It’s Getting Late (…and More Songs About Werewolves)

~ Release by The Fleshtones (see all versions of this release, 2 available)

Annotation

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℗ «2024 Yep Roc Records»

Annotation last modified on 2024-11-01 16:29 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Pussywillow
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
Pussywillow
writer:
Keith Streng
2:57
2Come on Everybody Getting High with You Baby Tonight
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
Come on Everybody Getting High with You Baby Tonight
writer:
Peter Zaremba
2:12
3Love Me While You Can
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
Love Me While You Can
writer:
Johnny Rivers
1:56
4Way of the World
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set):
Keith Streng
piano and additional vocal:
Vibeke Saugestad
lead vocals:
Ken Fox
recording of:
Way of the World
writer:
Ken Fox
3:13
5The Consequences
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
The Consequences
writer:
Keith Streng
3:30
6Empty Sky
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set):
Keith Streng
recording of:
Empty Sky
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
4:19
7Wah Wah Power
recording engineer:
Lionel Limiñana
mixer:
Ladislav Agabekov
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
Wah Wah Power
writer:
Keith Streng and Peter Zaremba
2:56
8That’s Why I’m Turning to You
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
That’s Why I’m Turning to You
writer:
Peter Zaremba
2:30
9You Say You Don’t Mind It
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set):
Keith Streng
recording of:
You Say You Don’t Mind It
writer:
Keith Streng and Peter Zaremba
2:16
10Morphine Drip
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set):
Keith Streng
recording of:
Morphine Drip
writer:
Keith Streng and Peter Zaremba
2:35
11Big As My Balls
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
Big As My Balls
writer:
Keith Streng
2:33
12The Hearse
recording engineer:
Lionel Limiñana
mixer:
Ladislav Agabekov
drums (drum set), percussion and background vocals:
Bill Milhizer
recording of:
The Hearse
writer:
Lee Hazlewood
2:17
13It’s Getting Late
recording engineer:
The Fleshtones and Michael Giblin (producer, engineer and musician in Pennsylvania, owner of Red Chuck Studio)
drums (drum set):
Keith Streng
recording of:
It’s Getting Late
writer:
Keith Streng and Peter Zaremba
2:40