Pop / Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Losing My Mind
Liza Minnelli34:15
2Before We Go
recording of:
Before We Go
writer:
Jim Capaldi and Carlos Santana
publisher:
Freedom Music Ltd. and Light Music (US publishing label)
Santana23:46
3It’s Raining
Shakin’ Stevens33:20
4Carrie
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
Carrie (Europe song)
writer:
Mic Michaeli and Joey Tempest (Swedish singer)
publisher:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe3.94:32
5Tell It Like It Is
bass guitar, Hammond organ and piano:
Keith Diamond
drums (drum set):
Terry Silverlight (classic fusion artist)
guitar:
Paul Pesco and Ira Siegel
saxophone and solo horn:
Danny Wilensky
trombone:
Michael Davis (US jazz trombonist)
trumpet:
Chris Botti
background vocals:
Janice Dempsey, Cindy Mizelle, B.J. Nelson (backing singer) and Audrey Wheeler
lead vocals:
Don Johnson (US actor, Miami Vice)
brass [horns] arranger:
Danny Wilensky
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
cover recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Don Johnson24:34
6Higher Ground
Jennifer Rush34:20
7How Deep Is Your Love
David Hasselhoff13:14
8Cocaine
cover recording of:
Cocaine Blues (Rev. Gary Davis arrangement) (in 1988)
writer:
[traditional] (special purpose artist)
arranger:
Rev. Gary Davis
publisher:
Chandos Music Company (in 1968)
version of:
Cocaine Blues (T.J. Arnall version)
Alpinkatzen12:30
9Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.754:01
10Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson (drummer for The Bangles)
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
The Bangles (in 1988)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.83:59
11Sittin’ on the Dock of the Bay
cover recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Wolf!42:57
12Abschied
additional programming and assistant sound engineer:
Martin Kohler
programming:
Jürgen Dehmel, Rolf Krüger, Jens Kuphal and Christoph Stiefel
sound engineer:
John Acock, Phil Carmen, Uli Hieber and Walter Rohrbach
producer:
Phil Carmen and Walter Keiser
mixer:
Gareth Jones (UK producer/engineer)
accordion:
Hans-Peter Brüggemann
bass:
Heiri Känzig
bass guitar:
Jürgen Dehmel and Peter Keiser
cello:
Emeric Kostiak (cello player)
guitar:
Phil Carmen, Hendrick Jansson (guitar player) and Peter Weihe
harmonica:
Markus Gabriel
keyboard:
Phil Carmen, Jens Kuphal and Christoph Stiefel
mandolin:
Thomas Fessler
percussion:
Jon Otis (American drummer, producer, bandleader)
piano:
Christoph Stiefel
viola:
Christoph Brenner (viola player)
violin:
Attila Adamska and Emilie Haundenschild
choir vocals:
Schweizer Kinderchor
lead vocals:
Nena (the person, performing solo since 1987)
instruments arranger:
Robert Weber (swiss musician)
phonographic copyright (℗) by:
CBS Schallplatten GmbH
recorded at:
Jürgen Dehmel Tonstudio and Picar in Stein am Rhein, Schaffhausen (Canton of Schaffhausen), Switzerland
mixed at:
Audio-Studio in Berlin, Germany and Hansa Studios in Berlin, Germany
recording of:
Abschied
lyricist and composer:
Nena (the person, performing solo since 1987)
Nena13:39
13Quizas, Quizas
Elkin & Nelson13:41
14I Feel the Earth Move
drums (drum set) [drum programming] programming:
Michael Jay (producer/engineer) (from 1988-04 until 1988-05)
assistant engineer:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) and Karen Siegel (engineer)
engineer and mixer:
Michael McDonald (engineer)
producer:
Michael Jay (producer/engineer)
additional keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (from 1988-04 until 1988-05)
guitar:
Don Kirkpatrick (guitarist/songwriter) (from 1988-04 until 1988-05)
keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (from 1988-04 until 1988-05)
background vocals:
Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (US funk / soul singer) (from 1988-04 until 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) and Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
recorded at:
Trax Recording Studio in Hollywood, Los Angeles, California, United States (from 1988-04 until 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California, United States
cover recording of:
I Feel the Earth Move (from 1988-04 until 1988-05)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Screen Gems–EMI Music Ltd. (in 1988)
Martika24:14
15Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:45
16How ’bout Us
assistant engineer:
Michael Ferraro (engineer) and Tom Miller (engineer)
engineer:
Stu Walder
associate producer:
James Mack (Composer, arranger, conductor)
producer:
Leo Graham (producer / composer / lyricist)
bass guitar [bass]:
Michael Reed (US bassist for Champaign) and Paul Richmond (producer - songwriter - bassist)
drums (drum set):
Morris Jennings, Jr.
electronic drum set [syndrums]:
Tommy Radtke
guitar [guitars]:
Michael Day and Howard Reeder
keyboard [keyboards]:
Michael Day and Dana Walden
percussion:
Rocky Maffit
solo alto saxophone:
Ken Soderbloom
synthesizer [synthesizers]:
Dana Walden
lead vocals:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit and Howard Reeder
brass [horns] arranger and strings arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) and James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:35
17If You Don’t Know Me By Now
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
lead vocals:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
H. Melvin + Blue Notes3.753:28
18Every Time
recording of:
Every Time
lyricist:
Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
composer:
Michael Kunze (producer and songwriter), Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
translated version of:
Ohne dich (schlaf’ ich heut Nacht nicht ein)
Münchener Freiheit54:04
2CD
#TitleArtistRatingLength
1Eine kleine Nachtmusik: I Allegro
orchestra:
Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
W. A. Mozart45:47
2Eine kleine Nachtmusik: II Romance: AndanteW. A. Mozart35:16
3Eine kleine Nachtmusik: III Menuetto: Allegretto; TrioW. A. Mozart22:03
4Eine kleine Nachtmusik: IV Rondo: AllegroW. A. Mozart34:16
5Serenade No. 9 in D-Dur: I Adagio maestoso - Allegro con spirito
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-01-10)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-10)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-10)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito (on 1969-01-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
W. A. Mozart37:35
6Serenade No. 9 in D-Dur: II Menuett: Allegretto; Trio
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-01-18)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-18)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-18)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": II. Menuetto. Allegretto (on 1969-01-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": IIa. Minuetto. Allegro & Trio (on 1969-01-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
W. A. Mozart34:27
7Serenade No. 9 in D-Dur: III Concertante: Andante grazioso
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-01-24)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-24)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-24)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso (on 1969-01-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
W. A. Mozart37:33
8Serenade No. 9 in D-Dur: IV Rondo: Allegro ma non troppo
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-01-24)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-24)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-24)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo (on 1969-01-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
W. A. Mozart35:31
9Serenade No. 9 in D-Dur: V Andantio
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-01-18)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-18)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-18)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": V. Andantino (on 1969-01-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
W. A. Mozart35:31
10Serenade No. 9 in D-Dur: VI Menuett; Trio I & II
producer:
Andrew Kazdin (American record producer)
solo post horn:
Bernard Adelstein (on 1969-01-24)
orchestra:
The Cleveland Orchestra (on 1969-01-24)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-24)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-24)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": VI. Menuetto - Trio I/II (on 1969-01-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
W. A. Mozart35:09
11Serenade No. 9 in D-Dur: VII Finale: Presto
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-01-10)
conductor:
George Szell (conductor, pianist, composer) (on 1969-01-10)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-01-10)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": VII. Finale. Presto (on 1969-01-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
W. A. Mozart33:54