Romantic Classics

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1Romance no. 1 in G major, op. 40
producer:
Christopher Bishop (conductor/producer)
violin:
Josef Suk (violinist/conductor, 1929-2011) (in 1970-03)
orchestra:
Academy of St Martin in the Fields (in 1970-03)
conductor:
Sir Neville Marriner (conductor) (in 1970-03)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Michael Gray (UK classical recording engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1970-03-21 until 1970-03-22)
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40 (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven6:55
2Quartet no. 2 in D: Nocturne
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Felix Slatkin
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin7:35
3Ma vlast: No. 2. Vltava
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:06
4Quartet no. 1 in D, op. 11: Andante cantabile
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Felix Slatkin
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky7:01
5Serenade no. 13 in G major, K. 525: II. Romanze
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:52
6Two Elegiac Melodies, op. 34: No. 2. The Last Spring
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg4:58
7Rhapsody on a Theme of Paganini: Variation XVIII
piano:
Leonard Pennario (pianist / composer)
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Miklós Rózsa (composer)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninov2:43
8The Tales of Hoffmann: Barcarolle
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:00
9Symphony no. 5 in C-sharp minor: IV. Adagietto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paul Kletzki (Polish conductor and composer)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:55
10Carmen Suite no. 1: II. Entr'acte, Act 3
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Heinz Wallberg (conductor)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:35
11Sleeping Beauty Suite: Waltz, Act I
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
George Weldon (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4:31
12Enigma, op. 36: Variation 9: Nimrod
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:43
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1Peer Gynt Suite no. 1, op. 46: Morning
orchestra:
Bournemouth Symphony Orchestra
conductor:
Paavo Berglund (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:10
2Romance no. 2 in F major, op. 50
producer:
Christopher Bishop (conductor/producer) and Christopher Bishop (conductor/producer) (task: recording producer)
solo violin:
Josef Suk (violinist/conductor, 1929-2011)
violin:
Josef Suk (violinist/conductor, 1929-2011) (in 1970-03)
orchestra:
Academy of St Martin in the Fields (in 1970-03)
conductor:
Neville Marriner (conductor) (in 1970-03)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1970-03-21 until 1970-03-22)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven8:24
3Liebestraum no. 3
piano:
Leonard Pennario (pianist / composer)
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Carmen Dragon
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt4:36
4Clarinet Concerto in A major, K. 622: II. Adagio
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:34
5Bagatelle no. 25 in A minor, G. 173 "Für Elise"
piano:
Alexis Weissenberg
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven2:55
6Serenade for Strings in E major, op. 22: I. Moderato
orchestra:
English Chamber Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:27
7Swan Lake, op. 20: Scene I, Act 2 (Swan Theme)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:31
8Valse Triste, op. 44
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Valse triste, op. 44 no. 1 (for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius5:58
9Adagio for Strings, op. 11
orchestra:
The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Felix Slatkin
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:44
10Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
piano:
Christian Zacharias (pianist and conductor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
David Zinman (conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:13
11L'Arlesienne Suite no. 1: No. 3. Adagietto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Heinz Wallberg (conductor)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:21
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1Concerto for Flute, Harp and Orchestra in C major, K. 299: II. Andantino
producer:
R. Kinloch Anderson (pianist, harpsichordist and producer)
flute:
Elaine Shaffer (flutist)
harp:
Marilyn Costello (harpist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Yehudi Menuhin (violinist)
balance engineer:
Neville Boyling (engineer) (in 1963-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1963-06)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart9:16
2Rosamunde, D. 797
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Rosamunde, D. 797
composer:
Franz Schubert (composer) (in 1823)
librettist:
Helmina von Chézy
premiered at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (on 1823-12-20)
Franz Schubert6:46
3Moonlight Sonata, op. 27 no. 2: I. Adagio sostenuto
piano:
Leonard Pennario (pianist / composer)
orchestra:
Hollywood Bowl Symphony Orchestra
conductor:
Carmen Dragon
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (catch-all for arrangements)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (catch-all for arrangements)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven5:35
4Two Elegiac Melodies, op. 34: No. 1. Heart's Wounds
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1980-02)
conductor:
Sir Neville Marriner (conductor) (in 1980-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1980-02-14 until 1980-02-15)
recording of:
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings) (in 1980-02)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg3:56
5Serenade in C major, op. 48: II. Waltz. Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (from 1964-09-01 until 1964-09-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-09-01 until 1964-09-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-09-01 until 1964-09-02)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (from 1964-09-01 until 1964-09-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky3:51
6Concierto de Aranjuez: II. Adagio
cor anglais [cor anglais]:
Kieran Moore
guitar:
Ernesto Bitetti (classical guitarist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Antoni Ros‐Marbà (conductor)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo11:21
7Poème
orchestra:
Hollywood Bowl Symphony Orchestra
conductor:
Carmen Dragon
recording of:
Poème (orchestral excerpt of the Lento from symphonic poem “At Twilight”)
composer:
Zdeněk Fibich (Czech composer)
arranger:
Ruud Bos (Dutch composer, arranger, pianist and conductor)
part of:
V podvečer, op. 39 (At Twilight, op. 39)
Zdeněk Fibich5:08
8Pavane, op. 50
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
flute:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:17
9Symphony no. 36 in C major, K. 425 "Linz": II. Poco adagio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Rafael Kubelík (conductor)
recording of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”
Wolfgang Amadeus Mozart7:24
10Peer Gynt Suite no. 1, op. 46: Ase's Death
producer:
David C. Mottley (Producer)
orchestra:
Bournemouth Symphony Orchestra (in 1973-06)
conductor:
Paavo Berglund (conductor) (in 1973-06)
balance engineer:
Stuart Eltham (engineer) (in 1973-06)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (in 1973-06)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1973-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:43
11Nocturne no. 2 in F-sharp major, op. 15
producer:
John Fraser (UK producer)
piano:
Youri Egorov (classical pianist) (from 1981 until 1982)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981 until 1982)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (from 1981 until 1982)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Nocturnes, op. 15
Fryderyk Chopin3:33
12String Quintet in E major, op. 13 no. 5: Minuet
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:55
13Nutcracker Suite, op. 71: Waltz of the Flowers
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky6:12