Piano Interpretations

~ Release by Wynton Kelly (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1Blue Moon
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Blue Moon (on 1951-07-25)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
3:09
2Fine and Dandy
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Fine and Dandy (on 1951-07-25)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:50
3I Found a New Baby
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
I’ve Found a New Baby (on 1951-07-25)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
2:53
4Cherokee
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Cherokee (on 1951-07-25)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:08
5Born to Be Blue
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:26
6Where or When
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1951-07-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:52
7Moonglow
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:29
8Moonglow (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Moonglow (on 1951-07-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:11
9If I Should Lose You
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
If I Should Lose You (on 1951-07-25)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:04
10Born to Be Blue (alternate take)
producer:
Alfred Lion
double bass [bass]:
Oscar Pettiford (on 1951-07-25)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-07-25)
piano:
Wynton Kelly (on 1951-07-25)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-25)
instrumental recording of:
Born to Be Blue (on 1951-07-25)
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
3:00
11Goodbye (1st take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-10)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:23
12Goodbye (2nd take)
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Goodbye (on 1951-08-01)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:47
13Foolin' Myself
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Foolin’ Myself (on 1951-08-01)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
3:03
14There Will Never Be Another You
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
There Will Never Be Another You (on 1951-08-01)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:04
15Do Nothing Till You Hear From Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Do Nothin’ Till You Hear From Me (on 1951-08-01)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:04
16Summertime
producer:
Alfred Lion
congas:
Lee Abrams (American jazz drummer) (on 1951-08-01)
double bass [bass]:
Franklin Skeete (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1951-08-01)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:11
17Moonlight in Vermont
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Moonlight in Vermont (on 1951-08-01)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
18Crazy He Calls Me
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
instrumental recording of:
Crazy He Calls Me (on 1951-08-01)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:18
19Opus Caprice
producer:
Alfred Lion
double bass [bass]:
Franklin Skeete (on 1951-08-01)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1951-08-01)
piano:
Wynton Kelly (on 1951-08-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-08-01)
2:53

Credits

Release

liner notes:Michael Cuscuna
additional producer:Michael Cuscuna (task: reissue)
mastering:Ron McMaster (US mastering & cutting engineer)
Discogs:https://www.discogs.com/release/2438424 [info]

Release group

included in:Nine Classic Albums 1951-1961