Pure Classic Moods

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Dreaming, Beauty & Sensuality
#TitleArtistRatingLength
1Adagio from Piano Concerto no. 5 “The Emperor”
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
orchestra:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
balance engineer:
Simon Eadon (classical music engineer) (from 1986-04 to present, in 1986-04) and Colin Moorfoot (engineer) (from 1986-04 to present, in 1986-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1986-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:48
2Humming Chorus from “Madama Butterfly”
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:00
3Minuet
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1984-02)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:47
4Pantomime from “Zémire and Azor” (arranged. by Beecham)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
arranger:
Sir Thomas Beecham (conductor)
edit of:
Zémire et Azor: Pantomine and Finale (arr. Beecham) by Richard Hickox Orchestra, Richard Hickox (conductor)
partial recording of:
Zémire et Azor (catch-all for arrangements)
composer:
André Grétry (French/Belgian 18/19th century composer)
arrangement of:
Zémire et Azor
André-Ernest-Modeste Grétry3:33
5Clair de lune
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1977, in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (from 1977-05 to present, in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1977-05)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1977)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:37
6In paradisum from Requiem
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:19
7Aquarium from “Carnival of the Animals”
engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:36
8Adagio from “Concierto de aranjuez” (arranged for harp)
guitar and harp:
Marisa Robles (Spanish harpist) (in 1983-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-08)
conductor:
Charles Dutoit (conductor) (in 1983-08)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1983-08)
partial recording of:
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (in 1983-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
arranger:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1974)
arrangement of:
Concierto de Aranjuez: II. Adagio
part of:
Concierto de Aranjuez (for harp and orchestra, Rodrigo 1974)
Joaquín Rodrigo5:50
9Sous les tilleuls from “Scenes alsaciennes”
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Scènes alsaciennes: III. Sous les tilleuls
composer:
Jules Massenet (French Romantic composer)
part of:
Scènes alsaciennes
Jules Massenet4:13
10Baïlèro from Songs of the Auvergne
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:47
11Scherzo from String Quartet
string quartet:
Ysaÿe Quartet (French string quartet, active 1984-2014)
recording of:
String Quartet in F major: II. Assez vif - Très rythmé
composer:
Maurice Ravel (French composer) (from 1902 until 1903)
part of:
String Quartet in F major
Maurice Ravel6:22
12Love in the Close from “The Choir”
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1995-01 until 1995-02)
recording of:
Love in the Close (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz2:43
13Granada from Suite española (arranged for guitar)
guitar:
Nicola Hall
Mateo Albéniz5:12
14Andante from Piano Concerto no. 21, K. 467
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Israeli conductor) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3.37:18
15In trutina from “Carmina Burana”
sound engineer:
Stanley Goodall (engineer) (in 1983-06) and Colin Moorfoot (engineer) (in 1983-06)
producer:
James Mallinson (producer)
soprano vocals:
Sylvia Greenberg (in 1983-06)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1983-06)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1983-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:29
16Pavane
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1981-06)
orchestra:
Academy of St Martin in the Fields (in 1981-06)
conductor:
Sir Neville Marriner (conductor) (in 1981-06)
balance engineer:
Stanley Goodall (engineer) (in 1981-06)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1981-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:43
2▼CD: Reflection, Calm & Heartfelt Sensations
#TitleArtistRatingLength
1Adagio from Concerto for Oboe and Violin, BWV 1060
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:19
2Gnossienne no. 5
piano:
Pascal Rogé (pianist) (in 1983-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
6 Gnossiennes by Pascal Rogé (pianist)
recording of:
Gnossienne no. 5 (in 1983-05)
composer:
Erik Satie (French composer) (in 1889)
Erik Satie4:08
3Adagio from Cello Concerto
cello:
Lynn Harrell (cellist) (in 1979-10)
orchestra:
The Cleveland Orchestra (in 1979-10)
conductor:
Lorin Maazel (conductor) (in 1979-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) and Karussell UK Ltd (company credits only; do NOT use as release label!) (in 1993)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1979-10)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (in 1979-10)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar4:57
4Adagio from Clarinet Concerto
engineer:
John Pellowe (audio engineer)
producer:
Paul Myers (classical record producer) and Michael Woolcock (producer)
clarinet:
Franklin Cohen (clarinetist) (on 1991-10-06)
orchestra:
The Cleveland Orchestra (on 1991-10-06)
conductor:
Christoph von Dohnányi (German conductor) (on 1991-10-06)
balance engineer:
John Pellowe (audio engineer) and Philip Siney (sound engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1991-10-06)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (on 1991-10-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:20
5Andante lento from Harp Concerto
engineer:
Kenneth Wilkinson (engineer)
producer:
Chris Hazell
harp:
Marisa Robles (Spanish harpist) (in 1980-02)
orchestra:
Academy of St Martin in the Fields (in 1980-02)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1980-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Harp Concerto in C major, op. 77: II. Andante - Lento (in 1980-02)
composer:
François‐Adrien Boïeldieu
part of:
Harp Concerto in C major, op. 77
François‐Adrien Boïeldieu4:23
6Solveig's Song from “Peer Gynt”
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (from 1989-05-30 until 1989-06-03)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg5:39
7Für Elise
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-05)
balance engineer:
Colin Moorfoot (engineer) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1984 to present) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1984-05)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1984-05)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:00
8Song Without Words, op 40 no. 6
producer:
Raymond Few (Ray Few, producer) and Tim McDonald (producer)
orchestra:
London Symphony Orchestra (in 1972-06)
conductor:
Leopold Stokowski (conductor) (in 1972-06)
balance engineer:
Arthur Lilley (engineer) (in 1972-06)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1972-06)
recording of:
Chant sans paroles (orch. by Stokowski) (in 1972-06)
orchestrator:
Leopold Stokowski (conductor)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
orchestration of:
12 pieces, op. 40 no. 6: Chant sans paroles (for piano)
Пётр Ильич Чайковский3:21
9Dance of the Blessed Spirits from “Orfeo & Euridice”
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgart Chamber Orchestra (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Rien de Reede (flutist)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (in 1984-02)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:40
10To a Wild Rose & To a Water Lily
piano:
Joseph Cooper (pianist and broadcaster) (in 1977-07)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano) (in 1977-07)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
recording of:
10 Woodland Sketches, op. 51: No. 6. To a Water Lily (in 1977-07)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
Edward MacDowell4:48
11Adagio
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Adagio for Strings and Organ in G minor (in 1984-02)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni6:39
12Dance of the Girls with Lillies from “Romeo & Juliet”
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1989-10-04 until 1989-10-05)
conductor:
Charles Dutoit (conductor) (from 1989-10-04 until 1989-10-05)
balance engineer:
John Dunkerley (engineer) (from 1989-10-04 until 1989-10-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1989-10-04 until 1989-10-05)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 49. Dance of the girls with the lilies (from 1989-10-04 until 1989-10-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:33
135 Variants on Dives and Lazarus (opening)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
Ralph Vaughan Williams5:17
14Nocturne in E-flat major, op. 9 no. 2
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:17
15Prayer from “Hansel & Gretel”
performer:
Frank Chacksfield & His Orchestra
Engelbert Humperdinck4:47
16Gymnopédie no. 1
engineer and balance engineer:
John Dunkerley (engineer)
producer:
Paul Myers (classical record producer)
editor:
Jonathan Stokes (engineer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy) (in 1987-10)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1987-10)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie2:53

Credits

Release

ASIN:UK: B000027CZU [info]