Jazz Volume: Oscar Peterson

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Annotation

© «2024 UMG Recordings, Inc.»
℗ «2024 UMG Recordings, Inc. FP»

Annotation last modified on 2024-09-26 22:12 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Honey Dripper
recorded in:
Los Angeles, California, United States (on 1962-12-15, from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1962-12-15, from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (on 1962-12-15, from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-12-15, from 1962-12-15 until 1962-12-16)
instrumental recording of:
The Honeydripper (on 1962-12-15)
lyricist and composer:
Joe Liggins
recording of:
The Honeydripper (from 1962-12-15 until 1962-12-16)
lyricist and composer:
Joe Liggins
Oscar Peterson Trio2:22
2Now’s The Time
Oscar Peterson Trio2:34
3Turtle Neck
recorded in:
Los Angeles, California, United States (on 1951-11-25)
double bass [bass]:
Ray Brown (jazz bassist) (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1951-11-25)
Oscar Peterson Trio2:20
4Gravy Waltz
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
Gravy Waltz (in 1963-02)
lyricist:
Steve Allen (US actor, musician & comedian)
composer:
Ray Brown (jazz bassist)
Bill Henderson & Oscar Peterson Trio2:22
5Orange Colored Sky
Oscar Peterson Trio2:15
6Just In Time
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
double bass and guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Just in Time (Bells Are Ringing) (on 1959-05-18)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
Oscar Peterson Trio1:49
7Come Dance With Me
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
double bass and guest double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Come Dance With Me (on 1959-05-18)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
recording of:
Come Dance With Me
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
Oscar Peterson Trio42:19
8I See Your Face Before Me
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
I See Your Face Before Me (in 1963-02)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
Bill Henderson & Oscar Peterson Trio2:27
9A Lot Of Livin To Do
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
A Lot of Livin’ to Do (from “Bye Bye Birdie”) (in 1963-02)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
part of:
Bye Bye Birdie
Bill Henderson & Oscar Peterson Trio2:28
10Hallelujah!
recorded in:
Los Angeles, California, United States (on 1953-12-06)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-06)
guitar:
Barney Kessel (on 1953-12-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-06)
recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
Oscar Peterson Trio2:30
11I Hear Music
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (on 1953-05-21)
lyricist:
Frank Loesser
composer:
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
Oscar Peterson Trio2:28
12It’s Only A Paper Moon
recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Oscar Peterson Trio2:32
13Wild Is Love
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
Wild Is Love (in 1963-02)
writer:
Raymond Rasch and Dottie Wayne
Bill Henderson & Oscar Peterson Trio2:40
14Autumn In New York
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Autumn in New York (1934) (on 1953-05-21)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Oscar Peterson Trio3:58
15Birth Of The Blues
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Birth of the Blues (on 1959-05-18)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Oscar Peterson Trio2:35
16You Make Me Feel So Young
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
double bass and guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
You Make Me Feel So Young (on 1959-05-18)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
Oscar Peterson Trio42:37
17Stranger On The Shore
Bill Henderson & Oscar Peterson Trio2:34
18Unforgettable
recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Oscar Peterson Trio2:40
19Minor Blues
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1950-08)
recording of:
Minor Blues (in 1950-08)
composer:
Django Reinhardt (French jazz guitarist and composer)
Oscar Peterson Trio3:39
20Days Of Wine And Roses
Oscar Peterson Trio2:43
21Volare
Oscar Peterson Trio2:46
22That Makes A Difference To Me
recorded in:
Los Angeles, California, United States (from 1952-05 until 1952-06)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Oscar Peterson Trio2:52
23I Only Have Eyes For You
Oscar Peterson Trio2:46
24Pooper
recorded in:
Los Angeles, California, United States (on 1951-11-25)
double bass [bass]:
Ray Brown (jazz bassist) (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1951-11-25)
Oscar Peterson Trio2:55
25Moten Swing
recording of:
Moten Swing
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Oscar Peterson Trio2:53
26The Tender Trap
Oscar Peterson Trio2:41
27Quiet Nights Of Quiet Stars (Corcovado)
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-19)
drums (drum set):
Ed Thigpen (on 1964-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-19)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (on 1964-10-19)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
Oscar Peterson Trio2:49
28Spring Is Here
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Spring Is Here (on 1953-05-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
Oscar Peterson Trio2:46
29Incoherent Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
recording of:
Incoherent Blues (on 1964-02-26)
composer:
Clark Terry (American swing trumpeter)
Oscar Peterson Trio & Clark Terry2:42
30The Lamp Is Low
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
The Lamp Is Low (1939 song) (in 1963-02)
lyricist:
Mitchell Parish
additional composer:
Peter de Rose and Bert Shefter
composer:
Maurice Ravel (French composer)
is based on:
Pavane pour une infante défunte (original version for solo piano)
Bill Henderson & Oscar Peterson Trio2:51
31Until The Real Thing Comes Along
recorded in:
Los Angeles, California, United States (on 1951-11-25)
double bass [bass]:
Ray Brown (jazz bassist) (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1951-11-25)
instrumental recording of:
Until the Real Thing Comes Along (on 1951-11-25)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Oscar Peterson Trio2:47
32Soft Winds - 78 Version
recorded in:
Los Angeles, California, United States (on 1953-12-06)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-06)
guitar:
Barney Kessel (on 1953-12-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-06)
instrumental recording of:
Soft Winds (also attributed to Fletcher Henderson) (on 1953-12-06)
composer:
Benny Goodman (clarinetist and bandleader)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Twenty-Eighth Street Music
Oscar Peterson Trio2:49
33Carioca - Trio Version
instrumental recording of:
Carioca (from "Flying Down to Rio")
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
Oscar Peterson Trio2:52
34Easy Does It
recording of:
Easy Does It
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
Oscar Peterson Trio2:43
35At Long Last Love
Bill Henderson & Oscar Peterson Trio2:31
36I Get A Kick Out Of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Oscar Peterson Trio3:00
37Booket T. Blues
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Oscar Peterson Trio3:04
38Jim
recording of:
Jim
lyricist:
Nelson Shawn
composer:
Edward Ross and Caesar Petrillo
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Oscar Peterson Trio & Clark Terry3:01
39Goodbye J.D.
recording of:
Goodbye, J.D.
composer:
Oscar Peterson (Canadian jazz pianist and composer)
Oscar Peterson Trio2:57
40Blue Moon
recorded in:
Los Angeles, California, United States (on 1953-12-07)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-07)
guitar:
Barney Kessel (on 1953-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-07)
instrumental recording of:
Blue Moon (on 1953-12-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Oscar Peterson Trio, Herb Ellis & Ray Brown2:57
41Saturday Night (Is The Loneliest Night In The Week)
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Saturday Night (Is the Loneliest Night in the Week) (on 1959-05-18)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WC Music Corp., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson Trio2:55
42Polka Dots And Moonbeams (Around A Pug‐Nosed Dream)
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
Polka Dots and Moonbeams (on 1953-05-21)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson Trio3:11
43Pettiford’s Tune (Little Boy)
recorded in:
Los Angeles, California, United States (from 1952-05 until 1952-06)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Oscar Peterson Trio3:13
44Witchcraft
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Witchcraft (on 1959-05-18)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Oscar Peterson Trio3:09
45This Could Be The Start Of Something
Oscar Peterson Trio3:07
46I Can’t Give You Anything But Love
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1953-05-21)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Oscar Peterson Trio3:06
47How About You
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
How About You? (on 1959-05-18)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
Oscar Peterson Trio3:11
48Tea For Two
recorded in:
Los Angeles, California, United States (on 1953-12-06)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-06)
guitar:
Barney Kessel (on 1953-12-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-06)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1953-12-06)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Oscar Peterson Trio3:19
49These Foolish Things
Lester Young & Oscar Peterson Trio3:24
50Squeaky’s Blues
recording of:
Squeaky’s Blues
composer:
Oscar Peterson (Canadian jazz pianist and composer)
Oscar Peterson Trio & Clark Terry3:28
51C Jam Blues
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Oscar Peterson Trio3:26
52People
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
People (Funny Girl) (on 1964-10-20)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
Oscar Peterson Trio3:31
53Love For Sale
double bass:
Ray Brown (jazz bassist) (in 1959)
drums (drum set):
Ed Thigpen (in 1959)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1959)
instrumental recording of:
Love for Sale (in 1959)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Oscar Peterson Trio3:28
54On The Sunny Side Of The Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Lester Young & Oscar Peterson Trio3:29
55Streets Boogie
recorded in:
Los Angeles, California, United States (in 1952-12)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Barney Kessel (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Oscar Peterson Trio3:23
56It’s Easy To Remember
recorded in:
Los Angeles, California, United States (on 1951-11-25)
double bass [bass]:
Ray Brown (jazz bassist) (on 1951-11-25)
guitar:
Barney Kessel (on 1951-11-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1951-11-25)
instrumental recording of:
It’s Easy to Remember (and So Hard to Forget) (on 1951-11-25)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Oscar Peterson Trio3:29
57Willow Weep For Me - Alt Take 4
recorded in:
Los Angeles, California, United States (from 1952-05 until 1952-06)
double bass [bass]:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Willow Weep for Me (in 1952)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson Trio3:23
58The Gypsy
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt3:26
59All Of Me
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
All of Me (on 1959-05-18)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Oscar Peterson Trio3:22
60March Past
recording of:
March Past
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
Oscar Peterson Trio3:25
61Brotherhood Of Man
recording of:
Brotherhood of Man (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
Oscar Peterson Trio & Clark Terry3:31
62I Wish You Love
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
cover recording of:
I Wish You Love (in 1963-02)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
Bill Henderson3:43
63I’m Confessin’
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
I’m Confessin’ (That I Love You) (on 1952-11-28)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
Lester Young & Oscar Peterson Trio3:44
64Almost Like Being In Love
Lester Young & Oscar Peterson Trio3:32
65Learnin The Blues
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
Learnin’ the Blues (on 1959-05-18)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
Oscar Peterson Trio3:38
66You Are Too Beautiful
recorded in:
Los Angeles, California, United States (on 1953-12-06)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-06)
guitar:
Barney Kessel (on 1953-12-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-06)
instrumental recording of:
You Are Too Beautiful (on 1953-12-06)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Oscar Peterson Trio3:36
67All Or Nothing At All
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
All or Nothing at All (in 1963-02)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Henderson & Oscar Peterson Trio3:42
68Detour Ahead
recording of:
Detour Ahead
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Stan Getz & Oscar Peterson Trio3:37
69Sweet Lorraine
Oscar Peterson Trio3:32
70I Can’t Get Started
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1951-11-28)
drums (drum set):
J.C. Heard (on 1951-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
recording of:
I Can’t Get Started (on 1952-11-28)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental recording of:
I Can’t Get Started (on 1952-11-28)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Lester Young & Oscar Peterson Trio3:38
71Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Lester Young & Oscar Peterson Trio3:34
72Where Are You
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
Where Are You?
lyricist:
Harold Adamson
writer:
Harold Adamson and Jimmy McHugh (songwriter)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Bill Henderson & Oscar Peterson Trio3:39
73You Go To My Head
recorded in:
Los Angeles, California, United States (on 1952-01-26)
double bass [bass]:
Ray Brown (jazz bassist) (on 1952-01-26)
guitar:
Irving Ashby (on 1952-01-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-01-26)
instrumental recording of:
You Go to My Head (on 1952-01-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Oscar Peterson Trio3:55
74Band Call
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
recording of:
Band Call (from 1962-12-15 until 1962-12-16)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Oscar Peterson Trio3:53
75I’m A Fool To Want You
recorded in:
Chicago, Illinois, United States (on 1962-09-27)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1962-09-27)
drums (drum set):
Ed Thigpen (on 1962-09-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-09-27)
instrumental recording of:
I’m a Fool to Want You (on 1962-09-27)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Oscar Peterson Trio3:44
76Blues For Herky
Stan Getz & Oscar Peterson Trio3:45
77Young And Foolish
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Bill Henderson & Oscar Peterson Trio3:55
78Georgia On My Mind
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
instrumental recording of:
Georgia on My Mind (from 1962-12-15 until 1962-12-16)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Oscar Peterson Trio3:46
79Something’s Coming
Oscar Peterson Trio3:52
80The Girl From Ipanema (Garota De Ipanema)
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Oscar Peterson Trio3:52
81The Folks Who Live On The Hill
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
recording of:
The Folks Who Live on the Hill (in 1963-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
High, Wide and Handsome (1937 film)
Bill Henderson & Oscar Peterson Trio3:44
82Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Oscar Peterson Trio3:54
83Manteca
Oscar Peterson Trio4:05
84My Heart Belongs To Daddy
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Oscar Peterson Trio3:55
85Au Privave
producer:
Norman Granz
alto saxophone:
Sonny Stitt (on 1959-05-18)
double bass:
Ray Brown (jazz bassist) (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
Sonny Stitt4:00
86Baby Mine
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
Bill Henderson & Oscar Peterson Trio4:08
87West Coast Blues
recording of:
West Coast Blues
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Oscar Peterson Trio4:03
88Here’s That Rainy Day
recording of:
Here’s That Rainy Day
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson Trio4:09
89The Continental - Alt Take‐1
recorded in:
Los Angeles, California, United States (on 1953-12-06)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-12-06)
guitar:
Barney Kessel (on 1953-12-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-06)
recording of:
The Continental (from the 1934 film "The Gay Divorcee") (on 1953-12-06)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 1934 winner)
Oscar Peterson Trio4:03
90The Things We Did Last Summer
recorded in:
New York, New York, United States (on 1953-05-21)
double bass [bass]:
Ray Brown (jazz bassist) (on 1953-05-21)
guitar:
Barney Kessel (on 1953-05-21)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
The Things We Did Last Summer (on 1953-05-21)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Oscar Peterson Trio3:59
91Place St. Henri
double bass:
Ray Brown (jazz bassist) (on 1964-09-09)
drums (drum set):
Ed Thigpen (on 1964-09-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-09-09)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
recording of:
Place St. Henri
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
Oscar Peterson Trio3:58
92Reprise
Oscar Peterson Trio3:55
93Roundalay
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1964-02-26)
drums (drum set):
Ed Thigpen (on 1964-02-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-02-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1964-02-26)
recorded at:
RCA Studios (Toronto, ON, Canada) in Toronto, Ontario, Canada (on 1964-02-26)
instrumental recording of:
Roundalay (on 1964-02-26)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
Oscar Peterson Trio & Clark Terry3:55
94I’ve Got A Crush On You
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Oscar Peterson (Canadian jazz pianist and composer)
vocals:
Bill Henderson (US jazz vocalist & actor)
recording of:
I’ve Got a Crush on You (in 1963-02)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Bill Henderson & Oscar Peterson Trio4:05
95Baubles, Bangles, And Beads
recorded in:
Chicago, Illinois, United States (on 1962-09-27)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1962-09-27)
drums (drum set):
Ed Thigpen (on 1962-09-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1962-09-27)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1962-09-27)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
Oscar Peterson Trio4:13
96Tricrotism
Oscar Peterson Trio4:17
9752nd Street Theme
recorded in:
Stratford Shakespearean Festival, Ontario, Canada (on 1956-08-08) and Newport, Rhode Island, United States (on 1957-07-07)
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-07-07)
double bass:
Ray Brown (jazz bassist) (on 1956-08-08)
electric guitar [guitar]:
Herb Ellis (jazz guitarist) (on 1956-08-08)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-08, on 1957-07-07)
recorded at:
Stratford Shakespearean Festival 1956 (1956)
live recording of:
52nd Street Theme (on 1956-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
recording of:
52nd Street Theme
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
Oscar Peterson Trio4:14
98Ballad To The East
double bass:
Ray Brown (jazz bassist) (on 1964-09-09)
drums (drum set):
Ed Thigpen (on 1964-09-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-09-09)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
recording of:
Ballad to the East
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
Oscar Peterson Trio4:08
99Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Oscar Peterson Trio4:11
100I Was Doing All Right
Stan Getz & Oscar Peterson Trio4:07
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