Favourites from the Classics: Mozart, Volume 2

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Elegance & Dignity
#TitleRatingLength
1Piano Concerto #23 in A, K 488: 1. Allegro
engineer:
Horváth János (János Horváth, engineer) (from 1989-09 until 1989-10)
producer:
Ibolya Tóth (from 1989-09 until 1989-10)
piano:
Jenő Jandó (pianist) (from 1989-09-28 until 1989-10-17)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra) (from 1989-09-28 until 1989-10-17)
conductor:
Mátyás Antal (conductor) (from 1989-09-28 until 1989-10-17)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-09-28 until 1989-10-17)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro (from 1989-09-28 until 1989-10-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
10:31
2Piano Concerto #23 in A, K 488: 2. Adagio
piano:
Jenő Jandó (pianist)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra)
conductor:
Mátyás Antal (conductor)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
6:25
3Piano Concerto #23 in A, K 488: 3. Allegro Assai
engineer:
Horváth János (János Horváth, engineer) (from 1989-09 until 1989-10)
producer:
Ibolya Tóth (from 1989-09 until 1989-10)
piano:
Jenő Jandó (pianist) (from 1989-09-28 until 1989-10-17)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra) (from 1989-09-28 until 1989-10-17)
conductor:
Mátyás Antal (conductor) (from 1989-09-28 until 1989-10-17)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-09-28 until 1989-10-17)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai (from 1989-09-28 until 1989-10-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
partial recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
7:50
4Horn Concerto #2 in E-flat, K. 417: 1. Allegro Maestoso
producer:
Hubert Geschwandtner (producer/engineer) (in 1988-11) and Karol Kopernický (producer) (in 1988-11)
French horn:
Milos Stevove (in 1988-11)
horn:
Milos Stevove
orchestra:
Capella Istropolitana (in 1988-11)
conductor:
Jozef Kopelman (violinist) (in 1988-11)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-11)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro (in 1988-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
6:22
5Horn Concerto #2 in E-flat, K. 417: 2. Andante
producer:
Hubert Geschwandtner (producer/engineer) (in 1988-11) and Karol Kopernický (producer) (in 1988-11)
French horn:
Milos Stevove (in 1988-11)
horn:
Milos Stevove
orchestra:
Capella Istropolitana (in 1988-11)
conductor:
Jozef Kopelman (violinist) (in 1988-11)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-11)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante (in 1988-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
3:33
6Horn Concerto #2 in E-flat, K. 417: 3. Rondo, Allegro
producer:
Hubert Geschwandtner (producer/engineer) (in 1988-11) and Karol Kopernický (producer) (in 1988-11)
French horn:
Milos Stevove (in 1988-11)
horn:
Milos Stevove
orchestra:
Capella Istropolitana (in 1988-11)
conductor:
Jozef Kopelman (violinist) (in 1988-11)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-11)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1988-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
3:42
7Cosi fan tutte: Overture
orchestra:
Capella Istropolitana (from 1988-09-06 until 1988-09-09)
conductor:
Barry Wordsworth (conductor) (from 1988-09-06 until 1988-09-09)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-09-06 until 1988-09-09)
recording of:
Così fan tutte: Ouvertura (from 1988-09-06 until 1988-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
4:54
8Symphony no. 39 in E-flat, K. 543: 1st Movement (Adagio; Allegro)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Mozart Players
conductor:
Jane Glover (conductor and music scholar)
phonographic copyright (℗) by:
Academy Sound and Vision Ltd (not for release label use; known as ASV Ltd. since 1995-02-03) (in 1988)
recorded at:
St Peter’s Church (Morden) in Morden, Merton, London (Greater London), England, United Kingdom (in 1987)
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio – Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
12:06
9Symphony no. 39 in E-flat, K. 543: 2nd Movemnent (Andante con moto)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Mozart Players
conductor:
Jane Glover (conductor and music scholar)
phonographic copyright (℗) by:
Academy Sound and Vision Ltd (not for release label use; known as ASV Ltd. since 1995-02-03) (in 1988)
recorded at:
St Peter’s Church (Morden) in Morden, Merton, London (Greater London), England, United Kingdom
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
9:29
10Symphony no. 39 in E-flat, K. 543: 3rd Movement (Menuetto, Allegretto and Trio)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Mozart Players
conductor:
Jane Glover (conductor and music scholar)
phonographic copyright (℗) by:
Academy Sound and Vision Ltd (not for release label use; known as ASV Ltd. since 1995-02-03) (in 1988)
recorded at:
St Peter’s Church (Morden) in Morden, Merton, London (Greater London), England, United Kingdom
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio. Da capo
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
3:53
11Symphony no. 39 in E-flat, K. 543: 4th Movement (Finale, Allegro)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Mozart Players
conductor:
Jane Glover (conductor and music scholar)
phonographic copyright (℗) by:
Academy Sound and Vision Ltd (not for release label use; known as ASV Ltd. since 1995-02-03) (in 1988)
recorded at:
St Peter’s Church (Morden) in Morden, Merton, London (Greater London), England, United Kingdom
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
5:40
2▼CD: Charm & Inspiration
#TitleRatingLength
1Arias from "The Marriage of Figaro": Non piu andrai
baritone vocals:
Andrea Martin (baritone)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:42
2Arias from "The Marriage of Figaro": Crudel! Perché finora
baritone vocals:
Andrea Martin (baritone)
soprano vocals:
Donna Robin (soprano)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:44
3Arias from "The Marriage of Figaro": Deh, vieni, non tardar
soprano vocals:
Donna Robin (soprano)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
4:37
4Arias from "Don Giovanni": Madamina
baritone vocals:
Andrea Martin (baritone)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Konrad Leitner (conductor)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:46
5Arias from "Don Giovanni": Là ci darem la mano
baritone vocals:
Andrea Martin (baritone)
soprano vocals:
Donna Robin (soprano)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:09
6Arias from "Don Giovanni": Deh vieni alla finestra
baritone vocals:
Andrea Martin (baritone)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:59
7Arias from "Don Giovanni": Vedrai, Carino
soprano vocals:
Donna Robin (soprano)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:16
8Arias from "Don Giovanni": Il mio tesoro
tenor vocals:
John Dickie (tenor)
orchestra:
Capella Istropolitana
conductor:
Johannes Wildner (conductor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:38
9Soave sia il vento from "Cosi Fan Tutte"
bass vocals:
Peter Mikuláš (operatic bass)
mezzo-soprano vocals:
Rohangiz Yachmi (mezzo-soprano)
orchestra:
Capella Istropolitana
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
3:14
10Arias from "The Magic Flute": Der vogelfänger bin ich ja
baritone vocals:
Andrea Martin (baritone)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:52
11Arias from "The Magic Flute": Dies Bildnis ist bezaubernd schön
tenor vocals:
John Dickie (tenor)
orchestra:
Capella Istropolitana
conductor:
Johannes Wildner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:02
12Arias from "The Magic Flute": Der Hölle Rache
producer:
Hubert Geschwandtner (producer/engineer) (in 1990) and Karol Kopernický (producer) (in 1990)
soprano vocals:
Donna Robin (soprano) (from 1990-02-09 until 1990-02-13)
vocals:
Andrea Martin (singer/songwriter for various dance/soul artists)
orchestra:
Vienna Mozart Orchestra (from 1990-02-09 until 1990-02-13)
conductor:
Konrad Leitner (conductor) (from 1990-02-09 until 1990-02-13)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1990-02-09 until 1990-02-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1990-02-09 until 1990-02-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:57
13Arias from "The Magic Flute": Ein Mädchen oder Weibchen
baritone vocals:
Andrea Martin (baritone)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:59
14Arias from "The Magic Flute": Papageno, Papagena
baritone vocals:
Andrea Martin (baritone)
soprano vocals:
Donna Robin (soprano)
orchestra:
Wiener Mozart Orchester (Vienna Mozart Orchestra)
conductor:
Konrad Leitner (conductor)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:31
15Laudate Dominum from "Solemn Vespers", K. 399
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Kate Hurney (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
5:29
16Dies irae from "Requiem", K. 626
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
1:45
17Confutatis, Maledictis from "Requiem", K. 626
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
3:09
18Gloria from "Coronation Mass" (Krönungsmesse), K. 317
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
4:19
3▼CD: Grace & Enchantment
#TitleRatingLength
1Concerto in C for Flute and Harp, K. 299: 1st Movement (Rondeau, Allegro)
flute:
Robert Dohn (flautist)
harp:
Margit-Anna Süß (harpist)
orchestra:
Orchestra der Ludwigsburger Festspiele (Orchestra of the Ludwigsburg Festival)
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
10:16
2Concerto in C for Flute and Harp, K. 299: 2nd Movement (Andantino)
flute:
Robert Dohn (flautist)
harp:
Margit-Anna Süß (harpist)
orchestra:
Orchestra der Ludwigsburger Festspiele (Orchestra of the Ludwigsburg Festival)
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
7:56
3Concerto in C for Flute and Harp, K. 299: 3rd Movement (Allegro)
flute:
Robert Dohn (flautist)
harp:
Margit-Anna Süß (harpist)
orchestra:
Orchestra der Ludwigsburger Festspiele (Orchestra of the Ludwigsburg Festival)
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
9:24
4Minuet from Divertimento no. 17 in D, K. 334
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: Minuet (unspecified movement)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1780)
4:44
5German Dances, K. 571
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
6 German Dances for Orchestra, K. 571
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 571) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 571)
9:41
6Serenade no. 6 in D (Serenata Nocturna), K. 239: 1st Movement (Marcia, Maestoso)
cello:
France Springuel (Belgian cellist)
orchestra:
I Fiamminghi (Belgian classical music ensemble)
conductor:
Rudolf Werthen (Belgian violinist & conductor)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
4:13
7Serenade no. 6 in D (Serenata Nocturna), K. 239: 2nd Movement (Minuet and Trio)
cello:
France Springuel (Belgian cellist)
orchestra:
I Fiamminghi (Belgian classical music ensemble)
conductor:
Rudolf Werthen (Belgian violinist & conductor)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: II. Menuetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
3:45
8Serenade no. 6 in D (Serenata Nocturna), K. 239: 3rd Movement (Rondo)
cello:
France Springuel (Belgian cellist)
orchestra:
I Fiamminghi (Belgian classical music ensemble)
conductor:
Rudolf Werthen (Belgian violinist & conductor)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: III. Rondeau. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
4:16
9Divertimento no. 1 in D, K. 136: 1st Movement (Allegro)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
4:09
10Divertimento no. 1 in D, K. 136: 2nd Movement (Andante)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
4:03
11Divertimento no. 1 in D, K. 136: 3rd Movement (Presto)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
2:40