The San Francisco Years

~ Release by Herbert Blomstedt (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Kossuth, BB 31: I. Kossuth
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: I. Kossuth (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:45
2Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem?
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: II. Mi bú nehezedik a lelkedre, édes férjem? (Kossuth: II. Why Are You So Grieved, My Dear Husband?) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:11
3Kossuth, BB 31: III. Veszélyben a haza!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: III. Veszélyben a haza (Kossuth: III. The Fatherland Is in Danger!) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:02
4Kossuth, BB 31: IV. Hajdan jobb időket éltünk...
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: IV. Hajdan jobb idõket éltünk (Kossuth: IV. Formerly We Had a Better Life) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:35
5Kossuth, BB 31: V. Majd rosszra fordult sorsunk...
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: V. Majd rosszra fordult sorsunk... (Kossuth: V. Then Our Fate Changed for the Worse...) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:01
6Kossuth, BB 31: VI. Harcra fel!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: VI. Harcra fel! (Kossuth: VI. Up and Fight Them!) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:01
7Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: VII. Jöjjetek, jöjjetek! Szép magyar vitézek, aranyos leventék! (Kossuth: VII. Come, Come! You Splendid Lads, You Valiant Hungarian Warriors!) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók3:51
8Kossuth, BB 31: VIII. ...
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: VIII. [untitled] (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók5:53
9Kossuth, BB 31: IX. Mindennek vége!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: IX. Mindennek vége (Kossuth: IX. All Is Over!) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók3:50
10Kossuth, BB 31: X. Csöndes minden, csöndes...
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: X. Csöndes minden, csöndes (Kossuth: X. Everything Is Quiet, Very Quiet...) (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:14
11Concerto for Orchestra, B 123: I. Introduzione
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:45
12Concerto for Orchestra, B 123: II. Giuoco delle coppie
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:09
13Concerto for Orchestra, B 123: III. Elegia
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:09
14Concerto for Orchestra, B 123: IV. Intermezzo interrotto
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:27
15Concerto for Orchestra, B 123: V. Finale
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (from 1993-09-30 until 1993-10-05)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:14
2▼CD
#TitleArtistRatingLength
1Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven8:57
2Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven7:39
3Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven4:09
4Symphony no. 1 in C major, op. 21: IV. Finale: Adagio - Allegro molto e vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven6:01
5Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven17:38
6Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:57
7Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:55
8Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven11:51
3▼CD
#TitleArtistRatingLength
1Symphony no. 1 "Sinfonie Sérieuse": I. Allegro con energia
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia (on 1992-02-24)
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald11:36
2Symphony no. 1 "Sinfonie Sérieuse": II. Adagio maestoso
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso (on 1992-02-24)
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald8:21
3Symphony no. 1 "Sinfonie Sérieuse": III. Stretto -
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": III. Stretto (on 1992-02-24)
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald5:37
4Symphony no. 1 "Sinfonie Sérieuse": IV. Finale: Adagio - Allegro molto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald7:49
5Symphony no. 4: I. Allegro risoluto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: I. Allegro risoluto (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald9:06
6Symphony no. 4: II. Adagio -
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: II. Adagio (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald8:30
7Symphony no. 4: III. Scherzo: Allegro molto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald5:43
8Symphony no. 4: IV. Finale: Allegro vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald6:34
4▼CD
#TitleArtistRatingLength
1Ein Deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:39
2Ein Deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:38
3Ein Deutsches Requiem, op. 45: III. Herr, lehre doch mich
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
baritone vocals:
Wolfgang Holzmair (baritone) (from 1993-09-26 until 1993-09-28)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms9:56
4Ein Deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:40
5Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit - Ich will euch trösten
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
soprano vocals:
Elizabeth Norberg-Schulz (soprano) (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:26
6Ein Deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt - Siehe, ich sage euch ein Geheimnis
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
baritone vocals:
Wolfgang Holzmair (baritone) (from 1993-09-26 until 1993-09-28)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:25
7Ein Deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herren sterben
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:04
5▼CD
#TitleArtistRatingLength
1Schicksalslied, op. 54
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
chorus master:
Vance George (from 1989-05-30 until 1989-06-03)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Schicksalslied, op. 54 (from 1989-05-30 until 1989-06-03)
lyricist:
Friedrich Hölderlin
composer:
Johannes Brahms (German composer) (from 1868 until 1871)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 54)
Johannes Brahms17:11
2Altrhapsodie, op. 53
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (on 1989-09-27)
contralto vocals:
Jard van Nes (mezzo-soprano) (on 1989-09-27)
orchestra:
San Francisco Symphony (on 1989-09-27)
conductor:
Herbert Blomstedt (conductor) (on 1989-09-27)
chorus master:
Vance George (on 1989-09-27)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1989-09-27)
recording of:
Alto Rhapsody, op. 53 (on 1989-09-27)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms13:31
3Begräbnisgesang, op. 13
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (on 1989-09-27)
orchestra:
San Francisco Symphony (on 1989-09-27)
conductor:
Herbert Blomstedt (conductor) (on 1989-09-27)
chorus master:
Vance George (on 1989-09-27)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1989-09-27)
recording of:
Begräbnisgesang, op. 13 (on 1989-09-27)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 13)
Johannes Brahms8:04
4Nänie, op. 82
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
chorus master:
Vance George (from 1989-05-30 until 1989-06-03)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Nänie, op. 82 (from 1989-05-30 until 1989-06-03)
lyricist:
Friedrich Schiller (German poet and playwright)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 82)
Johannes Brahms12:48
5Gesang der Parzen, op. 89
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
chorus master:
Vance George (from 1989-05-30 until 1989-06-03)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Gesang der Parzen, op. 89 (from 1989-05-30 until 1989-06-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1882)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 89)
Johannes Brahms11:42
6▼CD
#TitleArtistRatingLength
1Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): I. Bewegt doch nicht zu schnell
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": I. Bewegt, nicht zu schnell (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner19:06
2Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): II. Andante quasi allegretto
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": II. Andante, quasi allegretto (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner16:03
3Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): III. Scherzo: Bewegt - Trio: Nicht zu schnell
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner10:38
4Symphony no. 4 in E-flat major (1881 version, ed. Robert Haas): IV. Finale: Bewegt, doch nicht zu schnell
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": IV. Finale. Bewegt, doch nicht zu schnell (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner21:43
7▼CD
#TitleArtistRatingLength
1Peer Gynt, op. 23: Act One. I Byllupsgårde
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 1. akt, prelude: I Bryllupsgården (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:05
2Peer Gynt, op. 23: Act Two. Bruderovet. Ingrids klage
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:09
3Peer Gynt, op. 23: Act Two. Peer Gynt og Saterjentene
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Urban Malmberg (baritone) (from 1989-06-02 until 1989-06-03)
mezzo-soprano vocals:
Wendy Hoffman (mezzo-soprano) (from 1989-06-02 until 1989-06-03) and Wendy White (mezzo-soprano) (from 1989-06-02 until 1989-06-03)
soprano vocals:
Merilyn Vaughn (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 2. akt: Peer Gynt og sæterjentene (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:27
4Peer Gynt, op. 23: Act Two. I Dovregubbens hall
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
San Francisco Symphony Chorus (from 1989-06-02 until 1989-06-03)
other vocals:
David Hess (actor/songwriter) (from 1989-06-02 until 1989-06-03), Margaret Lisi (from 1989-06-02 until 1989-06-03), Maria Meyer (from 1989-06-02 until 1989-06-03), Kaare Myksvoll (from 1989-06-02 until 1989-06-03), Gregory Nybo (from 1989-06-02 until 1989-06-03) and Kristina Rapp (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:52
5Peer Gynt, op. 23: Act Two. Dans av Dovregubbens datter
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 2. akt: Dans av dovregubbens datter (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg1:38
6Peer Gynt, op. 23: Act Two. Peer Gynt jages av troll - Peer Gynt og Bøygen
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Urban Malmberg (baritone) (from 1989-06-02 until 1989-06-03)
choir vocals:
San Francisco Symphony Chorus (from 1989-06-02 until 1989-06-03)
other vocals:
Margaret Lisi (from 1989-06-02 until 1989-06-03), Kaare Myksvoll (from 1989-06-02 until 1989-06-03) and Gregory Nybo (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 2. akt: Peer Gynt jages av troll (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
recording of:
Peer Gynt, op. 23: 2. akt: Peer Gynt og bøygen (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg7:10
7Peer Gynt, op. 23: Act Three. Åses død
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 3. akt: Åses død (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:17
8Peer Gynt, op. 23: Act Four. Morgstemning
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
arranger:
György Vukán
part of:
Peer Gynt, op. 23
Edvard Grieg4:19
9Peer Gynt, op. 23: Act Four. Tyven og heleren
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Richard Haille (from 1989-06-02 until 1989-06-03) and Urban Malmberg (baritone) (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 4. akt: Tyven og heleren (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg1:29
10Peer Gynt, op. 23: Act Four. Arabisk dans
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
San Francisco Symphony Chorus (from 1989-06-02 until 1989-06-03)
mezzo-soprano vocals:
Wendy White (mezzo-soprano) (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 4. akt: Arabisk dans (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:51
11Peer Gynt, op. 23: Act Four. Anitras dans
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 4. akt: Anitras dans (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:26
12Peer Gynt, op. 23: Act Four. Peer Gynts Serenade
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Urban Malmberg (baritone) (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 4. akt: Peer Gynts serenade (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:57
13Peer Gynt, op. 23: Act Four. Solveigs sang
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals:
Mary-Anne Haeggander (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:37
14Peer Gynt, op. 23: Act Five. Peer Gynts hjemfart
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:20
15Peer Gynt, op. 23: Act Five. Skipsforliset
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Urban Malmberg (baritone) (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 5. akt: Skipsforliset (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg1:36
16Peer Gynt, op. 23: Act Five. Solveig synger i hytten
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
soprano vocals:
Mary-Anne Haeggander (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 5. akt: Solveig synger i hytten (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg1:47
17Peer Gynt, op. 23: Act Five. Nattscene
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
baritone vocals:
Urban Malmberg (baritone) (from 1989-06-02 until 1989-06-03)
choir vocals:
San Francisco Symphony Chorus (from 1989-06-02 until 1989-06-03)
other vocals:
Mary-Anne Haeggander (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: No. 24. Night Scene (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
Edvard Grieg6:55
18Peer Gynt, op. 23: Act Five. Pinses: Velsignede morgen
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
San Francisco Symphony Chorus (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 5. akt: Pinsesalme: "Velsignede morgen" (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg1:30
19Peer Gynt, op. 23: Act Five. Solveigs vuggevise
engineer:
James Lock (James Locke, engineer) and Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
San Francisco Symphony Chorus (from 1989-06-02 until 1989-06-03)
soprano vocals:
Mary-Anne Haeggander (from 1989-06-02 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-06-02 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-06-02 until 1989-06-03)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-06-02 until 1989-06-03)
recording of:
Peer Gynt, op. 23: 5. akt: Solveigs vuggevise (from 1989-06-02 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg6:43
8▼CD
#TitleArtistRatingLength
1Symphonic Metamorphoses of Themes by Carl Maria von Weber: I. Allegro
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith3:54
2Symphonic Metamorphoses of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo) (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
is based on:
Turandot, op. 37, J. 75: 1. Overture
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith7:21
3Symphonic Metamorphoses of Themes by Carl Maria von Weber: III. Andantino
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: III. Andantino (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:15
4Symphonic Metamorphoses of Themes by Carl Maria von Weber: IV. March
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: IV. Marsch (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:31
5Trauermusik: Langsam - Ruhig Bewegt - Lebhaft - Sehr langsam
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
viola:
Geraldine Walther (violist)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Trauermusik (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (on 1936-01-21)
Paul Hindemith8:39
6Symphonie "Mathis der Maler": I. Engelkonzert
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith8:25
7Symphony "Mathis der Maler": II. Grablegung
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith4:44
8Symphony "Mathis der Maler": III. Versuchung des heiligen Antonius
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1987-11-07 until 1987-11-28)
conductor:
Herbert Blomstedt (conductor) (from 1987-11-07 until 1987-11-28)
balance engineer:
James Lock (James Locke, engineer) (from 1987-11-07 until 1987-11-28) and John Pellowe (audio engineer) (from 1987-11-07 until 1987-11-28)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1987-11-07 until 1987-11-28)
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (from 1987-11-07 until 1987-11-28)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith13:48
9Concert Music for Strings and Brass, op. 50: I. Mäßig schnell, mit Kraft. Sehr breit aber stets fließend
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1991-05-30 until 1991-05-31)
conductor:
Herbert Blomstedt (conductor) (from 1991-05-30 until 1991-05-31)
balance engineer:
John Dunkerley (engineer) (from 1991-05-30 until 1991-05-31)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1991-05-30 until 1991-05-31)
recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: I. Mässig schnell, mit Kraft – Sehr breit, aber stehts fliessend (Moderately fast, with power – Very broad, but always flowing) (from 1991-05-30 until 1991-05-31)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith8:47
10Concert Music for Strings and Brass, op. 50: II. Lebhaft. Langsam. Im ersten Zeitmaß: Lebhaft
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1991-05-30 until 1991-05-31)
conductor:
Herbert Blomstedt (conductor) (from 1991-05-30 until 1991-05-31)
balance engineer:
John Dunkerley (engineer) (from 1991-05-30 until 1991-05-31)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1991-05-30 until 1991-05-31)
recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) (from 1991-05-30 until 1991-05-31)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith8:34
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1Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
editor:
Deborah Gilbert (engineer)
orchestra:
San Francisco Symphony (from 1992-09-21 until 1992-09-23)
conductor:
Herbert Blomstedt (conductor) (from 1992-09-21 until 1992-09-23)
balance engineer:
James Lock (James Locke, engineer) (from 1992-09-21 until 1992-09-23) and John Pellowe (audio engineer) (from 1992-09-21 until 1992-09-23)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1992-09-21 until 1992-09-23)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (from 1992-09-21 until 1992-09-23)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler21:40
2Symphony no. 2 in C minor "Resurrection": II. Andante moderato
miscellaneous support:
Vance George
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
orchestra:
San Francisco Symphony (from 1992-09-21 until 1992-09-23)
conductor:
Herbert Blomstedt (conductor) (from 1992-09-21 until 1992-09-23)
balance engineer:
James Lock (James Locke, engineer) (from 1992-09-21 until 1992-09-23) and John Pellowe (audio engineer) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1992-09-21 until 1992-09-23)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (from 1992-09-21 until 1992-09-23)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:25
3Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
miscellaneous support:
Vance George
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
orchestra:
San Francisco Symphony (from 1992-09-21 until 1992-09-23)
conductor:
Herbert Blomstedt (conductor) (from 1992-09-21 until 1992-09-23)
balance engineer:
James Lock (James Locke, engineer) (from 1992-09-21 until 1992-09-23) and John Pellowe (audio engineer) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1992-09-21 until 1992-09-23)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (from 1992-09-21 until 1992-09-23)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler10:08
4Symphony no. 2 in C minor "Resurrection": IV. "Urlicht": Sehr feierlich, aber schlicht
miscellaneous support:
Vance George
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
mezzo-soprano vocals:
Charlotte Hellekant (mezzo-soprano) (from 1992-09-21 until 1992-09-23)
orchestra:
San Francisco Symphony (from 1992-09-21 until 1992-09-23)
conductor:
Herbert Blomstedt (conductor) (from 1992-09-21 until 1992-09-23)
balance engineer:
James Lock (James Locke, engineer) (from 1992-09-21 until 1992-09-23) and John Pellowe (audio engineer) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1992-09-21 until 1992-09-23)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (from 1992-09-21 until 1992-09-23)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:07
5Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo
miscellaneous support:
Vance George
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1992-09-21 until 1992-09-23)
mezzo-soprano vocals:
Charlotte Hellekant (mezzo-soprano) (from 1992-09-21 until 1992-09-23)
soprano vocals:
Ruth Ziesak (soprano) (from 1992-09-21 until 1992-09-23)
orchestra:
San Francisco Symphony (from 1992-09-21 until 1992-09-23)
conductor:
Herbert Blomstedt (conductor) (from 1992-09-21 until 1992-09-23)
balance engineer:
James Lock (James Locke, engineer) (from 1992-09-21 until 1992-09-23) and John Pellowe (audio engineer) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1992-09-21 until 1992-09-23)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (from 1992-09-21 until 1992-09-23)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler33:04
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#TitleArtistRatingLength
1Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato -
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (on 1991-05-27)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-27)
balance engineer:
John Pellowe (audio engineer) (on 1991-05-27)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-27)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato (on 1991-05-27)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn14:54
2Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo -
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (on 1991-05-27)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-27)
balance engineer:
John Pellowe (audio engineer) (on 1991-05-27)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-27)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (on 1991-05-27)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn4:18
3Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio -
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (on 1991-05-27)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-27)
balance engineer:
John Pellowe (audio engineer) (on 1991-05-27)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-27)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (on 1991-05-27)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn8:52
4Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (on 1991-05-27)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-27)
balance engineer:
John Pellowe (audio engineer) (on 1991-05-27)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-27)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (on 1991-05-27)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn9:12
5Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1989-12-04 until 1989-12-05)
conductor:
Herbert Blomstedt (conductor) (from 1989-12-04 until 1989-12-05)
balance engineer:
John Pellowe (audio engineer) (from 1989-12-04 until 1989-12-05)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-12-04 until 1989-12-05)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (from 1989-12-04 until 1989-12-05)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn10:42
6Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1989-12-04 until 1989-12-05)
conductor:
Herbert Blomstedt (conductor) (from 1989-12-04 until 1989-12-05)
balance engineer:
John Pellowe (audio engineer) (from 1989-12-04 until 1989-12-05)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-12-04 until 1989-12-05)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (from 1989-12-04 until 1989-12-05)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:22
7Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1989-12-04 until 1989-12-05)
conductor:
Herbert Blomstedt (conductor) (from 1989-12-04 until 1989-12-05)
balance engineer:
John Pellowe (audio engineer) (from 1989-12-04 until 1989-12-05)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-12-04 until 1989-12-05)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (from 1989-12-04 until 1989-12-05)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:57
8Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello: Presto
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1989-12-04 until 1989-12-05)
conductor:
Herbert Blomstedt (conductor) (from 1989-12-04 until 1989-12-05)
balance engineer:
John Pellowe (audio engineer) (from 1989-12-04 until 1989-12-05)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-12-04 until 1989-12-05)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (from 1989-12-04 until 1989-12-05)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:42
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Credits