Latest & Greatest: Rock Ballads

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Here Without You
additional recording engineer:
Steve Churchyard
assistant recording engineer:
Honchol Sin and Tom Sweeney (US engineer)
recording engineer:
Steve Churchyard, Geoff Ott and Rick Parashar
miscellaneous support:
Susie Katayama
assistant engineer:
Gordon Sran and Latif Tayour
engineer:
Geoff Ott, Rick Parashar and Steve Churchyard
producer:
Rick Parashar
assistant mixer:
Dean Maher and Paul Silveira
mixer:
Jack Joseph Puig and Randy Staub
editor:
Geoff Ott and Rick Parashar
bass guitar:
Todd Harrell
drums (drum set):
Josh Freese (American drummer)
guitar:
Chris Henderson (member of 3 Doors Down) and Matt Roberts (guitarist for 3 Doors Down)
Hammond organ [Hammond B3]:
Rick Hopkins (keyboards)
percussion:
Matthew Burgess
strings:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
lead vocals:
Brad Arnold (vocalist for 3 Doors Down)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
concertmaster:
Joel G. Derouin
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002)
recorded at:
Greenhouse Studios (Burnaby, BC, Canada) in Burnaby, British Columbia, Canada, London Bridge Studios in Seattle, Washington, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Armory Studios in Vancouver, British Columbia, Canada
remixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Here Without You
writer:
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell, Chris Henderson (member of 3 Doors Down) and Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs and Songs of Universal, Inc. (BMI)
3 Doors Down4.43:56
2The Reason
recording of:
The Reason
lyricist:
Doug Robb
composer:
Dan Estrin
Hoobastank43:50
3Lived a Lie
assistant recording engineer:
Kris Giddens and Ted Jensen (American mastering engineer)
recording engineer:
Scott Skrzynski and Erich Talaba
programming and producer:
Neal Avron (American engineer)
mixer:
Erich Talaba
bass guitar [bass]:
Matt Barnes (bass guitar)
drums (drum set):
Dan Flint
guitar:
Max Helyer and Chris Miller (You Me At Six)
keyboard [keyboards]:
Neal Avron (American engineer)
vocals:
Josh Franceschi
recording of:
Lived a Lie
writer:
Matt Barnes (bass guitar), Dan Flint, Josh Franceschi, Max Helyer and Chris Miller (You Me At Six)
You Me at Six3:22
4Stop and Stare
engineer and mixer:
Joe Zook (engineer)
producer:
Greg Wells
additional bass:
Tim Myers
additional drums (drum set) [beats], additional guitar and additional piano [keys]:
Greg Wells
additional slide guitar:
Andrew DeRoberts
bass and cello:
Brent
drums (drum set) and percussion:
Eddie (OneRepublic drummer and percussionist)
guitar:
Drew (US multi-instrumentalist, member of OneRepublic), Ryan (American singer, songwriter, and producer) and Zach
piano:
Ryan (American singer, songwriter, and producer)
vocals:
Ryan (American singer, songwriter, and producer)
recorded at:
Rocket Carousel Studios (Los Angeles, CA) in Los Angeles, California, United States
recording of:
Stop and Stare
composer:
Drew Brown (US multi-instrumentalist, member of OneRepublic), Zachary Filkins, Eddie Fisher (OneRepublic drummer and percussionist), Tim Myers and Ryan Tedder (American singer, songwriter, and producer)
publisher:
Black Scarf, Butterfoot, LJF Publishing Co., Midnite Miracle Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing and Veil Over Downfalls
OneRepublic3.453:42
5Blurry
recording engineer:
Scott Francisco and Steve Mixdorf
engineer and producer:
John Kurzweg
bass guitar:
Douglas Ardito (Puddle of Mudd bassist)
drums (drum set):
Josh Freese (American drummer)
guitar:
Paul Phillips (US guitarist for Puddle of Mudd)
lead vocals:
Wes Scantlin
recording of:
Blurry
writer:
Doug Ardito (Puddle of Mudd bassist), Paul Phillips (US guitarist for Puddle of Mudd) and Wes Scantlin
Puddle of Mudd4.55:00
6Wires
producer:
Athlete and Victor van Vugt
assistant mixer:
Keith Gary
mixer:
Michael H. Brauer (engineer)
recording of:
Wires
writer:
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall and Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Athlete24:03
7Black Hole Sun
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
edit of:
Black Hole Sun (album version) by Soundgarden
recording of:
Black Hole Sun
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden44:30
8No One Knows
producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
music videos:
No One Knows by Queens of the Stone Age
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2002), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 31) and Indie 88: Top 500 Indie Rock Songs (number: 103)
live recording of:
No One Knows
writer:
Josh Homme (Queens of the Stone Age frontman), Mark Lanegan and Nick Oliveri
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Songs LLC and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Queens of the Stone Age4.554:39
9Complicated
recording engineer and producer:
The Matrix (songwriters/producers collective)
executive producer:
Antonio M. Reid
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
vocals:
Avril Lavigne
arranger:
The Matrix (songwriters/producers collective)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2002, in 2022)
recorded at:
Decoy Studios in Studio City, Los Angeles, California, United States
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
Complicated (Video) by Avril Lavigne
part of:
Billboard Year-End Hot 100 2002 (number: 11) and BILLIONS CLUB
recording of:
Complicated
writer:
Avril Lavigne and The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Tix Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Avril Lavigne4.054:03
10I Am the Message
Fightstar2:50
11Fly Away
programming:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel and Eric Rehl
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
bass, drums (drum set), guitar, background vocals and lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
Miss Bessie Music and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:41
12One Love, One Life, One Girl
The Wildhearts2:29
13Somewhere Only We Know
programming and engineer:
Andy Green (producer, engineer)
producer:
Andy Green (producer, engineer) and Keane
assistant mixer:
David Treahern and Rob Haggett
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Tim Rice‐Oxley
drums (drum set):
Richard Hughes (musician and multimedia composer based in Ireland)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
recorded at:
Helioscentric Studios in Rye, East Sussex, England, United Kingdom
recording of:
Somewhere Only We Know
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane4.53:51
14When the Stars Go Blue
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2014)
recording of:
When the Stars Go Blue
lyricist and composer:
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet)
Ryan Adams3.53:29
15America
additional engineer:
Chris Thomas (UK record producer / remixer)
engineer:
Sam Miller (alias of Hanno Leichtmann)
producer:
Razorlight
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
12 string guitar, mellotron, organ and Rhodes piano:
Björn Ågren (guitarist)
bass and piano:
Carl Dalemo
drums (drum set) and background vocals:
Andy Burrows (songwriting drummer)
guitar:
Björn Ågren (guitarist), Johnny Borrell and Carl Dalemo
vocals:
Johnny Borrell
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2006)
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
additionally engineered at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
America
writer:
Johnny Borrell and Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.254:08
16More Than Words
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Funky Metal Publishing
Extreme3:38
17Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:14
18I Don’t Want a Lover
engineer:
Simon Vinestock
producer:
Tim Palmer (British producer/mixer)
bass:
Johnny McElhone
drums (drum set):
Stuart Kerr
guitar:
Giuliano Gizzi, Ally McErlaine (Scottish guitarist) and Sharleen Spiteri
harmonica:
Mark Fletman
keyboard:
Craig Armstrong (Scottish score composer) and Wix (UK / Paul Wickens)
background vocals:
Stuart Kerr and Sharleen Spiteri
publisher:
10 Music Ltd.
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas3.654:57
19Cats in the Cradle
engineer and mixer:
Mark Dodson (UK producer) and Randy Long
producer:
Mark Dodson (UK producer)
bass guitar:
Cordell Crockett (in 1992)
drums (drum set):
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
guitar:
Klaus Eichstadt (in 1992) and Dave Fortman (in 1992)
background vocals:
Jennifer Barry (in 1992)
lead vocals:
Whitfield Crane (in 1992)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.754:01
20Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.855:11
2CD
#TitleArtistRatingLength
1Chance
engineer:
Will Gosling
producer:
Steve Lillywhite
recording of:
Chance
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
10 Music Ltd. and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country4:21
2Always the Last to KnowDel Amitri24:16
3Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:48
4What’s Up
recording engineer:
David Tickle (in 1992)
mastering:
Stephen Marcussen (mastering engineer)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes4.354:11
5The Day We Caught the TrainOcean Colour Scene43:06
6Come In out of the Rain
Engineers3.554:01
7Revelate
The Frames43:45
8The Spirit
assistant engineer:
Steve Prestage (in 1980)
engineer:
Jeff Glixman (in 1980)
producer:
Jeff Glixman
bass guitar:
Wally Lowe (in 1980)
drums (drum set):
Kex Gorin (in 1980)
guitar:
Tony Clarkin (in 1980)
keyboard:
Mark Stanway (in 1980)
lead vocals:
Bob Catley (in 1980)
arranger:
Magnum (Birmingham UK melodic rock band) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1980)
mixed at:
Axis Sound Studio in Atlanta, Georgia, United States (in 1981)
recording of:
The Spirit (Magnum) (in 1980)
lyricist and composer:
Tony Clarkin
publisher:
Aviation Music (publisher; do NOT use as release label)
Magnum4:17
9I Surrender
assistant engineer:
Thomas Brekling and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1980-11)
drums (drum set):
Bob Rondinelli (in 1980-11)
guitar:
Ritchie Blackmore (in 1980-11)
keyboard:
Don Airey (in 1980-11)
lead vocals:
Joe Lynn Turner (US rock vocalist) (in 1980-11)
recorded at:
Sweet Silence Studio (at Strandlodsvej, 1976–1999) in Copenhagen, Capital Region of Denmark, Denmark (in 1980-11)
cover recording of:
I Surrender (in 1980-11)
lyricist and composer:
Russ Ballard
publisher:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Rainbow3:16
10Piece of My HeartNazareth4:19
11Still in Love With You
recording engineer:
Ron Nevison and Ted Sharp (engineer)
producer:
Phil Lynott and Ron Nevison
mixer:
Ron Nevison
bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guest guitar:
Gary Moore (Thin Lizzy, blues guitar)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
guest lead vocals:
Frankie Miller (Scottish rock singer-songwriter)
recording of:
Still in Love With You
lyricist and composer:
Phil Lynott
publisher:
PolyGram Music Publishing Ltd.
Thin Lizzy5:37
12Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues with the London Festival Orchestra & Peter Knight4.554:24
13It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:28
14Stay With Me Till Dawn
recording of:
Stay With Me Till Dawn
writer:
Mike Paxman (multi-instrumentalist & record producer) and Judie Tzuke
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Rocket Music Ltd.
Judie Tzuke3:50
15Dance Away
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
mixer:
Bob Clearmountain
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Dance Away (in 1979)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:43
16Overnight Sensation
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
Overnight Sensation (Hit Record)
writer:
Eric Carmen
Raspberries5:27
17The Sorceress
keyboard programming:
Sev Lewkowicz (keyboard player)
assistant engineer:
Jools Cooper (engineer) and Nick Rogers (engineer/mixing)
engineer:
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) and Ashley Howe
producer:
Martin Smith (UK musician, producer and engineer, b. 1945)
bass guitar, keyboard and background vocals:
Kevin Riddles
drums (drum set) and percussion:
Dave Hogg
guitar and lead vocals:
Kevin Heybourne
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
recording of:
Sorceress
lyricist and composer:
Kevin Heybourne
Angel Witch34:14
18The Devil’s Answer
phonographic copyright (℗) by:
Sanctuary Records (UK 1996–present) (in 1971)
recording of:
Devil’s Answer
lyricist and composer:
John Du Cann (glam punk, UK)
publisher:
GH Music Ltd.
Atomic Rooster43:25
19I Got Mine
producer and mixer:
Tony Platt (UK engineer and producer)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (from 1983-02 until 1983-03)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (from 1983-02 until 1983-03)
guitar:
Brian Robertson (Thin Lizzy & Motörhead) (from 1983-02 until 1983-03)
recording of:
I Got Mine (from 1983-02 until 1983-03)
writer:
Ian Fraser Kilmister (“Lemmy” from Motörhead), Phil Taylor (former Motörhead drummer) and Brian Robertson (Thin Lizzy & Motörhead)
publisher:
EMI Intertrax Music Inc. (BMI-affiliated)
Motörhead5:22
3CD
#TitleArtistRatingLength
1More Than a Feeling
recording of:
More Than a Feeling
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3:24
2(Don’t You) Forget About Me
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:18
3Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.34:02
4Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
music videos:
Africa by Toto (US rock group)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:26
5(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.24:44
6The Flame
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988)
recording of:
The Flame
writer:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) and Bob Mitchell (UK production music composer & songwriter)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick54:43
7I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:28
8Don’t Know What You Got (Till It’s Gone)
assistant recording engineer:
Thom Cadley and Ryan Dorn
engineer:
Andy Johns
producer:
Eric Brittingham, Andy Johns and Tom Keifer
assistant mixer:
George Cowan (US engineer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
Tom Keifer (from 1987 until 1988)
additional drums (drum set):
Denny Carmassi (from 1987 until 1988) and Cozy Powell (from 1987 until 1988)
additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
Rick Criniti (from 1987 until 1988)
additional keyboard:
Kurt Shore (from 1987 until 1988) and John Webster (Canadian keyboardist) (from 1987 until 1988)
additional pedal steel guitar:
Jay Levine (from 1987 until 1988)
additional percussion:
Paulinho da Costa (Brazilian percussionist) (from 1987 until 1988)
bass guitar [12 string bass], electric bass guitar and background vocals:
Eric Brittingham (from 1987 until 1988)
drums (drum set):
Fred Coury (from 1987 until 1988)
electric guitar:
Tom Keifer (from 1987 until 1988) and Jeff LaBar (from 1987 until 1988)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988) and Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States (from 1987 until 1988)
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Don’t Know What You Got (Till It’s Gone) (from 1987 until 1988)
lyricist and composer:
Tom Keifer
Cinderella55:47
918 & Life
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 60)
recording of:
18 and Life
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row4.053:49
10Hit and Run
recording of:
Hit & Run
writer:
Kelly Johnson and Kim McAuliffe
Girlschool3:03
11On a Storyteller’s Night
engineer and producer:
Kit Woolven (in 1985)
bass guitar:
Wally Lowe (in 1985)
drums (drum set):
Jim Simpson (in 1985)
guitar:
Tony Clarkin (in 1985)
keyboard:
Mark Stanway (in 1985)
background vocals:
Tony Clarkin (in 1985) and Wally Lowe (in 1985)
lead vocals:
Bob Catley (in 1985)
arranger:
Magnum (Birmingham UK melodic rock band) (in 1985)
recorded at:
The Abattoir Studios in Birmingham, West Midlands, England, United Kingdom (in 1985)
recording of:
On a Storyteller’s Night (Magnum) (in 1985)
lyricist and composer:
Tony Clarkin (in 1985)
Magnum5:00
12Still… You Turn Me OnEmerson, Lake & Palmer42:52
13I’m Not in Love
bass and electric guitar:
Graham Gouldman (from 1974 until 1975)
electric piano and lead vocals:
Eric Stewart (from 1974 until 1975)
Moog [Moog synthesizer]:
Kevin Godley (from 1974 until 1975)
piano:
Lol Creme (from 1974 until 1975)
additional vocals:
Kathy Redfern (from 1974 until 1975)
background vocals:
Lol Creme (from 1974 until 1975), Kevin Godley (from 1974 until 1975) and Graham Gouldman (from 1974 until 1975)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
edit of:
I’m Not in Love (album version) by 10cc
recording of:
I’m Not in Love (from 1974 until 1975)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3:58
14The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
15I’d Rather Go Blind
producer:
Rod Stewart
cover recording of:
I’d Rather Go Blind
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Rod Stewart3:51
16Lady in Black
recording engineer:
Peter Gallen (from 1969 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1969 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. and Sidney Bron Music (also spelled "Sydney")
Uriah Heep4.354:39
17Itchycoo Park
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended) and EMI Catalogue Partnership
Small Faces2:51
18Love Hurts
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth3:49
19Are You Growing Tired of My Love
sound engineer and engineer:
Alan Florence
producer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
drums (drum set):
John Coghlan
electric bass guitar:
Alan Lancaster
electric guitar:
Rick Parfitt (UK guitarist for Status Quo) and Francis Rossi
electronic organ:
Roy Lynes
vocals:
Alan Lancaster, Roy Lynes, Rick Parfitt (UK guitarist for Status Quo) and Francis Rossi
arranger:
Alan Tew (British composer and arranger) and Lew Warburton
phonographic copyright (℗) by:
Pye Records Ltd. (company owning the label Pye Records) (in 1969) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1969)
recording of:
Are You Gowing Tired of My Love
lyricist and composer:
Anthony King (songwriter, arranger)
publisher:
Carlin Music Corporation and Enquiry Music Ltd.
cover recording of:
Are You Gowing Tired of My Love
lyricist and composer:
Anthony King (songwriter, arranger)
publisher:
Carlin Music Corporation and Enquiry Music Ltd.
Status Quo3:37

Credits

Release group

part of:Latest & Greatest (Union Square Music) (order: 20)