With a Song in My Heart

~ Release by Wesla Whitfield (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1With a Song in My Heart
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
With a Song in My Heart (in 1999-05)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
4:59
2Spring Is Here
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Spring Is Here (in 1999-05)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:30
3Blue Moon
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Blue Moon (in 1999-05)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:02
4It's Easy to Remember
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
It’s Easy to Remember (and So Hard to Forget) (in 1999-05)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:05
5This Can't Be Love
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
This Can’t Be Love (in 1999-05)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
2:53
6Little Girl Blue
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Little Girl Blue (in 1999-05)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
5:50
7Manhattan
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Manhattan (in 1999-05)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:06
8Medley: My Romance / Johnny One Note
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
medley including a recording of:
Johnny One Note (in 1999-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
medley including a recording of:
My Romance (in 1999-05)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
3:59
9You Are Too Beautiful
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
You Are Too Beautiful (in 1999-05)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
4:26
10Thou Swell
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Thou Swell (in 1999-05)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
2:59
11He Was Too Good to Me
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
He Was Too Good to Me (in 1999-05)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
3:28
12The Lady Is a Tramp
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
The Lady Is a Tramp (from “Babes in Arms”) (in 1999-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
3:18
13Ten Cents a Dance
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Ten Cents a Dance (in 1999-05)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
part of:
Simple Simon
4:21
14Glad to Be Unhappy
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
Glad to Be Unhappy (in 1999-05)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
3:07
15You Took Advantage of Me
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
You Took Advantage of Me (in 1999-05)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:59
16A Ship Without a Sail
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
A Ship Without a Sail (in 1999-05)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
3:17
17I Didn't Know What Time It Was
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1999-05)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:42
18You're Nearer
assistant engineer:
Steve Fontano
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:
Michael Greensill (from 1999-05-18 until 1999-05-20)
vocals:
Wesla Whitfield (from 1999-05-18 until 1999-05-20)
remixer:
Phil Edwards (recording engineer)
arranger:
Michael Greensill
recorded at:
Fantasy Studio A (Berkeley) in Berkeley, California, United States (from 1999-05-18 until 1999-05-20)
recording of:
You’re Nearer (in 1999-05)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
3:36

Credits

Release

photography:Jimmy Bruch
liner notes:Orrin Keepnews
Wesla Whitfield
bass:Michael Moore (Bass player) (from 1999-05-18 until 1999-05-20)
piano:Mike Greensill (from 1999-05-18 until 1999-05-20)
arranger:Mike Greensill
ASIN:US: B00001T39L [info]