The Best of Fats Waller

~ Release by Fats Waller (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Honeysuckle Rose
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
double bass [bass]:
Bill Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Honeysuckle Rose (on 1934-11-07)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:42
2How Can You Face Me
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
How Can You Face Me? (on 1934-09-28)
lyricist:
Andy Razaf
composer:
Fats Waller
2:49
3The Panic Is On
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:17
4Sugar Rose
recorded in:
New York, New York, United States (on 1936-02-01)
celesta and piano:
Fats Waller (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:11
5I’m Crazy ’bout My Baby
recorded in:
New York, New York, United States (on 1936-08-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-08-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-08-01)
drums (drum set):
Slick Jones (on 1936-08-01)
guitar:
Albert Casey (US jazz/soul guitarist) (on 1936-08-01)
piano:
"Fats" Waller (Fats Waller) (on 1936-08-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-08-01)
lead vocals [ritornello vocale]:
"Fats" Waller (Fats Waller)
vocals:
Fats Waller (on 1936-08-01)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (on 1936-08-01)
lyricist:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
composer:
Fats Waller
2:18
6Lost Love
recorded in:
New York, New York, United States (on 1937-06-11)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-06-11)
drums (drum set):
Slick Jones (on 1937-06-11)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-06-11)
piano:
Fats Waller (on 1937-06-11)
reeds:
Gene Sedric (on 1937-06-11)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-06-11)
vocals:
Fats Waller (on 1937-06-11)
3:07
7Our Love Was Meant to Be
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set) and vibraphone:
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
recording of:
Our Love Was Meant to Be (on 1937-09-07)
writer:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Joe Davis (US lyricist, producer, publisher & promoter) and Fats Waller
3:32
8The Joint Is Jumpin’
recorded in:
New York, New York, United States (on 1937-10-07)
clarinet, reeds and saxophone:
Gene Sedric (on 1937-10-07)
double bass and double bass [bass]:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
recording of:
The Joint Is Jumpin’ (on 1937-10-07)
lyricist:
J.C. Johnson and Andy Razaf
writer:
James C. Johnson (James Calvin Johnson // American guitarist, singer and songwriter)
composer:
Fats Waller
2:49
9A Hopeless Love Affair
recorded in:
New York, New York, United States (on 1937-10-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-10-07)
drums (drum set):
Slick Jones (on 1937-10-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-10-07)
piano:
Fats Waller (on 1937-10-07)
reeds:
Gene Sedric (on 1937-10-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1937-10-07)
vocals:
Fats Waller (on 1937-10-07)
recording of:
A Hopeless Love Affair (on 1937-10-07)
writer:
Andy Razaf and Fats Waller
3:15
10Hold My Hand
alto saxophone:
William Allsop (on 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1938-04-12) and Fred Skerritt (on 1938-04-12)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-04-12)
drums (drum set):
Slick Jones (on 1938-04-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-04-12)
piano:
Fats Waller (on 1938-04-12)
tenor saxophone:
Gene Sedric (on 1938-04-12) and Lonnie Simmons (US jazz instrumentalist and bandleader) (on 1938-04-12)
trombone:
John Haughton (trombone) (on 1938-04-12) and George Robinson (on 1938-04-12)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-04-12), John Hamilton (jazz trumpet player) (on 1938-04-12) and Nathaniel Williams (jazz trumpeter) (on 1938-04-12)
vocals:
Fats Waller (on 1938-04-12)
recording of:
Hold My Hand (on 1938-04-12)
writer:
J.C. Johnson and Fats Waller
2:58
11Patty Cake, Patty Cake
double bass:
Cedric Wallace (jazz double bass player) (on 1938-12-07)
drums (drum set):
Slick Jones (on 1938-12-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-12-07)
piano:
Fats Waller (on 1938-12-07)
reeds:
Gene Sedric (on 1938-12-07)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-12-07)
vocals:
Fats Waller (on 1938-12-07)
recording of:
Pat-a-Cake, Pat-a-Cake, Baker’s Man (on 1938-12-07)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6486)
3:17
12Honey Hush
double bass:
Cedric Wallace (jazz double bass player) (on 1939-06-28)
drums (drum set):
Larry Hinton (Jazz drum player) (on 1939-06-28)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-06-28)
piano:
Fats Waller (on 1939-06-28)
tenor saxophone:
Chauncey Graham (Sax player) (on 1939-06-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-06-28)
vocals:
Fats Waller (on 1939-06-28)
orchestra:
Fats Waller and His Rhythm
recording of:
Honey Hush (“Oh how I love you honey hush…”)
writer:
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) and Fats Waller
3:20
13Anita
double bass:
Cedric Wallace (jazz double bass player) (on 1939-06-28)
drums (drum set):
Larry Hinton (Jazz drum player) (on 1939-06-28)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-06-28)
piano:
Fats Waller (on 1939-06-28)
tenor saxophone:
Chauncey Graham (Sax player) (on 1939-06-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-06-28)
vocals:
Fats Waller (on 1939-06-28)
recording of:
Anita (on 1939-06-28)
lyricist and composer:
Fats Waller
3:15
14Squeeze Me
double bass:
Cedric Wallace (jazz double bass player) (on 1939-08-10)
drums (drum set):
Slick Jones (on 1939-08-10)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-08-10)
piano:
Fats Waller (on 1939-08-10)
reeds:
Gene Sedric (on 1939-08-10)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-08-10)
vocals:
Fats Waller (on 1939-08-10)
recording of:
Squeeze Me (on 1939-08-10)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
3:09
15Old Grand Dad
double bass:
Cedric Wallace (jazz double bass player) (on 1940-04-11)
drums (drum set):
Slick Jones (on 1940-04-11)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1940-04-11)
piano:
Fats Waller (on 1940-04-11)
reeds:
Eugene Sedric (on 1940-04-11)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-04-11)
vocals:
Fats Waller (on 1940-04-11)
recording of:
Old Grand Dad (on 1940-04-11)
lyricist and composer:
Fats Waller
2:47
16All That Meat and No Potatoes
double bass:
Cedric Wallace (jazz double bass player) (on 1941-03-20)
drums (drum set):
Slick Jones (on 1941-03-20)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-03-20)
piano:
Fats Waller (on 1941-03-20)
reeds:
Eugene Sedric (on 1941-03-20)
trumpet:
Al Casey (US jazz/soul guitarist) (on 1941-03-20) and John Hamilton (jazz trumpet player) (on 1941-03-20)
vocals:
Fats Waller (on 1941-03-20)
recorded at:
RCA Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1941-03-20)
recording of:
All That Meat and No Potatoes (on 1941-03-20)
lyricist and composer:
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) and Fats Waller
2:48
17Ain’t Nothing to It
alto saxophone:
Dave McRae (US clarinetist & saxophonist) (on 1941-07-01) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-07-01)
double bass:
Cedric Wallace (jazz double bass player) (on 1941-07-01)
drums (drum set):
Slick Jones (on 1941-07-01)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-07-01)
piano:
Fats Waller (on 1941-07-01)
tenor saxophone:
Bob Carroll (jazz sax) (on 1941-07-01) and Gene Sedric (on 1941-07-01)
trombone:
Raymond Hogan (on 1941-07-01) and George Wilson (jazz trombonist) (on 1941-07-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1941-07-01) and John Hamilton (jazz trumpet player) (on 1941-07-01)
vocals:
Fats Waller (on 1941-07-01)
3:13
18Bessie, Bessie, Bessie
double bass:
Cedric Wallace (jazz double bass player) (on 1941-10-01)
drums (drum set):
Slick Jones (on 1941-10-01)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-10-01)
piano:
Fats Waller (on 1941-10-01)
reeds:
Gene Sedric (on 1941-10-01)
trumpet:
John Hamilton (jazz trumpet player) (on 1941-10-01)
vocals:
Fats Waller (on 1941-10-01)
recording of:
Bessie, Bessie, Bessie (on 1941-10-01)
writer:
Fats Waller
3:02
19Cash for Your Trash
double bass:
Cedric Wallace (jazz double bass player) (on 1941-12-26)
drums (drum set):
Arthur Trappier (on 1941-12-26)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-12-26)
piano:
Fats Waller (on 1941-12-26)
reeds:
Eugene Sedric (on 1941-12-26)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1941-12-26)
vocals:
Fats Waller (on 1941-12-26)
recording of:
Cash for Your Trash (on 1941-12-26)
writer:
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) and Fats Waller
3:24
20You Must Be Losing Your Mind
alto saxophone:
Jackie Fields (on 1942-03-16) and George James (US jazz saxophonist) (on 1942-03-16)
double bass:
Cedric Wallace (jazz double bass player) (on 1942-03-16)
drums (drum set):
Slick Jones (on 1942-03-16) and Arthur Trappier (on 1942-03-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1942-03-16)
piano:
Fats Waller (on 1942-03-16)
reeds:
Gene Sedric (on 1942-03-16)
tenor saxophone:
Bob Carroll (jazz sax) (on 1942-03-16)
trombone:
Herb Flemming (trombonist) (on 1942-03-16) and George Wilson (jazz trombonist) (on 1942-03-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1942-03-16), John Hamilton (jazz trumpet player) (on 1942-03-16), Joe Thomas (jazz trumpeter) (on 1942-03-16) and Nathaniel Williams (jazz trumpeter) (on 1942-03-16)
vocals:
Fats Waller (on 1942-03-16)
2:33
21Up Jumped You With Love
clarinet and tenor saxophone:
Gene Sedric (on 1942-07-13)
double bass:
Cedric Wallace (jazz double bass player) (on 1942-07-13)
drums (drum set):
Arthur Trappier (on 1942-07-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1942-07-13)
piano:
Fats Waller (on 1942-07-13)
trumpet:
John Hamilton (jazz trumpet player) (on 1942-07-13)
vocals:
Fats Waller (on 1942-07-13)
3:20
22Ain’t Misbehavin’
double bass:
Slam Stewart (on 1943-01-23)
drums (drum set):
Zutty Singleton (on 1943-01-23)
guitar:
Irving Ashby (on 1943-01-23)
piano:
Fats Waller (in 1943, on 1943-01-23)
reeds:
Gene Porter (40s west coast jazz cat) (on 1943-01-23)
trombone:
Alton Moore (on 1943-01-23) and Slim Moore (trombonist linked to Fats Waller) (on 1943-01-23)
trumpet:
Benny Carter (on 1943-01-23)
vocals:
Fats Waller (on 1943-01-23)
edit of:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) by “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (on 1943-01-23)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:58
2▼CD
#TitleRatingLength
1St. Louis Blues
pipe organ:
Fats Waller (on 1926-11-17)
instrumental recording of:
St. Louis Blues (on 1926-11-17)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:53
2’Sippi
cornet:
Jabbo Smith (on 1928-03-27)
piano:
James P. Johnson (on 1928-03-27)
pipe organ:
Fats Waller (on 1928-03-27)
reeds:
Garvin Bushell (on 1928-03-27)
3:05
3Thou Swell
cornet:
Jabbo Smith (on 1928-03-27)
piano:
James P. Johnson (on 1928-03-27)
pipe organ:
Fats Waller (on 1928-03-27)
reeds:
Garvin Bushell (on 1928-03-27)
instrumental recording of:
Thou Swell (on 1928-03-27)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
3:01
4Numb Fumblin’
piano:
Fats Waller (on 1929-03-01)
2:53
5Ain’t Misbehavin’
recorded in:
Camden, New Jersey, United States (on 1929-08-02)
piano:
Fats Waller (on 1929-08-02)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States
instrumental recording of:
Ain’t Misbehavin’ (on 1929-08-02)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:02
6Love Me or Leave Me
piano:
Fats Waller (on 1929-08-02)
recording of:
Love Me or Leave Me (on 1929-08-02)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:41
7Smashin’ Thirds
recorded in:
New York, New York, United States (on 1929-09-24)
piano:
Fats Waller (on 1929-09-24)
3:07
8My Fate Is in Your Hands
piano:
Fats Waller (on 1929-12-04)
instrumental recording of:
My Fate Is in Your Hands (on 1929-12-04)
lyricist:
Andy Razaf
composer:
Fats Waller
2:43
9African Ripples
piano:
Fats Waller (on 1934-11-16)
recording of:
African Ripples (on 1934-11-16)
composer:
Fats Waller
3:10
10Viper’s Drag
recorded in:
New York, New York, United States (on 1934-11-16)
solo piano:
Fats Waller (on 1934-11-16)
recording of:
Viper's Drag (on 1934-11-16)
composer:
Fats Waller
2:59
11Keepin’ Out of Mischief Now
recorded in:
New York, New York, United States (on 1937-06-11)
solo piano:
Fats Waller (on 1937-06-11)
recording of:
Keepin’ Out of Mischief Now (on 1937-06-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
3:14
12Stardust
piano:
Fats Waller (on 1937-06-11)
recording of:
Stardust (the jazz standard) (on 1937-06-11)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:15
13Carolina Shout
solo piano:
Fats Waller (on 1941-05-13)
recording of:
Carolina Shout (on 1941-05-13)
composer:
James P. Johnson
2:38
14Serenade for a Wealthy Widow
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set) and vibraphone:
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano and spoken vocals:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (on 1934-09-28)
composer:
Reginald Foresythe
2:39
15Rosetta
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
celesta and piano:
Fats Waller (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
instrumental recording of:
Rosetta (on 1935-03-06)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
2:49
16Functionizin’
recorded in:
New York, New York, United States (on 1935-12-04)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-12-04)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-12-04)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-12-04)
piano:
Hank Duncan (on 1935-12-04) and Fats Waller (on 1935-12-04)
reeds:
George James (US jazz saxophonist) (on 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04), Rudy Powell (on 1935-12-04), Gene Sedric (on 1935-12-04) and Fred Skerritt (on 1935-12-04)
soprano saxophone:
Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04)
tenor saxophone:
Bob Carroll (jazz sax) (on 1935-12-04) and Gene Sedric (on 1935-12-04)
trombone:
Benny Morton (on 1935-12-04) and Fred Robinson (American trombonist) (on 1935-12-04)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-12-04) and Eddie Anderson (early jazz trumpeter) (on 1935-12-04)
3:08
17Loungin’ at the Waldorf
recorded in:
New York, New York, United States (on 1936-06-08)
clarinet and reeds:
Gene Sedric (on 1936-06-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-08)
drums (drum set):
Allen Porter (jazz drummer) (on 1936-06-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-08)
piano:
Fats Waller (on 1936-06-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-08)
recording of:
Lounging at the Waldorf (on 1936-06-08)
composer:
Fats Waller
2:58
18Blue Turnin’ Grey Over You
4:25
19In the Gloamin’
recorded in:
New York, New York, United States (on 1938-04-12)
alto saxophone:
William Allsop (on 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1938-04-12) and Fred Skerritt (on 1938-04-12)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-04-12)
drums (drum set):
Slick Jones (on 1938-04-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-04-12)
piano:
Fats Waller (on 1938-04-12)
tenor saxophone:
Gene Sedric (on 1938-04-12) and Lonnie Simmons (US jazz instrumentalist and bandleader) (on 1938-04-12)
trombone:
John Haughton (trombone) (on 1938-04-12) and George Robinson (on 1938-04-12)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-04-12), John Hamilton (jazz trumpet player) (on 1938-04-12) and Nathaniel Williams (jazz trumpeter) (on 1938-04-12)
instrumental recording of:
In the Gloaming (on 1938-04-12)
lyricist:
Meta Orred
composer:
Annie Fortescue Harrison (in 1877)
part of:
Roud Folk Song Index (number: 18343)
3:24
20Mamacita
double bass:
Cedric Wallace (jazz double bass player) (on 1941-01-02)
drums (drum set):
Slick Jones (on 1941-01-02)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-01-02)
Hammond organ:
Fats Waller (on 1941-01-02)
reeds:
Gene Sedric (on 1941-01-02)
trumpet:
John Hamilton (jazz trumpet player) (on 1941-01-02)
vocals:
Fats Waller (on 1941-01-02)
42:43
21The Jitterbug Waltz
recorded in:
New York, New York, United States (on 1942-03-16)
alto saxophone:
Jackie Fields (on 1942-03-16), Lawrence Fields (saxophone) (on 1942-03-16) and George James (US jazz saxophonist) (on 1942-03-16)
double bass:
Cedric Wallace (jazz double bass player) (on 1942-03-16)
drums (drum set):
Slick Jones (on 1942-03-16) and Arthur Trappier (on 1942-03-16)
guitar:
Al Casey (US jazz/soul guitarist) (on 1942-03-16)
Hammond organ and piano:
Fats Waller (on 1942-03-16)
reeds:
Gene Sedric (on 1942-03-16)
tenor saxophone:
Bob Carroll (jazz sax) (on 1942-03-16)
trombone:
Herb Fleming (trombonist) (on 1942-03-16) and George Wilson (jazz trombonist) (on 1942-03-16)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1942-03-16), John Hamilton (jazz trumpet player) (on 1942-03-16), Joe Thomas (jazz trumpeter) (on 1942-03-16) and Nathaniel Williams (jazz trumpeter) (on 1942-03-16)
recording of:
Jitterbug Waltz (on 1942-03-16)
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
3:23
22Honeysuckle Rose
drums (drum set):
George Wettling (on 1937-03-31)
guitar:
Dick McDonough (on 1937-03-31)
piano:
Fats Waller (on 1937-03-31)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1937-03-31)
trumpet:
Bunny Berigan (on 1937-03-31)
instrumental recording of:
Honeysuckle Rose (on 1937-03-31)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
recording of:
Honeysuckle Rose (on 1937-03-31)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
3:08
3▼CD
#TitleRatingLength
1(I’ll Be Glad When You’re Dead) You Rascal You
bass saxophone:
Adrian Rollini (on 1931-10-14)
clarinet:
Pee Wee Russell (on 1931-10-14)
double bass:
Artie Bernstein (on 1931-10-14)
drums (drum set):
Stan King (Big band-era drummer) (on 1931-10-14)
guitar:
Nappy Lamare (on 1931-10-14)
piano:
Fats Waller (on 1931-10-14)
tenor saxophone:
Joe Catalyne (on 1931-10-14) and Max Farley (on 1931-10-14)
trombone:
Jack Teagarden (on 1931-10-14)
trumpet:
Sterling Bose (on 1931-10-14) and Charlie Teagarden (on 1931-10-14)
vocals:
Jack Teagarden (on 1931-10-14) and Fats Waller (on 1931-10-14)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1931-10-14)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1931-10-14)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:14
2You’re Not the Only Oyster in the Stew
recorded in:
New York, New York, United States (on 1934-09-28)
alto saxophone and clarinet:
Mezz Mezzrow (on 1934-09-28)
double bass:
Billy Taylor (jazz bassist) (on 1934-09-28)
drums (drum set):
Harry Dial (on 1934-09-28)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-09-28)
piano:
Fats Waller (on 1934-09-28)
trombone:
Floyd O'Brien (on 1934-09-28)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1934-09-28)
vocals:
Fats Waller (on 1934-09-28)
recording of:
You’re Not the Only Oyster in the Stew (on 1934-09-28)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Harold Spina (composer/conductor)
3:12
3What’s the Reason (I’m Not Pleasin’ You)
recorded in:
New York, New York, United States (on 1935-03-06)
alto saxophone and clarinet:
Rudy Powell (on 1935-03-06)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-03-06)
drums (drum set):
Harry Dial (on 1935-03-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-03-06)
piano:
Fats Waller (on 1935-03-06)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-03-06)
vocals:
Fats Waller (on 1935-03-06)
recording of:
What’s the Reason I’m Not Pleasing You (on 1935-03-06)
writer:
Jimmie Grier (US jazz clarinetist), Earl Hatch (classical composer), Coy Poe (Songwriter) and Pinky Tomlin (singer, actor, songwriter, and bandleader)
2:52
4Lulu’s Back in Town
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone and clarinet:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
cover recording of:
Lulu’s Back in Town (on 1935-05-08)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:38
5I’m Going to Sit Myself Right Down and Write Myself a Letter
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone, clarinet and reeds:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
performer:
Fats Waller and His Rhythm (on 1935-05-08)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1935-05-08)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
3:32
6Dinah
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Dinah (on 1935-06-24)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
3:08
7There’ll Be Some Changes Made
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
There’ll Be Some Changes Made (on 1935-06-24)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:09
8Somebody Stole My Gal
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
cover recording of:
Somebody Stole My Gal (on 1935-06-24)
lyricist and composer:
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:29
9Christopher Columbus
recorded in:
New York, New York, United States (on 1936-04-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-04-08)
drums (drum set):
Arnold Boling (on 1936-04-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-04-08)
piano:
Fats Waller (on 1936-04-08)
reeds:
Gene Sedric (on 1936-04-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-04-08)
vocals:
Fats Waller (on 1936-04-08)
recording of:
Christopher Columbus (on 1936-04-08)
lyricist:
Andy Razaf
composer:
Leon “Chu” Berry
2:52
10It’s a Sin to Tell a Lie
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-05)
drums (drum set):
Arnold Boling (on 1936-06-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-05)
piano:
Fats Waller (on 1936-06-05)
reeds:
Gene Sedric (on 1936-06-05)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-05)
vocals:
Fats Waller (on 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (on 1936-06-05)
lyricist and composer:
Billy Mayhew (in 1936)
2:56
11She’s Tall, She’s Tan, She’s Terrific
recorded in:
New York, New York, United States (on 1937-09-07)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1937-09-07)
drums (drum set):
Slick Jones (on 1937-09-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1937-09-07)
piano:
Fats Waller (on 1937-09-07)
reeds:
Gene Sedric (on 1937-09-07)
vocals:
Fats Waller (on 1937-09-07)
2:38
12The Sheik of Araby
recorded in:
New York, New York, United States (on 1938-04-12)
alto saxophone:
William Allsop (on 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1938-04-12) and Fred Skerritt (on 1938-04-12)
double bass:
Cedric Wallace (jazz double bass player) (on 1938-04-12)
drums (drum set):
Slick Jones (on 1938-04-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-04-12)
piano:
Fats Waller (on 1938-04-12)
tenor saxophone:
Gene Sedric (on 1938-04-12) and Lonnie Simmons (US jazz instrumentalist and bandleader) (on 1938-04-12)
trombone:
John Haughton (trombone) (on 1938-04-12) and George Robinson (on 1938-04-12)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (on 1938-04-12) and Nathaniel "Courtney" Williams (jazz trumpeter) (on 1938-04-12)
vocals:
Fats Waller (on 1938-04-12)
cover recording of:
The Sheik of Araby (on 1938-04-12)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
recording of:
The Sheik of Araby (on 1938-04-12)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
3:08
13Two Sleepy People
double bass:
Cedric Wallace (jazz double bass player) (on 1938-10-13)
drums (drum set):
Slick Jones (on 1938-10-13)
guitar:
Al Casey (US jazz/soul guitarist) (on 1938-10-13)
piano:
Fats Waller (on 1938-10-13)
reeds:
Gene Sedric (on 1938-10-13)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1938-10-13)
vocals:
Fats Waller (on 1938-10-13)
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (on 1938-10-13)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:06
14A Good Man Is Hard to Find
double bass:
Cedric Wallace (jazz double bass player) (on 1939-01-19)
drums (drum set):
Slick Jones (on 1939-01-19)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-19)
piano:
Fats Waller (on 1939-01-19)
reeds:
Gene Sedric (on 1939-01-19)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-01-19)
vocals:
Fats Waller (on 1939-01-19)
recording of:
A Good Man Is Hard to Find (on 1939-01-19)
composer:
Eddie Green (1920's Jazz composer and actor) (in 1918)
publisher:
Mayfair Music Corp.
3:06
15Hold Tight (Want Some Seafood Mama)
double bass:
Cedric Wallace (jazz double bass player) (on 1939-01-19)
drums (drum set):
Slick Jones (on 1939-01-19)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-01-19)
piano:
Fats Waller (on 1939-01-19)
reeds:
Gene Sedric (on 1939-01-19)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-01-19)
vocals:
Fats Waller (on 1939-01-19)
recording of:
Hold Tight (on 1939-01-19)
lyricist:
Leonard Ware (American jazz guitar player and composer)
writer:
Kent Brandow, Lenny Kent and Leonard Ware (American jazz guitar player and composer)
composer:
Jerry Brandow, Lenny Kent and Leonard Ware (American jazz guitar player and composer)
2:07
16’Tain’t What You Do (It’s the Way That You Do It)
double bass:
Cedric Wallace (jazz double bass player) (on 1939-03-09)
drums (drum set):
Slick Jones (on 1939-03-09)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-03-09)
piano:
Fats Waller (on 1939-03-09)
reeds:
Gene Sedric (on 1939-03-09)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1939-03-09)
vocals:
Fats Waller (on 1939-03-09)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (on 1939-03-09)
writer:
Sy Oliver and Trummy Young
2:51
17Your Feet’s Too Big
recorded in:
New York, New York, United States (on 1939-11-03)
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
recording of:
Your Feet’s Too Big (on 1939-11-03)
lyricist:
Ada Benson
composer:
Fred Fisher (in 1936)
3:06
18Darktown Strutters Ball
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Gene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Fats Waller (on 1939-11-03)
recording of:
Darktown Strutters’ Ball (on 1939-11-03)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:44
19I Can’t Give You Anything but Love
double bass:
Cedric Wallace (jazz double bass player) (on 1939-11-03)
drums (drum set):
Slick Jones (on 1939-11-03)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1939-11-03)
piano:
Fats Waller (on 1939-11-03)
reeds:
Eugene Sedric (on 1939-11-03)
trumpet:
John Hamilton (jazz trumpet player) (on 1939-11-03)
vocals:
Una Mae Carlisle (on 1939-11-03) and Fats Waller (on 1939-11-03)
recording of:
I Can’t Give You Anything but Love, Baby (on 1939-11-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:58
20You Run Your Mouth, I’ll Run My Business
double bass:
Cedric Wallace (jazz double bass player) (on 1940-04-11)
drums (drum set):
Slick Jones (on 1940-04-11)
guitar:
John Smith (US jazz guitarist, active 1930s-1960s) (on 1940-04-11)
piano:
Fats Waller (on 1940-04-11)
reeds:
Eugene Sedric (on 1940-04-11)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-04-11)
vocals:
Fats Waller (on 1940-04-11)
cover recording of:
You Run Your Mouth and I'll Run My Business (on 1940-04-11)
lyricist and composer:
Lil Hardin Armstrong
3:05
21Let’s Get Away From It All
double bass:
Cedric Wallace (jazz double bass player) (on 1941-03-20)
drums (drum set):
Slick Jones (on 1941-03-20)
guitar:
Al Casey (US jazz/soul guitarist) (on 1941-03-20)
Hammond organ:
Fats Waller (on 1941-03-20)
reeds:
Gene Sedric (on 1941-03-20)
trumpet:
John Hamilton (jazz trumpet player) (on 1941-03-20)
vocals:
Fats Waller (on 1941-03-20)
recording of:
Let’s Get Away From It All (on 1941-03-20)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
3:03
22’Tain’t Nobody’s Bizness If I Do
double bass:
Cedric Wallace (jazz double bass player) (on 1940-11-06)
drums (drum set):
Slick Jones (on 1940-11-06)
guitar:
Al Casey (US jazz/soul guitarist) (on 1940-11-06)
piano:
Fats Waller (on 1940-11-06)
reeds:
Eugene Sedric (on 1940-11-06)
trumpet:
John Hamilton (jazz trumpet player) (on 1940-11-06)
vocals:
Fats Waller (on 1940-11-06)
recorded at:
RCA Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1940-11-06)
recording of:
T’ain’t Nobody’s Bizness If I Do (on 1940-11-06)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
3:00