Christmas With Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1O Holy Night
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
O Holy Night (in 1976-01)
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (French composer) (in 1847)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam (French composer)
arrangement of:
O Holy Night
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:14
2Pietà, Signore
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella (composer)
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler8:24
3Panis Angelicus, Op.12
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler4:01
4Le sette ultime parole di nostro Signore sulla croce
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
Luciano Pavarotti, & The National Philharmonic Orchestra & Kurt Herbert Adler4:40
5Ave Maria, D839
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert (composer)
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:49
6Silent Night (live)
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (on 1999-12-23)
producer:
Grace Row (engineer/producer)
choir vocals:
Gumpoldskirchner Spatzen Children's Choir (on 1999-12-23)
tenor vocals:
José Carreras (Spanish tenor) (on 1999-12-23), Plácido Domingo (tenor) (on 1999-12-23) and Luciano Pavarotti (tenor) (on 1999-12-23)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (on 1999-12-23)
conductor:
Steven Mercurio (conductor and composer) (on 1999-12-23)
arranger:
Christian Kolonovits and Luca Logi
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1999-12-23)
live recording of:
Stille Nacht, heilige Nacht (on 1999-12-23)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Luciano Pavarotti, José Carreras & Plácido Domingo35:27
7Orfeo ed Euridice, Wq. 30 / Act 3 “Che farò senza Euridice”
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Jerry Lanning
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1977-04)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Luciano Pavarotti, Philharmonia Orchestra & Piero Gamba4:25
8Stabat Mater 2. Cujus animam gementem
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1970-12 until 1971-03)
orchestra:
London Symphony Orchestra (from 1970-12 until 1971-03)
conductor:
István Kertész (conductor) (from 1970-12 until 1971-03)
chorus master:
Arthur Oldham (chorus master) (from 1970-12 until 1971-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-12 until 1971-03)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (from 1970-12 until 1971-03)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Luciano Pavarotti, London Symphony Orchestra, István Kertész5:50
9Ave Maria
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler0.52:55
10Mille cherubini in coro
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler4:02
11Agnus Dei, WD 40
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler3:45
12Requiem, Op.5 (Grande Messe des Morts) 9. Sanctus
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01) and Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01) and Terry Edwards (British choir director) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Requiem, op. 5: IX. Sanctus (in 1976-01)
lyricist and composer:
Hector Berlioz (French composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
Luciano Pavarotti, Wandsworth School Boys’ Choir, London Voices, National Philharmonic Orchestra & Kurt Herbert Adler9:08
13O Jesu mi dulcissime
engineer:
John Pellowe (audio engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
recording of:
O Jesu mi dulcissime (in 1997-02)
composer:
Prospero Guida (19th century composer)
Luciano Pavarotti2:50
14Ave verum corpus
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Piccolo Coro dell’Antoniano (Italian children’s choir) (in 1997-02)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Leone Magiera3:06
15Ave Maria, Dolce Maria
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
Luciano Pavarotti, Coro dell'Antoniano, Orchestra del Teatro Comunale di Bologna & Leone Magiera3:01
16Adeste Fideles
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
Luciano Pavarotti, London Voices, National Philharmonic Orchestra & Kurt Herbert Adler3:34
2▼CD
#TitleArtistRatingLength
1Oh Tannenbaum (live)
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (on 1999-12-23)
producer:
Grace Row (engineer/producer)
tenor vocals:
José Carreras (Spanish tenor) (on 1999-12-23), Plácido Domingo (tenor) (on 1999-12-23) and Luciano Pavarotti (tenor) (on 1999-12-23)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (on 1999-12-23)
conductor:
Steven Mercurio (conductor and composer) (on 1999-12-23)
arranger:
Christian Kolonovits and Luca Logi
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1999-12-23)
live recording of:
O Tannenbaum (O Fir Tree, original German version) (on 1999-12-23)
lyricist:
Ernst Anschütz (in 1824)
composer:
[traditional] (special purpose artist) (from 1500 until 1600)
version of:
Es lebe hoch der Zimmermannsgeselle
Luciano Pavarotti, José Carreras & Plácido Domingo31:59
2Martha / Act 3 “M’appari”
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-06)
tenor vocals [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Luciano Pavarotti, "New Philharmonia" Orchestra & Richard Bonynge3:28
3Les pêcheurs de perles, WD 13 / Act 1 “Au fond du temple saint” (remastered 2014)
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1977-04)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1977-04)
conductor:
Robin Stapleton (conductor) (in 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra & Robin Stapleton5:23
4Ave Maria, dolce Maria (live)
producer:
Michael Woolcock (producer)
harp:
Andreas Vollenweider (on 1994-09-13)
tenor vocals:
Luciano Pavarotti (tenor) (on 1994-09-13)
orchestra:
Orchestra del Teatro Comunale di Bologna (on 1994-09-13)
conductor:
Leone Magiera (conductor, pianist) (on 1994-09-13)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1994-09-13)
live recording of:
Ave Maria, dolce Maria (Benvenuti/Pavarotti work) (on 1994-09-13)
lyricist:
Luciano Pavarotti (tenor)
composer:
Vittoriano Benvenuti
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Leone Magiera & Andreas Vollenweider2:55
5Tu scendi dalle stelle
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Piccolo Coro dell’Antoniano (Italian children’s choir) (in 1977-02)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-02)
conductor:
Leone Magiera (conductor, pianist) (in 1977-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1977-02)
recording of:
Tu scendi dalle stelle (in 1977-02)
lyricist:
[traditional] (special purpose artist)
composer:
[traditional] (special purpose artist) and Alfonso Maria de’ Liguori (Saint of Catholic Church)
translator:
Pope Pius IX (Giovanni Maria Mastai-Ferretti)
version of:
Quanno nascette Ninno (neapolitan original)
Luciano Pavarotti, Piccolo Coro dell'Antoniano, Orchestra del Teatro Comunale di Bologna & Leone Magiera3:00
6Gesù Bambino
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Gesù bambino (in 1976-01)
lyricist:
Frederick Martens (US lyricist, early 20th century)
composer:
Pietro Yon (organist & composer) (in 1917)
Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler0.54:30
7Caro mio ben
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Caro mio ben (in 1977-04)
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Luciano Pavarotti, Philharmonia Orchestra & Piero Gamba3:05
8L’honestà negli amori Già il sole dal Gange (remastered 2013)
recording engineer and balance engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
L'honestà negli amori: "Già il sole dal Gange" (in 1973-07)
lyricist:
Felice Parnasso
composer:
Alessandro Scarlatti (composer)
publisher:
G. Schirmer Inc.
part of:
L'honestà negli amori
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge2:05
9Griselda Per la Gloria (remastered 2013)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge4:29
10Alma del core
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Alma del core (in 1977-04)
lyricist:
[anonymous] (special purpose artist) (until 1710)
composer:
Antonio Caldara (Italian composer) (until 1710)
publisher:
G. Schirmer Inc.
Luciano Pavarotti, Philharmonia Orchestra & Piero Gamba3:13
11Atalanta, HWV 35 / Act 1 “Care selve” (remastered 2013)
recording engineer and balance engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Atalanta, HWV 35: Atto I. "Care selve, ombre beate" (in 1973-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Atalanta, HWV 35: Atto I
Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge3:20
12Miserere (live)
tenor vocals:
Luciano Pavarotti (tenor) (on 1992-09-27)
vocals:
Zucchero (on 1992-09-27)
orchestra:
Orchestra da Camera Arcangelo Corelli (on 1992-09-27)
conductor:
Aldo Sisillo (on 1992-09-27)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1992-09-27)
live recording of:
Miserere (Zucchero/Bono song) (on 1992-09-27)
lyricist:
Paul David Hewson (singer of U2) and Zucchero
composer:
Zucchero
Luciano Pavarotti & Zucchero4:15
13Holy Mother (live)
producer:
Phil Ramone
choir vocals:
East London Gospel Choir
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra Filarmonica di Torino
conductor:
Marco Armiliato (conductor)
balance engineer:
John Pellowe (audio engineer) and Philip Siney (sound engineer)
live recording of:
Holy Mother
writer:
Stephen Bishop (American singer-songwriter) and Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Stephen Bishop Music Publishing and Unichappell Music, Inc.
Luciano Pavarotti & Eric Clapton5:27
14The Magic of Love (live)
tenor vocals:
Luciano Pavarotti (tenor) (in 1999-06)
orchestra:
Orchestra Sinfonica Italiana (in 1999-06)
conductor:
José Antonio Molina (orchestral & operatic conductor) (in 1999-06)
performer:
Lionel Richie (in 1999-06)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (in 1999-06)
live recording of:
The Magic of Love
writer:
Alan Bergman (American lyricist), Marilyn Bergman and Lionel Richie
Luciano Pavarotti & Lionel Richie4:33
15Panis Angelicus (live)
producer:
Michele Centonze and Phil Ramone
tenor vocals:
Luciano Pavarotti (tenor) (on 1992-09-27)
vocals:
Sting (singer, songwriter & member of The Police) (on 1992-09-27)
orchestra:
Orchestra da Camera Arcangelo Corelli (on 1992-09-27)
conductor:
Aldo Sisillo (on 1992-09-27)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1992-09-27)
live recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (on 1992-09-27)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
Luciano Pavarotti and Sting3:45
16Peace Just Wanted to Be Free (live)
producer:
Andrew Cornall (engineer / producer) and Phil Ramone
choir vocals:
Coro Voci Bianche (in 1998-06) and Liberian Children’s Choir (in 1998-06)
tenor vocals:
Luciano Pavarotti (tenor) (in 1998-06)
orchestra:
Orchestra Filarmonica di Torino (in 1998-06)
conductor:
Marco Boemi (conductor) (in 1998-06)
performer:
Stevie Wonder (in 1998-06)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (in 1998-06)
recording of:
Peace Wanted Just to Be Free
writer:
Stevie Wonder
Luciano Pavarotti & Stevie Wonder5:07
17Jingle Bells (live)
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
producer:
Grace Row (engineer/producer)
choir vocals:
Gumpoldskirchner Spatzen Children's Choir (on 1999-12-23)
tenor vocals:
José Carreras (Spanish tenor) (on 1999-12-23), Plácido Domingo (tenor) (on 1999-12-23) and Luciano Pavarotti (tenor) (on 1999-12-23)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (on 1999-12-23)
conductor:
Steven Mercurio (conductor and composer) (on 1999-12-23)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1999-12-23)
Luciano Pavarotti, José Carreras & Plácido Domingo1:06
18Feliz Navidad (live)
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (on 1999-12-23)
producer:
Grace Row (engineer/producer)
choir vocals:
Gumpoldskirchner Spatzen Children's Choir (on 1999-12-23)
tenor vocals:
José Carreras (Spanish tenor) (on 1999-12-23), Plácido Domingo (tenor) (on 1999-12-23) and Luciano Pavarotti (tenor) (on 1999-12-23)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (on 1999-12-23)
conductor:
Steven Mercurio (conductor and composer) (on 1999-12-23)
arranger:
Christian Kolonovits and Luca Logi
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1999-12-23)
live recording of:
Feliz Navidad (Spanish/English) (on 1999-12-23)
lyricist and composer:
José Feliciano (born 1945, not Cheo Feliciano)
publisher:
DeJamus Ltd., J & H Publishing Co. and J-H Publishing
Luciano Pavarotti, José Carreras & Plácido Domingo33:00