Bonfire

~ Release by AC/DC (see all versions of this release, 12 available)

Annotation

Mastered for iTunes LP, iTunes LP

Annotation last modified on 2023-09-30 05:14 UTC.

Tracklist

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1▼Digital Media
#TitleRatingLength
1Live Wire (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at and engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Live Wire (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and EMI Music Ltd. (in 1979)
3.56:09
2Problem Child (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Problem Child (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.654:36
3High Voltage (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
High Voltage (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
45:57
4Hell Ain’t a Bad Place to Be (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Hell Ain’t a Bad Place to Be (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
44:15
5Dog Eat Dog (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at and engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Dog Eat Dog (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
44:34
6The Jack (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at and engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
The Jack (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
48:32
7Whole Lotta Rosie (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
mixer:
George Young (Australian musician and producer)
recorded at and engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Whole Lotta Rosie (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
is based on:
Dirty Eyes
4.55:33
8Rocker (live from the Atlantic Studios)
engineer:
Paul Hoare (engineer)
remixer:
George Young (Australian musician and producer)
recorded at and engineered at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Rocker (on 1977-12-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
45:32
2▼Digital Media
#TitleRatingLength
1Live Wire (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Live Wire (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and EMI Music Ltd. (in 1979)
48:04
2Shot Down in Flames (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Shot Down in Flames (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4.353:39
3Hell Ain’t a Bad Place to Be (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Hell Ain’t a Bad Place to Be (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
44:31
4Sin City (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Sin City (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.655:24
5Walk All Over You (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Walk All Over You (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.55:05
6Bad Boy Boogie (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Bad Boy Boogie (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
413:20
3▼Digital Media
#TitleRatingLength
1The Jack (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
The Jack (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4.356:03
2Highway to Hell (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Leidseplein Presse B.V. (not for release label use!) (in 1981)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Highway to Hell (on 1979-12-09)
lyricist and composer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
53:30
3Girls Got Rhythm (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Girls Got Rhythm (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
43:20
4High Voltage (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
High Voltage (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4.56:33
5Whole Lotta Rosie (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Whole Lotta Rosie (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
is based on:
Dirty Eyes
4.54:53
6Rocker (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Rocker (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.6510:44
7T.N.T. (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
T.N.T. (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1976)
4.54:12
8Let There Be Rock (live in Paris)
mixer:
Tony Platt (UK engineer and producer)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Let There Be Rock (on 1979-12-09)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.657:32
4▼Digital Media
#TitleRatingLength
1Dirty Eyes (demo)
engineer:
Pete Coleman
additional producer:
George Young (Australian musician and producer)
producer:
Vanda & Young (songwriting & producing duo)
recording of:
Dirty Eyes (in 1977)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son Pty. Ltd.
43:21
2Touch Too Much (demo)
recording of:
Touch Too Much
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Zomba Management and Publishers Ltd. (in 1979)
3.66:34
3If You Want Blood (You’ve Got It) (demo)
engineer:
Pete Coleman
additional producer:
George Young (Australian musician and producer)
producer:
Vanda & Young (songwriting & producing duo)
demo recording of:
If You Want Blood (You’ve Got It)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
44:26
4Back Seat Confidential (demo)
recording of:
Back Seat Confidential (in 1977)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
45:24
5Get It Hot (demo)
recording of:
Get It Hot (in 1977)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.84:15
6Sin City (live from “Midnight Special”)
recorded in:
Burbank, California, United States (on 1978-09-06)
live recording of:
Sin City (on 1978-09-06)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
recording of:
Sin City
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.254:54
7She’s Got Balls (from “Bondi Lifesaver”)
producer:
Vanda & Young (songwriting & producing duo)
mixer:
Sam Horsburgh (Australian engineer and A&R manager)
phonographic copyright (℗) by:
Albert Productions (in 1977)
recorded at:
Bondi Lifesaver in Sydney, New South Wales, Australia (in 1977-07)
mixed at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia
live recording of:
She's Got Balls (in 1977-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3.257:56
8School Days (from “T.N.T.”)
producer:
Vanda & Young (songwriting & producing duo)
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia
cover recording of:
School Day (Ring! Ring! Goes the Bell)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
3.65:22
9It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll)
producer:
Vanda & Young (songwriting & producing duo)
phonographic copyright (℗) by:
Albert Productions (in 1975) and J. Albert & Son Pty. Ltd. (in 1975)
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia (in 1975-07)
recording of:
It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll) (in 1975-07)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4.35:17
10Ride On / Bon Scott Interviews
recording of:
Ride On
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
39:44
5▼Digital Media
#TitleRatingLength
1Hells Bells
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
SWR1 Hitparade 2011 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 9) and SWR1 Hitparade 2010 (Baden-Württemberg) (number: 10)
recording of:
Hells Bells (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4.455:13
2Shoot to Thrill
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
music videos:
Shoot to Thrill (Iron Man 2) by AC/DC (Australian hard rock band)
recording of:
Shoot to Thrill (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3.955:18
3What Do You Do for Money Honey
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
What Do You Do for Money Honey (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3.753:36
4Givin’ the Dog a Bone
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Given the Dog a Bone (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3.653:32
5Let Me Put My Love Into You
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Let Me Put My Love Into You (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
part of:
“The Filthy Fifteen” (PRMC’s list of songs with “offensive lyrical content”) (number: 6)
3.554:16
6Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 1), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4.554:16
7You Shook Me All Night Long
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 10), The Downloader’s Music Source Book (number: 120), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 287) and BILLIONS CLUB
recording of:
You Shook Me All Night Long (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4.53:30
8Have a Drink on Me
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Have a Drink on Me (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3.753:59
9Shake a Leg
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Shake a Leg (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3.554:06
10Rock and Roll Ain’t Noise Pollution
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
The Downloader’s Music Source Book (number: 112)
recording of:
Rock and Roll Ain’t Noise Pollution (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3.954:16

Credits

Release

phonographic copyright (℗) by:J. Albert & Son Pty Ltd (in 1976, in 1977, in 1979)
Leidseplein Presse B.V. (not for release label use!) (in 1980)
part of:Apple Digital Masters (ex‐“Mastered for iTunes”) (order: 243)
purchase for download:https://itunes.apple.com/us/album/id576002403 [info] (ended)
https://music.apple.com/us/album/576002403 [info] (ended)
streaming page:https://music.apple.com/us/album/576002403 [info] (ended)