Clear and Present Danger (complete)

~ Release by James Horner (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleRatingLength
1Main Title / Clear and Present Danger
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Main Title / A Clear and Present Danger (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
5:24
2President’s Mission
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
President's Mission
composer:
James Horner (American score composer)
1:16
3Jack’s New Office
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Jack's New Office
composer:
James Horner (American score composer)
1:40
4Greer Signs Memo
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Greer Signs Memo
composer:
James Horner (American score composer)
0:47
5Cortez Arrives in U.S.
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Cortez Arrives In U.S.
composer:
James Horner (American score composer)
1:13
6Jack Briefs FBI / President
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Jack Briefs FBI / President
composer:
James Horner (American score composer)
1:00
7Operation Reciprocity
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Operation Reciprocity (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
3:22
8Blow Up Narcotics Plane
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Blow Up Narcotics Plane
composer:
James Horner (American score composer)
1:59
9Try Lindo Brand
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Try Lindo Brand
composer:
James Horner (American score composer)
1:23
10Fire in the Hole
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Fire In The Hole
composer:
James Horner (American score composer)
1:53
11Moira’s Fatal Phone Call
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Moira's Fatal Phone Call
composer:
James Horner (American score composer)
1:43
12The Ambush
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
The Ambush (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
9:53
13Casket Arrival
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Casket Arrival
composer:
James Horner (American score composer)
2:46
14The Laser‐Guided Missile
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
The Laser-Guided Missile (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
3:55
15Jack Sees Bombing
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Jack Sees Bombing
composer:
James Horner (American score composer)
0:59
16Looking for Clues [Film Ending]
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Looking For Clues [Film Ending]
composer:
James Horner (American score composer)
3:39
17Cortez Is Watched
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Cortez Is Watched
composer:
James Horner (American score composer)
2:46
18Greer’s Last Hospital
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Greer's Last Hospital
composer:
James Horner (American score composer)
1:43
19Deleting the Evidence
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Deleting the Evidence (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
4:43
2▼CD
#TitleRatingLength
1Greer’s Funeral / Betrayal
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Greer's Funeral / Betrayal (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
6:22
2Chavez Sees Prisoners
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Chavez Sees Prisoners
composer:
James Horner (American score composer)
1:30
3Escobedo’s New Friend Part 2
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Escobedo's New Friend Part 2
composer:
James Horner (American score composer)
3:21
4Second Hand Copter
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Second Hand Copter (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
2:14
5Rebuffed [Not in Film]
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Rebuffed [Not In Film]
composer:
James Horner (American score composer)
1:08
6Escobedo’s New Friend Part 1
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Escobedo's New Friend Part 1
composer:
James Horner (American score composer)
1:40
7Cortez Kills Escobedo
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Cortez Kills Escobedo
composer:
James Horner (American score composer)
2:50
8Finding the Prisoners [film version]
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Finding The Prisoners [Film Version]
composer:
James Horner (American score composer)
1:27
9Jack Creates Diversion
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Jack Creates Diversion
composer:
James Horner (American score composer)
1:35
10Woodroom / Finale
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Woodroom / Finale
composer:
James Horner (American score composer)
4:35
11Escobedo’s New Friend Part 3
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Escobedo's New Friend Part 3
composer:
James Horner (American score composer)
2:02
12Truth Needs a Soldier / End Title
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Truth Needs a Soldier / End Title (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
5:48
13Main Title / Clear and Present Danger [album version]
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Main Title / Clear And Present Danger [Album Version]
composer:
James Horner (American score composer)
5:24
14Looking for Clues [Album Ending]
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer) (from 1994-06-14 until 1994-07-13)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Looking for Clues (Clear and Present Danger) (from 1994-06-14 until 1994-07-13)
orchestrator:
Don Davis (American score composer)
composer:
James Horner (American score composer)
part of:
Clear and Present Danger (1994 film score)
3:28
15Finding the Prisoners
assistant engineer:
Andy Bass, Dave Marquette and Jay Sylvester
producer:
James Horner (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Douglass Fake, Jim Hendrickson and Joe E. Rand (editor)
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Paramount Pictures
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1994-06-14 until 1994-07-13)
edited at:
Intrada in Oakland, California, United States
recording of:
Finding The Prisoners
composer:
James Horner (American score composer)
1:27