The Complete Recordings on Deutsche Grammophon

~ Release by Frédéric Chopin; Martha Argerich (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Piano Sonata no. 2 in B‐flat minor, op. 35: 1. Grave. Doppio movimento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: I. Grave – Doppio movimento (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin6:41
2Piano Sonata no. 2 in B‐flat minor, op. 35: 2. Scherzo
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: II. Scherzo (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin6:03
3Piano Sonata no. 2 in B‐flat minor, op. 35: 3. Marche funèbre. Lento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin8:34
4Piano Sonata no. 2 in B‐flat minor, op. 35: 4. Finale. Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: IV. Finale. Presto (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin1:32
5Piano Sonata no. 3 in B minor, op. 58: 1. Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: I. Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin10:53
6Piano Sonata no. 3 in B minor, op. 58: 2. Scherzo. Molto vivace
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutsche Grammophon and Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace (on 1967-03-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin2:16
7Piano Sonata no. 3 in B minor, op. 58: 3. Largo
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: III. Largo (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin8:44
8Piano Sonata no. 3 in B minor, op. 58: 4. Finale. Presto non tanto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: IV. Finale. Presto non tanto (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin4:28
9Scherzo no. 2 in B‐flat minor, op. 31
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-07)
recording of:
Scherzo no. 2 in B‐flat minor, op. 31 (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31)
Frédéric Chopin8:59
10Scherzo no. 3 in C‐sharp minor, op. 39
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39)
Frédéric Chopin6:34
11Barcarolle in F‐sharp major, op. 60
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961) and Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Barcarolle in F‐sharp major, op. 60 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1845 until 1846)
dedicated to:
Madame la Baronne de Stockhausen
publisher:
Brandus & Cie. (Paris) (in 1846), Breitkopf & Härtel (in 1846) and Wessel & Co (London) (in 1846)
part of:
Works of Fryderyk Chopin by opus number (number: op. 60)
Frédéric Chopin8:09
2▼CD
#TitleArtistRatingLength
124 Préludes, op. 28: no. 1 in C major. Agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
224 Préludes, op. 28: no. 2 in A minor. Lento
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
quotes music from:
Dies Irae (plainchant)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:09
324 Préludes, op. 28: no. 3 in G major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:50
424 Préludes, op. 28: no. 4 in E minor. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
524 Préludes, op. 28: no. 5 in D major. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:30
624 Préludes, op. 28: no. 6 in B minor. Lento assai
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
724 Préludes, op. 28: no. 7 in A major. Andantino
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
824 Préludes, op. 28: no. 8 in F‐sharp minor. Molto agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:28
924 Préludes, op. 28: no. 9 in E major. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 9 in E major, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
1024 Préludes, op. 28: no. 10 in C‐sharp minor. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:24
1124 Préludes, op. 28: no. 11 in B major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
1224 Préludes, op. 28: no. 12 in G‐sharp minor. Presto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 12 in G‐sharp minor, op. 28: Presto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:57
1324 Préludes, op. 28: no. 13 in F‐sharp major. Lento
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 13 in F‐sharp major, op. 28: Lento (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
1424 Préludes, op. 28: no. 14 in E‐flat minor. Allegro
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 14 in E‐flat minor, op. 28: Allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:28
1524 Préludes, op. 28: no. 15 in D‐flat major. Sostenuto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:50
1624 Préludes, op. 28: no. 16 in B‐flat minor. Presto con fuoco
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:59
1724 Préludes, op. 28: no. 17 in A‐flat major. Allegretto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:49
1824 Préludes, op. 28: no. 18 in F minor. Allegro molto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:47
1924 Préludes, op. 28: no. 19 in E‐flat major. Vivace
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 19 in E‐flat major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
2024 Préludes, op. 28: no. 20 in C minor. Largo
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
2124 Préludes, op. 28: no. 21 in B‐flat major. Cantabile
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 21 in B‐flat major, op. 28: Cantabile (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:33
2224 Préludes, op. 28: no. 22 in G minor. Molto agitato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
2324 Préludes, op. 28: no. 23 in F major. Moderato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:42
2424 Préludes, op. 28: no. 24 in D minor. Allegro appassionato
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:17
25Prélude in C‐sharp minor, op. 45
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in C‐sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:07
26Prélude in A‐flat major, op. posth.
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prélude in A‐flat major, op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
Frédéric Chopin0:45
273. Mazurkas, op. 59: no. 1 in A minor: Moderato
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 1 in A minor. Moderato (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin3:18
283. Mazurkas, op. 59: no. 2 in A‐flat major: Allegretto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 2 in A‐flat major. Allegretto (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:17
293. Mazurkas, op. 59: no. 3 in F‐sharp minor: Vivace
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 3 in F‐sharp minor. Vivace (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:50
30Andante spianato & Grande Polonaise brillante, op. 22
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
recording of:
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22 (in 1974-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 22) and Classic 100: Piano (2025) (number: 76)
Frédéric Chopin13:30
31Polonaise in A‐flat major, op. 53 “Heroic”
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16) and Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin6:22
32Polonaise-Fantaisie in A‐flat major, op. 61
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1967-01)
recording of:
Polonaise‐fantaisie in A‐flat major, op. 61: Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 7) and Works of Fryderyk Chopin by opus number (number: op. 61)
Frédéric Chopin11:33
3▼CD
#TitleArtistRatingLength
1Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (in 1968-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin18:57
2Piano Concerto no. 1 in E minor, op. 11: 2. Romance. Larghetto
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (in 1968-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:58
3Piano Concerto no. 1 in E minor, op. 11: 3. Rondo. Vivace
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (in 1968-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:05
4Introduction & Polonaise brillante in C major, op. 3: Introduction. Lento
recording engineer:
Takashi Sakurai (engineer)
executive producer:
Martin T:son Engstroem (producer) and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 2000-11)
piano:
Martha Argerich (Argentine pianist) (in 2000-11)
recorded at:
Concert Hall (Kyoto Concert Hall) in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2000-11)
live partial recording of:
Introduction and Polonaise brillante for cello & piano in C major, op. 3 (in 2000-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Works of Fryderyk Chopin by opus number (number: op. 3)
Frédéric Chopin3:02
5Introduction & Polonaise brillante in C major, op. 3: Alla Polacca. Allegro con spirito
recording engineer:
Takashi Sakurai (engineer)
executive producer:
Martin T:son Engstroem (producer) and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 2000-11)
piano:
Martha Argerich (Argentine pianist) (in 2000-11)
recorded at:
Concert Hall (Kyoto Concert Hall) in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2000-11)
live partial recording of:
Introduction and Polonaise brillante for cello & piano in C major, op. 3 (in 2000-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Works of Fryderyk Chopin by opus number (number: op. 3)
Frédéric Chopin5:30
6Sonata for Cello and Piano in G minor, op. 65: 1. Allegro moderato
recording engineer:
Takashi Sakurai (engineer)
executive producer:
Martin T:son Engstroem (producer) and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 2000-11)
piano:
Martha Argerich (Argentine pianist) (in 2000-11)
recorded at:
Concert Hall (Kyoto Concert Hall) in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2000-11)
live recording of:
Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato (in 2000-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin15:03
7Sonata for Cello and Piano in G minor, op. 65: 2. Scherzo. Allegro con brio
recording engineer:
Takashi Sakurai (engineer)
executive producer:
Martin T:son Engstroem (producer) and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 2000-11)
piano:
Martha Argerich (Argentine pianist) (in 2000-11)
recorded at:
Concert Hall (Kyoto Concert Hall) in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2000-11)
live recording of:
Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio (in 2000-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin5:02
8Sonata for Cello and Piano in G minor, op. 65: 3. Largo
recording engineer:
Takashi Sakurai (engineer)
executive producer:
Martin T:son Engstroem (producer) and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 2000-11)
piano:
Martha Argerich (Argentine pianist) (in 2000-11)
recorded at:
Concert Hall (Kyoto Concert Hall) in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2000-11)
live recording of:
Sonata for Cello and Piano in G minor, op. 65: III. Largo (in 2000-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin3:54
9Sonata for Cello and Piano in G minor, op. 65: 4. Finale. Allegro
recording engineer:
Takashi Sakurai (engineer)
executive producer:
Martin T:son Engstroem (producer) and Ewald Markl
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 2000-11)
piano:
Martha Argerich (Argentine pianist) (in 2000-11)
recorded at:
Concert Hall (Kyoto Concert Hall) in Sakyō-ku, Kyoto, Kyoto (Kyoto Prefecture), Japan (in 2000-11)
live recording of:
Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro (in 2000-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin6:09
4▼CD
#TitleArtistRatingLength
1Piano Concerto no. 2 in F minor, op. 21: 1. Maestoso
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon) and Cord Garben (pianist and conductor)
producer:
Cord Garben (pianist and conductor)
piano:
Martha Argerich (Argentine pianist) (from 1978-01-11 until 1978-01-14)
orchestra:
National Symphony Orchestra (Washington, D.C.) (from 1978-01-11 until 1978-01-14)
conductor:
Mstislav Rostropovich (cellist/conductor) (from 1978-01-11 until 1978-01-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (from 1978-01-11 until 1978-01-14)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso (from 1978-01-11 until 1978-01-14)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin14:02
2Piano Concerto no. 2 in F minor, op. 21: 2. Larghetto
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon) and Cord Garben (pianist and conductor)
producer:
Cord Garben (pianist and conductor)
piano:
Martha Argerich (Argentine pianist) (from 1978-01-11 until 1978-01-14)
orchestra:
National Symphony Orchestra (Washington, D.C.) (from 1978-01-11 until 1978-01-14)
conductor:
Mstislav Rostropovich (cellist/conductor) (from 1978-01-11 until 1978-01-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (from 1978-01-11 until 1978-01-14)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto (from 1978-01-11 until 1978-01-14)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin8:49
3Piano Concerto no. 2 in F minor, op. 21: 3. Allegro vivace
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon) and Cord Garben (pianist and conductor)
producer:
Cord Garben (pianist and conductor)
piano:
Martha Argerich (Argentine pianist) (from 1978-01-11 until 1978-01-14)
orchestra:
National Symphony Orchestra (Washington, D.C.) (from 1978-01-11 until 1978-01-14)
conductor:
Mstislav Rostropovich (cellist/conductor) (from 1978-01-11 until 1978-01-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (from 1978-01-11 until 1978-01-14)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace (from 1978-01-11 until 1978-01-14)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin8:02
4Introduction & Polonaise brillante in C major, op. 3
producer:
Cord Garben (pianist and conductor)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1980-03)
piano:
Martha Argerich (Argentine pianist) (in 1980-03)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-03)
recording of:
Introduction and Polonaise brillante for cello & piano in C major, op. 3 (in 1980-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Works of Fryderyk Chopin by opus number (number: op. 3)
Frédéric Chopin8:16
5Sonata for Cello and Piano in G minor, op. 65: 1. Allegro moderato
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
producer:
Cord Garben (pianist and conductor)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1980-03)
piano:
Martha Argerich (Argentine pianist) (in 1980-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-03, on 1980-03-22)
recording of:
Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato (in 1980-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin15:14
6Sonata for Cello and Piano in G minor, op. 65: 2. Scherzo. Allegro con brio
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
producer:
Cord Garben (pianist and conductor)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1980-03)
piano:
Martha Argerich (Argentine pianist) (in 1980-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-03, on 1980-03-22)
recording of:
Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio (in 1980-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin4:52
7Sonata for Cello and Piano in G minor, op. 65: 3. Largo
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
producer:
Cord Garben (pianist and conductor)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1980-03)
piano:
Martha Argerich (Argentine pianist) (in 1980-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-03, on 1980-03-22)
recording of:
Sonata for Cello and Piano in G minor, op. 65: III. Largo (in 1980-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin3:44
8Sonata for Cello and Piano in G minor, op. 65: 4. Finale. Allegro
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
producer:
Cord Garben (pianist and conductor)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1980-03)
piano:
Martha Argerich (Argentine pianist) (in 1980-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-03, on 1980-03-22)
recording of:
Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro (in 1980-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin5:30
5▼CD
#TitleArtistRatingLength
1Ballade no. 1 in G minor, op. 23
sound engineer:
Klaus Kiehn
engineer:
Hermann Reuschel (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1959-01-26)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
RIAS Studio 7 in Berlin, Germany (on 1959-01-26)
recording of:
Ballade no. 1 in G minor, op. 23 (on 1959-01-26)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1831 until 1835)
dedicated to:
Nathaniel von Stockhausen (Hanover ambassador to France)
part of:
Classic 100: Piano (2004) (number: 20) and Works of Fryderyk Chopin by opus number (number: op. 23)
part of:
Ballades (Chopin’s Four Ballades)
Frédéric Chopin8:29
2Etude in C‐sharp minor, op. 10 no. 4
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Étude in C‐sharp minor, op. 10 no. 4: Presto (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Études, op. 10
Frédéric Chopin1:56
3Mazurka in C‐sharp minor, op. 41 no. 4
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Mazurka no. 26 in C‐sharp minor, op. 41 no. 1 (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 41
Frédéric Chopin2:56
4Mazurka in E minor, op. 41 no. 1
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Mazurka no. 27 in E minor, op. 41 no. 2 (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1838)
part of:
Mazurkas, op. 41
Frédéric Chopin1:54
5Mazurka in C major, op. 24 no. 2
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Mazurka no. 15 in C major, op. 24 no. 2 (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 24
Frédéric Chopin1:52
6Mazurka in F minor, op. 63 no. 2
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Mazurka no. 40 in F minor, op. 63 no. 2 (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 63
Frédéric Chopin1:32
7Mazurka in D major, op. 33 no. 2
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Mazurka no. 23 in D major, op. 33 no. 2, CT. 73 (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1838)
part of:
Mazurkas, op. 33
Frédéric Chopin2:06
8Nocturne in F major, op. 15 no. 1
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Nocturnes, op. 15
Frédéric Chopin3:40
9Nocturne in E‐flat major, op. 55 no. 2
recording engineer:
Helge Jörns
sound engineer and audio engineer:
Gert Bazin
engineer:
Helge Jörns (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-12-03)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (on 1967-12-03)
recording of:
Nocturne no. 16 in E‐flat major, op. 55 no. 2: Lento (on 1967-12-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1843)
part of:
Nocturnes, op. 55
Frédéric Chopin4:16
103 Mazurkas, op. 59: no. 1 in A minor
recording engineer:
Wilhelm Aulenkamp
engineer:
Siegfried Spittler (Engineer) (task: Tonmeister)
executive producer:
Heinz Oepen (Producer)
piano:
Martha Argerich (Argentine pianist) (on 1967-10-31)
phonographic copyright (℗) by:
Westdeutscher Rundfunk Köln (Westdeutscher Rundfunk, German public service radio and TV broadcaster, based in Cologne) (in 1967)
recorded at:
WDR Funkhaus (Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1967-10-31)
recording of:
Mazurkas, op. 59: No. 1 in A minor. Moderato (on 1967-10-31)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin3:35
113 Mazurkas, op. 59: no. 2 in A‐flat major
recording engineer:
Wilhelm Aulenkamp
engineer:
Siegfried Spittler (Engineer) (task: Tonmeister)
executive producer:
Heinz Oepen (Producer)
piano:
Martha Argerich (Argentine pianist) (on 1967-10-31)
phonographic copyright (℗) by:
Westdeutscher Rundfunk Köln (Westdeutscher Rundfunk, German public service radio and TV broadcaster, based in Cologne) (in 1967)
recorded at:
WDR Funkhaus (Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1967-10-31)
recording of:
Mazurkas, op. 59: No. 2 in A‐flat major. Allegretto (on 1967-10-31)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:23
123 Mazurkas, op. 59: no. 3 in F‐sharp minor
recording engineer:
Wilhelm Aulenkamp
engineer:
Siegfried Spittler (Engineer) (task: Tonmeister)
executive producer:
Heinz Oepen (Producer)
piano:
Martha Argerich (Argentine pianist) (on 1967-10-31)
phonographic copyright (℗) by:
Westdeutscher Rundfunk Köln (Westdeutscher Rundfunk, German public service radio and TV broadcaster, based in Cologne) (in 1967)
recorded at:
WDR Funkhaus (Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 1967-10-31)
recording of:
Mazurkas, op. 59: No. 3 in F‐sharp minor. Vivace (on 1967-10-31)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:52
13Piano Sonata no. 3 in B minor, op. 58: 1. Allegro maestoso
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: I. Allegro maestoso (on 1967-03-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin10:45
14Piano Sonata no. 3 in B minor, op. 58: 2. Scherzo. Molto vivace
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutsche Grammophon and Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace (on 1967-03-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin2:17
15Piano Sonata no. 3 in B minor, op. 58: 3. Largo
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: III. Largo (on 1967-03-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin9:13
16Piano Sonata no. 3 in B minor, op. 58: 4. Finale. Presto non tanto
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: IV. Finale. Presto non tanto (on 1967-03-15)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin4:30

Credits

Release

manufactured in:EU (Europe)
illustration:Fred Münzmaier
copyrighted (©) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
Discogs:https://www.discogs.com/release/10557771 [info]
ASIN:DE: B01E6C9M8S [info]
license:https://www.deutschegrammophon.com/de/cat/4796068 [info]
Allmusic:https://www.allmusic.com/album/release/mr0004559073 [info]

Release group

includes:Argerich Plays Chopin