Radiottanta

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1All Night Long
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:20
2Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:43
3State of the Nation
recording of:
State of the Nation
Industry3:41
4Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex4:16
5Doot Doot
recording of:
Doot Doot
writer:
Karl Hyde, Rick Smith (electronic producer, member of Underworld) and Alfie Thomas
publisher:
Curly Music Ltd. (publisher), EMI Songs Ltd. and Point Music Ltd. (in 1983)
Freur4:00
6Voices
recording of:
Voices
lyricist and composer:
Russ Ballard
Russ Ballard5:19
7Sometimes
producer:
Flood (British producer Mark Ellis)
mixer:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) and Mike Pela
trumpet:
Guy Barker
part of:
Cachitos Nochevieja 2022 (number: 107)
recording of:
Sometimes
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:39
8Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:32
9Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:07
10Blue Monday
producer:
Quincy Jones and New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order44:08
11Let Me Go
producer:
B.E.F. and Greg Walsh (producer and engineer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Let Me Go!
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 1754:17
12Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
Joan Armatrading43:37
13My Ever Changing Moods
recording of:
My Ever Changing Moods
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
The Style Council3:39
14The Captain of Her Heart
recording of:
The Captain of Her Heart
lyricist and composer:
Felix Haug and Kurt Maloo
publisher:
Z Muzik Ed. Soc. (Suiza) and Z-Muzik (publisher; do NOT use as release label) (in 1985)
Double4:33
15Big in Japan
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin (from 1984-07 until 1984-08) and Thomas Beck (technical assistant, likely German) (from 1984-07 until 1984-08)
programming:
Wolfgang Loos (from 1984-06 until 1984-08)
producer:
Andreas Budde, Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Wednesday (German‐English rock band active from 1975–1980) (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
music videos:
Big In Japan by Alphaville (German synth pop band)
recording of:
Big in Japan (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:46
16Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. and Ruby Ruby Ltd.
Level 423.64:02
17Johnny & Mary
recording of:
Johnny and Mary
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) and Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4:00
18Smalltown Boy
recording engineer:
Pete Griffiths (UK studio technician, programmer & producer)
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat3.755:02
2CD
#TitleArtistRatingLength
1What Is Love
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones4.53:41
2It’s My Life
producer:
Tim Friese‐Greene
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:54
3Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:08
4Living in a Box
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) and Empire Music Ltd.
Living in a Box3:04
5Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:32
6Missing You
engineer and mixer:
David Thoener
drums (drum set):
Curly Smith (Jo Jo Gunne musician)
electric bass guitar [bass]:
Donnie Nossov
guitar:
Gary Myrick
keyboard:
Bruce Brody
percussion:
Steve Scales
lead vocals:
John Waite
phonographic copyright (℗) by:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.754:25
7Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.33:59
8Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
9The Promise You Made
producer and mixer:
Steve Hillage
drums (drum set) and percussion:
Louis Molino
lead vocals:
Peter Kingsbery and Anna LaCazio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
mixed at:
Kendun Recorders in Burbank, California, United States
recording of:
The Promise You Made
lyricist and composer:
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan, Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) and Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:55
10Moonlight Shadow
engineer:
Nigel Luby
producer:
Mike Oldfield and Simon Phillips (rock drummer)
acoustic guitar, electric guitar and synthesizer:
Mike Oldfield (from 1982-11 until 1983-04)
bass guitar:
Phil Spalding (from 1982-11 until 1983-04)
drums (drum set):
Simon Phillips (rock drummer) (from 1982-11 until 1983-04)
vocals:
Maggie Reilly (from 1982-11 until 1983-04)
phonographic copyright (℗) by:
Mike Oldfield (in 2013)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1983) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recorded at:
Denham Studios (from 1982-11 until 1983-04)
recording of:
Moonlight Shadow (from 1982-11 until 1983-04)
lyricist and composer:
Mike Oldfield
publisher:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield3.93:39
11I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw3.53:21
12Nasty
co-producer:
Janet Jackson
executive producer:
John McClain
producer:
Jam & Lewis
mixer:
Steve Hodge (engineer and producer)
keyboard, background vocals and lead vocals:
Janet Jackson
percussion:
Jam & Lewis
phonographic copyright (℗) by:
A&M Records (in 1986, in 2015)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 45)
recording of:
Nasty
writer:
Janet Jackson, James Samuel Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Flyte Tyme Tunes
Janet Jackson4.54:05
13Down to Earth
producer:
Stewart Levine (record producer and saxophonist)
produced for:
Ultra Delta Ltd.
music videos:
Down to Earth by Curiosity Killed the Cat
recording of:
Down to Earth
writer:
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp and Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
publisher:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd. and Warner Bros. (holding: file NO releases)
Curiosity Killed the Cat34:21
14Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.954:27
15Slave to the Rhythm
recording of:
Slave to the Rhythm
writer:
Simon Darlow (songwriter, keyboardist & guitarist), Trevor Horn, Stephen Lipson and Bruce Woolley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), Sony/ATV Music Publishing Allegro (UK), SPZ Music, Inc. (BMI affiliated) and Unforgettable Songs Ltd.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France, Universal Music Publishing France (not for release label use!), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
is based on:
Ladies and Gentlemen: Miss Grace Jones (original version of “Slave to the Rhythm”)
Grace Jones6:12
16Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:41
17Heaven
additional engineer:
Dave Wittman
engineer:
Steve Hodge (engineer and producer)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
drums (drum set) and percussion:
Keith Forsey (drummer, producer and songwriter) and Tommy Price
guitar:
John Ashton
saxophone:
Mars Williams (US jazz and rock saxophonist)
vocals:
Richard Butler (singer)
remixer:
Dave Wittman
arranger:
The Psychedelic Furs
recording of:
Heaven
lyricist:
Richard Butler (singer)
writer:
Tim Butler (co‐founder of The Psychedelic Furs)
publisher:
EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
The Psychedelic Furs53:25
18Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:54