Voices of Angels

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Missa Papae Marcelli, Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa Papae Marcelli: I. Kyrie (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina34:36
2O Euchari
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Euchari in leta via (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:49
3Requiem, in Paradisum
engineer:
Phillippe Pelissier (from 1994-06 until 1994-10)
organ:
Éric Lebrun (French organist and composer) (in 1994)
choir vocals:
Ensemble vocal Michel Piquemal (in 1994)
orchestra:
Orchestre de la Cité (in 1994)
conductor:
Michel Piquemal (French baritone and conductor) (in 1994)
recorded at:
Église Saint-Antoine-des-Quinze-Vingts in Paris, Île-de-France, France (from 1994-06 until 1994-10)
recording of:
Requiem, op. 9: IX. In Paradisum (for choir, organ and reduced orchestra (1961)) (from 1994-06 until 1994-10)
composer:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1947)
arranger:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1961)
part of:
Requiem, op. 9 (for choir, organ and reduced orchestra (1961))
Maurice Duruflé3:08
4Miserere Mei
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!) (in 1992)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri10:12
5Missa O Magnum Mysterium: Sanctus
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1992-04)
producer:
Murray Khouri (clarinettist and producer) (in 1992-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-04-07 until 1992-04-08)
conductor:
Jeremy Summerly (conductor) (from 1992-04-07 until 1992-04-08)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1992-04-07 until 1992-04-08)
recording of:
Missa 'O magnum mysterium': IV. Sanctus
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1592)
part of:
Missa 'O magnum mysterium'
recording of:
Missa 'O magnum mysterium': V. Benedictus
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1592)
part of:
Missa 'O magnum mysterium'
Tomás Luis de Victoria4:31
6Missa Bell' Amfitrit Altera, Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Schola Cantorum of Oxford (from 1993-03-14 until 1993-03-16)
conductor:
Jeremy Summerly (conductor) (from 1993-03-14 until 1993-03-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-03-14 until 1993-03-16)
recording of:
Missa Bell' Amfirit'altera, H. viii/55: I. Kyrie (from 1993-03-14 until 1993-03-16)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Bell' Amfirit'altera, H. viii/55
Orlande de Lassus3:12
7Lesson I for Maundy Thursday
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-07-23 until 1991-07-25)
conductor:
Jeremy Summerly (conductor) (from 1991-07-23 until 1991-07-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1991)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom
recording of:
Lamentationum Ieremiae Prophetae, Liber Tertius: Feria V. In Coena Domini, Lectio I (from 1991-07-23 until 1991-07-25)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Lamentationum Ieremiae Prophetae, Liber Tertius
Giovanni Pierluigi da Palestrina5:53
8Maria Magdalene
choir vocals:
The Chamberlains
conductor:
Heikki Peltola
recording of:
Maria Magdalena
composer:
Francisco Guerrero (Renaissance composer)
Francisco Guerrero7:56
9O Vigra Ac Diadema
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O virga ac diadema (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen7:55
10Masses for Four Voices, Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-12-16 until 1991-12-18)
conductor:
Jeremy Summerly (conductor) (from 1991-12-16 until 1991-12-18)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1991-12-16 until 1991-12-18)
recording of:
Mass for 4 Voices, T 1: I. Kyrie (from 1991-12-16 until 1991-12-18)
composer:
William Byrd (English composer) (from 1592 until 1593)
part of:
Mass for 4 Voices, T 1
William Byrd2:24
11Intemerata Dei Mater
engineer and producer:
Jesper Jørgensen (producer/engineer)
choir vocals:
Musica Ficta (Danish vocal ensemble) (from 1997-02-17 until 1997-02-19)
conductor:
Bo Holten (Danish composer, conductor) (from 1997-02-17 until 1997-02-19)
recorded at:
Kastelskirken in Copenhagen, Capital Region of Denmark, Denmark (from 1997-02-17 until 1997-02-19)
recording of:
Intemerata Dei mater (a 5) (from 1997-02-17 until 1997-02-19)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Chigi codex (number: 36)
Johannes Ockeghem7:40
12Si Ignoras Te
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Si ignoras te (from 1993-04-19 until 1993-04-20)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Motettorum liber quartus quinque vocibus, ex Canticis canticorum
Giovanni Pierluigi da Palestrina3:07
13Ave Maria
choir vocals:
The Chamberlains
conductor:
Heikki Peltola
recording of:
Ave Maria, gratia plena a 8
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria4:15
2▼CD
#TitleArtistRatingLength
1Ave verum corpus
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart2:53
2Jesu bleibet meine freude
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (in 1992-01)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (in 1992-01)
conductor:
Mátyás Antal (conductor) (in 1992-01)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:27
3Obo Concerto op. 9, no.5. Adagio
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1992-10-11 until 1992-10-12)
producer:
Murray Khouri (clarinettist and producer) and Judy Lieber (producer)
solo oboe:
Anthony Camden (oboist) (from 1992-10-11 until 1992-10-12)
orchestra:
City of London Sinfonia (chamber orchestra) and London Virtuosi (from 1992-10-11 until 1992-10-12)
conductor:
John Georgiadis (from 1992-10-11 until 1992-10-12)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-10-11 until 1992-10-12)
recording of:
Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo) (from 1992-10-11 until 1992-10-12)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in C major, op. 9 no. 5
Tomaso Giovanni Albinoni2:06
4Concerto for Trumpet, Adagio
engineer:
Morten Lindberg
producer:
Edward H. Tarr (trumpet player)
baroque trumpet:
Niklas Eklund (Swedish baroque trumpeter) (from 1995-08-08 until 1995-08-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1995-08-08 until 1995-08-11)
conductor:
Nils‐Erik Sparf (Swedish viol(in)ist) (from 1995-08-08 until 1995-08-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1995-08-08 until 1995-08-11)
recording of:
Trumpet Concerto in D major, TWV 51:D7: I. Adagio (from 1995-08-08 until 1995-08-11)
composer:
Georg Philipp Telemann (composer)
part of:
Trumpet Concerto in D major, TWV 51:D7
Georg Philipp Telemann2:01
5Pie Jesu
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
solo soprano vocals:
Lisa Beckley (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:36
6Regina Coeli
producer:
Martin Sauer (engineer/producer) (in 1992-04)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1992-04-01 until 1992-04-10)
orchestra:
Slovak Radio Symphony Orchestra (from 1992-04-01 until 1992-04-10)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-04-01 until 1992-04-10)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-04-01 until 1992-04-10)
recording of:
Cavalleria rusticana: “Beato voi, compar Alfio” (Lucia, Alfio) (from 1992-04-01 until 1992-04-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn) (from 1992-04-01 until 1992-04-10)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni7:20
7Bist du bei mir
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
Johann Sebastian Bach52:31
8Sonata op. 2 no.11
producer:
Hubert Geschwandtner (producer/engineer) (in 1989-01) and Karol Kopernický (producer) (in 1989-01)
trumpet:
Miroslav Kejmar (Trumpet player) (in 1989-01)
orchestra:
Capella Istropolitana (in 1989-01)
conductor:
Petr Škvor (Peter Skvor, violinist) (in 1989-01)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1989-01)
recording of:
Recorder Sonata in G minor, op. 2 no. 11: I. Adagio (Sonata no. 11 in G minor: I. Adagio)
composer:
Benedetto Marcello (composer)
part of:
Recorder Sonata in G minor, op. 2 no. 11 (Sonata no. 11 in G minor)
Benedetto Marcello2:26
9Lacrimosa dies illa
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:24
10Concerto for two violins, Largo
producer:
Günter Appenheimer (producer/engineer) (from 1989-05 until 1989-06)
violin:
Alexander Jablokov (violinist) (from 1989-05-28 until 1989-06-02) and Takako Nishizaki (violinist) (from 1989-05-28 until 1989-06-02)
orchestra:
Capella Istropolitana (from 1989-05-28 until 1989-06-02)
conductor:
Oliver von Dohnányi (conductor) (from 1989-05-28 until 1989-06-02)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-05-28 until 1989-06-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1989-05-28 until 1989-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:49
11Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budabest Camerata
conductor:
Kovács László (conductor)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach52:43
12Requiem, In Paradisum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:26
13Dance of the Blessed Spirit
flute:
Nora Shulman (from 1997-03-10 until 1997-03-14)
harp:
Judy Loman (harpist) (from 1997-03-10 until 1997-03-14)
arranger:
Judy Loman (harpist)
recorded at:
Saint John Chrysostom Church in Newmarket, Ontario, Canada (from 1997-03-10 until 1997-03-14)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (from 1997-03-10 until 1997-03-14)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck4:49
14Stabat mater dolorosa
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:32
15Missa Criolla, Kyrie
Ariel Ramírez3:53
16Concerto for Violin and Oboe, Adagio
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
oboe:
Emilia Csanky (oboist) (in 1991-11)
strings:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings) (in 1991-11)
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings) (in 1991-11)
orchestra:
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1991-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach6:33
17Panis angelicus
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
tenor vocals:
Josef Mukk (tenor)
orchestra:
Camerata Budapest
conductor:
Laszlo Hovaks (conductor)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:02
18Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budapest Camerata
conductor:
Kovács László (conductor)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert54:51
3▼CD
#TitleArtistRatingLength
1Gloria in excelsis Deo
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Jeremy Summerly (conductor) and Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (from 1993-12-03 until 1994-03-14)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi42:52
2Magnificat
engineer:
Ian Parr (engineer) (from 1993-12-02 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-02 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-02 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-02 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-02 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-02 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-02 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1993-12-02 until 1994-03-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach33:17
3Messiah, for Unto Us a Child Is Born
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:07
4Beatus vir, Gloria Patri
choir vocals:
Schola Cantorum of Oxford
orchestra:
Northern Chamber Orchestra
conductor:
Jeremy Summerly (conductor)
recording of:
Gloria in D major, RV 588: Gloria patri
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
Antonio Vivaldi2:58
5Mass in B-minor, Sanctus
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:21
6Messiah, Glory to God
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:56
7Requiem, Sanctus
miscellaneous support:
Jenő Simon
engineer:
Gábor Mocsáry (from 1996-12-22 until 1996-12-31)
producer:
Tamás Benedek (from 1996-12-22 until 1996-12-31)
bass vocals:
Carlo Colombara (operatic bass)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
mezzo-soprano vocals:
Gloria Scalchi (mezzo-soprano)
soprano vocals:
Elena Filipova (soprano)
tenor vocals:
César Hernández (tenor)
orchestra:
Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1996-12-22 until 1996-12-31)
conductor:
Pier Giorgio Morandi (conductor) (from 1996-12-22 until 1996-12-31)
chorus master:
Anikó Katona
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1996-12-22 until 1996-12-31)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 1996-12-22 until 1996-12-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:39
8Mass in B-minor, Gloria
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir)
orchestra:
Capella Istropolitana
conductor:
Christian Brembeck (German organist, harpsichordist and conductor)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia
compilation of:
Mass in B minor, BWV 232: Gloria: Et in terra pax by Friederike Wagner (soprano), Faridah Schäfer-Subrata (soprano), Martina Koppelstetter (soprano), Markus Schäfer (tenor), Hartmut Elbert (operatic bass), Slovenský filharmonický zbor (Slovak Philharmonic Choir), Capella Istropolitana, Christian Brembeck (German organist, harpsichordist and conductor) and Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo by Friederike Wagner (soprano), Faridah Schäfer-Subrata (soprano), Martina Koppelstetter (soprano), Markus Schäfer (tenor), Hartmut Elbert (operatic bass), Slovenský filharmonický zbor (Slovak Philharmonic Choir), Capella Istropolitana, Christian Brembeck (German organist, harpsichordist and conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:44
9Mass in B-minor, Osanna in excelsis
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:54
10Requiem, Sanctus
engineer:
Phillippe Pelissier (from 1994-06 until 1994-10)
organ:
Éric Lebrun (French organist and composer) (in 1994)
choir vocals:
Ensemble vocal Michel Piquemal (in 1994)
vocals:
Ensemble vocal Michel Piquemal
orchestra:
Orchestre de la Cité (in 1994)
conductor:
Michel Piquemal (French baritone and conductor) (in 1994)
recorded at:
Église Saint-Antoine-des-Quinze-Vingts in Paris, Île-de-France, France (from 1994-06 until 1994-10)
recording of:
Requiem, op. 9: IV. Sanctus (for choir, organ and reduced orchestra (1961)) (from 1994-06 until 1994-10)
composer:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1947)
arranger:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1961)
part of:
Requiem, op. 9 (for choir, organ and reduced orchestra (1961))
Maurice Duruflé3:12
11Magnificat, Gloria Patri
engineer:
Ian Parr (engineer) (from 1993-12-02 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-02 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-02 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-02 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-02 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-02 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-02 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1993-12-02 until 1994-03-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach42:29
12Aida, Gloria all'Egitto
choir vocals:
Slopvak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-03-27 until 1990-04-01)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-03-27 until 1990-04-01)
conductor:
Oliver von Dohnányi (conductor) (from 1990-03-27 until 1990-04-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi7:24
13Drottningholmsmusiken
engineer:
Torbjörn Samuelsson (engineer)
producer:
Michael Ponder
orchestra:
Uppsala Kammarorkester (Uppsala Chamber Orchestra) (from 1996-04-26 until 1996-04-28)
conductor:
Anthony Halstead (horn soloist, conductor and director) (from 1996-04-26 until 1996-04-28)
recorded at:
Bålsta Kyrkcentrum in Bålsta, Uppsala (Uppsala county), Sweden (from 1996-04-26 until 1996-04-28)
recording of:
Drottningholm Music, BeRI 2: I. Allegro (from 1996-04-26 until 1996-04-28)
composer:
Johan Helmich Roman (composer)
part of:
Drottningholm Music, BeRI 2
Johan Helmich Roman2:10
14Ein feste Burg ist unser Gott
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
vocals:
Magyar Rádió és Televízió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:54
15Messiah, Halleluja
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals and orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:41
16Symphony no. 9, Finale
orchestra:
Nicolaus Esterházy Sinfonia
conductor:
Béla Drahos (flutist and conductor)
edit of:
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto by Ruxandra Donose (mezzo-soprano), Manfred Fink (tenor), Nicolaus Esterházy Choir, Claudio Otelli (bass-baritone), Hasmik Papian (soprano), Nicolaus Esterházy Sinfonia, Béla Drahos (flutist and conductor)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:39