Have a Nice Decade: The ’70s Pop Culture Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Love Grows (Where My Rosemary Goes)
producer:
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) and Demon Music Group (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 40) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3.82:54
2Venus
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
Shocking Blue4.153:06
3Rose Garden
cover recording of:
Rose Garden
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
version of:
’k Blijf op je wachten
Lynn Anderson3:27
4American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) and BMG Music (in 1970)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.23:54
5Green-Eyed Lady
engineer:
Paul Buff
producer:
Frank Slay Jr.
recording of:
Green‐Eyed Lady
writer:
Jerry Corbetta, John Collingwood Phillips and David Riordan
publisher:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf53:40
6Vehicle
producer:
Bob Destocki and Frank Rand
recording of:
Vehicle
lyricist and composer:
Jim Peterik
publisher:
Bald Medusa Music Company
The Ides of March32:56
7Little Green Bag
recording of:
Little Green Bag
writer:
Hans Bouwens and Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection53:24
8Ride Captain Ride
edit of:
Ride Captain Ride by Blues Image
recording of:
Ride Captain Ride
lyricist:
Frank “Skip” Konte (US keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image3:09
9Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) and Transtone Productions (in 1970)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.054:03
10Superstar
recording of:
Superstar
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Murray Head with The Trinidad Singers4:23
11Give Me Just a Little More Time
phonographic copyright (℗) by:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (in 1970)
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
writer:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Holland Group Productions Inc. and Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:41
12Didn’t I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:23
13O‐o‐h Child
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 392)
recording of:
O‐o‐h Child
lyricist and composer:
Stan Vincent (1960s/70s pop songwriter)
publisher:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Five Stairsteps3.83:16
14ABC
recording of:
ABC
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 52:43
15Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:56
16Fire and Rain
recording of:
Fire and Rain
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor3:55
17Indian Reservation (The Lament of the Cherokee Reservation Indian)
cover recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian)
lyricist and composer:
John D. Loudermilk
The Raiders3:27
18Put Your Hand in the Hand
cover recording of:
Put Your Hand in the Hand
lyricist and composer:
Gene MacLellan
publisher:
Ardmore and Beechwood Ltd., Beechwood Music Canada and EMI Blackwood Music Inc.
Ocean32:57
19One Toke Over the Line
engineer:
Steve Barncard
producer:
Nick Gravenites
vocals:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) and Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
recording of:
One Toke Over the Line
lyricist and composer:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) and Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
publisher:
Universal Music Careers
Brewer & Shipley53:21
20Signs
recording of:
Signs
lyricist and composer:
Les Emmerson
Five Man Electrical Band3:28
21Don’t Pull Your Love
recording of:
Don't Pull Your Love
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Hamilton, Joe Frank & Reynolds2:43
22Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
lyricist and composer:
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo4.52:57
23Wild World
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recording of:
Wild World (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (ended), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens3.93:20
24Joy to the World
edit of:
Joy to the World by Three Dog Night (American rock band)
recording of:
Joy to the World
lyricist and composer:
Hoyt Axton
publisher:
Rondor Music
Three Dog Night4.23:15
2▼CD
#TitleArtistRatingLength
1Theme From Shaft
edit of:
Theme From Shaft by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:18
2Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:06
3Whatcha See Is Whatcha Get
edit of:
Whatcha See Is Whatcha Get (album version) by The Dramatics (US soul music vocal group)
recording of:
Whatcha See Is Whatcha Get (in 1971)
lyricist and composer:
Tony Hester
publisher:
Groovesville Music (publishing) (ended), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Dramatics53:33
4Treat Her Like a Lady
recording of:
Treat Her Like a Lady
lyricist and composer:
Eddie Cornelius
Cornelius Brothers & Sister Rose2:46
5Have You Seen Her
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4:49
6Want Ads
recording of:
Want Ads
writer:
General Johnson (US soul singer, R&B songwriter & producer), Barney Perkins and Greg Perry
Honey Cone32:48
7Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.53:18
8Do You Know What I Mean
recording of:
Do You Know What I Mean
lyricist and composer:
Lee Michaels
publisher:
Rondor Music
adaptations:
Voyez ce que je veux dire
Lee Michaels53:15
9Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:19
10Mr. Big Stuff
recording of:
Mr. Big Stuff
writer:
Joseph Broussard, Carrol Washington and Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company and Peermusic III, Ltd. (BMI)
Jean Knight2:31
11Chick‐A‐Boom (Don’t Ya Jes’ Love It)
recording of:
Chick-a-Boom (Don’t Ya Jes’ Love It)
composer:
Richard Delvy and Janis Gwin
Daddy Dewdrop2:52
12Brand New Key
recording of:
Brand New Key
lyricist and composer:
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:26
13One Tin Soldier (The Legend of Billy Jack)
recording of:
One Tin Soldier: The Legend of Billy Jack
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
Duchess Music Corporation (BMI-affiliated)
Coven3:38
14School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:30
15Popcorn
phonographic copyright (℗) by:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
recording of:
Popcorn
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:34
16Joy
recording of:
Joy (Apollo 100)
writer:
[traditional] (special purpose artist)
arranger:
T. Parker (arranger & multi-instrumentalist)
publisher:
Belsize Music Ltd.
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Apollo 1002.52:47
17I Am Woman
brass and strings arranger:
Jim Horn (saxophonist, hornist, flutist and oboist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006)
recording of:
I Am Woman (in 1970)
lyricist:
Helen Reddy
composer:
Ray Burton (Australian singer/songwriter)
publisher:
Rondor Music and Rondor Music (Australia) Pty Ltd
Helen Reddy53:17
18A Horse With No Name
recording of:
A Horse With No Name
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America53:51
19I’ll Take You There
edit of:
I’ll Take You There by The Staple Singers
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 186) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 276)
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:23
20Everybody Plays the Fool
recording of:
Everybody Plays the Fool
writer:
J.R. Bailey, Rudy Clark (US songwriter) and Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) and Trio Music Co., Inc. (in 1991)
The Main Ingredient3:39
21I Gotcha
producer:
Buddy Killen
phonographic copyright (℗) by:
Dial Records (Late 40s jazz label focused on bop) (in 1972) and Tree Productions (US, Sony‐related) (in 1972)
recording of:
I Gotcha (in 1971)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995) and Tree Publishing Co., Inc.
Joe Tex3.52:29
22I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:12
23Lean on Me
recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers53:42
24Day by Day
recording of:
Day by Day (Godspell)
lyricist, composer and arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
Godspell (Stephen Schwartz musical)
Stephen Schwartz3:15
3▼CD
#TitleArtistRatingLength
1Alone Again (Naturally)
producer:
Gordon Mills (60s/70s UK producer and songwriter)
phonographic copyright (℗) by:
O.S.M. Inc. (in 1972)
recording of:
Alone Again (Naturally)
lyricist and composer:
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd. and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:39
2Precious and Few
recording of:
Precious and Few
lyricist and composer:
Walter Nims
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Climax42:47
3Brandy (You’re a Fine Girl)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 2), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 11) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
lyricist and composer:
Elliot Lurie
Looking Glass4.253:06
4Dancing in the Moonlight
lead vocals:
Dave Robinson (King Harvest)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 30)
recording of:
Dancing in the Moonlight
lyricist and composer:
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
King Harvest52:52
5Nice to Be With You
recording of:
Nice to Be With You
lyricist and composer:
Jim Gold
Gallery52:39
6The Candy Man
producer:
Don Costa (US pop music arranger & producer) and Mike Curb
cover recording of:
The Candy Man
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Downtown DMP Songs, Taradam Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Charlie and the Chocolate Factory (2017 stage musical)
part of:
Willy Wonka & the Chocolate Factory (1971 American musical fantasy film adaptation of Roald Dahl's 1964 novel)
Sammy Davis Jr.3:10
7Daddy Don’t You Walk So Fast
producer:
Wes Farrell
vocals:
Wayne Newton (American actor and singer)
arranger:
Mike Melvoin
cover recording of:
Daddy, Don't You Walk So Fast
writer:
Peter Callander and Geoff Stephens
publisher:
Intune Ltd. (publisher)
Wayne Newton3:24
8Hot Rod Lincoln
recording of:
Hot Rod Lincoln
writer:
Charlie Ryan (Country artist) and W.S. Stevenson
Commander Cody & His Lost Planet Airmen52:45
9Rock and Roll, Part 2
producer:
Mike Leander
recording of:
Rock & Roll, Part 2
lyricist and composer:
Gary Glitter and Mike Leander
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) and Songs of Universal, Inc. (BMI)
is based on:
Rock and Roll, Part 1
Gary Glitter4.23:02
10The Cover of “Rolling Stone”
producer:
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook2:55
11You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:20
12Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:48
13Freddie’s Dead (Theme From ”Superfly”)
producer:
Curtis Mayfield
edit of:
Freddie’s Dead by Curtis Mayfield
recording of:
Freddie’s Dead
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield53:27
14The Morning After
engineer:
Arnie Rosenberg
producer:
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music and Twentieth Century Music Corp.
part of:
The 45th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1972 winner)
Maureen McGovern52:23
15That Lady, Part 1
recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers3:50
16I’m Gonna Love You Just a Little More Baby
recording of:
I’m Gonna Love You Just a Little More Babe
lyricist and composer:
Barry White
Barry White44:10
17Love’s Theme
producer:
Barry White
orchestra:
Love Unlimited Orchestra
conductor:
Barry White
arranger:
Gene Page and Barry White
edit of:
Love’s Theme (instrumental version) by Love Unlimited Orchestra
recording of:
Love’s Theme (instrumental version) (in 1973)
composer:
Barry White
publisher:
January Music Corp. and Sa‐Vette Music Inc.
Love Unlimited Orchestra3:35
18Jungle Boogie
producer:
Kool & the Gang
arranger:
Kool & the Gang
recording of:
Jungle Boogie
writer:
Robert “Kool” Bell, Ronald Bell, Don Boyce, George Brown (US percussionist of Kool & the Gang), Robert Spike Mickens, Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) and Ricky West (Kool & The Gang member)
publisher:
Delightful Music Publishing Ltd.
Kool & the Gang3.753:07
19Tell Her She’s Lovely
recording of:
Tell Her She’s Lovely
writer:
David Batteau
El Chicano3:15
20Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:26
21Tie a Yellow Ribbon Round the Old Oak Tree
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. and peermusic (publisher)
Tony Orlando & Dawn53:26
22Smokin’ in the Boy’s Room
engineer:
Michael Delugg
producer:
Doug Morris (record executive) and Eric Stevens (producer active in the 1970s)
phonographic copyright (℗) by:
Big Tree Records (1970s/80s US) (in 1973) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Smokin’ in the Boys Room
writer:
Cub Koda and Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.
Brownsville Station52:59
23Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
edit of:
Frankenstein by The Edgar Winter Group
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group3:28
24Dueling Banjos
edit of:
Dueling Banjos by Eric Weissberg and Steve Mandell (US bluegrass guitarist "Duelling Banjos")
recording of:
Dueling Banjos (Deliverance arrangement)
composer:
Arthur Smith (“Guitar Boogie” Smith US country artist)
arranger:
Steve Mandell (US bluegrass guitarist "Duelling Banjos") and Eric Weissberg
previously attributed to:
Eric Weissberg
arrangement of:
Feuding Banjos
recording of:
Feuding Banjos
composer:
Arthur Smith (“Guitar Boogie” Smith US country artist)
Eric Weissberg2:18
4▼CD
#TitleArtistRatingLength
1Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
2Midnight Train to Georgia
edit of:
Midnight Train to Georgia by Gladys Knight & the Pips
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.53:58
3The Night the Lights Went Out in Georgia
recording of:
The Night the Lights Went Out in Georgia
lyricist and composer:
Bobby Russell
Vicki Lawrence3:35
4Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:28
5Brother Louie
performer:
Ian Lloyd (of Stories)
phonographic copyright (℗) by:
Kama Sutra (in 1973) and Kama Sutra Records (in 1973)
cover recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Stories4.353:56
6Hello It’s Me
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren3:31
7Seasons in the Sun
recording of:
Seasons in the Sun
lyricist and translator:
Rod McKuen
composer:
Jacques Brel
publisher:
E.B. Marks Music Corp. and Francis, Day & Hunter Ltd. (in 1973)
translated version of:
Le Moribond
cover recording of:
Seasons in the Sun
lyricist and translator:
Rod McKuen
composer:
Jacques Brel
publisher:
E.B. Marks Music Corp. and Francis, Day & Hunter Ltd. (in 1973)
translated version of:
Le Moribond
Terry Jacks3:44
8The Air That I Breathe
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies53:47
9Cat’s in the Cradle
producer:
Paul Leka
arranger:
Paul Leka
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
recorded at:
Connecticut Recording Studios in Connecticut, United States
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:39
10The Night Chicago Died
co-producer:
Peter Callander (from 1974 to present) and Mitch Murray (from 1974 to present)
bass:
Cliff Fish (bassist for Paper Lace) (in 1974)
drums (drum set) and lead vocals:
Phil Wright (Lead singer and drummer of Paper Lace) (from 1974 to present)
guitar:
Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
background vocals:
Cliff Fish (bassist for Paper Lace) (in 1974), Chris Morris (Member of Paper Lace) (in 1974) and Mick Vaughan (in 1974)
recorded at:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom (in 1974)
recording of:
The Night Chicago Died
lyricist:
Peter Callander
composer:
Mitch Murray
Paper Lace3:32
11Tell Me Something Good
performer:
Chaka Khan
recording of:
Tell Me Something Good
lyricist and composer:
Stevie Wonder
publisher:
EMI Music Publishing (do not use as a release label!)
Rufus3:33
12Billy, Don’t Be a Hero
recording of:
Billy, Don’t Be a Hero
writer:
Peter Callander and Mitch Murray
publisher:
Universal–Songs of PolyGram International, Inc.
sub-publisher:
Imudico AB
Bo Donaldson and the Heywoods3:40
13Lady
recording engineer:
Timothy Powell (Metro Mobile Recording, Glenview, IL, USA)
producer:
Dennis DeYoung
mixer:
Dennis DeYoung and Gary Loizzo
acoustic guitar, electric guitar and mandolin:
Tommy Shaw (of Styx)
bass:
Chuck Panozzo
guitar:
James Young (member of Styx)
keyboard:
Dennis DeYoung and James Young (member of Styx)
membranophone and percussion:
Todd Sucherman
lead vocals:
Dennis DeYoung
recorded at:
Rosemont Horizon in Rosemont, Illinois, United States (on 1996-09-21)
live recording of:
Lady (Styx song) (on 1996-09-21)
lyricist and composer:
Dennis DeYoung
publisher:
Wooden Nickel Music, Inc. (work publisher) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx3:32
14The Payback, Part 1
partial recording of:
The Payback
lyricist and composer:
James Brown (The Godfather of Soul), John Starks and Fred Wesley
James Brown4:07
15You’re No Good
recording engineer:
Val Garay (from 1974-06 until 1974-09) and David Hassinger (from 1974-06 until 1974-09)
engineer:
Val Garay
producer:
Peter Asher, Jay Faires and Tricia Holloway
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1974-06 until 1974-09)
drums (drum set), electric piano and percussion:
Andrew Gold (from 1974-06 until 1974-09)
electric guitar:
Ed Black (from 1974-06 until 1974-09)
solo electric guitar:
Andrew Gold (from 1974-04 until 1974-09)
background vocals:
Clydie King (from 1974-06 until 1974-09) and Shirley Matthews (Canadian pop singer) (from 1974-06 until 1974-09)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1974-06 until 1974-09)
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:39
16The Entertainer
recording of:
The Entertainer (catch-all for arrangements)
composer:
Scott Joplin (composer and pianist)
arrangement of:
The Entertainer
Marvin Hamlisch3:05
17Rock the Boat
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:09
18Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:16
19Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:45
20The Streak
producer:
Ray Stevens (US singer‐songwriter & comedian)
recording of:
The Streak
lyricist and composer:
Ray Stevens (US singer‐songwriter & comedian)
Ray Stevens53:17
21Do It (’til You’re Satisfied)
recording of:
Do It (’Til You’re Satisfied)
writer:
Billy Nichols (US soul/disco singer/songwriter)
publisher:
Bravo and Encore Music and Music in Three
B.T. Express3:13
22Radar Love
producer:
Golden Earring
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) and Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring4.255:04
5▶CD
6▶CD
7▶CD

Credits

Release

manufactured in:United States
printed in:United States
art direction:Hugh Brown (US art director and photographer)
Wendy Sherman
photography:Hugh Brown (US art director and photographer)
Michael Ochs Archives
Andy Strauss (photographer)
liner notes:David McLees
Paul Grein
Lisa Sutton (art director/graphic designer)
associate producer:Patrick Milligan
Paul Grein
Gary Stewart (Rhino Records)
Lisa Sutton (art director/graphic designer)
producer:Gordon Skeene
Bill Inglot (archival music producer/remastering engineer)
David McLees
remastering:Dan Hersh (mastering engineer)
Andrew Garver
Bill Inglot (archival music producer/remastering engineer)
Ken Perry
Stewart Whitmore
manufactured by:PolyMedia (a division of PolyGram Group Distribution, Inc.)
copyrighted (©) by:Rhino Entertainment Company (not for release label use!) (in 1998)
phonographic copyright (℗) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1998)
Rhino Entertainment Company (not for release label use!) (in 1998)
Discogs:https://www.discogs.com/release/3762545 [info]
ASIN:US: B000006OIT [info]
Allmusic:https://www.allmusic.com/album/release/mr0001333209 [info]

Release group

Wikidata:Q5683481 [info]