Sinfonías de la mañana Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: CD 1
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12 Rapsodias rumanas Op. 11: No. 1 en la mayor (extracto)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
conductor:
Lawrence Foster (conductor)
phonographic copyright (℗) by:
Erato Classics snc (not for release label use! for copyrights use only) (in 1985)
partial recording of:
Rapsodia nr. 1 în La major, op. 11/1 „Rapsodia română” (Romanian Rhapsody no. 1 in A major, op. 11 no. 1)
composer:
George Enescu (Romanian composer, violinist, conductor and teacher) (in 1901)
part of:
Rapsodiile române, op. 11 (Romanian Rhapsodies, op. 11)
George Enescu6:18
214 Romances, Op. 34: XIV. Vocalise (Lentamente molto cantabile)
soprano vocals:
Natalie Dessay (soprano)
orchestra:
Berliner Sinfonie-Orchester (Konzerthausorchester Berlin, Berliner Sinfonie-Orchester prior to 2006)
conductor:
Michael Schønwandt (Danish conductor)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (from 1998 to present), Parlophone (in 1998) and Warner Music France (in 1998)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for soprano and orchestra)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1916)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов5:17
3Papillons Op. 2: 11. (Più lento - in Tempo vivo)
piano:
Алекс Слободяник (pianist, not to be confused with his father: Alexander Slobodyanik (Олександр Слободяник))
phonographic copyright (℗) by:
Warner Classics (in 1999) and Warner Music UK Ltd. (not for release label use!) (in 1999)
recording of:
Papillons, op. 2: Nr. 10 Vivo - Più lento
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann2:28
4Serenata para cuerda en mi mayor, Op. 22: II. (Tempo di Valse)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
Warner Classics (in 1983) and Warner Music UK Ltd. (not for release label use!) (in 1983)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák6:46
5Sonata para violín en mi menor K. 304/300c: II. (Tempo di Menuetto)
piano:
Alexander Lonquich (pianist)
violin:
Frank Peter Zimmermann (violinist)
phonographic copyright (℗) by:
Warner Music Group Germany Holding GmbH (not for release label use! DE subsidiary of WMG) (in 1990)
recording of:
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart4:59
6Stabat Mater en fa menor, RV 621: I. Stabat Mater dolorosa (Largo)
producer and editor:
Daniel Zalay
instruments:
Europa Galante (Italian Baroque orchestra) (from 2001-08-08 until 2001-08-14)
countertenor vocals:
David Daniels (American countertenor) (from 2001-08-08 until 2001-08-14)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-08-08 until 2001-08-14)
balance engineer:
Tom Lazarus
phonographic copyright (℗) by:
Erato (in 2001), Warner Classics (in 2001) and Warner Music UK Ltd. (not for release label use!) (in 2001)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 2001-08-08 until 2001-08-14)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2001-08-08 until 2001-08-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:20
7Aida, Acto 2: Danza de los esclavos
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-09, on 1974-07-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-09, on 1974-07-11)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:28
8Capricho Arabe (Serenata)
guitar:
Wulfin Lieske (guitarist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1992)
recording of:
Capricho árabe
composer:
Francisco Tárrega (Spanish composer and guitarist) (in 1892)
Francisco Tárrega5:17
9L'Orfeo, SV 318, Acto 2: "Vi ricorda, o boschi ombrosi"
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
I Barocchisti
conductor:
Diego Fasolis (conductor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2017)
recording of:
L'Orfeo: Atto secondo. Vi ricorda, o bosch'ombrosi (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi2:01
10Sonata para violín y piano: IV: Adagio
piano:
Alexander Lonquich (pianist)
violin:
Frank Peter Zimmermann (violinist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recording of:
Sonata for Violin & Piano, JW 7/7: IV. Adagio
composer:
Leoš Janáček (Czech composer) (in 1914)
part of:
Sonata for Violin & Piano, JW VII/7
Leoš Janáček4:46
11Madama Butterfly, Acto I: Quanto cielo!.... Ancora un passo or via
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
choir vocals:
Coro del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967), Warner Classics (in 1986) and Warner Music UK Ltd. (not for release label use!) (in 1986)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:48
12Cuadros de una exposición: IV. Il Vecchio castello (orq. Ravel)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
André Cluytens (conductor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2017)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский4:28
13¿Por qué llorax blanca niña?
viola da gamba:
Jordi Savall (viol player, conductor and composer)
soprano vocals:
Montserrat Figueras (soprano)
orchestra:
Hespèrion XXI
phonographic copyright (℗) by:
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 1991)
[anonymous]7:27
147 Canciones populares españolas: V. Nana
piano:
Gonzalo Soriano (pianist)
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
phonographic copyright (℗) by:
Warner Classics (from 1993 to present) and Warner Music UK Ltd. (not for release label use!) (in 1993)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:33
15Suite nº. 3 en fa mayor (de "Piezas de viola, libro III, 1711"): XIII. Chacona
harpsichord:
Pierre Hantaï (Harpsichordist and organist)
viola da gamba:
Jérôme Hantaï (viola da gamba and fortepiano player) and Alix Verzier (cellist)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1998) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1998)
recording of:
Pièces de viole, Livre III: 38. Chaconne
composer:
Marin Marais (French composer)
part of:
Pièces de viole, Livre III
part of:
Pièces de Viole: Livre III: Suite no. 3 in F major
Marin Marais3:06
16The Last Rose of Summer
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
Warner Classics (in 1984) and Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
The Last Rose of Summer
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13861)
Sir John Andrew Stevenson3:30
17El carnaval de los animales: nº 13. El cisne (Andantino grazioso)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:49
18Unter Donner und Blitz (Bajo rayos y truenos), Op. 324
orchestra:
Wiener Johann Strauss Orchester
conductor:
Willi Boskovsky (violinist and conductor)
phonographic copyright (℗) by:
Warner Classics (in 1981) and Warner Music UK Ltd. (not for release label use!) (in 1981)
recording of:
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss2:59
2▼CD: CD 2
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1Goyescas: Intermezzo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
phonographic copyright (℗) by:
Warner Classics (in 1959, in 2014) and Warner Music UK Ltd. (not for release label use!) (in 1959, in 2014)
recording of:
Goyescas, H.65: Cuadro I. Intermedio (for orchestra)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados4:29
23 Intermezzi, Op. 117: II. Intermezzo nº 2 en si bemol menor (Andante non troppo e con molto espressione)
piano:
Михаил Рудый (Mikhail Rudy, pianist)
phonographic copyright (℗) by:
Parlophone (in 1986) and Warner Music France (in 1986)
recording of:
3 intermezzi, op. 117: Nr. 2 in b‐Moll. Andante non troppo e con molta espressione (3 intermezzi, op. 117: No. 2 in B-flat minor. Andante non troppo e con molta espressione)
premiered in:
Wien (Vienna), Austria (on 1893-01-30)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
3 intermezzi, op. 117
Johannes Brahms4:22
3Variaciones Enigma, Op. 36: IX. Nimrod
orchestra:
BBC Symphony Orchestra
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1992)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:13
4In Nomine a 5
orchestra:
Fretwork (consort of viols)
phonographic copyright (℗) by:
Erato (in 1988), Warner Classics (in 1988) and Warner Music UK Ltd. (not for release label use!) (in 1988)
recording of:
In Nomine a 5
composer:
Alfonso Ferrabosco (the younger, ca. 1575-1628)
Alfonso Ferrabosco II2:19
5Vier letzte Lieder (Cuatro últimas canciones) Op. posth.: 3. Beim Schlafengehen (Al ir a dormir)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
George Szell (conductor, pianist, composer)
phonographic copyright (℗) by:
Warner Classics (in 2011) and Warner Music UK Ltd. (not for release label use!) (in 2011)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:22
6Romeno y Julieta, Suite nº 2 Op. 64: Romeo ante la tumba de Julieta
orchestra:
Oslo‐Filharmonien (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
phonographic copyright (℗) by:
Warner Classics (in 1989) and Warner Music UK Ltd. (not for release label use!) (in 1989)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VII. Romeo at Juliet's Grave
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Сергей Сергеевич Прокофьев6:03
7Pequeña misa solemne: I. Kyrie, 1. Kyrie eleison. Andante maestoso
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
phonographic copyright (℗) by:
Warner Classics (in 2013) and Warner Music UK Ltd. (not for release label use!) (in 2013)
partial recording of:
Petite Messe solennelle: I. Kyrie (SATB, “Christe eleison” is performed a cappella)
composer:
Gioachino Rossini (composer) (in 1863)
part of:
Petite Messe solennelle
Gioachino Rossini2:59
8Variaciones Goldberg: Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (from 1965 to present)
recording of:
Goldberg-Variationen, BWV 988: Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach1:05
9Jesu, meines Lebens Leben, BuxWV 62 (extracto)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
countertenor vocals:
Michael Chance (British countertenor)
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
phonographic copyright (℗) by:
Erato (in 1988)
partial recording of:
Jesu, meine Lebens Leben, BuxWV 62
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 62)
Dieterich Buxtehude6:38
10La golondrina
choir vocals:
Ансамбль песни и пляски РВСН «Красная звезда» (Red Star Red Army Chorus)
tenor vocals:
Евгений Беляев (Red Army Choir soloist, tenor)
conductor:
Anatoly Nikolajewitsch Bazhalkin
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1992)
[traditional]4:06
11El burgués gentilhombre, LWV 43, Acto 4: Marcha para la ceremonia de los turcos
orchestra:
Les Musiciens du Louvre
conductor:
Marc Minkowski (bassoonist and conductor)
phonographic copyright (℗) by:
Erato Classics snc (not for release label use! for copyrights use only) (in 1987)
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:46
12Ave dulcissima Maria
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
phonographic copyright (℗) by:
Erato Classics snc (not for release label use! for copyrights use only) (in 1985)
recording of:
Sacrarum cantionum quinque vocibus, Liber primus: IX. Ave, dulcissima Maria
composer:
Carlo Gesualdo (composer)
part of:
Sacrarum cantionum quinque vocibus, Liber primus (for 5 voices, SATTB)
Carlo Gesualdo6:40
13Siciliana (atribuida a Maria Theresia von Paradis)
cello:
Andreas Brantelid (cellist)
piano:
Bengt Forsberg (pianist)
phonographic copyright (℗) by:
EMI Music Denmark A/S (in 2012)
recording of:
Sicilienne (for violin and piano)
previously attributed to:
Maria Theresia von Paradis
Samuel Dushkin3:04
14Kindertotenlieder (Canciones a los niños muertos): V. In diesem Wetter (Con este tiempo)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
phonographic copyright (℗) by:
Warner Classics (in 1999) and Warner Music UK Ltd. (not for release label use!) (in 1999)
recording of:
Kindertotenlieder: V. “In diesem Wetter”
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler7:31
15Los planetas, Op. 32: VII. Neptuno, el místico
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
Warner Classics (in 2006) and Warner Music UK Ltd. (not for release label use!) (in 2006)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:03
16Paris y Helena: Acto 1, "Oh, del mio dolce ardor"
mezzo-soprano vocals:
Susan Graham (mezzo-soprano)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Harry Bicket (harpsichordist, organist and conductor)
phonographic copyright (℗) by:
Erato (in 2000)
recording of:
Paride ed Elena, Wq. 39: Act I. Aria “O del mio dolce ardor”
composer:
Christoph Willibald Gluck (composer) (until 1770)
librettist:
Ranieri de’ Calzabigi (until 1770)
publisher:
G. Schirmer Inc.
part of:
Paride ed Elena, Wq. 39
Christoph Willibald Gluck3:26
17Gayaneh, Suite nº 3: V. Danza del sable
orchestra:
Симфонический оркестр Большого театра (Bolshoi Theatre Symphony Orchestra)
conductor:
Александр Лазарев (Alexander Lazarev, conductor)
phonographic copyright (℗) by:
Erato (in 1994)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Արամ Խաչատրյան2:17

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ASIN:ES: B077H1VYWX [info]