Smash Hits 80s Mixtape

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1-1House of Fun
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
House of Fun
lyricist:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.65?:??
1-2Planet Earth
recording of:
Planet Earth
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Duran Duran?:??
1-3Just Like Heaven
recording of:
Just Like Heaven
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst and Boris Williams
publisher:
APB Music Co.
The Cure?:??
1-4Together in Electric DreamsThe Human League?:??
1-5To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. and Reformation Publishing Co. Ltd.
Spandau Ballet3.5?:??
1-6Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.9?:??
1-7You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.15?:??
1-8Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some3?:??
1-9Like to Get to Know You Well
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
instruments:
Howard Jones (English singer, songwriter)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Like to Get to Know You Well
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones5?:??
1-10The Harder I TryBrother Beyond1?:??
1-11Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.95?:??
1-12Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.9?:??
1-13Walk Out to Winter
engineer:
John Brand (engineer)
producer:
John Brand (engineer) and Bernie Clarke (keyboard / producer)
bass guitar:
Campbell Owens
drums (drum set) and percussion:
Dave Ruffy
guitar:
Roddy Frame
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Walk Out to Winter
lyricist and composer:
Roddy Frame
Aztec Camera3?:??
1-14Each Time You Break My Heart
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3?:??
1-15Dangerous
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-05)
classical guitar:
Erik Borelius (in 1988-05)
drums (drum set):
Pelle Alsing (in 1988-05)
guitar:
Jonas Isacsson (in 1988-05)
harmonica:
Jalle Lorensson (in 1988-05)
keyboard:
Clarence Öfwerman (in 1988-05)
saxophone:
Erik Häusler (in 1988-05)
slide guitar:
Janne Oldaeus (in 1988-05)
talkbox:
Henrik Janson (in 1988-05)
background vocals:
Marie Fredriksson (in 1988-05), Per Gessle (Swedish singer and guitarist) (in 1988-05) and Clarence Öfwerman (in 1988-05)
lead vocals:
Marie Fredriksson (in 1988-05) and Per Gessle (Swedish singer and guitarist) (in 1988-05)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!) (in 1989)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-05)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Dangerous (in 1988-05)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3?:??
1-16Some Like It Hot
recording of:
Some Like It Hot
writer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) and John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music and Tritec Music Ltd. (publisher and copyrights holder)
The Power Station5?:??
1-17Life’s What You Make ItTalk Talk?:??
1-18Army Dreamers
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
acoustic guitar:
Brian Bath (on 1980-09-22)
bass guitar:
Alan Murphy (UK session guitarist) (on 1980-09-22)
bodhrán:
Stuart Elliott (session drummer, member of Cockney Rebel) (on 1980-09-22)
mandolin:
Paddy Bush (on 1980-09-22)
synthesizer:
Duncan Mackay (UK keyboardist/synthesizerist) (on 1980-09-22)
background vocals:
Brian Bath (on 1980-09-22), Paddy Bush (on 1980-09-22) and Alan Murphy (UK session guitarist) (on 1980-09-22)
lead vocals:
Kate Bush (on 1980-09-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05)
edit of:
Army Dreamers (hard ending) by Kate Bush
part of:
Songs banned by the BBC (number: Gulf War ban)
recording of:
Army Dreamers
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush4.05?:??
1-19Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.9?:??
1-20The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood4?:??
2-1Town Called Malace
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam?:??
2-2How Soon Is Now?
recording of:
How Soon Is Now?
lyricist:
Morrissey (English singer‐songwriter)
writer:
Johnny Marr and Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths?:??
2-3The Cutter
engineer:
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige and Steve Short (sound engineer & producer)
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4?:??
2-4Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
Songs banned by the BBC (number: Gulf War ban)
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie4?:??
2-5I’ve Been Losing You
engineer:
Gerry Kitchingham
producer:
Mags and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
mixer:
John Hudson (producer, recording and mixing engineer) and Alan Tarney
bass guitar:
Leif K. Johansen
drums (drum set):
Michael Sturgis
part of:
The Downloader’s Music Source Book (number: 277)
recording of:
I've Been Losing You
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
a‐ha4.8?:??
2-6Ceremony
producer:
Martin Hannett
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 24)
recording of:
Ceremony
additional lyricist:
Peter Hook and Bernard Sumner
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order2.5?:??
2-7Isolation
assistant engineer:
Michael Johnson (UK recording engineer and producer)
engineer:
John Caffery (producer and engineer) and Martin Hannett
producer:
Joy Division and Martin Hannett
lead vocals:
Ian Curtis
phonographic copyright (℗) by:
Factory (Records/Communications) (in 1987)
recorded at:
Britannia Row (first location, 1975-1995 Islington) in Islington, London (Greater London), England, United Kingdom
recording of:
Isolation
writer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
Joy Division4?:??
2-8Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.4?:??
2-9Cry Boy Cry
recording of:
Cry Boy Cry
writer:
Andy O (member of Blue Zoo) and Tim Parry (guitarist)
Blue Zoo?:??
2-10Veronica
engineer and mixer:
Kevin Killen
acoustic guitar:
T‐Bone Burnett (musician, songwriter and producer)
bass guitar:
Paul McCartney (The Beatles)
chamberlin and electric piano:
Mitchell Froom
drums (drum set):
Jerry Marotta (drummer and composer)
electric guitar and lead vocals:
Elvis Costello
glockenspiel and timpani:
Michael Blair (American drummer/producer/songwriter based in Sweden)
piano and piano spinet [Baldwin spinet]:
Benmont Tench
recording of:
Veronica
writer:
Declan Patrick MacManus and Paul McCartney (The Beatles)
Elvis Costello4.65?:??
2-11Darklands
engineer:
Tony Harris (UK producer/engineer)
producer:
Bill Price (UK producer/engineer)
vocals:
William Reid (guitarist, The Jesus and Mary Chain)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1987)
recording of:
Darklands
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain5?:??
2-12Paralysed
recording of:
Paralysed
lyricist:
Andy Gill (guitarist and record producer) and Jon King (vocalist in Gang of Four)
composer:
Andy Gill (guitarist and record producer)
publisher:
Bug Music (music publishing), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and Gang of Four Music
Gang of Four?:??
2-13The Edge of ForeverThe Dream Academy4?:??
2-14Cry Little Sister (Theme From Lost Boys)
co-producer:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) and Bruce Martin (keyboards / production)
producer:
Mike Mainieri
lead vocals:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Cry Little Sister
writer:
Gerard McMann (English singer‐songwriter aka “Gerard McMann”) and Mike Mainieri
Gerard McMann4.65?:??
2-15Cccan’t You See
producer:
Tony Mansfield (producer & songwriter)
recording of:
Cccan't You See
lyricist:
Josie Warden
composer:
Brian Moss (member of Vicious Pink)
publisher:
Heath Levy Music Co. Ltd. and Warehouse Music Ltd
Vicious Pink4?:??
2-16C30 C60 C90 Go
assistant producer:
Martin Levan
producer:
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
Bow Wow Wow5?:??
2-17The Politics of Dancing
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
Re‐Flex3.35?:??
2-18Can’t Be SureThe Sundays3.75?:??
2-19Election Day
vocals:
Grace Jones
recording of:
Election Day
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes and Roger Taylor (Duran Duran drummer)
Arcadia?:??
2-20Gentle Tuesday
engineer:
Pat Collier
producer:
Mayo Thompson
recording of:
Gentle Tuesday
writer:
Jim Beattie and Bobby Gillespie
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream4.5?:??
3-1Stand and Deliver
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants?:??
3-2Psycho Killer (live)
recording engineer:
Allen Chinowsky (in 1983-12)
mastering:
Ted Jensen (American mastering engineer) and Jack Skinner (engineer)
assistant engineer:
Nick Delre, Robin Laine, Linda Randazzo and Glenn Rosenstein
engineer:
Joel Moss and Mark Wolfson
producer:
Talking Heads
additional mixer:
Chris Frantz and Jerry Harrison (Talking Heads & producer)
mixer:
Eric Thorngren
vocals:
David Byrne (Talking Heads) (in 1983-12)
recorded at:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, United States (in 1983-12)
live recording of:
Psycho Killer (in 1983-12)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.5?:??
3-3Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.45?:??
3-4There There My Dear
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
There, There My Dear
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners?:??
3-5Lucretia My Reflection
producer:
Larry Alexander (producer/engineer) and Andrew Eldritch
lead vocals:
Andrew Eldritch
recording of:
Lucretia My Reflection
lyricist and composer:
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4.3?:??
3-6Love Missile F1-11
recording of:
Love Missile F1‐11
lyricist and composer:
Martin Degville, Tony James (UK bassist/guitarist) and Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik?:??
3-751st StateNew Model Army4?:??
3-8Mountain Song
bass guitar:
Eric Avery
drums (drum set):
Stephen Perkins (American drummer)
guitar:
Dave Navarro (American guitarist)
vocals:
Perry Farrell
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 71)
recording of:
Mountain Song
lyricist:
Perry Farrell
composer:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) and Stephen Perkins (American drummer)
Jane’s Addiction4.75?:??
3-9Broken Land
engineer:
Rafe McKenna
part of:
The Downloader’s Music Source Book (number: 214)
recording of:
Broken Land
lyricist and composer:
Pat Gribben
The Adventures5?:??
3-10Roam
miscellaneous support:
Budd Tunick (task: Production Manager)
programming:
Richard Hilton
additional engineer:
Paul Angelli, Ed Brooks (audio engineer at RFI Mastering in Seattle), Patrick Dillett and Keith Freedman
engineer:
Tom Durack
producer:
Nile Rodgers
mixer:
Tom Durack and Nile Rodgers
bass guitar [bass]:
Sara Lee (UK bassist, singer & songwriter)
drums (drum set):
Leroy Clouden
guitar:
Keith Strickland
keyboard [keyboards]:
Richard Hilton
vocals:
Kate Pierson and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at and mixed at:
Skyline Studios in New York, United States
recording of:
Roam
lyricist:
Robert Waldrop
composer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s3.9?:??
3-11I Can’t Escape Myself
recording of:
I Can’t Escape Myself
lyricist and composer:
Adrian Borland
The Sound?:??
3-12Hyperactive!
recorded in:
Brussels (Brussels-Capital Region), Belgium (in 1983-06)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
electronic drum set and percussion:
Clif Brigden (in 1983-06)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
percussion:
Matthew Salt (in 1983-06)
piano:
Thomas Dolby (in 1983-06)
trombone:
Peter Thoms (trombone) (in 1983-06)
additional vocals:
Louise Ulfstedt (in 1983-06)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) and Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby5?:??
3-13Out of Reach
recording of:
Out of Reach
writer:
Dave Bateman (aka Pox) and Rebecca Bond
Vice Squad?:??
3-14Don’t Want to Know If You Are Lonely
engineer:
Steve Fjelstad (from 1985-10 until 1986-01)
producer:
Grant Hart (from 1985-10 until 1986-01) and Bob Mould (from 1985-10 until 1986-01)
bass:
Greg Norton (from 1985-10 until 1986-01)
drums (drum set):
Grant Hart (from 1985-10 until 1986-01)
guitar:
Bob Mould (from 1985-10 until 1986-01)
vocals:
Grant Hart (from 1985-10 until 1986-01) and Bob Mould (from 1985-10 until 1986-01)
recorded at and mixed at:
Nicollet Studios in Minneapolis, Minnesota, United States (from 1985-10 until 1986-01)
recording of:
Don’t Want to Know If You Are Lonely (from 1985-10 until 1986-01)
lyricist and composer:
Grant Hart
Hüsker Dü4.5?:??
3-15Bastards of Young
engineer:
Steve Fjelstad
producer:
Thomas Erdelyi (Tommy Ramone)
recorded at:
Nicollet Studios in Minneapolis, Minnesota, United States (from 1985-06 until 1985-07)
music videos:
Bastards of Young (music video) by The Replacements
part of:
Indie 88: Top 500 Indie Rock Songs (number: 241)
recording of:
Bastards of Young (from 1985-06 until 1985-07)
lyricist and composer:
Paul Westerberg
publisher:
Nah Music
The Replacements4.25?:??
3-16One Stop
Kissing the Pink?:??
3-17Last Night Another SoldierAngelic Upstarts5?:??
3-18Oi! Oi! Oi!
Cockney Rejects?:??
3-19Over and Done With
The Proclaimers?:??
3-20Talk of the Town
producer:
Chris Thomas (UK record producer / remixer)
recording of:
Talk of the Town
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Pretenders?:??