leave Me Breathless
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-23)
instrumental cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”) (on 1957-08-23)
lyricist:
Ralph Freed
composer:
Friedrich Hollaender
7:19
2Bass Blues
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-23)
recording of:
Bass Blues (on 1957-08-23)
composer:
John Coltrane
publisher:
Jowcol Music
7:41
3Soft Lights And Sweet Music
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-23)
instrumental cover recording of:
Soft Lights and Sweet Music (on 1957-08-23)
lyricist and composer:
Irving Berlin
4:37
4Traneing In
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-23)
recording of:
Traneing In (on 1957-08-23)
composer:
John Coltrane
publisher:
Jowcol Music
12:28
5Slow Dance
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-23)
cover recording of:
Slow Dance (on 1957-08-23)
composer:
Alonzo Levister
5:22
6Lazy Bird
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Lazy Bird (original instrumental composition) (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:04
7Moment's Notice
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Moment’s Notice (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
59:08
8Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
10:39
9Locomotion
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Locomotion (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:12
10I'm Old Fashioned
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:56