Cantatas, BWV 165–168

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Kantate, BWV 165 “O heilges Geist- und Wasserbad”: I. Aria (Sopran) “O heilges Geist- und Wasserbad”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach3:45
2Kantate, BWV 165 “O heilges Geist- und Wasserbad”: II. Recitativo (Bass) “Die sündige Geburt verdammter Adamserben”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach1:36
3Kantate, BWV 165 “O heilges Geist- und Wasserbad”: III. Aria (Alt) “Jesu, der aus großer Liebe”
alto vocals:
Alyce Rogers (American mezzo-soprano, contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:04
4Kantate, BWV 165 “O heilges Geist- und Wasserbad”: IV. Recitativo (Bass) “Ich habe ja, mein Seelenbräutigam”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:14
5Kantate, BWV 165 “O heilges Geist- und Wasserbad”: V. Aria (Tenor) “Jesu, meines Todes Tod”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:39
6Kantate, BWV 165 “O heilges Geist- und Wasserbad”: VI. Choral “Sein Wort, sein Tauf, sein Nachtmahl”
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-12 until 1976-05)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl" (from 1975-12 until 1976-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 266)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach0:43
7Kantate, BWV 166 “Wo gehest du hin”: I. Aria (Bass) “Wo gehst du hin?”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach1:58
8Kantate, BWV 166 “Wo gehest du hin”: II. Aria (Tenor) “Ich will an den Himmel denken”
vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach6:05
9Kantate, BWV 166 “Wo gehest du hin”: III. Choral (Coro Sopran) “Ich bitte dich, Herr Jesu Christ”
soprano vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Bartholomäus Ringwaldt (in 1582)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach3:16
10Kantate, BWV 166 “Wo gehest du hin”: IV. Recitativo (Bass) “Gleichwie die Regenwasser bald verfließen”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach0:58
11Kantate, BWV 166 “Wo gehest du hin”: V. Aria (Alt) “Man nehme sich in acht”
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach3:28
12Kantate, BWV 166 “Wo gehest du hin”: VI. Choral “Wer weiß, wie nahe mir mein Ende”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 372)
part of:
Kantate, BWV 166 "Wo gehest du hin"
Johann Sebastian Bach0:58
13Kantate, BWV 167 “Ihr Menschen, rühmet Gottes Liebe”: I. Aria (Tenor) “Ihr Menschen, rühmet Gottes Liebe”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach4:29
14Kantate, BWV 167 “Ihr Menschen, rühmet Gottes Liebe”: II. Recitativo (Alt) “Gelobet sei der Herr Gott Israel”
alto vocals:
Helrun Gardow (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach1:59
15Kantate, BWV 167 “Ihr Menschen, rühmet Gottes Liebe”: III. Aria (Duetto Sopran, Alt) “Gottes Wort, das trüget nicht”
alto vocals:
Helrun Gardow (German mezzo-soprano)
soprano vocals:
Kathrin Graf (Swiss soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach6:44
16Kantate, BWV 167 “Ihr Menschen, rühmet Gottes Liebe”: IV. Recitativo (Bass) “Des Weibes Samen kam”
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach1:29
17Kantate, BWV 167 “Ihr Menschen, rühmet Gottes Liebe”: V. Choral “Sei Lob und Preis mit Ehren”
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Gramann (in 1530)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach3:20
18Kantate, BWV 168 “Tue Rechnung! Donnerwort”: I. Aria (Bass) “Tue Rechnung, Donnerwort”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach4:04
19Kantate, BWV 168 “Tue Rechnung! Donnerwort”: II. Recitativo (Tenor) “Es ist nur fremdes Gut”
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:13
20Kantate, BWV 168 “Tue Rechnung! Donnerwort”: III. Aria (Tenor) “Kapital und Interessen”
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:55
21Kantate, BWV 168 “Tue Rechnung! Donnerwort”: IV. Recitativo (Bass) “Jedoch, erschrocknes Herz”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:03
22Kantate, BWV 168 “Tue Rechnung! Donnerwort”: V. Aria (Sopran, Alt) “Herz, zerreiß des Mammons Kette”
alto vocals:
Verena Gohl (Swiss contralto)
soprano vocals:
Nancy Burns (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:56
23Kantate, BWV 168 “Tue Rechnung! Donnerwort”: VI. Choral “Stärk mich mit deinem Freudengeist”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:17

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 50) (order: 50)