Schmuse-Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Each CD also available as a separate volume.

Individual barcodes:

CD 1: 5099746669027
CD 2: 5099748038425
CD 3: 5099748712424

Annotation last modified on 2011-07-21 19:30 UTC.

Tracklist

| |
1CD
#TitleArtistRatingLength
1Somewhere
alto saxophone:
Paul Desmond (on 1960-02-14)
double bass:
Eugene Wright (bass) (on 1960-02-14)
drums (drum set):
Joe Morello (on 1960-02-14)
piano:
Dave Brubeck (on 1960-02-14)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-02-14)
instrumental cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1960-02-14)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
The Dave Brubeck Quartet4:15
2Easy to Love (from “Born to Dance”)
Erroll Garner2:54
3Goodnight My Love
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell & His All Stars (on 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (on 1950-05-18)
lyricist:
Harry Revel (British-born American composer)
composer:
Mack Gordon
Sarah Vaughan3:32
4My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Gerry Mulligan & Chet Baker8:42
5Satin Doll
instrumental cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Lionel Hampton2:43
6Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington3:47
7Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
The Glenn Miller Orchestra13:41
8Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman3:22
9’Round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis Quintet3.655:54
10Summertime
clarinet:
Artie Shaw (on 1936-07-10)
double bass and double bass [string bass]:
Pete Peterson (jazz bassist) (on 1936-07-10)
drums (drum set) and drums (drum set) [drums]:
Cozy Cole (on 1936-07-10)
guitar:
Dick McDonough (on 1936-07-10)
piano:
Joe Bushkin (on 1936-07-10)
trumpet:
Bunny Berigan (on 1936-07-10)
vocals:
Billie Holiday (on 1936-07-10)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1936-07-10)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billie Holiday2:55
11I Can Stand a Little Rain
Esther Phillips3:21
12Fair Weather
recording of:
Fair Weather
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
Chet Baker6:05
13Theme From “Summer of ’42”
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn and trumpet:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Phil Kraus (in 1971-11) and Airto Moreira (percussionist) (in 1971-11)
piccolo:
Hubert Laws (in 1971-11)
vibraphone:
Phil Kraus (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
cover recording of:
The Summer Knows (Summer of ’42; instrumental version) (in 1971-11)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
George Benson5:08
14If I Could Be With You One Hour Tonight
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (Lyricist) (in 1926)
composer:
James P. Johnson (in 1926)
Count Basie3:00
15You’ve Changed
recording of:
You’ve Changed
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
Billie Holiday & Ray Ellis and His Orchestra3:20
16I’ve Got to Get a Message to YouHubert Laws3:08
2CD
#TitleArtistRatingLength
1It’s the Same Old Story
Billie Holiday3:11
2Night and Day
Duke Ellington2:51
3Medley: Taking a Chance on Love / I’m in the Mood for Love
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1973-07-05)
edit of:
Taking a Chance on Love / I’m in the Mood for Love (live, 1973-07-05: Carnegie Hall, New York, NY, USA) by Ella Fitzgerald (American jazz singer)
live medley including a recording of:
I’m in the Mood for Love (on 1973-07-05)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
live medley including a recording of:
Taking a Chance on Love (on 1973-07-05)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Ella Fitzgerald3:03
4Time After Time
engineer and mixer:
Ron Lorman and Tom Swift (engineer)
co-producer:
Vince Wilburn, Jr. (drummer)
producer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
bass:
Darryl Jones (bassist for The Rolling Stones) (on 1984-01-26)
drums (drum set):
Al Foster (on 1984-01-26)
guitar:
John Scofield (US guitarist/composer) (on 1984-01-26)
percussion:
Steve Thornton (Percussionist) (on 1984-01-26)
synthesizer:
Robert Irving III (keyboardist) (on 1984-01-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1984-01-26)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1984-01-26)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
instrumental cover recording of:
Time After Time (on 1984-01-26)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.53:37
5Fly Me to the Moon (In Other Words)Tony Bennett4:00
6Rhapsody in Blue
recording of:
Rhapsody in Blue (Glenn Miller arrangement)
composer:
George Gershwin (composer)
arranger:
Glenn Miller (jazz band leader)
arrangement of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
The Glenn Miller Orchestra2:10
7What a Difference a Day Makes
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
lead vocals:
Aretha Franklin (on 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (on 1964-02-10)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Aretha Franklin33:31
8Dark Eye Tango
assistant engineer:
Jim Galante
engineer:
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
producer:
Al Di Meola
bass:
Anthony Jackson (US bassist)
drums (drum set):
Steve Gadd (drummer) (in 1977)
electric guitar:
Al Di Meola
electric piano and organ:
Barry Miles
arranger:
Al Di Meola
Al Di Meola5:23
9Squeeze Me
Louis Armstrong & His All‐Stars5:04
10Makin’ Whoopee
Branford Marsalis9:07
11Last Tango in Paris
recording of:
Last Tango in Paris
composer:
Gato Barbieri
Andy Williams2:39
12Strangers in the Night
Mel Tormé2:39
13Theme From “A Summer Place”
recording of:
Theme from “A Summer Place” (original instrumental version)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Percy Faith & His Orchestra2:26
14Misty
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1959)
conductor:
Glenn Osser (in 1959)
arranger:
Glenn Osser
recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Johnny Mathis3:34
15Am I Blue?
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
double bass:
Grachan Moncur II (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowans (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
recording of:
Am I Blue? (on 1941-05-09)
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday2:49
16Bluesette
recording of:
Bluesette (Original instrumental version)
composer:
Toots Thielemans
Toots Thielemans4:34
3CD
#TitleArtistRatingLength
1When I Fall in Love
recording engineer:
Rudy van Gelder (from 1994-02-22 until 1994-02-24)
assistant engineer:
Maureen Sickler
producer:
Todd Barkan (producer) and Grover Washington, Jr.
double bass:
George Mraz (jazz bassist) (from 1994-02-22 until 1994-02-24)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart) (from 1994-02-22 until 1994-02-24)
flugelhorn:
Eddie Henderson (from 1994-02-22 until 1994-02-24)
piano:
Hank Jones (piano) (from 1994-02-22 until 1994-02-24)
soprano saxophone:
Grover Washington, Jr. (from 1994-02-22 until 1994-02-24)
trombone:
Robin Eubanks (from 1994-02-22 until 1994-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1994-02-22 until 1994-02-24)
instrumental cover recording of:
When I Fall in Love (from 1994-02-22 until 1994-02-24)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Grover Washington, Jr.6:19
2Ligia
recording engineer:
Stanley Tonkel (engineer)
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
bass:
Clint Houston (on 1975-05-21) and Steve Swallow (on 1975-05-21)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart) (on 1975-05-21) and Grady Tate (on 1975-05-21)
guitar:
Oscar Castro‐Neves (on 1975-05-21) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (on 1975-05-21)
percussion:
Ray Armando (on 1975-05-21), Rubens Bassini (on 1975-05-21), Sonny Carr (on 1975-05-21), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (on 1975-05-21) and Airto Moreira (percussionist) (on 1975-05-21)
piano:
Albert Dailey (on 1975-05-21)
tenor saxophone:
Stan Getz (on 1975-05-21)
vocals:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (on 1975-05-21) and Miúcha (on 1975-05-21)
recorded at:
Columbia Studios in New York, New York, United States (on 1975-05-21)
cover recording of:
Lígia (on 1975-05-21)
composer:
Chico Buarque (Brazilian singer/lyricist) and Antônio Carlos Jobim
Stan Getz5:22
3Quiet Nights of Quiet Stars (Corcovado)
cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
Tony Bennett3:17
4When You Wish Upon a Star
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1957)
instrumental recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (on 1957-10-24)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1940 winner)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
Dave Brubeck4:51
5Over the Rainbow
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-08-01)
drums (drum set):
Osie Johnson (on 1960-08-01)
guitar:
Lord Westbrook (on 1960-08-01)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-08-01)
trombone:
Tyree Glenn (on 1960-08-01)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1960-08-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Aretha Franklin2:39
6Sophisticated Lady
recorded in:
New York, New York, United States (on 1956-01-23)
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
Sophisticated Lady (on 1956-01-23)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington2:59
7After Hours
Sarah Vaughan2:52
8She Was Too Good to Me
engineer:
Rudy van Gelder
producer:
Creed Taylor
cello:
Warren Lash (from 1974-10-31 until 1974-11-01) and Jesse Levy (from 1974-10-31 until 1974-11-01)
drums (drum set):
Steve Gadd (drummer) (from 1974-10-31 until 1974-11-01)
flute:
Hubert Laws (from 1974-10-31 until 1974-11-01)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1974-10-31 until 1974-11-01)
violin:
Lewis Eley (from 1974-10-31 until 1974-11-01), Max Ellen (from 1974-10-31 until 1974-11-01), Barry Finclair (from 1974-10-31 until 1974-11-01), Paul Gershman (from 1974-10-31 until 1974-11-01), Harry Glickman (from 1974-10-31 until 1974-11-01), Emanuel Green (from 1974-10-31 until 1974-11-01), Harold Kohon (from 1974-10-31 until 1974-11-01), David Nadien (from 1974-10-31 until 1974-11-01) and Herbert Sorkin (from 1974-10-31 until 1974-11-01)
woodwind:
George Marge (from 1974-10-31 until 1974-11-01) and Romeo Penque (from 1974-10-31 until 1974-11-01)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (from 1974-10-31 until 1974-11-01)
conductor:
Don Sebesky (from 1974-10-31 until 1974-11-01)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1974-10-31 until 1974-11-01)
cover recording of:
He Was Too Good to Me (from 1974-10-31 until 1974-11-01)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
Chet Baker4:43
9Manha de Carnival (Where Did I Go)
Carmen McRae3:01
10’Til I Get It Right
Kirk Whalum4:58
11I Get Along Without You Very Well
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (jazz cellist) (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (reeds) (from 1958-02-19 until 1958-02-21), Phil Bodner (Woodwind player) (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (harpist) (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (American jazz pianist) (from 1958-02-19 until 1958-02-21)
solo trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21) and Urbie Green (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (US jazz trumpeter) (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (violinist) (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (violinist) (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (from 1958-02-19 until 1958-02-21)
recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Billie Holiday3:01
12The Two Lonely People
Bill Evans6:14
13I Could Write a Book
cover recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
Betty Carter & Ray Bryant2:39
14Imagine
cover recording of:
Imagine
lyricist:
John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
composer:
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!) and Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Keiko Lee6:16
15My Romance
double bass [bass]:
George Duvivier (from 1962-06-06 until 1962-06-07)
drums (drum set):
Clarence Johnston (from 1962-06-06 until 1962-06-07)
piano:
Hank Jones (piano) (from 1962-06-06 until 1962-06-07)
tenor saxophone:
Ben Webster (from 1962-06-06 until 1962-06-07)
instrumental recording of:
My Romance (from 1962-06-06 until 1962-06-07)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
Ben Webster44:15
16Isn’t She Lovely
instrumental cover recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Dexter Gordon43:22

Credits

Release

ASIN:DE: B00000B7HA [info]