101 Beer Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:49
2What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.752:55
3Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:24
4Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
DEVO4.52:38
5My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.24:00
6Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry3.352:57
7Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:56
8Don’t Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-03 until 1979-04)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 215)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.454:03
9Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Warner/Chappell Music Ltd. (1996–2019)
J. Geils Band43:37
10Let’s Go
assistant engineer:
George Tutko (engineer, producer)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
bass guitar and lead vocals:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set) and percussion:
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Let’s Go
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corporation and Lido Music, Inc. (in 1979)
The Cars43:33
11The Boys Are Back in Town
producer:
A.P. Alexakis (Singer and guitarist of the rock band Everclear.)
cover recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Everclear44:10
12Better
phonographic copyright (℗) by:
rooArt (in 1991)
recording of:
Better
writer:
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:37
13Epic
recording of:
Epic
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More53:57
14Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:01
15Before Too Long
phonographic copyright (℗) by:
Paul Kelly (Australian singer/songwriter) (in 1986)
recording of:
Before Too Long (Paul Kelly song)
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly & the Coloured Girls3.53:21
16Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:08
17Milk and Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.22:46
18La Grange
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar:
Billy Gibbons
vocals:
Billy Gibbons and Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
La Grange
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
is based on:
Boogie Chillen’
ZZ Top4.253:49
19Gimme Head
recording of:
Gimme Head (The Radiators song)
lyricist and composer:
Geoff Turner
The Radiators2:37
20I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:36
2▼CD
#TitleArtistRatingLength
1The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.155:08
2Hit Me With Your Best Shot
engineer:
Chris Minto (engineer) and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer)
bass:
Roger Capps
drums (drum set):
Myron Grombacher
guitar:
Scott St. Clair Sheets
guitar and keyboard:
Neil Giraldo
background vocals:
Roger Capps and Neil Giraldo
background vocals and lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980)
recording of:
Hit Me With Your Best Shot
lyricist and composer:
Eddie Schwartz
publisher:
Round Hill Songs and Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:51
3Unskinny Bop
additional engineer:
Ken Lomas
engineer and mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
co-producer:
Mike Fraser (Canadian record producer, engineer and mixer)
producer:
Bruce Fairbairn
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990, in 2006)
recording of:
Unskinny Bop
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing
Poison4.253:47
4Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Sweet4.64:01
52‐4‐6‐8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:15
6Boys in Town
bass:
Rick Grossman
drums (drum set):
Richard Harvey (Australian drummer)
guitar:
Bjarn Ohlin and Mark McEntee
keyboard:
Bjarn Ohlin
vocals:
Christina Amphlett
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Boys in Town
writer:
Chrissy Amphlett, Mark McEntee and Jeremy Paul (bassist, Air Supply, Divinyls)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Songs
Divinyls32:51
7Juke Box Hero
recording of:
Juke Box Hero
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4:20
8Soul Revival
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Soul Revival
writer:
Diesel (Australian pop rock aka Mark Lizotte)
Johnny Diesel & the Injectors34:02
9Some Like It Hot
additional engineer:
Rob Eaton, Steve Rinkoff and Tony Taverner
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
bass guitar:
John Taylor (UK bassist for Duran Duran)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
lead vocals:
Robert Palmer (English singer‐songwriter)
performer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Tony Thompson (drummer, best known for his work in CHIC)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at and engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Some Like It Hot
writer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) and John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music and Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:05
10Get Free
recording engineer:
Doug Boehm (from 2001-07 until 2002-02)
producer:
Rob Schnapf
mixer:
Rob Schnapf and Andy Wallace (engineer) (in 2001)
bass:
Patrick Matthews (from 2001-07 until 2002-02)
drums (drum set):
Joey Waronker (from 2001-07 until 2002-02)
electric guitar, tambourine, background vocals and lead vocals:
Craig Nicholls (from 2001-07 until 2002-02)
phonographic copyright (℗) by:
Engine Room Music Pty Limited (in 2002)
recorded at:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States (from 2001-07 until 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States (in 2001)
recording of:
Get Free (Vines song) (from 2001-07 until 2002-02)
lyricist and composer:
Craig Nicholls
writer:
The Vines (Australian alternative rock band)
publisher:
Mushroom Music Pty. Ltd.
The Vines4.252:05
11O Yeah
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2005)
recording of:
O Yeah
writer:
Justin Burford
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
is based on:
Where Is My Mind?
End of Fashion3:00
12Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:06
13Don’t Fall in Love
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1977)
recording of:
Don't Fall In Love
writer:
Ian Davis (The Ferrets) and Ken Firth
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
The Ferrets3:12
14Sex and Candy
engineer:
Ken Gioia and Jim Sabella
producer:
John Wozniak (Marcy Playground singer & guitarist)
mixer:
Ken Gioia and Marcy Playground
acoustic guitar and electric guitar:
John Wozniak (Marcy Playground singer & guitarist)
bass and drums (drum set):
Jared Kotler
vocals:
John Wozniak (Marcy Playground singer & guitarist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at and mixed at:
Sabella Studios in Roslyn, New York, United States
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 285)
recording of:
Sex and Candy
lyricist and composer:
John Wozniak (Marcy Playground singer & guitarist)
publisher:
Wozniak Publishing
Marcy Playground3.92:51
15Wild Wild West
recording of:
Wild, Wild West
writer:
Johnnie Christo, John Holliday, Amos Pizzey, Trevor Steel and Milan Zekavica
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 1988)
The Escape Club4:05
16Just a Gigolo / I Ain’t Got Nobody
engineer:
Jeff Hendrickson (sound engineer)
producer:
Ted Templeman
bass guitar:
Willie Weeks (US bass player)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Eddie Martinez (guitar) and Sid McGinnis (American musician and guitarist)
keyboard, saxophone and background vocals:
Edgar Winter
percussion:
Sammy Figueroa
synthesizer:
Brian Mann (keyboardist, accordionist, composer)
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
cover recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
David Lee Roth3.44:41
17Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) and EMI Records Group (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 284)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:51
18Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:01
19California Girls
producer:
Brian Wilson (Beach Boys co‐founder)
lead vocals:
Mike Love (Beach Boys)
remixer:
Mark Linett (in 2002)
remixed at:
Your Place or Mine Recording in Glendale, California, United States (in 2002)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 71)
instrumental recording of:
California Girls
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
The Beach Boys4.52:44
20Thank God I’m a Country Boy
recording of:
Thank God I’m a Country Boy
lyricist and composer:
John Martin Sommers
publisher:
Chrysalis One Australia Pty. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Pty. Ltd. (Mushroom label’s publishing company)
John Denver3:20
21You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:38
3▼CD
#TitleArtistRatingLength
1Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonanno and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.83:50
2Here I Go Again ’87
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:32
3Love Shack
producer:
Don Was
edit of:
Love Shack by The B‐52s
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s3.54:19
4Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.153:32
5Lust for Life
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (used for copyrights) (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
recording of:
Lust for Life (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
David Bowie (English singer‐songwriter) and Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop4.455:11
6Mony Mony
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1981-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1981)
music videos:
Mony, Mony (live) by Billy Idol (English rock singer‐songwriter)
cover recording of:
Mony Mony (in 1981-07)
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Billy Idol3.255:00
7He’s Gonna Step on You Again
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:07
8Fall of Rome
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Fall of Rome
lyricist and composer:
James Reyne
publisher:
Mushroom Music Pty. Ltd. and Mushroom Music Publishing
James Reyne4:57
9Dream Police
engineer:
Mike Beiriger and Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978, in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978, in 1979), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Dream Police (in 1978)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1978 until 1979)
Cheap Trick3.53:50
10Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.954:25
11Out of Mind Out of Sight
producer:
Mark Opitz
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1985) and Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1993)
recording of:
Out of Mind Out of Sight
lyricist and composer:
James Freud
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Models3:35
12Come Said the Boy
Mondo Rock5:13
13Who Listens to the Radio
The Sports3:13
14Shape I’m In
Jo Jo Zep & the Falcons3:29
15And She Was
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass guitar and bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads & producer)
background vocals:
Jerry Harrison (Talking Heads & producer) and Tina Weymouth
lead vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1985) and Talking Heads Tours Inc. (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
music videos:
And She Was (video) by Talking Heads
part of:
Indie 88: Top 500 Indie Rock Songs (number: 453)
recording of:
And She Was
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:38
16Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.254:14
17Semi‐Charmed Life
Third Eye Blind4:27
18Long Cool Woman (In a Black Dress)
The Hollies3:14
19The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:32
4▼CD
#TitleArtistRatingLength
1Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:23
2Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:56
3Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.453:13
4The Nips Are Getting Bigger
producer:
Cameron Allan
recorded at:
United Sound, Sydney, Australia in Sydney, New South Wales, Australia
recording of:
The Nips Are Getting Bigger
composer:
Martin Plaza (Australian musician)
Mental as Anything33:20
5Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha & the Muffins3.63:31
6April Sun in Cuba
electric bass guitar:
Todd Hunter (Todd Stuart Hunter of Dragon)
guitar:
Robert Taylor (Singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
lead vocals:
Marc Hunter
vocals:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) and Robert Taylor (Singer-songwriter and guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1977) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1977)
recording of:
April Sun in Cuba
composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. and Essex Music of Australia Pty. Ltd.
part of:
APRA Top 100 New Zealand Songs of All Time (number: 10)
Dragon3:25
7Turn Up Your Radio
Masters Apprentices3:31
8Little Green Bag
recording of:
Little Green Bag
writer:
Hans Bouwens and Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection4:01
9One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:31
10Counting the Beat
The Swingers3:00
11Cum on Feel the Noize
Quiet Riot4:44
12Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Suzi Quatro3:47
13Ever Fallen in Love (with Someone You Shouldn’t’ve)?
The Buzzcocks2:40
14Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple3.953:44
15Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.653:30
16Place Your Hands
recording of:
Place Your Hands
writer:
John Bessant, Dominic Greensmith, Kenwyn House and Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef3:37
17Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Creation Records Ltd. (in 1994) and Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:32
18Mustang Sally
Wilson Pickett3:06
19Girls on the Avenue
phonographic copyright (℗) by:
Festival Records (Australian) (in 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1975) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Girls on the Avenue (Richard Clapton song)
writer:
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton3:10
20I Walk the Line
recording of:
I Walk the Line
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:44
21Khe Sanh
engineer:
Alan Wright (engineer)
acoustic guitar:
Peter Walker (Australian producer & engineer)
bass:
Phil Small
drums (drum set):
Steve Prestwich
guitar:
Ian Moss
harmonica:
Dave Blight
organ and piano:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (in 1991, in 2001) and Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1991)
recording of:
Khe Sanh
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Rondor Music, Rondor Music (Australia) Pty Ltd and Universal Music Publishing Group, Pty. Ltd
Cold Chisel4:08
5▶CD

Credits

Release group

part of:101 Hits (Australian compilation series) (number: Beer Songs) (order: 9)