The Complete Works

~ Release by Mahler (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Das klagende Lied / Piano Quartet
#TitleArtistRatingLength
1Das klagende Lied: I. Waldmärchen
producer:
John Willan (producer)
baritone vocals:
Sean Rae (from 1983-10-12 until 1984-06-24)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-10-12 until 1984-06-24)
mezzo-soprano vocals:
Alfreda Hodgson (contralto) (from 1983-10-12 until 1984-06-24)
soprano vocals:
Helena Döse (Swedish soprano) (from 1983-10-12 until 1984-06-24)
tenor vocals:
Robert Tear (tenor) (from 1983-10-12 until 1984-06-24)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-10-12 until 1984-06-24)
conductor:
Simon Rattle (conductor) (from 1983-10-12 until 1984-06-24)
chorus master:
Simon Halsey (conductor) (from 1983-10-12 until 1984-06-24)
balance engineer:
Michael Sheady (engineer) (from 1983-10-12 until 1984-06-24)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-10-12 until 1984-06-24)
recording of:
Das klagende Lied: I. Waldmärchen (1880 original) (from 1983-10-12 until 1984-06-24)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
premiered at:
[concert] (1934)
publisher:
Belwin-Mills Publishing Corp. (in 1969)
part of:
Das klagende Lied (1880 original, in 3 parts)
Gustav Mahler28:39
2Das klagende Lied: II. Der Spielmann
producer:
John Willan (producer)
baritone vocals:
Sean Rae (from 1983-10-12 until 1984-06-24)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-10-12 until 1984-06-24)
mezzo-soprano vocals:
Alfreda Hodgson (contralto) (from 1983-10-12 until 1984-06-24)
soprano vocals:
Helena Döse (Swedish soprano) (from 1983-10-12 until 1984-06-24)
tenor vocals:
Robert Tear (tenor) (from 1983-10-12 until 1984-06-24)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-10-12 until 1984-06-24)
conductor:
Simon Rattle (conductor) (from 1983-10-12 until 1984-06-24)
chorus master:
Simon Halsey (conductor) (from 1983-10-12 until 1984-06-24)
balance engineer:
Michael Sheady (engineer) (from 1983-10-12 until 1984-06-24)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-10-12 until 1984-06-24)
recording of:
Das klagende Lied: II. Der Spielmann (1880 original, recorded since 1997)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
part of:
Das klagende Lied (1880 original, in 3 parts)
Gustav Mahler17:38
3Das klagende Lied: III. Hochzeitsstück
producer:
John Willan (producer)
baritone vocals:
Sean Rae (from 1983-10-12 until 1984-06-24)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1983-10-12 until 1984-06-24)
mezzo-soprano vocals:
Alfreda Hodgson (contralto) (from 1983-10-12 until 1984-06-24)
soprano vocals:
Helena Döse (Swedish soprano) (from 1983-10-12 until 1984-06-24)
tenor vocals:
Robert Tear (tenor) (from 1983-10-12 until 1984-06-24)
orchestra:
City of Birmingham Symphony Orchestra (from 1983-10-12 until 1984-06-24)
conductor:
Simon Rattle (conductor) (from 1983-10-12 until 1984-06-24)
chorus master:
Simon Halsey (conductor) (from 1983-10-12 until 1984-06-24)
balance engineer:
Michael Sheady (engineer) (from 1983-10-12 until 1984-06-24)
recorded at:
Birmingham Town Hall in Birmingham, West Midlands, England, United Kingdom (from 1983-10-12 until 1984-06-24)
recording of:
Das klagende Lied: III. Hochzeitsstück (1880 original, recorded since 1997)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
part of:
Das klagende Lied (1880 original, in 3 parts)
Gustav Mahler19:09
4Piano Quartet: I. Nicht zu schnell
producer:
Andrew Keener (engineer/editor/producer)
cello:
Richard Lester (cellist) (in 1988-04)
piano:
Susan Tomes (pianist) (in 1988-04)
viola:
Timothy Boulton (viola player) (in 1988-04)
violin:
Krysia Osostowicz (violinist) (in 1988-04)
balance engineer:
Mike Hatch (engineer/editor) (in 1988-04)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Piano Quartet in A minor: I. Nicht zu schnell (incomplete) (in 1988-04)
composer:
Gustav Mahler (composer) (in 1876)
publisher:
Musikverlag Hans Sikorski (in 1973)
part of:
Piano Quartet in A minor (incomplete)
Gustav Mahler11:21
2▼CD: Lieder eines fahrenden Gesellen / Symphony No. 1
#TitleArtistRatingLength
1Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
producer:
Lawrance Collingwood
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1952-06-24 until 1952-06-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1952-06-24 until 1952-06-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-06-24 until 1952-06-25)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-06-24 until 1952-06-25)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (from 1952-06-24 until 1952-06-25)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:16
2Lieder eines fahrenden Gesellen: II. Ging heut Morgen übers Feld
producer:
Lawrance Collingwood
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1952-06-24 until 1952-06-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1952-06-24 until 1952-06-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-06-24 until 1952-06-25)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-06-24 until 1952-06-25)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (from 1952-06-24 until 1952-06-25)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:46
3Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
producer:
Lawrance Collingwood
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1952-06-24 until 1952-06-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1952-06-24 until 1952-06-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-06-24 until 1952-06-25)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-06-24 until 1952-06-25)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (from 1952-06-24 until 1952-06-25)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:29
4Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz
producer:
Lawrance Collingwood
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1952-06-24 until 1952-06-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1952-06-24 until 1952-06-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-06-24 until 1952-06-25)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-06-24 until 1952-06-25)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (from 1952-06-24 until 1952-06-25)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:51
5Symphony No. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
producer:
Christopher Bishop (conductor/producer)
orchestra:
Chicago Symphony Orchestra (on 1971-03-30)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-30)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1971-03-30)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (on 1971-03-30)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:49
6Symphony No. 1 "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
producer:
Christopher Bishop (conductor/producer)
orchestra:
Chicago Symphony Orchestra (on 1971-03-30)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-30)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1971-03-30)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (on 1971-03-30)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:01
7Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen
producer:
Christopher Bishop (conductor/producer)
orchestra:
Chicago Symphony Orchestra (on 1971-03-30)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-30)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1971-03-30)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (on 1971-03-30)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:23
8Symphony No. 1 "Titan": IV. Stürmisch bewegt
producer:
Christopher Bishop (conductor/producer)
orchestra:
Chicago Symphony Orchestra (on 1971-03-30)
conductor:
Carlo Maria Giulini (conductor) (on 1971-03-30)
balance engineer:
Carson Taylor (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1971-03-30)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (on 1971-03-30)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:49
3▼CD: Symphony No. 2 “Resurrection”
#TitleArtistRatingLength
1Symphony No. 2: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
E.M.I. Records Limited (not for release label use - for copyrights only) (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler19:04
2Symphony No. 2: II. Andante moderato (Sehr gemachlich)
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
E.M.I. Records Limited (not for release label use - for copyrights only) (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:30
3Symphony No. 2: III. Scherzo. In ruhig fliessender Bewegung
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
E.M.I. Records Limited (not for release label use - for copyrights only) (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler11:40
4Symphony No. 2: IV. Urlicht. Sehr feierlich, aber schlicht
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-11-22 until 1962-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
E.M.I. Records Limited (not for release label use - for copyrights only) (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:01
5Symphony No. 2: V. Im Tempo des Scherzos (Wild herausfahrend - Wieder sehr breit)
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler6:58
6Symphony No. 2: V. Wieder sehr breit
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:58
7Symphony No. 2: V. Ritardando - Maestoso
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:03
8Symphony No. 2: V. Wieder zuruckhaltend
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler6:25
9Symphony No. 2: V. Langsam. Misterioso
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Philharmonic Chorus (Tokyo) (from 1961-11-22 until 1962-03-24)
mezzo-soprano vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-11-22 until 1962-03-24)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-11-22 until 1962-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
chorus master:
Wilhelm Pitz (chorus master) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:39
10Symphony No. 2: V. Etwas bewegter
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Philharmonic Chorus (Tokyo) (from 1961-11-22 until 1962-03-24)
mezzo-soprano vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-11-22 until 1962-03-24)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-11-22 until 1962-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
chorus master:
Wilhelm Pitz (chorus master) (from 1961-11-22 until 1962-03-24)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:05
11Symphony No. 2: V. Mit Aufschwung, aber nicht eilen
producer:
Suvi Raj Grubb, Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-11 until 1962-03)
mezzo-soprano vocals:
Hilde Rössel‐Majdan (Austrian contralto) (from 1961-11-22 until 1962-03-24)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-11-22 until 1962-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-22 until 1962-03-24)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-11-22 until 1962-03-24)
chorus master:
Wilhelm Pitz (chorus master) (from 1961-11 until 1962-03)
balance engineer:
Francis Dillnutt (engineer) (from 1961-11-22 until 1962-03-24), Robert Gooch (British classical sound engineer, active from late 1950's) (from 1961-11-22 until 1962-03-24) and Douglas Larter (from 1961-11-22 until 1962-03-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-22 until 1962-03-24)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1961-11-22 until 1962-03-24)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:00
4▼CD: Lieder und Gesänge / Symphony No. 3, Part I
#TitleArtistRatingLength
1Lieder: I. Im Lenz
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (on 2010-02-19)
tenor vocals:
Ian Bostridge (tenor) (on 2010-02-19)
balance engineer:
Philip Hobbs (engineer/producer) (on 2010-02-19)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2010-02-19)
recording of:
Lieder für Tenor: Im Lenz (on 2010-02-19)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (in 1880)
dedicated to:
Josephine Poisl
part of:
Gustav Mahler Werke (number: GMW 2)
part of:
Lieder für Tenor
Gustav Mahler3:00
2Lieder: II. Winterlied
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (on 2010-02-19)
tenor vocals:
Ian Bostridge (tenor) (on 2010-02-19)
balance engineer:
Philip Hobbs (engineer/producer) (on 2010-02-19)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2010-02-19)
recording of:
Lieder für Tenor: Winterlied (on 2010-02-19)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (in 1880)
dedicated to:
Josephine Poisl
part of:
Gustav Mahler Werke (number: GMW 3)
part of:
Lieder für Tenor
Gustav Mahler2:57
3Lieder: III. Maitanz im Grünen
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (on 2010-02-19)
tenor vocals:
Ian Bostridge (tenor) (on 2010-02-19)
balance engineer:
Philip Hobbs (engineer/producer) (on 2010-02-19)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2010-02-19)
recording of:
Lieder für Tenor: Maitanz im Grünen (on 2010-02-19)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (in 1880)
part of:
Gustav Mahler Werke (number: GMW 4) and Gustav Mahler Werke (number: GMW 5)
part of:
Lieder für Tenor
Gustav Mahler1:53
4Lieder und Gesänge, Volume 1: I. Frühlingsmorgen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano) (from 1959-05-03 until 1959-05-05)
lyricist:
Richard von Volkmann-Leander
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
Gustav Mahler1:57
5Lieder und Gesänge, Volume 1: II. Erinnerung
producer:
Simon Kiln
piano:
Roger Vignoles (pianist) (from 1998-07-07 until 1998-07-09)
mezzo-soprano vocals:
Katarina Karnéus (from 1998-07-07 until 1998-07-09)
balance engineer:
Arne Akselberg (from 1998-07-07 until 1998-07-09)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1998-07-07 until 1998-07-09)
recording of:
Lieder und Gesänge: II. Erinnerung (for voice and piano) (from 1998-07-07 until 1998-07-09)
lyricist:
Richard von Volkmann-Leander
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Gustav Mahler Werke (number: GMW 7)
part of:
Lieder und Gesänge
Gustav Mahler3:00
6Lieder und Gesänge, Volume 1: III. Hans und Grete
producer:
Christfried Bickenbach
piano:
Irwin Gage (pianist) (from 1979-10-24 until 1980-03-14)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1979-10-24 until 1980-03-14)
balance engineer:
Wolfgang Gülich (engineer) (from 1979-10-24 until 1980-03-14)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1979-10-24 until 1980-03-14)
recording of:
Lieder und Gesänge: III. Hans und Grete (for voice and piano) (from 1979-10-24 until 1980-03-14)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
revision of:
Lieder für Tenor: Maitanz im Grünen
Gustav Mahler2:03
7Lieder und Gesänge, Volume 1: IV. Serenade aus Don Juan
piano:
Daniel Barenboim (pianist and conductor) (from 1978-02-05 until 1978-02-10)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1978-02-05 until 1978-02-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1978-02-05 until 1978-02-10) and Michael Sheady (engineer) (from 1978-02-05 until 1978-02-10)
recorded at:
Siemens‐Villa in Berlin, Germany (from 1978-02-05 until 1978-02-10)
recording of:
Lieder und Gesänge: IV. Serenade aus Don Juan (for voice and piano) (from 1978-02-05 until 1978-02-10)
lyricist:
Tirso de Molina
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Gustav Mahler Werke (number: GMW 8)
part of:
Lieder und Gesänge
Gustav Mahler1:43
8Lieder und Gesänge, Volume 1: V. Phantasie aus Don Juan
piano:
Daniel Barenboim (pianist and conductor) (from 1978-02-05 until 1978-02-10)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1978-02-05 until 1978-02-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1978-02-05 until 1978-02-10) and Michael Sheady (engineer) (from 1978-02-05 until 1978-02-10)
recorded at:
Siemens‐Villa in Berlin, Germany (from 1978-02-05 until 1978-02-10)
recording of:
Lieder und Gesänge: IV. Serenade aus Don Juan (for voice and piano) (from 1978-02-05 until 1978-02-10)
lyricist:
Tirso de Molina
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Gustav Mahler Werke (number: GMW 8)
part of:
Lieder und Gesänge
Gustav Mahler2:22
9Lieder und Gesänge, Volume 2: I. Um schlimme Kinder artig zu machen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano) (from 1959-05-03 until 1959-05-05)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
Gustav Mahler1:45
10Lieder und Gesänge, Volume 2: II. Ich ging mit Lust durch einen grünen Wald
producer:
Simon Kiln
piano:
Roger Vignoles (pianist) (from 1998-07-07 until 1998-07-09)
mezzo-soprano vocals:
Katarina Karnéus (from 1998-07-07 until 1998-07-09)
balance engineer:
Arne Akselberg (from 1998-07-07 until 1998-07-09)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1998-07-07 until 1998-07-09)
recording of:
Lieder und Gesänge: VII. Ich ging mit Lust durch einen grünen Wald (for voice and piano) (from 1998-07-07 until 1998-07-09)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 13)
part of:
Lieder und Gesänge
Gustav Mahler4:27
11Lieder und Gesänge, Volume 2: III. Aus! Aus!
piano:
Daniel Barenboim (pianist and conductor) (from 1978-02-05 until 1978-02-10)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1978-02-05 until 1978-02-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1978-02-05 until 1978-02-10) and Michael Sheady (engineer) (from 1978-02-05 until 1978-02-10)
recorded at:
Siemens‐Villa in Berlin, Germany (from 1978-02-05 until 1978-02-10)
recording of:
Lieder und Gesänge: VIII. Aus! Aus! (for voice and piano) (from 1978-02-05 until 1978-02-10)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 14)
part of:
Lieder und Gesänge
Gustav Mahler2:01
12Lieder und Gesänge, Volume 2: IV. Starke Einbildungskraft
producer:
Christfried Bickenbach
piano:
Irwin Gage (pianist) (from 1979-10-24 until 1980-03-14)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1979-10-24 until 1980-03-14)
balance engineer:
Wolfgang Gülich (engineer) (from 1979-10-24 until 1980-03-14)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1979-10-24 until 1980-03-14)
recording of:
Lieder und Gesänge: IX. Starke Einbildungskraft (for voice and piano) (from 1979-10-24 until 1980-03-14)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 15)
part of:
Lieder und Gesänge
Gustav Mahler1:07
13Lieder und Gesänge, Volume 3: I. Zu Straßburg auf der Schanz'
piano:
Daniel Barenboim (pianist and conductor) (from 1978-02-05 until 1978-02-10)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1978-02-05 until 1978-02-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1978-02-05 until 1978-02-10) and Michael Sheady (engineer) (from 1978-02-05 until 1978-02-10)
recorded at:
Siemens‐Villa in Berlin, Germany (from 1978-02-05 until 1978-02-10)
recording of:
Lieder und Gesänge: X. Zu Straßburg auf der Schanz (for voice and piano) (from 1978-02-05 until 1978-02-10)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 16)
part of:
Lieder und Gesänge
Gustav Mahler3:58
14Lieder und Gesänge, Volume 3: II. Ablösung im Sommer
producer:
Simon Kiln
piano:
Roger Vignoles (pianist) (from 1998-07-07 until 1998-07-09)
mezzo-soprano vocals:
Katarina Karnéus (from 1998-07-07 until 1998-07-09)
balance engineer:
Arne Akselberg (from 1998-07-07 until 1998-07-09)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1998-07-07 until 1998-07-09)
recording of:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano) (from 1998-07-07 until 1998-07-09)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 17)
part of:
Lieder und Gesänge
Gustav Mahler1:47
15Lieder und Gesänge, Volume 3: III. Scheiden und Meiden
producer:
Christfried Bickenbach
piano:
Irwin Gage (pianist) (from 1979-10-24 until 1980-03-14)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1979-10-24 until 1980-03-14)
balance engineer:
Wolfgang Gülich (engineer) (from 1979-10-24 until 1980-03-14)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1979-10-24 until 1980-03-14)
recording of:
Lieder und Gesänge: XII. Scheiden und Meiden (for voice and piano) (from 1979-10-24 until 1980-03-14)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
Gustav Mahler2:14
16Lieder und Gesänge, Volume 3: IV. Nicht wiedersehen!
producer:
Simon Kiln
piano:
Julius Drake (pianist) (from 2002-12-19 until 2002-12-21)
mezzo-soprano vocals:
Alice Coote (mezzo-soprano) (from 2002-12-19 until 2002-12-21)
balance engineer:
Jonathan Allen (engineer) (from 2002-12-19 until 2002-12-21)
recorded at:
Potton Hall in Suffolk, England, United Kingdom (from 2002-12-19 until 2002-12-21)
recording of:
Lieder und Gesänge: XIII. Nicht wiedersehen (for voice and piano) (from 2002-12-19 until 2002-12-21)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 19)
part of:
Lieder und Gesänge
Gustav Mahler4:48
17Lieder und Gesänge, Volume 3: V. Selbstgefühl
piano:
Daniel Barenboim (pianist and conductor) (from 1978-02-05 until 1978-02-10)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1978-02-05 until 1978-02-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1978-02-05 until 1978-02-10) and Michael Sheady (engineer) (from 1978-02-05 until 1978-02-10)
recorded at:
Siemens‐Villa in Berlin, Germany (from 1978-02-05 until 1978-02-10)
recording of:
Lieder und Gesänge: XIV. Selbstgefühl (for voice and piano) (from 1978-02-05 until 1978-02-10)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 20)
part of:
Lieder und Gesänge
Gustav Mahler2:05
18Symphony No. 3 in D minor, Part I: I. Kräftig. Entschieden
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-10-05 until 1997-10-07)
conductor:
Simon Rattle (conductor) (from 1997-10-05 until 1997-10-07)
balance engineer:
Mike Clements (engineer) (from 1997-10-05 until 1997-10-07)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-10-05 until 1997-10-07)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (from 1997-10-05 until 1997-10-07)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler33:30
5▼CD: Symphony No. 3, Part II / Blumine
#TitleArtistRatingLength
1Symphony No. 3 in D minor: Part II, I. Tempo di minuetto. Sehr mäßig
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-10-05 until 1997-10-07)
conductor:
Simon Rattle (conductor) (from 1997-10-05 until 1997-10-07)
balance engineer:
Mike Clements (engineer) (from 1997-10-05 until 1997-10-07)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-10-05 until 1997-10-07)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (from 1997-10-05 until 1997-10-07)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:27
2Symphony No. 3 in D minor, Part II, II. Comodo. Scherzando. Ohne Hast
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-10-05 until 1997-10-07)
conductor:
Simon Rattle (conductor) (from 1997-10-05 until 1997-10-07)
balance engineer:
Mike Clements (engineer) (from 1997-10-05 until 1997-10-07)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-10-05 until 1997-10-07)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (from 1997-10-05 until 1997-10-07)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler16:49
3Symphony No. 3 in D minor: Part II, III. Sehr langsam. Misterioso "O Mensch! Gib acht!"
producer:
David R. Murray
contralto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (from 1997-10-05 until 1997-10-07)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-10-05 until 1997-10-07)
conductor:
Simon Rattle (conductor) (from 1997-10-05 until 1997-10-07)
balance engineer:
Mike Clements (engineer) (from 1997-10-05 until 1997-10-07)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-10-05 until 1997-10-07)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (from 1997-10-05 until 1997-10-07)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:20
4Symphony No. 3 in D minor: Part II, IV. Lustig im Tempo und keck im Ausdruck "Bimm Bamm. Es sungen drei Engel"
producer:
David R. Murray
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-10-05 until 1997-10-07)
contralto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (from 1997-10-05 until 1997-10-07)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-10-05 until 1997-10-07)
conductor:
Simon Rattle (conductor) (from 1997-10-05 until 1997-10-07)
chorus master:
Simon Halsey (conductor) (from 1997-10-05 until 1997-10-07)
balance engineer:
Mike Clements (engineer) (from 1997-10-05 until 1997-10-07)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-10-05 until 1997-10-07)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (from 1997-10-05 until 1997-10-07)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler3:57
5Symphony No. 3 in D minor: Part II, V. Langsam. Ruhevoll. Empfunden
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-10-05 until 1997-10-07)
conductor:
Simon Rattle (conductor) (from 1997-10-05 until 1997-10-07)
balance engineer:
Mike Clements (engineer) (from 1997-10-05 until 1997-10-07)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-10-05 until 1997-10-07)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (from 1997-10-05 until 1997-10-07)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler22:26
6Blumine - Andante
orchestra:
hr‐Sinfonieorchester
conductor:
Paavo Järvi (conductor)
recording of:
Symphonic Movement “Blumine”: Andante allegretto
composer:
Gustav Mahler (composer) (from 1884 until 1888)
Gustav Mahler7:24
6▼CD: Symphony No. 4
#TitleArtistRatingLength
1Symphony No. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1970-11-23 until 1970-11-24)
conductor:
Jascha Horenstein (conductor) (from 1970-11-23 until 1970-11-24)
balance engineer:
John Boyden (producer) (from 1970-11-23 until 1970-11-24)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1970-11-23 until 1970-11-24)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (from 1970-11-23 until 1970-11-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler18:03
2Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1970-11-23 until 1970-11-24)
conductor:
Jascha Horenstein (conductor) (from 1970-11-23 until 1970-11-24)
balance engineer:
John Boyden (producer) (from 1970-11-23 until 1970-11-24)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1970-11-23 until 1970-11-24)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (from 1970-11-23 until 1970-11-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler11:32
3Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1970-11-23 until 1970-11-24)
conductor:
Jascha Horenstein (conductor) (from 1970-11-23 until 1970-11-24)
balance engineer:
John Boyden (producer) (from 1970-11-23 until 1970-11-24)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1970-11-23 until 1970-11-24)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (from 1970-11-23 until 1970-11-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler20:04
4Symphony No. 4 in G major: IV. Sehr behaglich
producer:
John Boyden (producer)
soprano vocals:
Margaret Price (soprano) (from 1970-11-23 until 1970-11-24)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1970-11-23 until 1970-11-24)
conductor:
Jascha Horenstein (conductor) (from 1970-11-23 until 1970-11-24)
balance engineer:
John Boyden (producer) (from 1970-11-23 until 1970-11-24)
recorded at:
Barking Town Hall in London (Greater London), England, United Kingdom (from 1970-11-23 until 1970-11-24)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (from 1970-11-23 until 1970-11-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:46
7▼CD: Symphony No. 5
#TitleArtistRatingLength
1Symphony No. 5 in C-sharp minor: I. Trauermarsch
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1988-12-13)
conductor:
Klaus Tennstedt (conductor) (on 1988-12-13)
balance engineer:
Graham Haynes (American cornetist, trumpeter and composer) (on 1988-12-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1988-12-13)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (on 1988-12-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:40
2Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1988-12-13)
conductor:
Klaus Tennstedt (conductor) (on 1988-12-13)
balance engineer:
Graham Haynes (American cornetist, trumpeter and composer) (on 1988-12-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1988-12-13)
live recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (on 1988-12-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:25
3Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1988-12-13)
conductor:
Klaus Tennstedt (conductor) (on 1988-12-13)
balance engineer:
Graham Haynes (American cornetist, trumpeter and composer) (on 1988-12-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1988-12-13)
live recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (on 1988-12-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:06
4Symphony No. 5 in C-sharp minor: IV. Adagietto
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1988-12-13)
conductor:
Klaus Tennstedt (conductor) (on 1988-12-13)
balance engineer:
Graham Haynes (American cornetist, trumpeter and composer) (on 1988-12-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1988-12-13)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1988-12-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:21
5Symphony No. 5 in C-sharp minor: V. Rondo-Finale
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1988-12-13)
conductor:
Klaus Tennstedt (conductor) (on 1988-12-13)
balance engineer:
Graham Haynes (American cornetist, trumpeter and composer) (on 1988-12-13)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1988-12-13)
live recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (on 1988-12-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler14:53
8▼CD: Kindertotenlieder / Rückert-Lieder / Symphony No. 6 beginning
#TitleArtistRatingLength
1Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:53
2Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:40
3Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:32
4Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler2:55
5Kindertotenlieder: In diesem Wetter, in diesem Braus
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:30
6Rückert-Lieder: Blicke mir nicht in die Lieder!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
Gustav Mahler1:38
7Rückert-Lieder: Ich atmet' einen linden Duft!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:42
8Rückert-Lieder: Um Mitternacht
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: IV. Um Mitternacht (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler5:55
9Rückert-Lieder: Liebst du um Schönheit
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: V. Liebst du um Schönheit (from 1969-07-17 until 1969-07-18)
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
Gustav Mahler2:27
10Rückert-Lieder: Ich bin der Welt abhanden gekommen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:56
11Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler21:20
9▼CD: Symphony No. 6 conclusion
#TitleArtistRatingLength
1Symphony No. 6 in A minor: II. Andante moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler16:03
2Symphony No. 6 in A minor: III. Scherzo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:59
3Symphony No. 6 in A minor: IV. Finale. Allegro moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-08-17 until 1967-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-08-17 until 1967-08-19)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (from 1967-08-17 until 1967-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-08-17 until 1967-08-19)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (from 1967-08-17 until 1967-08-19)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler32:48
10▼CD: Symphony No. 7
#TitleArtistRatingLength
1Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1991-06-21 until 1991-06-22)
conductor:
Simon Rattle (conductor) (from 1991-06-21 until 1991-06-22)
balance engineer:
Mike Clements (engineer) (on 1991-06-21)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1991-06-21 until 1991-06-22)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (from 1991-06-21 until 1991-06-22)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler22:06
2Symphony No. 7 in E minor: II. Nachtmusik I: Allegro moderato
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1991-06-21 until 1991-06-22)
conductor:
Simon Rattle (conductor) (from 1991-06-21 until 1991-06-22)
balance engineer:
Mike Clements (engineer) (on 1991-06-21)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1991-06-21 until 1991-06-22)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (from 1991-06-21 until 1991-06-22)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler14:41
3Symphony No. 7 in E minor: III. Scherzo - Schattenhaft
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1991-06-21 until 1991-06-22)
conductor:
Simon Rattle (conductor) (from 1991-06-21 until 1991-06-22)
balance engineer:
Mike Clements (engineer) (on 1991-06-21)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1991-06-21 until 1991-06-22)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (from 1991-06-21 until 1991-06-22)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler10:15
4Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1991-06-21 until 1991-06-22)
conductor:
Simon Rattle (conductor) (from 1991-06-21 until 1991-06-22)
balance engineer:
Mike Clements (engineer) (on 1991-06-21)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1991-06-21 until 1991-06-22)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (from 1991-06-21 until 1991-06-22)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler12:19
5Symphony No. 7 in E minor: V. Rondo - Finale (Allegro ordinario - Allegro moderato ma energico)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1991-06-21 until 1991-06-22)
conductor:
Simon Rattle (conductor) (from 1991-06-21 until 1991-06-22)
balance engineer:
Mike Clements (engineer) (on 1991-06-21)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (from 1991-06-21 until 1991-06-22)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (from 1991-06-21 until 1991-06-22)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:51
11▶CD: Lieder aus “Des Knaben Wunderhorn” / Symphony No. 8, Part I
12▶CD: Symphony No. 8, Part II
13▶CD: Das Lied von der Erde
14▶CD: Symphony No. 9
15▶CD: Symphony No. 10
16▶CD: Rückert-Lieder