In Classical Mood: Opera Favorites: Quest for Freedom

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Don Carlos: Dio, che nell'alma infondere amor...
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Friar]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
tenor vocals [Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:47
2Don Carlos: Oh, Carlos! Oh, Carlos!
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
soprano vocals [Elisabeth]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:04
3Don Carlos: Ella giammai m'amò!
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
bass vocals [Philip II]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:02
4Don Carlos: O don fatale, o don crude!
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
mezzo-soprano vocals [Eboli]:
Agnes Baltsa (mezzo-soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:29
5Don Carlos: Ma lassù ci vedremo
engineer:
Wolfgang Gülich (engineer)
producer:
Michel Glotz
bass vocals [Friar/Charles V]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Philip II]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [The Inquisitor]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabeth]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:59
6Fidelio: Abscheulicher! Wo eilst du hin?
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:38
7Fidelio: Gott! Welch Dunkel hier!
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven7:45
8Fidelio: Er sterbe! Doch er soll erst wissen...
baritone vocals [Don Pizarro]:
Zoltán Kelemen (operatic bass) (from 1970-10 until 1970-12)
bass vocals [Rocco]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:46
9Fidelio: O namenlose Freude!
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:02
10Fidelio: Wer ein holdes Weib errungen...
baritone vocals [Don Fernando]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
bass vocals [Rocco]:
Karl Ridderbusch (operatic bass) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1970-10 until 1970-12)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Florestan]:
Jon Vickers (tenor) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst R. Laubenthal (tenor) (from 1970-10 until 1970-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
chorus master:
Walter Hagen-Groll (chorus master) (from 1970-10 until 1970-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:09
11The Girl of the Golden West: Introduction
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. Introduzione (coro)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini1:17
12The Girl of the Golden West: Minnie, dalla mia casa son partito
baritone vocals [Rance]:
Andrea Mongelli
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. “Minnie, dalla mia casa son partito” (Rance)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini2:06
13The Girl of the Golden West: Laggiù nel Soledad
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. “Laggiù nel Soledad” (Minnie, Rance, Johnson)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini2:27
14The Girl of the Golden West: Mister Johnson, siete rimasto indietro
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto I. “Oh, signor Johnson, siete rimaste indietro” (Minnie, Johnson)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
Giacomo Puccini4:19
15The Girl of the Golden West: Vieni fuori!... Or son sei mesi che mio padre mori...
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson)
composer:
Giacomo Puccini (Italian composer)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto II
Giacomo Puccini5:01
16The Girl of the Golden West: Ch'ella mi creda
baritone vocals [Rance]:
Andrea Mongelli
choir vocals [Miners]:
Coro del Teatro alla Scala
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:29
17The Girl of the Golden West: Le tue parole dono di Dio
baritone vocals [Sonora]:
Enzo Sordello (baritone)
choir vocals [Miners]:
Coro del Teatro alla Scala
soprano vocals [Minnie]:
Birgit Nilsson (soprano)
tenor vocals [Johnson]:
João Gibin
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recording of:
La fanciulla del West: Atto III. “Le tue parole sono di Dio” (Sonora, Johnson, Minnie, tutti)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:46

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part of:In Classical Mood (number: 57) (order: 53)