Fantasia on Greensleves / Serenade to Music / The Lark Ascending / English Folk Song Suite

~ Release by Vaughan Williams; Sir Adrian Boult (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasia on Greensleeves
orchestra:
London Symphony Orchestra (from 1970-08-12 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-12 until 1970-08-13)
arranger:
Ralph Greaves (in 1934)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-12 until 1970-08-13)
recording of:
Fantasia on “Greensleeves” (from 1970-08-12 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
2Serenade to Music
alto vocals:
Meriel Dickinson, Alfreda Hodgson (contralto), Gloria Jennings and Shirley Minty (contralto)
bass vocals:
Richard Angas (operatic bass), John Carol Case (English baritone), Christopher Keyte (operatic bass) and John Noble (baritone)
soprano vocals:
Sheila Armstrong (soprano), Norma Burrowes (soprano), Marie Hayward (soprano) and Susan Longfield
tenor vocals:
Kenneth Bowen (tenor), Bernard Dickerson (tenor), Wynford Evans (tenor) and Ian Partridge (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
Serenade to Music
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer) (in 1938)
Ralph Vaughan Williams13:17
3English Folk Song Suite: I. March (Seventeen Come Sunday)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:54
4English Folk Song Suite: II. Intermezzo (My Bonny Boy)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
5English Folk Song Suite: III. March (Folk Songs from Somerset)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:04
6The Wasps: Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-09-23 until 1968-09-25)
conductor:
Sir Adrian Boult (conductor) (from 1968-09-23 until 1968-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Aristophanic Suite “The Wasps”: I. Overture (from 1968-09-23 until 1968-09-25)
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
Ralph Vaughan Williams10:15
7The Wasps: March Past of the Kitchen Utensils
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Aristophanic Suite “The Wasps”: III. March Past of the Kitchen Utensils
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
Ralph Vaughan Williams3:08
8Fantasia on a Theme by Thomas Tallis
cello:
Alexander Cameron (cellist)
viola:
John Chambers (viola)
violin:
Rodney Friend (violinist) and Russell Gilbert (violinist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:38
9The Lark Ascending
violin:
Hugh Bean (violinist) (on 1967-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (on 1967-03-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (on 1967-03-01)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:42

Credits

Release

manufactured in:the EU (Europe)
liner notes:Lyndon Jenkins (in 1992)
illustration:Joyce Bidder (scupltor)
copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
glass mastered by:EMI Uden (manufacturer)
Discogs:https://www.discogs.com/release/8510035 [info]
ASIN:UK: B002RSXIH0 [info]