First Blood

~ Release by Jerry Goldsmith (see all versions of this release, 16 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Home Coming
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Home Coming (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:21
2Escape Route
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Escape Route (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:39
3First Blood
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
First Blood (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:36
4The Tunnel
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
The Tunnel (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:02
5Hanging On
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Hanging On (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:34
6Mountain Hunt
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Mountain Hunt (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith6:06
7My Town
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
My Town (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:55
8The Razor
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
The Razor (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:08
9No Power
recording engineer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
recording of:
No Power (First Blood)
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:51
10Over the Cliff
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Over the Cliff (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:03
11It's a Long Road (instrumental)
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
It's a Long Road (instrumental) (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:51
12It's a Long Road
recording engineer:
Bruce Botnick and Alan Snelling
engineer:
Greg Ladanyi
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
lead vocals:
Dan Hill (Canadian singer/songwriter)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
It's a Long Road (Theme) (First Blood)
orchestrator and arranger:
Arthur Morton
lyricist:
Hal Shaper
composer:
Jerry Goldsmith (American score composer)
Dan Hill33:21