Top Rock Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer + iTunes)

(As of 2025-05-08).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russia (ru)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇺🇿 Uzbekistan (uz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk) 🇦🇫 Afghanistan (af)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl) 🇲🇲 Myanmar (mm)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotation last modified on 2025-05-08 06:59 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:13
2Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
producer:
Jeff Saltzman (music attorney and record producer) and The Killers (American rock band)
mixer:
Mark Needham
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 4), NME: Greatest “Indie” Anthems Ever: 2007 (number: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 378)
recording of:
Mr. Brightside
writer:
Brandon Flowers and Dave Keuning
publisher:
The Killers Publishing and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:44
3Livin’ on a Prayer
assistant engineer:
Tim Crich
engineer and mixer:
Bob Rock
producer:
Bruce Fairbairn
acoustic guitar, electric guitar, guitar synthesizer [IVL Guitar Synths] and talkbox:
Richie Sambora
drums (drum set) and percussion:
Tico Torres
electric bass guitar [Bass]:
Alec John Such
keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
background vocals [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora and Alec John Such
lead vocals:
Jon Bon Jovi
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
music videos:
Livin’ on a Prayer by Bon Jovi (group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 146), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 457)
recording of:
Livin’ on a Prayer
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:11
4Dog Days Are Over
recording engineer:
Jimmy Robertson (sound engineer)
additional producer:
Isabella Summers
producer:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
mixer:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) and Jimmy Robertson (sound engineer)
additional piano and bass guitar:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
cello:
Ian Burdge (cellist)
drums (drum set):
Christopher Lloyd Hayden
guitar:
Rob Ackroyd
harp:
Tom Moth (harpist)
piano:
Isabella Summers
viola:
Bruce White (violist)
violin:
Sally Herbert (violinist, composer, and conductor) and Everton Nelson (violinist)
lead vocals:
Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
recorded at:
The Garden (John Foxx's studio in London) in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
music videos:
Dog Days Are Over (music video) by Florence + the Machine
instrumental versions:
Dog Days Are Over (instrumental) by Florence + the Machine
part of:
Indie 88: Top 500 Indie Rock Songs (number: 164)
recording of:
Dog Days Are Over
writer:
Isabella Summers and Florence Welch (English singer)
publisher:
Florence + the Machine Limited and Universal Music Publishing (UK) Ltd.
Florence + the Machine3.84:13
5Paint It, Black
producer:
Andrew Loog Oldham
sitar:
Brian Jones (Rolling Stones member)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 174) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 213)
recording of:
Paint It Black
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. and Westminster Music Ltd.
The Rolling Stones3.853:44
6The Middle
synthesizer programming:
Mark Trombino
engineer and mixer:
Mark Trombino
producer:
Jimmy Eat World and Mark Trombino
bass guitar:
Rick Burch
drums (drum set):
Zach Lind
guitar and percussion:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
vocals:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 76) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 313)
recording of:
The Middle
writer:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World), Rick Burch, Zach Lind and Tom Linton
Jimmy Eat World4.42:46
7Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:45
8The Kids Aren’t Alright
miscellaneous support:
Janie Rangel (task: studios assistants) and Elan Trujillo (task: studios assistants)
assistant engineer:
Annette Cisneros
engineer:
Bryan Carlstrom (engineer, producer)
producer and mixer:
Dave Jerden
bass guitar:
Greg K
drums (drum set):
Ron Welty
guitar:
Noodles (Kevin Wasserman)
lead vocals:
Dexter Holland
phonographic copyright (℗) by:
Epitaph (in 1994)
recorded at and mixed at:
Eldorado Recording Studios in Burbank, California, United States
recording of:
The Kids Aren’t Alright
lyricist and composer:
Dexter Holland
publisher:
Round Hill Works, Underachiever Music and Wixen Music Publishing, Inc.
The Offspring4.33:00
9All the Small Things
engineer:
Sean O’Dwyer (US producer & engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000)
music videos:
All the Small Things (music video) by blink‐182
part of:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 365)
recording of:
All the Small Things
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.42:51
10Roxanne
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police (British rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
11What’s Up?
recording engineer:
David Tickle (in 1992) and Mark Hensley (in 1992)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes3.84:52
12Break Stuff
recording engineer:
Terry Date (American record producer and engineer)
additional engineer:
John Ewing, Jr. (engineer)
assistant engineer:
Markus Ulibarri and Cameron Webb (engineer)
producer:
Terry Date (American record producer and engineer) and Limp Bizkit
assistant mixer:
Karl Egsieker and Ryan Williams (US recording engineer/producer)
mixer:
Brendan O’Brien (engineer)
music videos:
Break Stuff by Limp Bizkit
recording of:
Break Stuff
lyricist:
Leor Dimant and William Frederick Durst
composer:
John Everett Otto (Limp Bizkit drummer), Brendan O’Brien (engineer), Samuel Robert Rivers (Limp Bizkit bassist) and Wesley Louden Borland
publisher:
Big Bizkit Music Enterprises, Charlie Noble Music, Lethal Dose Music, Universal Music–Z Tunes LLC and Zomba Enterprises, Inc.
Limp Bizkit4.62:47
13Island in the Sun
assistant recording engineer:
Alan Sanderson
assistant mixer:
Femio Hernandez
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States (in 2000-12)
mixed at:
South Beach Studios in Miami Beach, Florida, United States (in 2001-01)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 196)
recording of:
Island in the Sun (Weezer)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Weezer4.33:20
14Centuries
producer:
J.R. Rotem and Omega (producer)
phonographic copyright (℗) by:
Island Records (Island, imprint of Island Records, a division of Universal Music Group) (in 2015)
samples:
Tom’s Diner by Suzanne Vega (American singer-songwriter)
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 43)
recording of:
Centuries
writer:
Michael Fonseca, Andy Hurley (rock drummer from the US), J.R. Rotem, Raja Kumari, Patrick Stump, Justin Tranter (singer and songwriter), Joe Trohman, Suzanne Vega (American singer-songwriter) and Pete Wentz
publisher:
Chicago X Softcore Songs, Ganges Flow Music, Jonathan Rotem Music, Justin’s School for Girls, Music of Radar, Sony/ATV Songs LLC, The Great O Music, These Are Songs of Pulse (ASCAP), Waifersongs Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
quotes music from:
Tom’s Diner
Fall Out Boy3.13:49
15Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.855:11
16Mr. Jones
recorded in:
Los Angeles, California, United States
recording engineer:
Pat McCarthy
additional engineer:
Robert Hart (engineer), Steve Holroyd and Howard Willing
assistant engineer:
Mark Guilbeault and Brant Scott
executive producer:
Gary Gersh
producer:
T‐Bone Burnett (musician, songwriter and producer)
mixer:
Scott Litt (producer and engineer) and Pat McCarthy
accordion, chamberlin and Hammond organ:
Charlie Gillingham
additional drums (drum set) and additional percussion:
Denny Fongheiser
additional guitar:
T‐Bone Burnett (musician, songwriter and producer), Bill Dillon and David Immerglück
additional guitorgan:
Bill Dillon
additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
David Immerglück
bass guitar:
Matt Malley
guitar:
David Bryson and Matt Malley
harmonica and lead vocals:
Adam Duritz
piano:
Adam Duritz and Charlie Gillingham
additional background vocals:
Gary Louris, Maria McKee and Mark Olson (US alt. country musician, Jayhawks etc)
vocals:
Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
additionally recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
music videos:
Mr. Jones by Counting Crows
part of:
Indie 88: Top 500 Indie Rock Songs (number: 474)
recording of:
Mr. Jones
lyricist:
Adam Duritz
composer:
David Bryson and Adam Duritz
Counting Crows4.154:33
17The Kill (Bury Me)
recording engineer and mixer:
Ryan Williams (US recording engineer/producer)
additional engineer:
Brian Virtue
producer:
Josh Abraham, THIRTYSECONDSTOMARS and Brian Virtue
assistant mixer:
Brandon Belsky
piano:
Matt Serletic
performer:
Jared Leto, Matt Wachter, Shannon Leto and Tomo Milicevic
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2005) and Virgin Records (holding company for Virgin) (in 2016)
mixed at:
Pulse Recording in Los Angeles, California, United States
music videos:
The Kill (music video) by Thirty Seconds to Mars
recording of:
The Kill
lyricist and composer:
Jared Leto
publisher:
Apocraphex Music
Thirty Seconds to Mars4.43:52
18Dragula
additional programming:
Paul DeCarli
programming, engineer and mixer:
Scott Humphrey
additional engineer:
Frank Gryner
producer:
Scott Humphrey and Rob Zombie
additional mixer:
Chris Lord‐Alge
lead vocals:
Rob Zombie
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
music videos:
Dragula (music video) by Rob Zombie
recording of:
Dragula
lyricist:
Rob Zombie
composer:
Scott Humphrey and Rob Zombie
publisher:
Demonoid Deluxe Music, Gimme Back My Publishing and WB Music Corp. (1929–2019)
Rob Zombie4.53:43
19You’ve Got the Love
assistant engineer:
Al Riley (engineer)
producer:
Charlie Hugall (producer/songwriter/engineer)
assistant mixer:
Neil Comber (engineer)
mixer:
Cenzo Townsend (engineer)
additional bass:
Charlie Hugall (producer/songwriter/engineer)
drums (drum set):
Christopher Lloyd Hayden
guitar:
Rob Ackroyd
harp:
Tom Moth (harpist)
piano:
Isabella Summers
lead vocals:
Florence Welch (English singer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
recorded at:
The Dairy Studios in Brixton, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
cover recording of:
You Got the Love
writer:
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) and Anthony B. Stephens
publisher:
Polygram Music Publ. and Warner Chappell (Warner/Chappell Music, Inc.)
is based on:
Your Love
recording of:
You Got the Love
writer:
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) and Anthony B. Stephens
publisher:
Polygram Music Publ. and Warner Chappell (Warner/Chappell Music, Inc.)
is based on:
Your Love
Florence + the Machine3.752:49
201979
engineer:
Flood (British producer Mark Ellis), Jeff Moleski and Claudine Pontier
producer and mixer:
Billy Corgan, Flood (British producer Mark Ellis) and Alan Moulder (producer and engineer)
assistant mixer:
Barry “Sounds Like Gold” Goldberg (audio engineer)
lead vocals:
Billy Corgan
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1995)
music videos:
1979 (music video) by The Smashing Pumpkins
part of:
Indie 88: Top 500 Indie Rock Songs (number: 8)
recording of:
1979
lyricist and composer:
Billy Corgan
The Smashing Pumpkins4.44:27
21King for a Day
recorded in:
New Jersey, United States
additional engineer and additional editor:
Brian Robbins (engineer) and Jim Romano
engineer:
John Bender (engineer)
co-producer:
Kato Khandwala and Dan Korneff (producer, mixer & engineer)
mixer:
Dan Korneff (producer, mixer & engineer)
editor:
Alex Prieto
bass guitar:
Jaime Preciado
drums (drum set) and percussion:
Mike Fuentes
guitar:
Vic Fuentes and Tony Perry (Pierce the Veil guitarist)
piano [keys]:
Dave Yaden
guest vocals:
Kellin Quinn
vocals:
Vic Fuentes
guitar technician:
Alex Prieto
phonographic copyright (℗) by:
Fearless Records, LLC (not a release label) (in 2012, in 2013)
recorded at:
House of Loud in Elmwood Park, New Jersey, United States
music videos:
King for a Day by Pierce the Veil feat. Kellin Quinn
recording of:
King for a Day
written in:
Big Bear Lake, California, United States
lyricist:
Vic Fuentes and Kellin Quinn
composer:
Vic Fuentes, Mike Fuentes, Curtis Peoples, Tony Perry (Pierce the Veil guitarist), Jaime Preciado, Kellin Quinn and Steve Miller (US producer, engineer)
Pierce the Veil feat. Kellin Quinn3:56
22I Feel Like I’m Drowning
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2017)
recording of:
I Feel Like I’m Drowning
lyricist and composer:
Zachary Dess
Two Feet33:06
23Learning to Fly
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
bass, guitar and keyboard and background vocals:
Jeff Lynne (in 1991)
guitar, percussion and background vocals and lead vocals:
Tom Petty (in 1991)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991) and Geffen Records (in 2014)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1991)
recording of:
Learning to Fly (in 1991)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc. and Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers4.54:02
24Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bell, percussion and timpani:
Frank Capp (on 1966-01-22)
double bass:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22)
electric bass guitar [Dano Bass]:
Ray Pohlman (on 1966-01-22)
guitar:
Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
tack piano:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
Wouldn’t It Be Nice (mono) by The Beach Boys (American rock band)
recording of:
Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.752:33
25Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.354:10
26My Sharona
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4:52
27Midnight Rider
recording of:
Midnight Rider
lyricist and writer:
Gregg Allman and Robert Kim Payne
composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band2:58
28Shiny Happy People
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and organ:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
guest vocals:
Kate Pierson
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
strings arranger:
Mark Bingham
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991) and R.E.M./Athens L.L.C. (in 2016)
music videos:
Shiny Happy People (music video) by R.E.M. (American rock band)
recording of:
Shiny Happy People
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
R.E.M.43:46
29No One Knows
producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
music videos:
No One Knows by Queens of the Stone Age
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2002), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 31) and Indie 88: Top 500 Indie Rock Songs (number: 103)
live recording of:
No One Knows
writer:
Josh Homme (Queens of the Stone Age frontman), Mark Lanegan and Nick Oliveri
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Songs LLC and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Queens of the Stone Age4.554:39
30No Rain
assistant engineer:
Mr. Jon Plum
engineer:
Rick Parashar
producer and mixer:
Blind Melon and Rick Parashar
acoustic guitar [Gibson J-30]:
Christopher Thorn
bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
drums (drum set), finger snaps, percussion and shakers:
Glen Graham (Blind Melon percussionist)
electric guitar [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
background vocals and lead vocals:
Shannon Hoon
recorded at:
London Bridge Studios in Seattle, Washington, United States
music videos:
No Rain by Blind Melon
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 414)
recording of:
No Rain
writer:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens and Christopher Thorn
publisher:
EMI April Music Inc. and Heavy Melon Music
Blind Melon4.353:37