Listen (Sixth Edition)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Vere Dignum[anonymous]2:14
2In Paradisum
[anonymous]1:23
3Columba Aspexit
choir vocals:
Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire)
soprano vocals:
Emma Kirkby (soprano)
conductor:
Christopher Page (conductor and medieval music scholar)
recording of:
Symphonia armonie celestium revelationem: Columba aspexit
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen3:52
4La Dousa Votz
performer:
Martin Best
recording of:
La dousa votz ai auzida
lyricist and composer:
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn2:07
5Alleluia. Difffusa Est Gratia
vocals:
Lionheart (vocal ensemble)
Pérotin3:35
6Quant en moi
recording of:
Quant en moy / Amour et biaute / Amara valde
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:18
7Ave Maris Stella
recording of:
Ave maris stella
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:50
8Pange Lingua Mass, Kyrie
recording of:
Missa Pange lingua: I. Kyrie
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Missa Pange lingua
Josquin des Prez3:03
9Pange Lingua Mass, Qui Tollis From Gloria
recording of:
Missa Pange lingua: II. Gloria
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
part of:
Missa Pange lingua
Josquin des Prez2:13
10Mille Regretz
recording of:
Mille regretz (à 4)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez1:54
11Pope Marcellus Mass, Gloria (Excerpt)Giovanni Pierluigi Da Palestrina3:34
12As Vesta Was from Latmos Hill Descending
recording of:
As Vesta Was From Latmos Hill Descending
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
The Triumphs of Oriana (number: 18)
Thomas Weelkes3:12
13Daphne
[anonymous]3:13
14Kemp's Jig
[anonymous]1:42
15O Magnum MysteriumGiovanni Gabrieli3:14
16Tornerai?
partial recording of:
L’ Incoronazione di Poppea: Act 1
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’incoronazione di Poppea, SV 308
Claudio Monteverdi2:26
17Speranza, Tu Mi Vai
recording of:
L' Incoronazione di Poppea: Act 1, Scene 4 Speranza, Tu Mi Vai
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’ Incoronazione di Poppea: Act 1
Claudio Monteverdi1:32
18Thy Hand, Belinda / When I Am LaidHenry Purcell34:01
19With Drooping Wings
Henry Purcell2:21
20Suite (Canzona)
Girolamo Frescobaldi1:16
21Suite (Balletto)
Girolamo Frescobaldi0:47
22Suite (Corrente)
Girolamo Frescobaldi0:57
23Suite (Passacaglia)
Girolamo Frescobaldi2:27
24Violin Concerto in G, Op. 4, No.12 (I)Antonio Vivaldi2:46
25Violin Concerto in G, Op. 4, No.12 (II)
recording of:
Violin Concerto in G major, op. 4 no. 12, RV 298: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1716)
part of:
Violin Concerto in G major, op. 4 no. 12, RV 298
Antonio Vivaldi2:59
26Violin Concerto in G, Op. 4, No.12 (III)
Antonio Vivaldi4:03
27Qur'anic Recitation, Ya Sin
[anonymous]1:59
28Hawai'ian Chant, "Mele Pule"
[anonymous]1:10
29Navajo Song, "K'adnikini'ya'"
[anonymous]1:22
30Hymn, "Hanaq Pachap Kusikuynin"
[anonymous]1:17
31Laminba
[anonymous]2:46
32Elephant-Hunt Song
[anonymous]2:48
2CD
#TitleArtistRatingLength
1Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:28
2Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:50
3Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:15
4Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:57
5Brandenburg Concerto No.5, I
orchestra:
Boston Baroque
partial recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:29
6The Art of Fugue, Contrapunctus 4
Johann Sebastian Bach5:59
7Orchestral Suite No. 3 in D, Air
natural trumpet:
Friedemann Immer
orchestra:
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor:
Hans-Martin Linde (flutist and conductor)
Johann Sebastian Bach3:50
8Suite #3 In D - Gavotte 1 & 2
natural trumpet:
Friedemann Immer
orchestra:
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor:
Hans-Martin Linde (flutist and conductor)
Johann Sebastian Bach3:22
9"La Giustizia"
mezzo-soprano vocals:
Lorraine Hunt Lieberson (American soprano / mezzo)
orchestra:
Philharmonia Baroque Orchestra
Georg Friedrich Händel4:15
10"There Were Shepherds" / "Glory to God"
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano) (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel53:24
11Hallelujah Chorus
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:49
12Cantata No.4, BWV 4, "Christ Lag In Todesbanden" - 4. Jesus Christus, Gottes Sohn
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1993-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:58
13Cantata No.4, BWV 4, "Christ Lag In Todesbanden" - 5. Es War Ein Wunderlicher Krieg
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1993-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:29
14Cantata No.4, BWV 4, "Christ Lag In Todesbanden"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1993-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:09
15Choral Prelude, "Christ Lag in Todesbanden"
organ:
Hans Helmut Tillmanns (German organist)
recording of:
Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 27) and Bach-Werke-Verzeichnis (number: BWV 625)
Johann Sebastian Bach1:23
16Symphony No.40 in G Minor, K. 550 I
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:53
17Symphony No.40 in G Minor, K. 550 II
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:17
18Symphony No.40 in G Minor, K. 550 III
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
19Symphony No.40 in G Minor, K. 550 IV
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
20Symphony No.40 in G Minor, K. 550 V
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:13
21Symphony No.40 in G Minor, K. 550 VI
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Eugen Jochum (conductor)
partial recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:24
22Symphony No.95 in C Minor, I A
Joseph Haydn3:33
23Symphony No.95 in C Minor, I B
Joseph Haydn1:09
24Symphony No.95 in C Minor, I C
Joseph Haydn1:49
25Symphony No.95 in C Minor, II A
Joseph Haydn1:06
26Symphony No.95 in C Minor, II B
Joseph Haydn0:59
27Symphony No.95 in C Minor, II C
Joseph Haydn0:52
28Symphony No.95 in C Minor, II D
Joseph Haydn0:42
29Symphony No.95 in C Minor, II E
Joseph Haydn0:37
30Symphony No.95 in C Minor, III A
Joseph Haydn2:12
31Symphony No.95 in C Minor, III B
Joseph Haydn1:34
32Symphony No.95 in C Minor, III C
Joseph Haydn1:11
33Symphony No.95 in C Minor, IV A
Joseph Haydn0:58
34Symphony No.95 in C Minor, IV B
Joseph Haydn1:07
35Symphony No.95 in C Minor, IV C
Joseph Haydn1:10
36Symphony No.95 in C Minor, IV D
Joseph Haydn0:29
37Piano Concerto in A, K. 488, I AWolfgang Amadeus Mozart2:06
38Piano Concerto in A, K. 488, I BWolfgang Amadeus Mozart2:11
39Piano Concerto in A, K. 488, I CWolfgang Amadeus Mozart1:54
40Piano Concerto in A, K. 488, I DWolfgang Amadeus Mozart2:00
41Piano Concerto in A, K. 488, I EWolfgang Amadeus Mozart3:05
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Credits

Release group

part of:Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (number: 5) (order: 4)