Bravo Domingo

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Annotation

Commemorating Placido Domingo's 30th Anniversary season at the Metropolitan Opera.

DG cat. no.:
459 352-2 SET
459 353-2 CD 1
459 354-2 CD 2

Annotation last modified on 2018-09-02 15:44 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Turandot: "Nessun Dorma"
producer:
Michel Glotz
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1981-05-11 until 1981-05-18)
tenor vocals [Calaf]:
Plácido Domingo (tenor) (from 1981-05-11 until 1981-05-18)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1981-05-11 until 1981-05-18)
conductor:
Herbert von Karajan (conductor) (from 1981-05-11 until 1981-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-05-11 until 1981-05-18)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1981-05-11 until 1981-05-18)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1981-05-11 until 1981-05-18)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:25
2Il barbiere di Siviglia: "Largo al factotum"
tenor vocals:
Plácido Domingo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:50
3Les Pecheurs de perles: "Je crois entendre encore"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1980-11)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:47
4L'africaine: "Pays mereveilleux...O paradis"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1980-11)
recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" (in 1980-11)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
part of:
L’Africaine : Acte IV
Giacomo Meyerbeer3:38
5La Juive" "Rachel, quand du Signeur"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (in 1980-11)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Jacques Fromental Halévy5:41
6Les Contes d'Hoffman: " Il etait une fois a la cour d'Eisenach"
co-producer:
Claudia Hamann
executive producer:
Cord Garben (pianist and conductor)
producer:
James Mallinson (producer)
choir vocals:
Chœur de Radio France (in 1986-06)
tenor vocals:
Plácido Domingo (tenor) (in 1986-06) and Robin Leggate (operatic tenor) (in 1986-06)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (in 1986-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-06)
chorus master:
Jacques Jouineau (chorus master) (in 1986-06)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Studio 104, Radio France in Paris, Île-de-France, France (in 1986-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1986-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:58
7I Pagliacci: "Vesti la giubba"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Georges Prêtre (French conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:41
8Otello: "Niun mi tema"
tenor vocals:
Plácido Domingo (tenor)
vocals:
Ildebrando d’Arcangelo (operatic bass), Giacomo Prestia (bass-baritone) and Ramón Vargas (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:42
9Macbeth: "O figli, o figli miei!...Ah, la paterna mano"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
vocals:
Piero Cappuccilli (baritone) (in 1976-01) and Plácido Domingo (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi3:41
10Die Meistersinger von Nürnberg: "Morgenlich leuchtend im rosigen Schein"
recording engineer:
Klaus Hiemann (engineer/producer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann
executive producer:
Günther Breest (producer for classical music)
producer:
Hans Weber (producer/engineer)
bass vocals [Veit Pogner, Goldschmied]:
Peter Lagger (operatic bass singer) (in 1976-04)
bass-baritone vocals [Hans Sachs, Schuster]:
Dietrich Fischer‐Dieskau (baritone) (in 1976-04)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1976-04)
soprano vocals [Eva, Pogners Tochter]:
Catarina Ligendza (soprano) (in 1976-04)
tenor vocals [Walther von Stolzing, ein junger Ritter aus Franken]:
Plácido Domingo (tenor) (in 1976-04)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1976-04)
conductor:
Eugen Jochum (conductor) (in 1976-04)
chorus master:
Walter Hagen-Groll (chorus master) (in 1976-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1976-04)
partial recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!" (in 1976-04)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner7:37
11Tannhäuser: "Hör an, Wolfram!...Inbrunst im Herzen"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene III. "Ich hörte Harfenschlag, wie klang er traurig!"
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner8:46
12L'elisir d'amore: "Una furtiva lagrima"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic Orchestra (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1980-11)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:37
13Un ballo in maschera: "Forse la soglia attinse...Ma se m'e farza perditi"
tenor vocals [Riccardo]:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:16
14Luisa Miller: "Quando la sere al placido"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi5:24
15Tosca: "E lucevan le stelle"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:38
2▼CD
#TitleArtistRatingLength
1Granada
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor) (in 1975-10)
orchestra:
London Symphony Orchestra (in 1975-10)
conductor:
Marcel Peeters (Belgian orchestra-leader and clarinetist) (in 1975-10)
arranger:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Granada (original Spanish version) (in 1975-10)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara3:53
2Non ti scordar di me
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Karl-Heinz Loges
arranger:
Frank Engelken (composer, arranger, jazz guitar player)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Non ti scordar di me
lyricist:
Domenico Furnò
composer:
Ernesto De Curtis (composer)
translated version of:
Vergeet mij nooit
Domenico Furno, Ernesto de Curtis3:12
3Munequita linda (Te quiero dijiste)
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor) (in 1975-10)
orchestra:
London Symphony Orchestra (in 1975-10)
conductor:
Karl-Heinz Loges (in 1975-10)
arranger:
Karl-Heinz Loges
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Te quiero dijiste (Magic Is the Moonlight, aka "Muñequita Linda", "Mucho, mucho, mucho") (in 1975-10)
lyricist and composer:
María Grever
María Grever3:46
4Be My Love
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor) (in 1975-10)
orchestra:
London Symphony Orchestra (in 1975-10)
conductor:
Karl-Heinz Loges (in 1975-10)
arranger:
Bernard Ebbinghouse
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Be My Love (in 1975-10)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Nicholas Brodzsky, Sammy Cahn3:11
5Nostalgias (Tango)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Studio Orchestra
conductor:
Roberto Pansera (bandoneonist, organist, arranger, composer)
arranger:
Roberto Pansera (bandoneonist, organist, arranger, composer)
phonographic copyright (℗) by:
Phonogram S.A.I.C. (manufacturer, distributor) (in 1981)
cover recording of:
Nostalgias
lyricist:
Enrique Cadícamo
composer:
Juan Carlos Cobián
Juan Carlos Cobián, Enrique Cadícamo3:31
6El dia que me quieras (Tango)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Studio Orchestra
conductor:
Roberto Pansera (bandoneonist, organist, arranger, composer)
arranger:
Roberto Pansera (bandoneonist, organist, arranger, composer)
phonographic copyright (℗) by:
Phonogram S.A.I.C. (manufacturer, distributor) (in 1981)
cover recording of:
El día que me quieras
lyricist:
Alfredo Le Pera (in 1935)
writer:
Manuel Esperón
composer:
Carlos Gardel (in 1935)
publisher:
FNA
Carlos Gardel, Alfredo Le Pera3:41
7Rigoletto: "Ella mi fu rapita!"
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
partial recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi2:16
8Rigoletto: "Parmi veder le lagrime"
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Hans‐Peter Schweigmann (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
partial recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi2:46
9Rigoletta: "La donna e mobile"
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1980)
bass vocals [Sparafucile]:
Nicolaï Ghiaurov (operatic bass) (in 1980)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09, in 1980)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09, in 1980)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09, in 1980)
balance engineer:
Hans‐Peter Schweigmann (in 1979-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:05
10Oberon: "Von Jugend auf im Kampfgefild"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Oberon: "Von Jugend auf im Kampfgefild" (German translation)
composer:
Carl Maria von Weber (composer)
librettist:
James Robinson Planché
translator:
Theodor Hell
Carl Maria von Weber7:14
11Carmen: "La fleur qui tu m'avais jette"
producer:
Christopher Alder (editor/engineer/producer) and Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer) and Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:16
12Don Carlos: "Fontainebleau! Foret immense et solitaire...Je l'ai vue"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi4:12
13Manon Lescaut: "Donna non vidi mai"
tenor vocals [Des Grieux]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:20
14Aida: "Se quel guerrier io fossi!...Celeste Aida"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1980-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi5:02
15La fanciulla del West: "Ch'ella mi creda libero"
baritone vocals:
Sherrill Milnes (baritone)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Zubin Mehta (conductor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:16
16Cavalleria rusticana: "O lola ch'hai di latti la cammisa"
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:05
17La traviata: "Lunge da lei..De' miei bollenti spiriti"
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:37
18Lucia di Lammermoor: "Tombe degl'avi miei...Fra poco a me ricovero""
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (in 1980-11)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (in 1980-11)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:20
19Il trovatore: "Di quella pira"
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Günther Breest (producer for classical music) and Robert Leslie (producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
mezzo-soprano vocals:
Rosalind Plowright (soprano / mezzo soprano)
soprano vocals:
Rosalind Plowright (soprano / mezzo soprano) (in 1984-04)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1984)
tenor vocals:
Plácido Domingo (tenor) (in 1984-04) and Walter Gullino (tenor) (in 1984-04)
tenor vocals [Manrico]:
Plácido Domingo (tenor) (in 1984)
tenor vocals [Ruiz]:
Walter Gullino (tenor) (in 1984)
vocals:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
conductor:
Carlo Maria Giulini (conductor) (in 1984, in 1984-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1984-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-04)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:42