Cold Feet

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Everything Must Go
recording of:
Everything Must Go
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
Manic Street Preachers3:36
2Have a Nice Day
producer:
Marshall Bird and Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:23
3Glorious
recording of:
Glorious
lyricist and composer:
Andreas Johnson
publisher:
EMI Blackwood Music Inc. and EMI Music Publishing Scandinavia AB
Andreas Johnson43:27
4Dead From the Waist Down
engineer:
Joe Gibb
producer:
Catatonia (Welsh alternative rock band, ~1992–2001) and Tommy Danvers
mixer:
Tommy Danvers and Roland Herrington
recorded at:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, United Kingdom
mixed at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Dead From the Waist Down
lyricist:
Mark Roberts (Welsh guitarist, Catatonia)
composer:
Paul Jones (Welsh bassist for Catatonia), Cerys Matthews (lead singer, Catatonia), Owen Powell, Aled Richards (drummer, Catatonia) and Mark Roberts (Welsh guitarist, Catatonia)
Catatonia34:14
5She's in Fashion
music videos:
She’s in Fashion by Suede (English rock band)
recording of:
She’s in Fashion
writer:
Brett Anderson (Suede) and Neil Codling
Suede3.54:51
6There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
7I'm Free
producer:
Sean Dickson and George Shilling
mixer:
Mark McGuire (UK producer/engineer)
bass guitar:
Sushil K. Dade (in 1989)
brass:
James Gallagher (brass, I'm Free) and Kevin McCarthy (brass, I'm Free)
drums (drum set) and percussion:
Paul Quinn (Former drummer with Teenage Fanclub and The Soup Dragons) (in 1989)
guitar:
Sean Dickson (in 1989) and Jim McCulloch (Scottish guitarist/vocalist for BMX Bandits, The Soup Dragons) (in 1989)
background vocals:
Jim McCulloch (Scottish guitarist/vocalist for BMX Bandits, The Soup Dragons) (in 1989)
guest vocals:
Junior Reid (in 1989)
vocals:
Sean Dickson (in 1989)
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom (in 1989)
cover recording of:
I’m Free (in 1989)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Soup Dragons4.653:55
8Destiny
music video for:
Destiny (music video) by Zero 7
recording of:
Destiny
writer:
Henry Binns, Sam Hardaker, Sia Furler (Sia, Australian singer‐songwriter) and Sophie Barker (UK electronic vocalist)
Zero 73.43:44
9Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:16
10Horny
Mousse T. vs. Hot ’n’ Juicy3:01
11Don't Stop Movin'
additional programming:
Stephen Lipson, Chuck Norman and Richard Robson
programming and producer:
Simon Ellis (producer)
engineer:
James Reynolds (mixer/writer/music producer)
additional producer:
Stephen Lipson
mixer:
Heff Moraes
bass:
Ernie McKone
instruments:
Dave Rainger
keyboard:
Simon Ellis (producer)
additional lead vocals and additional soprano vocals:
Jo O’Meara
lead vocals:
Bradley McIntosh
conductor:
Nick Ingman
performer:
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographic copyright (℗) by:
S Club Ltd. (in 2001)
samples:
Billie Jean (album / single version) by Michael Jackson (“King of Pop”)
music videos:
Don’t Stop Movin’ by S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
writer:
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:50
12Pure & Simple
phonographic copyright (℗) by:
Polydor Ltd. (not for release label use; fka Polydor Records Ltd.) (in 2001)
music videos:
Pure & Simple by Hearsay
recording of:
Pure & Simple
writer:
Alison Clarkson (British dance music singer-songwriter), Tim Hawes (songwriter) and Pete Kirtley (songwriter, producer)
publisher:
Strongsongs and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
Hear’Say33:45
13The Way You Make Me Feel
recording of:
The Way You Make Me Feel
writer:
Bryan Adams (Canadian singer/songwriter) and Phil Thornalley
publisher:
Badams Music Limited and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ronan Keating3:35
14I'm Like a Bird
programming:
Track & Field
producer:
Nelly Furtado and Track & Field
mixer:
Brad Haehnel
bass:
Mike Elizondo
drums (drum set):
Russ Miller (US session drummer)
guitar synthesizer:
Field (Canadian producer, songwriter & musician)
shakers:
Brad Haehnel
vibraphone:
Allan Molnar
background vocals and lead vocals:
Nelly Furtado
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
music videos:
I’m Like a Bird by Nelly Furtado
recording of:
I’m Like a Bird
lyricist and composer:
Nelly Furtado
publisher:
Nelstar Publishing
Nelly Furtado4.43:57
15What Can I Do
recording engineer:
Leo Pearson (Irish music producer)
producer:
Jim Corr
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bodhrán:
Caroline Corr
guitar:
Anto Drennan and Jim Corr
keyboard:
Jim Corr
tin whistle and lead vocals:
Andrea Corr
violin:
Sharon Corr
recorded at:
Peak Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
What Can I Do (from 1996 until 1997)
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
The Corrs4:14
16Sing it Back
engineer and mixer:
Mark Brydon
additional producer:
Boris D’Lugosch and Michael Lange
producer:
Moloko (English‐Irish electronic music duo)
additional keyboard:
Günther Gerl
bass and guitar:
M. Bartel
lead vocals:
Róisín Murphy
remixer:
Boris D’Lugosch and Michael Lange
phonographic copyright (℗) by:
The Echo Label Ltd. (in 1999)
produced for and remixed for:
Elusive Productions
remix of:
Sing It Back (album version) by Moloko (English‐Irish electronic music duo)
edit of:
Sing It Back (Boris Musical mix) by Moloko (English‐Irish electronic music duo)
recording of:
Sing It Back
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Chrysalis Music Publishing
Moloko3.454:37
17Precious Heart
Tall Paul vs. INXS2:56
18Do You Really Like it?
phonographic copyright (℗) by:
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 2001), Relentless Records Ltd. (in 2001) and Smoove (in 2001)
recording of:
Do You Really Like It?
writer:
Andrew "Doc" Livingstone, Paul Newman (real name of UK techno DJ/producer Tall Paul), Eugene Nwohia and Ronnie Nwohia
DJ Pied Piper & The Masters of Ceremonies3.53:20
19High
phonographic copyright (℗) by:
The Wild Card Label Ltd (in 1997)
music videos:
High by Lighthouse Family
recording of:
High
lyricist:
Paul Tucker
composer:
Tunde Baiyewu and Paul Tucker
publisher:
Polygram Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3.355:11
20Your Love Gets Sweeter
co-producer:
Kevin Bacon (Sheffield UK DJ/producer), Jonathan Quarmby (English record producer) and Finley Quaye
arranger:
Finley Quaye
recording of:
Your Love Gets Sweeter
composer:
[traditional] (special purpose artist)
arranger:
Finley Quaye
Finley Quaye3.53:12
2▼CD
#TitleArtistRatingLength
1Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
2Get It On
recording of:
Get It On (Bang a Gong)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4:21
3The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.354:23
4Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:55
5Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:27
6Money for Nothing
producer:
Neil Dorfsman and Mark Knopfler
additional guest vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Money for Nothing (Dire Straits song)
lyricist and composer:
Mark Knopfler
additional composer:
Sting (singer, songwriter & member of The Police)
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. and Virgin Music (Publishers) Ltd.
quotes music from:
Don’t Stand So Close to Me
Dire Straits3.854:03
7Out of the Sinking
producer:
Brendan Lynch (London producer) and Paul Weller (English singer‐songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles (in 1994-08)
drums (drum set):
Steve White (Style Council drummer) (in 1994-08)
guitar, Wurlitzer electric piano and lead vocals:
Paul Weller (English singer‐songwriter and musician) (in 1994-08)
mellotron [novatron] and organ:
Helen Turner (in 1994-08)
vocals:
Carleen Anderson (in 1994-08)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1994-08)
recording of:
Out of the Sinking (in 1994-08)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
Paul Weller3.753:50
8May You Never
engineer:
John Wood (UK producer)
producer:
John Wood (UK producer) and John Martyn (British singer‐songwriter and guitarist) (from 1972-11 until 1972-12)
acoustic guitar and electric guitar:
John Martyn (British singer‐songwriter and guitarist) (from 1972-11 until 1972-12)
bass:
Dave Pegg (from 1972-11 until 1972-12)
clavinet, organ and piano:
John “Rabbit” Bundrick (from 1972-11 until 1972-12)
congas:
Neemoi Acquaye (from 1972-11 until 1972-12)
double bass:
Danny Thompson (English double bass player) (from 1972-11 until 1972-12)
drums (drum set):
Dave Mattacks (from 1972-11 until 1972-12)
vocals:
John Martyn (British singer‐songwriter and guitarist) (from 1972-11 until 1972-12)
recording of:
May You Never
lyricist and composer:
Iain David McGeachy (British singer‐songwriter and guitarist)
publisher:
Intersong Music Ltd. and Intersong U.S.A. (publisher)
John Martyn4.253:40
9Nothing's Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship44:26
10Pop Muzik
mixer:
Nik Launay
remixer:
Nick Launay
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited and Union Square Music Publishing Ltd.
M44:55
11Help Yourself
recording of:
Help Yourself
lyricist:
Mogul (Italian lyricist)
writer:
Jack Fishman
composer:
Carlo Donida
is based on:
Gli Occhi Miei
Tom Jones2:51
12Can't Get Enough of Your Love
phonographic copyright (℗) by:
PolyGram Records (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:02
13The Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
14Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.753:57
15Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:52
16A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.254:10
17Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Mamas & the Papas4.653:40