Step Back & Boogie

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:36
2I Love Music
edit of:
I Love Music by The O’Jays
recording of:
I Love Music
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays53:36
3Heaven Must Be Missing an Angel
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
4Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton3:52
5The Love I Lost
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
edit of:
The Love I Lost by Harold Melvin & The Blue Notes
recording of:
The Love I Lost
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.653:33
6I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) (in 1978) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
background vocals and lead vocals:
Chaka Khan (in 1978)
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:06
7Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:47
8Do It Anyway You Wanna
producer:
Gamble-Huff
arranger:
Frank Brunson and Leon Huff (Philly soul producer, of Gamble & Huff)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1974)
recording of:
Do It Any Way You Wanna (in 1974)
lyricist and composer:
Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), MDW (publisher) (in 1988) and Mighty Three Music (in 1988)
People's Choice3:14
9So You Win Again
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) and RAK (in 1977)
recording of:
So You Win Again
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) and Universal Music–MGB Songs
Hot Chocolate4.254:28
10He’s the Greatest Dancer
recording of:
He’s the Greatest Dancer
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:35
11Is It Love You’re After
cover recording of:
Is It Love You’re After
lyricist, writer and composer:
Miles Gregory
publisher:
Sony/ATV Ballad, Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce3:46
12Second Time Around
recording of:
The Second Time Around
writer:
William Shelby and Leon Sylvers
publisher:
Rondor Music (Ldn) Ltd., Rosy Music (ASCAP-affiliated) and Spectrum VII
Shalamar3:42
13Rockin’ Chair
recording of:
Rockin’ Chair
writer:
Clarence Henry Reid and Willie Clarke
publisher:
EMI Longitude Music
Gwen McCrae3:17
14Show You the Way to Go
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Show You the Way to Go
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jacksons33:29
15I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
16Mind Blowing Decisions
assistant engineer:
Mike Hedges (UK producer/recording engineer) and Andy Jackson (UK recording engineer/prog musician)
engineer and mixer:
James Guthrie
producer:
Barry Blue (singer, producer, and songwriter)
assistant mixer:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1977, in 1978)
recording of:
Mind Blowing Decisions (in 1977)
lyricist and composer:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
publisher:
Johnnie Wilder Music, Skratch Music Publishing Ltd. and 大洋音楽 (Taiyō Music)
Heatwave54:15
2▼CD
#TitleArtistRatingLength
1Can You Feel the Force
recording of:
Can You Feel the Force
writer:
Chris Amoo and Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing4:07
2We Got the Funk
recording of:
We Got the Funk
writer:
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds and Albert Williams
publisher:
Sugar Hill Music Publishing Ltd. (ended), B.I.B. Music and Songs of Universal, Inc. (BMI)
Positive Force3:21
3(Shake Shake Shake) Your Booty
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
T.K. Records (Miami‐based disco label) (from 1976 to present) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recording of:
(Shake, Shake, Shake) Shake Your Booty
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) and Longitude Music Co.
KC and the Sunshine Band4.53:06
4Boogie Wonderland
producer:
Al McKay and Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
lyricist:
Allee Willis
composer:
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) and Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:48
5Boogie Fever
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recording of:
Boogie Fever
writer:
Freddie Perren and Keni St. Lewis
publisher:
PolyGram Music Publishing and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:28
6T.S.O.P. (The Sound of Philadelphia)
recording of:
TSOP (The Sound of Philadelphia)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB feat. The Three Degrees3:18
7Rapper’s Delight
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3.63:59
8Good Times
bass:
Bernard Edwards (American bassist and record producer) (in 1979)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Chic53:37
9We Are Family
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:26
10Boogie Nights
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Boogie Nights
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave44:39
11It’s a Disco Night (Rock Don’t Stop)
edit of:
It’s a Disco Night (Rock Don’t Stop), Parts 1 & 2 by The Isley Brothers
recording of:
It’s a Disco Night (Rock Don’t Stop)
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
The Isley Brothers44:13
12Funky Nassau
recording of:
Funky Nassau
lyricist and composer:
Tyrone Patrick Fitzgerald and Ray Munnings
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Beginning of the End3:11
13Fly, Robin Fly
recording of:
Fly, Robin, Fly
writer:
Sylvester Levay and Stephan Prager (songwriter, aka Michael Kunze)
publisher:
Sounds of Jupiter Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention7:46
14Take That to the Bank
recording of:
Take That to the Bank
writer:
Kevin Spencer (US keyboardist/vocalist for Dynasty) and Leon Sylvers
publisher:
ATV Music
Shalamar3:24
15Keep It Up
recording of:
Keep It Up
writer:
Milton Wright (soul singer-songwriter & producer, active in the 1970s Miami soul scene)
publisher:
EMI Longitude Music
Milton Wright3:20
16Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:09
3▼CD
#TitleArtistRatingLength
1Knock on Wood
phonographic copyright (℗) by:
Ariola America, Inc. (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 6)
cover recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Amii Stewart53:45
2Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:52
3Dazz
assistant engineer:
Phil Benton
engineer:
Johnny Duncan (producer)
producer:
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy and Robert E. Lee
strings:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings), Willard Shull and Frank Walton (classical violinist / strings)
orchestra:
Atlanta Symphony Players
strings arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
recorded at:
The Sound Pit in Atlanta, Georgia, United States, Trolley Tracks in College Park, Georgia, United States and Webb IV Recording Studio in Atlanta, Georgia, United States
recording of:
Dazz
writer:
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons and Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music and Silver Cloud Music LLC
part of:
10 Things I Hate About You
Brick4.53:25
4Now Is the Time
Jimmy James & the Vagabonds3:35
5Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:11
6Movin’
producer:
Jeff Lane (soul funk singer, songwriter, arranger, producer)
bass guitar:
Wade Williamston (bassist)
congas:
Sandy Billups (percussionist)
flute, keyboard and timbales:
Randy Muller
guitar:
Joseph Arthur Wong (guitarist)
membranophone:
Larry Payton (drummer)
percussion:
Randy Muller and Morris Price (trumpeter)
saxophone:
Michael Grudge (saxophonist) and Jesse Ward, Jr. (saxophonist)
strings:
Irving Spice (violinist, concertmaster and strings)
trumpet:
Wayne Parris (trumpeter) and Morris Price (trumpeter)
vocals:
Sandy Billups (percussionist), Michael Grudge (saxophonist), Randy Muller, Wayne Parris (trumpeter), Larry Payton (drummer), Morris Price (trumpeter) and Jesse Ward, Jr. (saxophonist)
arranger:
Randy Muller
recording of:
Movin’
lyricist and composer:
Randy Muller and Wade Williamston (bassist)
publisher:
Bravo and Encore Music, Music in Three and State Music Ltd. (publisher) (from 1985 to present)
Brass Construction8:38
7Sunshine Day
recording of:
Sunshine Day
writer:
Sol Amarfio, Teddy Osei and Mac Tontoh
publisher:
Sparta Florida Music Group Ltd.
Osibisa45:01
8Uptown Festival
Shalamar8:45
9Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.43:14
10I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:03
11Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
lyricist and composer:
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. and Universal Music Publishers MGB Australia Pty Ltd
Anita Ward53:16
12Shame Shame Shame
recording of:
Shame, Shame, Shame
lyricist and composer:
Sylvia Robinson
publisher:
IQ Music Ltd.
Shirley & Company34:50
13Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:04
14Boogie Oogie Oogie
producer:
Fonce Mizell and Larry Mizell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
writer:
Janice Marie Johnson and Perry L. Kibble
publisher:
Conducive Music, Inc. and On Time Music, Inc.
A Taste of Honey2.653:35
15Give Me Just a Little More Time
phonographic copyright (℗) by:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (in 1970)
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
writer:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Holland Group Productions Inc. and Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:35
16Girls
producer:
Al Goodman (US 70s R&B singer/producer) and Harry Ray
recording of:
Girls
writer:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) and Harry Ray
Moments and Whatnauts23:09
4▼CD
#TitleArtistRatingLength
1Instant Replay
recording of:
Instant Replay
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman4.53:28
2Haven’t Stopped Dancing Yet
recording of:
I Haven’t Stopped Dancing Yet
composer:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Buckwheat Music, Old Eye Music and Wizard (Bahamas) Ltd.
Gonzalez4:11
3Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:33
4Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
5Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:33
6Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.053:59
7Get Up and Boogie
recording of:
Get Up and Boogie
lyricist:
Stephan Prager (songwriter, aka Michael Kunze)
composer:
Sylvester Levay
Silver Convention7:52
8Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
edit of:
Play That Funky Music (album version) by Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:10
9Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3.33:56
10Disco Inferno
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 54)
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (publisher), Reservoir 416, Reservoir Media Management, Inc. and Six Strings Music
The Trammps4.353:20
11Lost in Music
recording of:
Lost in Music
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:41
12Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
13You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:28
14Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:15
15I’m Doing Fine Now
recording of:
I’m Doin’ Fine Now
writer:
Thom Bell (keyboards, songwriter, producer) and Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:50
16Can’t Get by Without You
producer:
Ken Gold
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Can’t Get by Without You
writer:
Michael Denne and Ken Gold
publisher:
Screen Gems–EMI Music Ltd.
The Real Thing43:28